I was raised with my seven siblings on Bernard Street in Mill Creek Valley—454 acres in downtown St. Louis, which comprised the nation's largest urban-renewal project beginning in 1959. I started writing short stories about my childhood memories of the dying African-American community after retiring at age 66. The Last Children of Mill Creek was published when I was 70 years old. This memoir is about survival, as told from the viewpoint of a watchful young girl -- a collection of decidedly universal stories that chronicle the extraordinary lives of ordinary people.
Vivian Gibson grew up in Mill Creek Valley, a segregated working-class neighborhood of St. Louis that was razed in 1959 to build a highway, an act of racism disguised under urban renewal as “progress.” The three rooms of her childhood home were heated by a wood-burning stove; her family had no hot water or furnace, but what Gibson lacked in material comforts she made up for in imagination. A moving memoir of family life at a time very different from the present, The Last Children of Mill Creek chronicles the everyday lived experiences of Gibson’s large family -- her seven siblings, her crafty, college-educated mother, and her hard-working father -- and the friends, shop owners, church ladies, teachers, and others who made Mill Creek into a warm, tight-knit African-American community.
In Gibson’s words, “This memoir is about survival, as told from the viewpoint of a watchful young girl -- a collection of decidedly universal stories that chronicle the extraordinary lives of ordinary people.”
I rarely read books a second time, but this book is an exception. McBride writes with charm and humor about his family of twelve children living in the projects in Red Hook, Brooklyn. His mother refused to admit she was white while raising her children with her Black minister husband. Coming-of-age, racial identity, and family secrets are ever-present themes in this powerful and poignant narrative.
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'A triumph' - New York Times Book Review
'A startling, tender-hearted tribute to a woman for whom the expression tough love might have been invented' - The Times
'As lively as a novel, a well-written, thoughtful contribution to the literature on race' - Washington Post
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MORE THAN TWO YEARS ON THE NEW YORK TIMES BESTSELLER LIST
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From the New York Times bestselling author of Deacon King Kong and The Good Lord Bird, winner of the National Book Award for Fiction, came this modern classic that Oprah.com calls one of the best memoirs of a generation and that…
Not since James Baldwin, then Toni Morrison does anyone write more intelligently about the struggles of Black families in America. In this letter to his son, Coates explores the painful truth about becoming a Black man in America. “They made us into a race. We made ourselves into a people.”
#1 NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • NAMED ONE OF TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE • PULITZER PRIZE FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • ONE OF OPRAH’S “BOOKS THAT HELP ME THROUGH” • NOW AN HBO ORIGINAL SPECIAL EVENT
Hailed by Toni Morrison as “required reading,” a bold and personal literary exploration of America’s racial history by “the most important essayist in a generation and a writer who changed the national political conversation about race” (Rolling Stone)
NAMED ONE OF THE MOST INFLUENTIAL BOOKS OF THE DECADE BY CNN •…
With polished language and measured pace, Blow tells a fascinating coming-of-age story of growing up in a small Louisiana town. As the youngest in a family of five boys raised by a schoolteacher mother, with the help of her extended family, he unveils his struggles with sexual identity and masculinity.
Charles M. Blow's mother was a fiercely driven woman with five sons, brass knuckles in her glove box, and a job plucking poultry at a factory near their town in segregated Louisiana, where slavery's legacy felt close. When her philandering husband finally pushed her over the edge, she fired a pistol at his fleeing back, missing every shot, thanks to "love that blurred her vision and bent the barrel." Charles was the baby of the family, fiercely attached to his "do-right" mother. Until one day that divided his life into Before and After - the day an older cousin took…
In this intimate memoir of a future first lady of the United States, we learn how the author’s father modeled hard work while her mother taught her to stand up for herself. From her older brother, with whom she shared a bedroom, divided by a hanging bedsheet, Obama learned to exhibit poise and grace when faced with the dizzying contradictions of success.
An intimate, powerful, and inspiring memoir; 17 million copies sold worldwide
THE NO. 1 BESTSELLER
BRITISH BOOK AWARDS, NON-FICTION BOOK OF THE YEAR
THE SUNDAY TIMES, MEMOIR OF THE YEAR
BOOKS OF THE YEAR: THE TIMES, OBSERVER, GUARDIAN, EVENING STANDARD
Now in paperback featuring a new introduction by Michelle Obama, a letter from the author to her younger self, and a book club guide with 20 discussion questions and a 5-question Q&A, the intimate, powerful, and inspiring memoir by the former First Lady of the United States
In her memoir, a work of deep reflection and mesmerizing storytelling, Michelle Obama…
Jesmyn Ward writes lucidly about losing five men in her life in five years. Their deaths force her to confront the reality that they all died because they lived in fear of the racism and poverty that smothers Black families and relationships.
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'A brutal, moving memoir ... Anyone who emerges from America's black working-class youth with words as fine as Ward's deserves a hearing' - Guardian
'Raw, beautiful and dangerous' - New York Times Book Review
'Lavishly endowed with literary craft and hard-earned wisdom' - Time
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The beautiful, haunting memoir from Jesmyn Ward, the first woman to win the National Book Award twice
'And then we heard the rain falling and that was the blood falling; and when we came to get in the crops, it was dead men that we reaped' - Harriet Tubman
Jesmyn Ward's acclaimed memoir shines…
The constellation we know as Taurus goes all the way back to cave paintings of aurochs at Lascaux. This book traces the story of the bull in the sky, a journey through the history of what has become known as the sacred bull.
Each of the sections is written from the perspective of the mythical Taurus, from the beginning at Lascaux to Mesopotamia, Ancient Egypt, and elsewhere. This is not just a history of the bull but also a view of ourselves through the eyes of the bull, illustrating our pre-literate use of myth, how the advent of writing and the urban revolution changed our view of ourselves, and how even bullfighting in Spain is a variation on the ancient sacrifice of the sacred bull.
The constellation we know as Taurus goes all the way back to cave paintings of aurochs at Lascaux. In I Am Taurus, author Stephen Palmer traces the story of the bull in the sky, starting from that point 19,000 years ago - a journey through the history of what has become known as the sacred bull. Each of the eleven sections is written from the perspective of the mythical Taurus, from the beginning at Lascaux to Mesopotamia, Ancient Egypt, Greece, Spain and elsewhere. This is not just a history of the bull but also an attempt to see ourselves through…
