Here are 100 books that The Color of Water fans have personally recommended if you like
The Color of Water.
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I’ve always been curious and passionate about how people overcame significant suffering in their lives. True stories of how people emerged stronger from traumatic events not only became an inspiration in my personal life but also my professional life as a therapist, where I became an agent of change. The ‘secret’ of these storytellers and their transformation became my focus. I only hope you find these stories as enjoyable as I did and also a challenge and an inspiration that makes a difference in your own life.
The author held me spellbound as she skilfully unpacked the remarkable story of Louis Zamperini, who survived a plane crash at sea only to be taken prisoner by the Japanese.
Zamperini’s life leapt from the page and swept me along a chilling pathway that bore witness to his physical and inner strength. Hillenbrand held me riveted to the last page of this remarkable true story.
From the author of the bestselling and much-loved Seabiscuit, an unforgettable story of one man's journey into extremity. On a May afternoon in 1943, an Army Air Forces bomber crashed into the Pacific Ocean and disappeared, leaving only a spray of debris and a slick of oil, gasoline, and blood. Then, on the ocean surface, a face appeared. It was that of a young lieutenant, the plane's bombardier, who was struggling to a life raft and pulling himself aboard. So began one of the most extraordinary odysseys of the Second World War. The lieutenant's name was Louis Zamperini. In boyhood,…
Growing up in Indiana and Illinois meant that Chicago has always been, for me, the city—the place where people went to make a name for themselves and took the world by storm. From my local Carnegie Library, I read voraciously across genres—history, science, literature. They transported me out of my small town—across the universe sometimes. I learned that setting in fiction was for me a major feature of my enjoyment, and Chicago was where I set my own mystery series. These books, when I read them, explored that grand metropolis—and brought Chicago to life on and off the page. I hope you enjoy these books as much as I have.
It is a book that deep dives into a historical event, in this case, the 1893 World Columbian Exposition. Check. It is a nonfiction book that reads like a gripping thriller, in this case, the serial killer H.H. Holmes, who built a three-story building featuring secret rooms, torture chambers, and a crematorium. Check. Chicago leaps off the page. By the end of the book, I was able to envision the massive exposition, its hundreds of temporary buildings, all white colored, interlaced with ponds and canals.
Much like that exposition helped raise Chicago up from its Great Fire, so I could see a Chicago of the past, in a glorious triumph of industry and innovation. Oh, and yeah, a serial killer constructing a horrific murder building.
The Chicago World Fair was the greatest fair in American history. This is the story of the men and women whose lives it irrevocably changed and of two men in particular- an architect and a serial killer. The architect is Daniel Burnham, a man of great integrity and depth. It was his vision of the fair that attracted the best minds and talents of the day. The killer is Henry H. Holmes. Intelligent as well as handsome and charming, Holmes opened a boarding house which he advertised as 'The World's Fair Hotel' Here in the neighbourhood where he was once…
One of the things I love most about fiction is the way it allows you to “be” different people—to experience, think, feel, and behave from inside a particular temperament, worldview, or experience. My very favorite is adding the complexity of multiple perspectives to that magic trick so that you get to live inside two or more people who may be at complete odds with each other. Reading good fiction is an exercise in empathy, and reading good fiction from multiple viewpoints is empathy supercharged. I’ve loved that immersion since I was a little kid who believed there was nothing better than a novel.
This novel is an immersive read with heaps of empathy for all its characters but especially for the two sisters whose perspectives are at the center of the story: the twin who disappears to live a secret life, passing as white, and the twin left behind.
We don’t get the perspective of Stella, the vanished twin, until 14 years after her disappearance, 150 pages into the book. By then, I was fully absorbed in the grief and unanswered questions of the people she’d abandoned, eager to finally know where she’d been all this time and to understand her complex motivations and the emotional and mental toll of relinquishing—and hiding—her racial identity, her community, her sister, and her past. I picked this book up and didn’t put it down until it was done.
THE SUNDAY TIMES TOP BESTSELLER #1 NEW YORK TIMES BESTSELLER
SHORTLISTED FOR THE WOMEN'S PRIZE LONGLISTED FOR THE ORWELL PRIZE
'An utterly mesmerising novel..I absolutely loved this book' Bernardine Evaristo, winner of the Booker Prize 2019
'Epic' Kiley Reid, O, The Oprah Magazine
'Favourite book [of the] year' Issa Rae
The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Ten years…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
As both an author and a teacher, I’ve been using Howard Zinn’s iconic book for over 20 years. I have found it to be an effective counterweight to more orthodox texts, as well as a credible platform for stimulating discussion. In writing my own “guide” to U.S. history, I always kept Zinn in mind. While we may not always agree, the dissonance is something I’m certain Howard Zinn would appreciate. He was unafraid to "engage" with his subject matter and his readers. This is an inspiration.
Coates’s semi-autobiographical examination of life for black men in American society, and more broadly in American history, is an education. Like Zinn, Coates calls America on the hypocrisy inherent in its highest ideals and its most cherished conceits.
As Coates himself later said about Zinn, "He knocked me on my ass." The two - while not always on the same page in their critical examinations of the American experiment, are clearly kindred spirits. They both want America to do better and clearly believe it can do better if it is honest about itself - but will it be? This is the question left ominously dangling by both Zinn and Coates.
#1 NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • NAMED ONE OF TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE • PULITZER PRIZE FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • ONE OF OPRAH’S “BOOKS THAT HELP ME THROUGH” • NOW AN HBO ORIGINAL SPECIAL EVENT
Hailed by Toni Morrison as “required reading,” a bold and personal literary exploration of America’s racial history by “the most important essayist in a generation and a writer who changed the national political conversation about race” (Rolling Stone)
NAMED ONE OF THE MOST INFLUENTIAL BOOKS OF THE DECADE BY CNN •…
I was raised with my seven siblings on Bernard Street in Mill Creek Valley—454 acres in downtown St. Louis, which comprised the nation's largest urban-renewal project beginning in 1959. I started writing short stories about my childhood memories of the dying African-American community after retiring at age 66. The Last Children of Mill Creek was published when I was 70 years old. This memoir is about survival, as told from the viewpoint of a watchful young girl -- a collection of decidedly universal stories that chronicle the extraordinary lives of ordinary people.
With polished language and measured pace, Blow tells a fascinating coming-of-age story of growing up in a small Louisiana town. As the youngest in a family of five boys raised by a schoolteacher mother, with the help of her extended family, he unveils his struggles with sexual identity and masculinity.
Charles M. Blow's mother was a fiercely driven woman with five sons, brass knuckles in her glove box, and a job plucking poultry at a factory near their town in segregated Louisiana, where slavery's legacy felt close. When her philandering husband finally pushed her over the edge, she fired a pistol at his fleeing back, missing every shot, thanks to "love that blurred her vision and bent the barrel." Charles was the baby of the family, fiercely attached to his "do-right" mother. Until one day that divided his life into Before and After - the day an older cousin took…
I’ve been in the DEI trenches for over 20 years, and let me tell you, it's been one hell of a ride. As a Black woman navigating this shit show, I've seen it all—from clueless executives to well-meaning “allies” who can't get out of their own way. My passion? Calling out the bullshit and actually making DEI work. I've gone toe-to-toe with tech giants, founded Inclusology, and now I'm tackling a second PhD because I believe in the work, even at is most discouraging. DEI-ing is my no-holds-barred guide to creating real change. I’m all about busting AI bias and building DEI that sticks, not just some feel-good fluff.
I absolutely love this book. Michelle Obama’s story is all about how we are constantly evolving, always “becoming” someone new. She dives deep into lessons about where you come from and how that shapes who you become, especially in how we educate our kids.
It’s powerful to see her journey through different phases of life and how she keeps growing. This book isn’t just a memoir; it’s a powerful reminder that we are always in the process of becoming our true selves.
An intimate, powerful, and inspiring memoir; 17 million copies sold worldwide
THE NO. 1 BESTSELLER
BRITISH BOOK AWARDS, NON-FICTION BOOK OF THE YEAR
THE SUNDAY TIMES, MEMOIR OF THE YEAR
BOOKS OF THE YEAR: THE TIMES, OBSERVER, GUARDIAN, EVENING STANDARD
Now in paperback featuring a new introduction by Michelle Obama, a letter from the author to her younger self, and a book club guide with 20 discussion questions and a 5-question Q&A, the intimate, powerful, and inspiring memoir by the former First Lady of the United States
In her memoir, a work of deep reflection and mesmerizing storytelling, Michelle Obama…
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places…
I grew up on the high plains of eastern Montana. Like most rural folks, we lived close to the bone, even in the best of times. Then, when I was nine, my father died—and things got even harder. We finally had to put our acres up for lease, and I made a goal to leave that hard place. Though I worked hard for this new life I find myself leading—I studied, won scholarships, earned an MFA, and became a professor—ever since I left Montana, I’ve been trying to understand the distance between there and where I find myself now. I’ve been trying to understand rural America.
I don’t know of another book that so successfully explodes all our usual myths of rural America. Jesmyn Ward tells a story of community and tragedy as she chronicles the deaths of five young men across five years, including her younger brother, in her hometown of DeLisle, Mississippi, a rural, primarily African American community on the Gulf Coast.
This memoir is deeply sad and troubling, but I found the power of Ward’s language, wisdom, and resilience simply stunning.
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'A brutal, moving memoir ... Anyone who emerges from America's black working-class youth with words as fine as Ward's deserves a hearing' - Guardian
'Raw, beautiful and dangerous' - New York Times Book Review
'Lavishly endowed with literary craft and hard-earned wisdom' - Time
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The beautiful, haunting memoir from Jesmyn Ward, the first woman to win the National Book Award twice
'And then we heard the rain falling and that was the blood falling; and when we came to get in the crops, it was dead men that we reaped' - Harriet Tubman
Jesmyn Ward's acclaimed memoir shines…
My passion for old-school genre fiction began as that of a writer learning to write. What started out as self-education soon turned into a love of all things thrilling and fantastic. I was able to truly enjoy reading, something I felt discouraged from in school (beyond the classics and a few exceptions). I discovered a great many works and writers in my studies who I look up to now, for they taught me some key ingredients, from creating intelligent, dynamic heroes to captivating world-building to, above all else, well-paced prose, whether in action, dialogue, or exposition. These five are not only great teachers; they are simply great fun.
About half the size and nearly twice as epic as J.R.R. Tolkien’s seminal The Lord of the Rings, this tale of a rabbit clan in search of a new home and their defense of it thereafter rocked my middle-school mind and has scarcely left it since.
From the canny Hazel to the delightfully brash Bigwig to the terrifying General Woundwort, Adams made sure to populate his grand lapine journey with compelling heroes, striking villains, and a mammoth mythology that takes you deep into their world.
It was the first book that I actively felt winded upon finishing, having been through such an odyssey and one whose 1978 animated film adaptation stands as much a classic (and a personal favorite) as the text that spawned it.
One of the best-loved children's classics of all time, this is the complete, original story of Watership Down.
Something terrible is about to happen to the warren - Fiver feels sure of it. And Fiver's sixth sense is never wrong, according to his brother Hazel. They had to leave immediately, and they had to persuade the other rabbits to join them.
And so begins a long and perilous journey of a small band of rabbits in search of a safe home. Fiver's vision finally leads them to Watership Down, but here they face their most difficult challenge of all .…
I had the passion to write Necessary Deeds because: 1) as someone who'd spent 20+ years writing novels, dealing with untrustworthy literary agents, and book-doctoring other writers’ novels in order to pay rent, I'd come to know betrayal (“best friend” writers who stole drafts of mine and called them their own, novelists who backstabbed me after I helped them land agents and book contracts, and so on); 2) like many people who lived through the drug-and-alcohol-laced Eighties, I had a long relationship with someone that ended because they cheated on me. So I never doubted that, as I wrote Necessary Deeds, my heart knew well what motivated its characters.
Much as I enjoyed the film based on this novella by Stephen King (which I now understand is a standalone book—I read it as part of a story collection long ago), I enjoyed the novella more.
Why? Because of its extraordinarily likeable narrative voice, which has caused people worldwide to find themselves rooting for its narrator. How can you not want to know what’ll happen next to someone so candid and down-to-earth—who has experienced homicide and love so intensely? Especially when he wants intimacy yet also feels threatened by it.
In fact, just after I finished reading the Shawshank novella, I vowed to write a novel about someone in NYC who exuded those same attributes: candor, humility, and understated yet solid wisdom about murder and affairs of the heart. And after several years of writing with this goal, I finally tapped into the voice of Matt Connell, the narrator of…
The No. 1 bestselling author Stephen King's beloved novella, Rita Hayworth and Shawshank Redemption - the basis for the Best Picture Academy Award-nominee The Shawshank Redemption - about an unjustly imprisoned convict who seeks a strangely satisfying revenge, is now available as a standalone book.
There's a guy like me in every state and federal prison in America, I guess - I'm the guy who can get it for you.
And new convict Andy Dufresne wants two things from fellow prisoner Red: a small rock-hammer for carving stones and a giant poster of Rita Hayworth.
Me and The Times offers a fresh perspective on those pre-internet days when the Sunday sections of The New York Times shaped the country’s political and cultural conversation. Starting in 1967, Robert Stock edited seven of those sections over 30 years, innovating and troublemaking all the way.
Sixty-one years ago I, a young white woman, married a Black man and together we had two children. Raising them (and then watching my biracial children grow to maturity) started my career, professionally and personally, as an anti-racism activist and scholar. They also caused me to question “race”: how did this myth come to be accepted as reality? How could people who were segregated as Negro, as my children were called in the 1960s, have come out of my body, called “white”? As a writer and avid reader, I am fascinated by every aspect of “racial identity.”
I have bought multiple copies of One Drop as gifts for biracial family members, as well as friends.
Broyard is the daughter of Anatole Broyard, celebrated New York Times book critic in the 1960s and 70s. Only after his death did even his wealthy white wife and mixed children discover his Black heritage. The public—self included—was equally shocked.
Bliss Boyard researches his Louisiana roots, meets her Black cousins, and writes a fascinating, deeply personal story of “race,” showing its often bizarre contours as some family members may be classified as “white,” others “colored” or any number of other categorizations, from “octoroon” on.
Two months before he died of cancer, renowned literary critic Anatole Broyard called his grown son and daughter to his side, intending to reveal a secret he'd kept all their lives and most of his own: he was black. But even as he lay dying, the truth was too diffi cult for him to share, and it was his wife who told Bliss Broyard that her WASPy, privileged Connecticut childhood had come at a price. Ever since his own parents, New Orleans Creoles, had moved to Brooklyn and begun to 'pass' in order to get work, Anatole had learned to…
