Finding a voice is something I struggled with since childhood. Always afraid of being invisible or silent, finding common ground with writers who excelled at relating the human condition became a safe haven. I made a choice to focus on creative work that explores what is means to be simply human--to examine the hopes, needs, wants, and energies that make our daily lives move.
A quiet retelling of a life in the background, Athena Dixon's debut essay collection,
The Incredible Shrinking Woman, is a gentle unpacking of the roles she learned to inhabit, growing up as a Black woman in a small Midwestern town, to avoid disruption. But after the implosion of the life she'd always wanted, Dixon must explore the implications of her desire to hide as she rebuilds herself in a world that expects freedom to look boisterous. As Dixon presses the bruises of her invisibility, these essays glide between the pages of fan fiction, the rush of new panties, down the rabbit hole of depression, and reemerge on the other side, speaking with the lived authority of a voice that, even when shaking, is always crystal clear.
Sonic Memories makes the best use of a compact space without losing any of the narrative depth and emotional impact. This small collection of essays uses sound and music as its top note all the while using the silence in between to showcase a rich memoir-like exploration of Black girlhood growing into Black womanhood.
Sonic Memories is a debut collection of personal essays written and designed by the author.
These true stories begin in Utah in the late seventies. The author is two and her parents are hopeful newlyweds in their early twenties. We follow the family back to Maryland where her father's dream to practice law disintegrates when he doesn’t pass the bar after several attempts. His upwardly mobile hopes for his family are dashed, and the fallout from that—a fear of being trapped in a life of poverty and dreams deferred—dogs the author through most of her young adult/adult life. In these…
An amazing example of how music can solidify personal experience and growth, this essay collection is fueled by stunning writing and a nuanced dissection of culture and our places within it. Never heavy-handed, They Can’t Kill Us Until They Kill Us invites readers to revisit the cultural touchstones of their lives and find new entryways into memory and how it shapes our lives.
* 2018 "12 best books to give this holiday season" —TODAY (Elizabeth Acevedo) * A "Best Book of 2017" —Rolling Stone (2018), NPR, Buzzfeed, Paste Magazine, Esquire, Chicago Tribune, Vol. 1 Brooklyn, CBC, Stereogum, National Post, Entropy, Heavy, Book Riot, Chicago Review of Books, The Los Angeles Review, Michigan Daily * American Booksellers Association (ABA) 'December 2017 Indie Next List Great Reads' * Midwest Indie Bestseller
In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of…
A book that forces you to engage both intellectually and emotionally is a gift. This novel is beautiful in its unflinching pride in its Black Florida roots and dialect. It forces readers to lay down their expectations of language and step into something new. Hurston’s careful crafting of Janie’s discovery of self in relation to both external expectation and her internal desires is one that is world-altering.
Cover design by Harlem renaissance artist Lois Mailou Jones
When Janie, at sixteen, is caught kissing shiftless Johnny Taylor, her grandmother swiftly marries her off to an old man with sixty acres. Janie endures two stifling marriages before meeting the man of her dreams, who offers not diamonds, but a packet of flowering seeds ...
'For me, THEIR EYES WERE WATCHING GOD is one of the very greatest American novels of the 20th century. It is so lyrical it should be sentimental; it is so passionate it should be overwrought, but it is instead a rigorous, convincing and dazzling piece…
Home is personal. It can vary greatly even among people in the same family. Men We Reaped is not just the story of one community and family, it also serves as a bridge to readers seeking to place their own legacy into perspective while trying to determine what they may bring to the ongoing story.
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'A brutal, moving memoir ... Anyone who emerges from America's black working-class youth with words as fine as Ward's deserves a hearing' - Guardian
'Raw, beautiful and dangerous' - New York Times Book Review
'Lavishly endowed with literary craft and hard-earned wisdom' - Time
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The beautiful, haunting memoir from Jesmyn Ward, the first woman to win the National Book Award twice
'And then we heard the rain falling and that was the blood falling; and when we came to get in the crops, it was dead men that we reaped' - Harriet Tubman
Jesmyn Ward's acclaimed memoir shines…
Finding your voice and using it to champion those in the world who mean the most to you is at the heart of this collection of essays. It is steadfast in its commentary on the world just as it questions the self and how to move beyond from what weighs you down in order to rise up.
Author and essayist Kiese Laymon is one of the most unique, stirring, and powerful new voices in American writing. How to Slowly Kill Yourself and Others in America is a collection of his essays, touching on subjects ranging from family, race, violence, and celebrity to music, writing, and coming of age in Mississippi. In this collection, Laymon deals in depth with his own personal story, which is filled with trials and reflections that illuminate under-appreciated aspects of contemporary American life. New and unexpected in contemporary American writing, Laymon's voice mixes the colloquial with the acerbic, while sharp insights and blast-furnace…
Everything you need to know to plan for your own safe, financially secure, healthy, and happy old age.
For those who have no support system in place, the thought of aging without help can be a frightening, isolating prospect. Whether you have friends and family ready and able to help you or not, growing old does not have to be an inevitable decline into helplessness. It is possible to maintain a good quality of life in your later years, but having a plan is essential. Who Will Take Care of Me When I'm Old? Equips readers with everything they need to prepare on their own:
Advice on the tough medical, financial, and housing decisions to come
Real solutions to create a support network
Questions about aging solo readers don't know to ask
Customizable worksheets and checklists that help keep plans on course
Guidance on new products, services, technology, and resources
Who Will Take Care of Me When I'm Old?: Plan Now to Safeguard Your Health and Happiness in Old Age
For those who have no support system in place, the thought of aging without help can be a frightening, isolating prospect. Whether you have friends and family ready and able to help you or not, growing old does not have to be an inevitable decline into helplessness. It is possible to maintain a good quality of life in your later years, but having a plan is essential. WHO WILL TAKE CARE OF ME WHEN I'M OLD? equips readers with everything they need to prepare on their own:
* Advice on the tough medical, financial, and housing decisions to come *…
