Here are 100 books that Sonic Memories and other essays fans have personally recommended if you like
Sonic Memories and other essays.
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I’m Kai Storm, author of reality-based urban fiction and erotica, erotica blogger, YouTuber, and Podcaster. I love reading books that feel real, that make you feel, and that teach you something as they entertain you.
This book scared the hell out of me when I was a teenager because its vivid descriptions stayed in my dreams yet it never stopped me from reading and loving the entire book.
It taught me a lot about following your intuition and/or gut feelings. Although it has been a long time since I read it, the main thing I remember is that your intuition is your protector, and listening to that inner voice helps a lot along the way.
Cover design by Harlem renaissance artist Lois Mailou Jones
When Janie, at sixteen, is caught kissing shiftless Johnny Taylor, her grandmother swiftly marries her off to an old man with sixty acres. Janie endures two stifling marriages before meeting the man of her dreams, who offers not diamonds, but a packet of flowering seeds ...
'For me, THEIR EYES WERE WATCHING GOD is one of the very greatest American novels of the 20th century. It is so lyrical it should be sentimental; it is so passionate it should be overwrought, but it is instead a rigorous, convincing and dazzling piece…
I chose to study creative nonfiction during my MFA program so I could learn what makes great memoirs work, but I first fell in love with the genre as a teenager, when I picked up Angela’s Ashes off my mom’s bedside table. I’m grateful for the way memoir gives me a window into the lives of people of other races, religions, abilities, experiences, and even other centuries.While my book The Place We Make isn’t only a memoir—it’s a blend of memoir and historical biography—it was my desire to both understand the view through my research subject’s eyes, and analyze how I was seeing the world myself, that drove me to write it.
Not only does Ward provide an incredibly personal and achingly beautiful glimpse of a culture I was unfamiliar with—a rural, impoverished Black community in the Deep South—but she does so with an innovative structure that simply dazzled me.
One strand of the book opens at the beginning of Ward’s life, while the other strand picks up at the end of her tale, with the most recent of five harrowing deaths due to gun violence that she and her community have endured. Each part of the story then alternately proceeds toward the same point, forwards along her childhood and backwards through each death, until both strands wind up in the middle of the story. It’s brilliantly executed.
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'A brutal, moving memoir ... Anyone who emerges from America's black working-class youth with words as fine as Ward's deserves a hearing' - Guardian
'Raw, beautiful and dangerous' - New York Times Book Review
'Lavishly endowed with literary craft and hard-earned wisdom' - Time
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The beautiful, haunting memoir from Jesmyn Ward, the first woman to win the National Book Award twice
'And then we heard the rain falling and that was the blood falling; and when we came to get in the crops, it was dead men that we reaped' - Harriet Tubman
Jesmyn Ward's acclaimed memoir shines…
A dozen years ago, my family moved from a homogeneous community where everyone looked, lived, and believed as we did to a vibrant neighborhood filled with difference and complexity. This shifted something deep inside me and ultimately changed the way I see the world and myself within it. It set me on a path toward understanding how authentic, ordinary community holds the power to transform our world. To live as neighbors is to draw near to each other. I have written three books on this central theme and plan to spend the rest of my life reaching for empathy as our best tool in reclaiming the goodness of humanity.
The unexpected cover art was just the beginning of the odyssey that is this book. Abdurraquib masterfully explores the intersection of civics and pop culture, weaving personal history with modern-day ethics, all to a soundtrack that is both memorable and urgent.
This is the sort of book that unlocks a hidden door to our collective compassion. One of the best things I’ve ever read.
* 2018 "12 best books to give this holiday season" —TODAY (Elizabeth Acevedo) * A "Best Book of 2017" —Rolling Stone (2018), NPR, Buzzfeed, Paste Magazine, Esquire, Chicago Tribune, Vol. 1 Brooklyn, CBC, Stereogum, National Post, Entropy, Heavy, Book Riot, Chicago Review of Books, The Los Angeles Review, Michigan Daily * American Booksellers Association (ABA) 'December 2017 Indie Next List Great Reads' * Midwest Indie Bestseller
In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of…
Finding a voice is something I struggled with since childhood. Always afraid of being invisible or silent, finding common ground with writers who excelled at relating the human condition became a safe haven. I made a choice to focus on creative work that explores what is means to be simply human--to examine the hopes, needs, wants, and energies that make our daily lives move.
Finding your voice and using it to champion those in the world who mean the most to you is at the heart of this collection of essays. It is steadfast in its commentary on the world just as it questions the self and how to move beyond from what weighs you down in order to rise up.
Author and essayist Kiese Laymon is one of the most unique, stirring, and powerful new voices in American writing. How to Slowly Kill Yourself and Others in America is a collection of his essays, touching on subjects ranging from family, race, violence, and celebrity to music, writing, and coming of age in Mississippi. In this collection, Laymon deals in depth with his own personal story, which is filled with trials and reflections that illuminate under-appreciated aspects of contemporary American life. New and unexpected in contemporary American writing, Laymon's voice mixes the colloquial with the acerbic, while sharp insights and blast-furnace…
Long ago, in college in Colorado, I discovered Edward Abbey’s Desert Solitaire—the classic that grew from journals he kept while a ranger at Utah’s Arches National Park. I’d grown up in the West, visiting national parks and revering park rangers. Abbey gave me the model—live and write in these wild places. After graduating, I snagged jobs myself as a seasonal ranger/naturalist at Arches and Capitol Reef national parks. I was thrilled. Since then, I’ve spent decades exploring and photographing Western landscapes. After working on 25 books about natural history, Native peoples, and conservation, Capitol Reef still remains my “home park” and Utah Canyon Country my spiritual home.
I just missed seeing Glen Canyon. I didn’t start exploring southern Utah until the early 1970s, as Lake Powell began to fill, drowning this most beautiful canyon and its astonishing tributaries. In these same years, Jeremy Schmidt and his buddies were searching for the best remaining slot canyons, returning with extraordinary photographs from places few yet knew about. Jeremy is a colleague and old friend, and so I’d seen a few of these photos. Here, finally, the three photographers have collected their pioneering work in a perfectly printed and designed book. Jeremy’s text contains some of the best recent writing about the Colorado Plateau. Their book carries us deep into the maze of sandstone cathedrals along the Colorado River and celebrates the adventure of exploring this glorious country in our youth.
A stunning book of retro, mind-bending photography that unlocks a hidden world of natural wonder, personal reflection and outdoor adventure.
More than 40 years ago, British Columbia photographer Art Twomey stumbled across a narrow crack in the desert floor in northern Arizona. It was a slot canyon, a stone crevasse – narrow, carved by water, its interior lost in shadow when seen by a curious person peering in from the rim.
Twomey’s photos from that day were unlike anything he had ever put on emulsion. They pictured a dream world, an intricate underground fantasy where lines bent, topsy met turvy,…
Long ago, in college in Colorado, I discovered Edward Abbey’s Desert Solitaire—the classic that grew from journals he kept while a ranger at Utah’s Arches National Park. I’d grown up in the West, visiting national parks and revering park rangers. Abbey gave me the model—live and write in these wild places. After graduating, I snagged jobs myself as a seasonal ranger/naturalist at Arches and Capitol Reef national parks. I was thrilled. Since then, I’ve spent decades exploring and photographing Western landscapes. After working on 25 books about natural history, Native peoples, and conservation, Capitol Reef still remains my “home park” and Utah Canyon Country my spiritual home.
Kevin Jones’s rollicking page-turner takes place in the San Rafael Swell, just north of Capitol Reef—my home territory. All these southern Utah canyons share the same wild beauty and face the same threats. Jones was famously fired as Utah state archaeologist for standing up for Native rights, and his deep love of cultural history and rock art elevate this thriller into the ranks of regional classics. In his yarn, a regular guy—our hero, Stan—stops along the highway with his dog, Speck. A desperate woman, Lily, hides there and needs help. As all three are swept into a chase through the Swell, pursued by armed anti-wilderness extremists, Jones’s characters thoughtfully ponder the future of public lands while racing for their lives. We’re with them all the way.
Anti-wilderness protesters have taken over a portion of eastern Utah. Stan Watson, driving to Moab, stops by the highway to walk his dog Speck, and encounters a woman who begs him for help. When he offers Lily and her injured husband a ride, they are confronted by armed men, and Stan is in for a nightmare he had not anticipated. Chased through the wildlands by rag-tag extremists riding off-road vehicles, Stan, Lily, and Frank, a lost reporter, face dehydration, starvation, and murder at the hands of their pursuers. When Stan and Frank become incapacitated, Lily and Speck lead them through…
Creatively formulating, cultivating, and producing high-quality fiction “masterpieces” is what I was destined to do. The art of writing is a “gift & passion” that runs rapidly through my veins. Propelled through an obitual love of reading adventurous tales and storytelling as a young child my writing voyage has expanded to writing poetry, monologues, and screen writing. Combining all imaginative inspired gifts and talents refined by a burning passion to communicate prolific narrations like no other author can. Inspirational, impactful authors that paved the way for me to be here are Maya Angelou, Roald Dahl, Theodor Seuss Geisel, Levar Burton, and Nikki Giovanni.
A timeless, classic treasure and a personal favorite of mine.
Sounder is a fiction novel, that takes you on an unpredictable emotional roller coaster of unpredictable life events, adversity, and one young boy's unmerited love for his dog.
A saga of an African American sharecropping family conquering and overcoming its economic, financial, racial, and societal challenges of the 1960s after they are set out to fend for themselves after a “young boy's” father is imprisoned for theft.
This expressive fable engulfs you in thought and emotion surrounding limitless perseverance, in spite of. I can’t even tell you how many times I read this book over and over as a young adult. No dull c liché plots this book never gets old and is an overall great read.
The Newbery Medal–winning classic novel about the courage and faith—and the love of a dog—that give a family strength in the face of inhumanity.
The boy knows that times are tough for his family. Every night, his father goes out hunting with their great coon dog, Sounder, to try to put food on the table. But even with the little they bring back, there is still never enough for the family to eat.
When the boy awakens one morning to a sweet-smelling ham on the table, it seems like a blessing. But soon, the sheriff and his deputies come to…
I have been a mystery reader my entire life, starting with the Hardy Boys series as a child and then progressing to authors like Agatha Christie, Sir Arthur Conan Doyle, Chester Himes, Ellery Queen, Dashiell Hammett, Raymond Chandler, and many, many others. I love trying to figure out the crime or mystery before the reveal, but usually don’t. And, I have always truly enjoyed mystery books which have humor and quirky characters in them. More recently, I have become an award-winning mystery novelist myself, having published both a historical fiction mystery series and stories set in contemporary times in an ongoing anthology series that combines murder, mystery, and music.
This book grabbed me so much that I constantly remember the joy I had in reading it over five years ago.
It is an offbeat, but very well-crafted mystery featuring quirky, but unforgettable, characters in an unusual setting in rural, off-the-beaten-path Utah – and its mystery is perfectly crafted. It is literate, funny, challenging, compelling, and powerful. It’s not often that you find a book in which one of the characters is a cellist.
I could not put this book down once I started reading it.
A singularly compelling debut novel, about a desert where people go to escape their past, and a truck driver who finds himself at risk when he falls in love with a mysterious woman.
Ben Jones lives a quiet, hardscrabble life, working as a trucker on Route 117, a little-travelled road in a remote region of the Utah desert which serves as a haven for fugitives and others looking to hide from the world. For many of the desert’s inhabitants, Ben's visits are their only contact with the outside world, and the only landmark worth noting is a once-famous roadside diner…
Even though I’m from humid DC, I’ve been drawn to the desert since I first set foot there as a kid on a family road trip. Now, I’m lucky enough to live in Utah, home to some of the world’s most legendary desert landscapes. One reason I love the desert is the otherworldly scenery: uncanny arches, bizarre hoodoos, and sand dunes you could disappear into. Before your eyes, layers of geologic time unfold in epochs. The desert is a great place for contemplating the past and future—and for great adventures, with endless sandstone walls to climb, slick rock to bike, and sagebrush-lined trails to hike.
Organized by the roads of Utah, this book helps you make sense of what you’re looking at out the window and along the trail. This is an essential guide to keep in your car if you’re road-tripping through the state!
Written by the late female geologist Halka Chronic and her two daughters, this book has great maps, photos, and writing that will turn you into an armchair geologist in no time and give you a deeper appreciation for the mountains, canyons, spires, and more formations of the Utah desert and beyond.
Arches National Park. Bryce Canyon. Zion. When one thinks of Utah, it�s rocks and iconic landforms�preserved in a nearly endless list of national parks and monuments�come immediately to mind. Perhaps more so than any other state, Utah is built for geologic exploration, and geologists/authors Felicie Williams, Lucy Chronic, and Halka Chronic are its expert tour guides. The Beehive State is splitting at the seams with wondrous geological contrast. Utah�s high mountains, showcasing the results of what happens as the Earth bends, folds, and breaks itself apart, run like a backbone down the center of the state. To the east, the…
Louise is a geographer and writer from Staffordshire, England, where she aims to someday own a house with a library. Until then, she is collecting books of all genres – from romantic YA to true crime – and working on improving her embroidery skills. She can often be found either yelling about queer rights or walking through the countryside – sometimes both!
Coming out once is difficult, but going back into the closet is a unique sort of challenge. Tanner and Sebastian fall in love when neither of them are exactly ready for it, and their conflicting backgrounds make it difficult for them to reach a happy medium. No spoilers, but this book presented the pain of coming out – or not – better than any other I’ve read.
Coming-of-age novel about two boys who fall in love in a writing class-one from a progressive family and the other from a conservative religious community.
Three years ago, Tanner Scott's family relocated from California to Utah, a move that nudged the bisexual teen temporarily back into the closet. Now, with one semester of high school to go, and no obstacles between him and out-of-state college freedom, Tanner plans to coast through his remaining classes and clear out of Utah. But when his best friend Autumn dares him to take Provo High's prestigious Seminar-where honor roll students diligently toil to draft…
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