Here are 100 books that They Can't Kill Us Until They Kill Us fans have personally recommended if you like
They Can't Kill Us Until They Kill Us.
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All my life, I’ve been aware that there are many layers to reality, many of which are human fabrications. Some are physical, like roads. Some are social, like healthcare. But the ones that control our lives the most, and that determine our global outcomes (poverty, war and ecological degradation for example), are ideological. The most powerful of these is our economic system. If we are to address the meta-crisis, I feel passionately that we need to be able to question and reimagine the economy. All the books I’ve chosen have been really important in helping me to think differently about things we usually take for granted.
I love this book because of how beautiful and hopeful it is. The author pulls together amazing stories from her life to gradually weave an understanding of the meta-crisis we find ourselves in. I was captivated by the way she contrasts her family’s indigenous American culture with our modern approaches to both science and the economy.
I love Robin’s prose, which is exquisitely written. But perhaps what I value the most is the fact that she writes with optimism, giving me the courage to get up every day and think about how to put her wisdom into practice.
Called the work of "a mesmerizing storyteller with deep compassion and memorable prose" (Publishers Weekly) and the book that, "anyone interested in natural history, botany, protecting nature, or Native American culture will love," by Library Journal, Braiding Sweetgrass is poised to be a classic of nature writing. As a botanist, Robin Wall Kimmerer asks questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces indigenous teachings that consider plants and animals to be our oldest teachers. Kimmerer brings these two lenses of knowledge together to take "us on a journey that is…
I live by the Atlantic Ocean, so the thoughts of floods are never far away, especially as the seas are warming through human-caused climate change. I wrote about storms and floods in my novel Float and, more recently, in my new novel listed below. I did a lot of research on flooding for both, and I am constantly amazed by the power of the natural world, particularly one out of balance as it is now. My passion and purpose is to bring the dangers of this imbalance to my readers. Even if you have never been in a flood before, fiction allows you to know what it feels like.
Everyone should read this book right now which features hurricanes and flooding in Florida. The flood scene in this book still stays with me, years after I read it. The waters are not just terrifying, but contain horrors such as a rabid dog clinging to a piece of debris.
That scene still keeps me up at night, and I think about it often now with all the flooding in the south. It’s not just the water, it’s what’s in the water.
Cover design by Harlem renaissance artist Lois Mailou Jones
When Janie, at sixteen, is caught kissing shiftless Johnny Taylor, her grandmother swiftly marries her off to an old man with sixty acres. Janie endures two stifling marriages before meeting the man of her dreams, who offers not diamonds, but a packet of flowering seeds ...
'For me, THEIR EYES WERE WATCHING GOD is one of the very greatest American novels of the 20th century. It is so lyrical it should be sentimental; it is so passionate it should be overwrought, but it is instead a rigorous, convincing and dazzling piece…
I was born in Ukraine and moved to the Midwest in the early 1990s. I am the author of two novels: At the End of the World, Turn Left, which was called “elegant and authentic” by NPR and named by Booklist as one of the “Top Ten Crime Debuts” of 2021, and the domestic thriller Breakfall (April 2023). Perhaps one of the oldest literary tropes, affairs up the ante in literary works while simultaneously exploring human nature. Throw an affair into a novel, and most likely, some characters will be blowing up their lives; add it into a mystery novel, and murders are likely to happen.
This is one of my all-time favorite books; while the focus is not an affair exactly, the 1968 Prague-set novel goes into much depth exploring the nature of commitment and monogamy in general. Also, you get wonderful insight into some timeless ideas of what it means to be human, such as this one: "Living, there is no happiness in that.
Living: carrying one’s painful self through the world. But being, being is happiness. Being: becoming a fountain, a fountain on which the universe falls like warm rain."
'A cult figure.' Guardian 'A dark and brilliant achievement.' Ian McEwan 'Shamelessly clever ... Exhilaratingly subversive and funny.' Independent 'A modern classic ... As relevant now as when it was first published. ' John Banville
A young woman is in love with a successful surgeon; a man torn between his love for her and his womanising. His mistress, a free-spirited artist, lives her life as a series of betrayals; while her other lover stands to lose everything because of his noble qualities. In a world where lives are shaped by choices and events, and everything occurs but once, existence seems…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I grew up on the high plains of eastern Montana. Like most rural folks, we lived close to the bone, even in the best of times. Then, when I was nine, my father died—and things got even harder. We finally had to put our acres up for lease, and I made a goal to leave that hard place. Though I worked hard for this new life I find myself leading—I studied, won scholarships, earned an MFA, and became a professor—ever since I left Montana, I’ve been trying to understand the distance between there and where I find myself now. I’ve been trying to understand rural America.
I don’t know of another book that so successfully explodes all our usual myths of rural America. Jesmyn Ward tells a story of community and tragedy as she chronicles the deaths of five young men across five years, including her younger brother, in her hometown of DeLisle, Mississippi, a rural, primarily African American community on the Gulf Coast.
This memoir is deeply sad and troubling, but I found the power of Ward’s language, wisdom, and resilience simply stunning.
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'A brutal, moving memoir ... Anyone who emerges from America's black working-class youth with words as fine as Ward's deserves a hearing' - Guardian
'Raw, beautiful and dangerous' - New York Times Book Review
'Lavishly endowed with literary craft and hard-earned wisdom' - Time
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The beautiful, haunting memoir from Jesmyn Ward, the first woman to win the National Book Award twice
'And then we heard the rain falling and that was the blood falling; and when we came to get in the crops, it was dead men that we reaped' - Harriet Tubman
Jesmyn Ward's acclaimed memoir shines…
Throughout my career as a journalist and social documentarian, I have been committed to exposing injustices and seeking out stories overlooked by mainstream media. As my career has evolved in this space—from journalist to grassroots organizer to author—I have learned to remain curious and teachable, acknowledging that my preconceived notions of the world will not do me any good. In confronting the uncomfortable in pursuit of truth, I have uncovered systemic abuses in the criminal justice system and shed light on the harsh realities faced by incarcerated individuals.
Smith offers an up-close-and-personal tour of how the history of slavery has been preserved in various corners of the Earth. From Monticello Plantation in Virginia to the House of Slaves in Gorée Island (Senegal), I was taken on an eye-opening, albeit sometimes cringeworthy, journey through modern-day perceptions of a haunted past.
For me, this retelling of history is most fascinating. It forces the reader to reckon with the idea that truth isn’t just in the eye of the beholder but in the mouth of the teller. How can we find truth in history if it is being told in so many ways? I weirdly enjoyed wrestling with it as I ventured through the places Smith visited as if his storytelling was escorting me.
ONE OF BARACK OBAMA'S FAVOURITE BOOKS OF THE YEAR A NUMBER ONE NEW YORK TIMES BESTSELLER LONGLISTED FOR THE NATIONAL BOOK AWARD FOR NON-FICTION
'A beautifully readable reminder of how much of our urgent, collective history resounds in places all around us that have been hidden in plain sight.' Afua Hirsch, author of Brit(ish)
Beginning in his hometown of New Orleans, Clint Smith leads the reader on an unforgettable tour of monuments and landmarks - those that are honest about the past and those that are not - which offer an intergenerational story of how slavery has been central in…
Finding a voice is something I struggled with since childhood. Always afraid of being invisible or silent, finding common ground with writers who excelled at relating the human condition became a safe haven. I made a choice to focus on creative work that explores what is means to be simply human--to examine the hopes, needs, wants, and energies that make our daily lives move.
Sonic Memories makes the best use of a compact space without losing any of the narrative depth and emotional impact. This small collection of essays uses sound and music as its top note all the while using the silence in between to showcase a rich memoir-like exploration of Black girlhood growing into Black womanhood.
Sonic Memories is a debut collection of personal essays written and designed by the author.
These true stories begin in Utah in the late seventies. The author is two and her parents are hopeful newlyweds in their early twenties. We follow the family back to Maryland where her father's dream to practice law disintegrates when he doesn’t pass the bar after several attempts. His upwardly mobile hopes for his family are dashed, and the fallout from that—a fear of being trapped in a life of poverty and dreams deferred—dogs the author through most of her young adult/adult life. In these…
When Lara was four years old, her father moved from Rochester, New York, to Anchorage, Alaska, a distance of over 4,000 miles. She spent her childhood chasing after him, flying a quarter of the way around the world to tug at the hem of his jacket.
Finding a voice is something I struggled with since childhood. Always afraid of being invisible or silent, finding common ground with writers who excelled at relating the human condition became a safe haven. I made a choice to focus on creative work that explores what is means to be simply human--to examine the hopes, needs, wants, and energies that make our daily lives move.
Finding your voice and using it to champion those in the world who mean the most to you is at the heart of this collection of essays. It is steadfast in its commentary on the world just as it questions the self and how to move beyond from what weighs you down in order to rise up.
Author and essayist Kiese Laymon is one of the most unique, stirring, and powerful new voices in American writing. How to Slowly Kill Yourself and Others in America is a collection of his essays, touching on subjects ranging from family, race, violence, and celebrity to music, writing, and coming of age in Mississippi. In this collection, Laymon deals in depth with his own personal story, which is filled with trials and reflections that illuminate under-appreciated aspects of contemporary American life. New and unexpected in contemporary American writing, Laymon's voice mixes the colloquial with the acerbic, while sharp insights and blast-furnace…
I lived and worked in South Korea for four years, where I first became fascinated with the country’s history, from shamans on Jeju island to the twentieth-century politics of Seoul. I’m the author of two novels and dozens of short stories and essays published in venues around the world, many of which feature some element of Korean history. I’m originally from Canada and now teach creative writing at the University of Adelaide in Australia.
This is a novel that I suspected I was falling into as much as reading—that is, I felt utterly and, at times, uncomfortably immersed in Murakami’s story universe.
I love the blending of contemporary realism in the novel (our protagonist’s day-to-day life) with the historical and the way the Japanese military’s atrocities in Manchuria in the 30s haunt the recognizably contemporary world so that even a man sitting at the bottom of a well contemplating existence and history feels like an acceptable and dreamlike weirdness.
I’m completely taken with such a strange and affecting representation of lesser-known histories and the ghosts such events leave us with.
Toru Okada's cat has disappeared and this has unsettled his wife, who is herself growing more distant every day. Then there are the increasingly explicit telephone calls he has started receiving. As this compelling story unfolds, the tidy suburban realities of Okada's vague and blameless life, spent cooking, reading, listening to jazz and opera and drinking beer at the kitchen table, are turned inside out, and he embarks on a bizarre journey, guided (however obscurely) by a succession of characters, each with a tale to tell.
Excluding every day since my birth, my Gen X studies started in earnest in 2016, when Fortune 100 companies aggressively laid off my Gen X peers across the board. I was an early entrepreneur in the crypto industry and saw firsthand how people in remote reaches of the world used Bitcoin to pull themselves out of poverty. Since 2021, I have been a podcast host, interviewing founders and entrepreneurs about the benefits of technology and how to bring the next billion people across the digital divide. Most of my nearly 600 podcasts discuss how to empower people, especially my age, to live better lives by embracing the new digital economy.
It is through Brené Brown’s words in this book that I began to make sense of my journey, which is marked by loss, resilience, and an unwavering search for belonging. As I navigated the often-turbulent waters of corporate life, I wrestled with a deep-seated issue, a trait so common among my fellow Gen Xers: the struggle with authority. Through this book, it is evident that attempting to fit in, to mold myself into the expectations of others, often leads me to more heartache than success.
My path has been riddled with tremendous trials designed to dampen my spirit. Yet, through them, I have found strength. I appreciate the depth of resilience that Brené Brown speaks about. In this digital age, I often reflect on my past before the existence of social media, the simplicity of outdoor moments when I was young, and face-to-face conversations that now seem increasingly rare. I…
In hardback for the first time, this tenth-anniversary edition of the game-changing #1 New York Times bestseller features a new foreword and brand-new tools to make the work your own.
For over a decade, Brene Brown has found a special place in our hearts as a gifted mapmaker and a fellow traveller. She is both a social scientist and a kitchen-table friend whom you can always count on to tell the truth, make you laugh and, on occasion, cry with you. And what's now become a movement all started with The Gifts of Imperfection, which has sold more than two…
Meet Lev Gleason, a real-life comics superhero! Gleason was a titan among Golden Age comics publishers who fought back against the censorship campaigns and paranoia of the Red Scare. After dropping out of Harvard to fight in World War I in France, Gleason moved to New York City and eventually…
As a travel writer, author, broadcaster, speaker, and producer, I’ve reported from over 100 countries on 7 continents for major print and digital publications worldwide and networks like National Geographic and Travel Channel. I kicked off my career with a solo, 12-month round-the-world backpacking adventure, largely inspired by the formative books I read below. Embracing the world with insatiable curiosity, an open heart, an open mind, a sense of humour, and enthusiasm to share my stories clearly resonated. Here I am, two decades later, author of a half-dozen bestselling books that focus on my own eclectic travels, which will hopefully inspire others as these books inspired me.
Nobody writes like Tom Robbins, although admittedly, his wild wit, metaphorical overkill, and commitment to not taking anything too seriously might not appeal to everyone.
Put me on a long train ride or a slow ship with a worn paperback copy of any of his books, and I can happily lose myself in his zany, funny, thought-provoking, and sexy world. Exotic locations are baked into most of his books, and you can burn your retinas on each page’s creative flair.
Put down this book, and you’ll never look at beets, immortality, or life in quite the same way again. Tom Robbins inspired me to read more, write more, and, most importantly, live more.
Jitterbug Perfume is an epic. Which is to say, it begins in the forests of ancient Bohemia and doesn't conclude until nine o'clock tonight [Paris time]. It is a saga, as well. A saga must have a hero, and the hero of this one is a janitor with a missing bottle. The bottle is blue, very, very old, and embossed with the image of a goat-horned god. If the liquid in the bottle is actually the secret essence of the universe, as some folks seem to think, it had better be discovered soon because it is leaking and there is…
