A dozen years ago, my family moved from a homogeneous community where everyone looked, lived, and believed as we did to a vibrant neighborhood filled with difference and complexity. This shifted something deep inside me and ultimately changed the way I see the world and myself within it. It set me on a path toward understanding how authentic, ordinary community holds the power to transform our world. To live as neighbors is to draw near to each other. I have written three books on this central theme and plan to spend the rest of my life reaching for empathy as our best tool in reclaiming the goodness of humanity.
I wrote...
Start with Hello: (And Other Simple Ways to Live as Neighbors)
You want more. You want to belong to a community that looks out for each other. You believe in your bones we don’t have to live detached, distracted, and divided. The question is, How?
Packed with street-level practices and real-talk storytelling, Start with Hello is your field guide for a life of security, camaraderie, and joy. There is no step too small.
This book is an instant classic. It took me years to finish reading it because I did not want it to end.
Kimmerer’s writing appealed to the dreamer in me while also explaining the science of the natural world in ways that were unforgettable. This beautifully written book connected me to my physical home and the people around me. I will come back to it again and again.
Called the work of "a mesmerizing storyteller with deep compassion and memorable prose" (Publishers Weekly) and the book that, "anyone interested in natural history, botany, protecting nature, or Native American culture will love," by Library Journal, Braiding Sweetgrass is poised to be a classic of nature writing. As a botanist, Robin Wall Kimmerer asks questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces indigenous teachings that consider plants and animals to be our oldest teachers. Kimmerer brings these two lenses of knowledge together to take "us on a journey that is…
As someone raised in small-town USA, I had to come to terms with the fact that I was taught a white-washed, largely inaccurate American history. It was up to me to re-educate myself.
As someone who can get bogged down by long lists of dates and details, How the Word is Passed gave me a modern lens for understanding the history around slavery. I was gripped by Smith’s lyrical, humane approach.
This is the sort of book that makes the world better.
ONE OF BARACK OBAMA'S FAVOURITE BOOKS OF THE YEAR A NUMBER ONE NEW YORK TIMES BESTSELLER LONGLISTED FOR THE NATIONAL BOOK AWARD FOR NON-FICTION
'A beautifully readable reminder of how much of our urgent, collective history resounds in places all around us that have been hidden in plain sight.' Afua Hirsch, author of Brit(ish)
Beginning in his hometown of New Orleans, Clint Smith leads the reader on an unforgettable tour of monuments and landmarks - those that are honest about the past and those that are not - which offer an intergenerational story of how slavery has been central in…
I have fourteen sticky tabs marking memorable passages (I just double-checked), along with countless highlights and underlines.
With wit and unvarnished honesty, Martin tells her family’s story about educating her daughters at a racially integrated neighborhood public school. She confronts her mistakes along the way and does not present herself as the hero but rather illuminates how drawing near to difference has the power to make all of us healthier.
Part journalism, part personal narrative, I devoured this book.
From the time Courtney E. Martin strapped her daughter, Maya, to her chest for long walks, she was curious about Emerson Elementary, a public school down the street from her Oakland home. She learned that White families in their gentrifying neighborhood largely avoided the majority-Black, poorly-rated school. As she began asking why, a journey of a thousand moral miles began.
Learning in Public is the story, not just Courtney's journey, but a whole country's. Many of us are newly awakened to the continuing racial injustice all around us, but unsure of how to go beyond hashtags and yard signs to…
The unexpected cover art was just the beginning of the odyssey that is this book. Abdurraquib masterfully explores the intersection of civics and pop culture, weaving personal history with modern-day ethics, all to a soundtrack that is both memorable and urgent.
This is the sort of book that unlocks a hidden door to our collective compassion. One of the best things I’ve ever read.
* 2018 "12 best books to give this holiday season" —TODAY (Elizabeth Acevedo) * A "Best Book of 2017" —Rolling Stone (2018), NPR, Buzzfeed, Paste Magazine, Esquire, Chicago Tribune, Vol. 1 Brooklyn, CBC, Stereogum, National Post, Entropy, Heavy, Book Riot, Chicago Review of Books, The Los Angeles Review, Michigan Daily * American Booksellers Association (ABA) 'December 2017 Indie Next List Great Reads' * Midwest Indie Bestseller
In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of…
This is the poetry book for people like me, who aren’t “good” at poetry, but who desperately need to believe humanity is still mostly intact and the world around us still brims with beauty.
I keep this one on my bedside table and reach for it when I need a quick reminder that we still have a say in the direction our society leans. More blooms. More abundance. More ordinary goodness. More us.
An Indie Poetry Bestseller! What the world needs now - featuring poems from inaugural poet Amanda Gorman, Ross Gay, Tracy K. Smith and more. More and more people are turning to poetry as an antidote to divisiveness, negativity, anxiety, and the frenetic pace of life. How to Love the World: Poems of Gratitude and Hope offers readers uplifting, deeply felt, and relatable poems by well-known poets from all walks of life and all parts of the US, including inaugural poet Amanda Gorman, Joy Harjo, Naomi Shihab Nye, Ross Gay, Tracy K. Smith, and others. The work of these poets captures…
I am a highly experienced outdoorsman, musician, songwriter, and backcountry guide who chose teaching as a day job. As a writer, however, I am a promoter of creative and literary nonfiction, especially nonfiction that features a thematic thread, whether it be philosophical, conservation, historical, or even unique experiential. The thread I used for thirty years of teaching high school and honors English was the thread of Conservation, as exemplified by authors like Aldo Leopold, Rachel Carson, Edward O. Wilson, Al Gore, Henry David Thoreau, as well as many other more contemporary authors.
I have woven numerous delightful and descriptive true life stories, many from my adventures as an outdoorsman and singer songwriter, into my life as a high school English teacher. I think you'll find this work both entertaining as well as informative, and I hope you enjoy the often lighthearted repartee and dialogue that enhances the stories and experiences.
When I started teaching in the early 1990s, I brought into the classroom with me my passions for nature, folk music, and creativity. This book holds something new and engaging with every chapter and can be enjoyed by all sorts of readers, particularly those who enjoy nonfiction that employs wit, wisdom, humor, and even some down-to-earth philosophy.
Creativity, Teaching, and Natural Inspiration follows the evolution of a high school English teacher as he develops a creative and innovative teaching style despite being juxtaposed against a public education system bent on didactic, normalizing regulations and political demands. Doherty crafts an engaging nonfiction story that utilizes memoir, anecdote, poetry, and dialogue to explore how mixing creativity and pedagogy can change the way budding students visualize creative writing: A chunk of firewood plunked on a classroom table becomes part of a sawmill, a mine timber, an Anasazi artifact...it also becomes a poem, a song, an essay, and a memoir. The…
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