Jeremy A. Yellen is a historian at the Chinese University of Hong Kong. His research focuses on modern Japan’s international, diplomatic, and political history. He maintains a strong interest in the history of international relations and international order.
This skillful history links politics, economics, and military concerns to the development of Japan’s empire in Manchuria. Beginning with the end of the Russo-Japanese War and concluding with the takeover of Manchuria from 1931, Yoshihisa Tak Matsusaka shows how Manchuria remained a looming presence within Japanese political life. More strikingly, he argues against the idea that Japanese imperialism in the 1930s represented a radical break from the past. Far from it, he shows the construction of Manchukuo and Japanese foreign policy “as the denouement of an older story as much as the beginning of a new.”
In this history of Japanese involvement in northeast China, the author argues that Japan's military seizure of Manchuria in September 1931 was founded on three decades of infiltration of the area. This incremental empire-building and its effect on Japan are the focuses of this book.
The principal agency in the piecemeal growth of Japanese colonization was the South Manchurian Railway Company, and by the mid-1920s Japan had a deeply entrenched presence in Manchuria and exercised a dominant economic and political influence over the area. Japanese colonial expansion in Manchuria also loomed large in Japanese politics, military policy, economic development, and…
My father was taken prisoner by the Japanese at the fall of Singapore on the 15th of February 1942. He spent three and a half years slaving on the Thai Burma railway. During my early years growing up, my father rarely talked about his experiences, and it wasn't until after he died in 1990 that I became interested in what he went through as a prisoner of war. Since then, I've spent my time researching the Japanese prisoner of war experiences and have read countless books on the subject. I myself have published four books and I consider myself one of the leading experts on the Japanese prisoner of war experience.
This book follows the course of the Empire of the Sun's ultimately unequal struggle against the great Allied powers. It provides the reader with piercing strategic and political insights which may debunk many of the enduring myths which encompass Japan's apocalyptic drive for hegemony in South East Asia. Why did Japan invade China? Was war with America and the British Empire inevitable? Why was the Japanese mobile fleet defeated so decisively at Midway. Why did the Japanese continue fighting with defeat was inevitable? Was its Emperor merely a puppet of the militarists? Why did the Japanese people acquiesce in the occupation of their homeland?
This fascinating history, recounted from both the American and Japanese perspectives, follows the course of the Empire of the Sun's ultimately unequal struggle against the great allied powers. Drawing on archive material, this new history provides the reader with piercing strategic and political insights which debunk many of the enduring myths which encompass Japan's apocalyptic drive for hegemony in Southeast Asia. Why did Japan invade China? Was war with America and the British Empire inevitable? Why was the Japanese mobile fleet defeated so decisively at Midway? Why did the Japanese continue fighting when defeat was inevitable? Was Emperor Hirohito merely…
I began formally researching Japanese occupied northeast China in the late nineties in graduate school at Harvard University. Manchuria always fascinated me as a confluence of cultures: even prior to the 19th century, Chinese, Japanese, Koreans, Russians, Eastern Europeans, Mongols, and indigenous peoples circulated within the region in China's periphery. In the 1930s until 1945, Japanese propaganda portrayed the area as a "utopia" under Confucian principles, but in the mid-1990s, the horrors of the occupation for colonized peoples as well as imperial Japan's biological weapons experimentation during the Asia-Pacific War came to light in Japan and elsewhere as former Japanese settlers as well as researchers began to tell their stories.
One of the first scholars to write a full-length monograph on Manchukuo, Duara delves into the Chinese and Japanese writers who viewed northeast China under Japanese occupation as a means to envision their own Pan-Asianist ideals. He analyses this in the context of a broader "East Asian modern" in Manchukuo, and utilizes political and literary sources to unearth previous connections with previous iterations and currents of Chinese nationalism tied to the Pan-Asianism of the early twentieth century.
In this powerful and provocative book, Prasenjit Duara uses the case of Manchukuo, the Japanese puppet state in northeast China from 1932-1945, to explore how such antinomies as imperialism and nationalism, modernity and tradition, and governmentality and exploitation interacted in the post-World War I period. His study of Manchukuo, which had a population of 40 million and was three times the area of Japan, catalyzes a broader understanding of new global trends that characterized much of the twentieth century. Asking why Manchukuo so desperately sought to appear sovereign, Duara examines the cultural and political resources it mobilized to make claims…
Jeremy A. Yellen is a historian at the Chinese University of Hong Kong. His research focuses on modern Japan’s international, diplomatic, and political history. He maintains a strong interest in the history of international relations and international order.
When people ask for book recommendations on Japan’s empire, Louise Young's Japan’s Total Empire usually tops my list. Young focuses on the empire in Manchuria from 1931 to 1945, and highlights Manchuria as more than a Japanese military conquest—it was also a vast cultural project that mobilized the nation behind state intervention at home and imperial expansion abroad. To tell this story, Young focuses on much more than the army and civilian bureaucracy—she also shows how an ideal Manchukuo was imagined by multiple actors, from the mass media and business groups to intellectuals, settlers, and grassroots associations. Empire in Manchuria mobilized the Japanese state and society to an unprecedented degree, and transformed it in enduring and irrevocable ways.
In this first social and cultural history of Japan's construction of Manchuria, Louise Young offers an incisive examination of the nature of Japanese imperialism. Focusing on the domestic impact of Japan's activities in Northeast China between 1931 and 1945, Young considers "metropolitan effects" of empire building: how people at home imagined and experienced the empire they called Manchukuo. Contrary to the conventional assumption that a few army officers and bureaucrats were responsible for Japan's overseas expansion, Young finds that a variety of organizations helped to mobilize popular support for Manchukuo--the mass media, the academy, chambers of commerce, women's organizations, youth…
The Cold War has never been a passion for me, but rather a kind of horror. It was ongoing all through my childhood, and I had nightmares about nuclear attacks and Soviet spies. We lived in the middle of a Suffolk pine forest during the 60s and 70s. There was an American air base on the edge of the forest, surrounded by a tall wire fence. It seemed a spooky place with its concrete bunkers and keep-out signs. Later, as an author on the lookout for good stories, I remembered my childhood terrors and the atmosphere of menace surrounding the base. It gave me an idea for a story set in a similar airbase.
I first came across this story in the classic 1962 film version. The original novel was published in 1959. It’s a political thriller about the military son of a US political family who’s brainwashed after capture in Korea into being an assassin for a communist conspiracy. Back in the USA, he commits murders on behalf of the communists while in a hypnotic state, with no memory of his actions afterwards. It’s a dark and chilling classic of Cold War paranoia, and I read it as part of my research before I wrote How It ends.
Sgt Raymond Shaw is a hero of the first order. He's an ex-prisoner of war who saved the life of his entire outfit, a winner of the Congressional Medal of Honor, the stepson of an influential senator...and the perfect assassin. Brainwashed during his time as a POW he is a 'sleeper', a living weapon to be triggered by a secret signal. He will act without question, no matter what order he is made to carry out.
To stop Shaw, his former commanding officer must uncover the truth behind a twisted conspiracy of torture, betrayal and…
I’m the author of three novels, several short stories and quite a few articles about writing and literature. While I’ve haven’t aimed to write for a specific genre—all three of my novels are different in this respect—my plots usually focus on a mystery. I enjoy novels with strong, credible characters, which are based in a recognisable, everyday reality, but where bizarre events can turn the world upside down.
This is the first novel I read by Haruki Murakami and it got me hooked on his writing.
Toru Okada is tasked with finding his lost cat but, as he searches, the past stories of other characters constantly intersect and become inescapable detours, which often foster ambiguity and a sense of becoming lost in a charmed world.
We’re left with an impression of a world slipping into the surreal, where reality becomes blurred like Okada’s memory of what his missing cat looks like, and where “Ten minutes is not ten minutes” because time can stretch and shrink. I was frequently surprised and sometimes confounded by this but, because of Murakami’s skill as a writer, felt pleasantly lulled with the same dreamlike acquiescence as his hero into following Okada’s convoluted journey.
Toru Okada's cat has disappeared and this has unsettled his wife, who is herself growing more distant every day. Then there are the increasingly explicit telephone calls he has started receiving. As this compelling story unfolds, the tidy suburban realities of Okada's vague and blameless life, spent cooking, reading, listening to jazz and opera and drinking beer at the kitchen table, are turned inside out, and he embarks on a bizarre journey, guided (however obscurely) by a succession of characters, each with a tale to tell.
I began formally researching Japanese occupied northeast China in the late nineties in graduate school at Harvard University. Manchuria always fascinated me as a confluence of cultures: even prior to the 19th century, Chinese, Japanese, Koreans, Russians, Eastern Europeans, Mongols, and indigenous peoples circulated within the region in China's periphery. In the 1930s until 1945, Japanese propaganda portrayed the area as a "utopia" under Confucian principles, but in the mid-1990s, the horrors of the occupation for colonized peoples as well as imperial Japan's biological weapons experimentation during the Asia-Pacific War came to light in Japan and elsewhere as former Japanese settlers as well as researchers began to tell their stories.
This excellent book illuminates the culture of intoxicants in northeast China under Japanese occupation. Smith examines Chinese literature, advertisements, and popular culture to show how liquor and opium were depicted in contemporaneous mass media and impacted local urban communities. He also investigates how popular conceptions of "health" tied in with programs initiated by the Japanese authorities to control local populations, while advertisers of patent medicines, cordials, and tonics also picked up on these themes. Some of the highlights of Intoxicating Manchuria include masterfully vivid descriptions and illustrations of cartoons revealing the uneasy relationship between law enforcement, retailers, public health practitioners, and corporations.
Intoxicating Manchuria reveals how the powerful alcohol and opium industries in Northeast China were altered by warlord rule, Japanese occupation, political conflict, and a vigorous anti-intoxicant movement. Through the lens of the Chinese media's depictions of alcohol and opium, Norman Smith examines how intoxicants and addiction were understood in this society, the role the Japanese occupation of Manchuria played in the portrayal of intoxicants, and the efforts made to reduce opium and alcohol consumption. This is the first English-language book-length study to focus on alcohol use in modern China and the first dealing with intoxicant restrictions in the region.
Sören Urbansky was born and raised in East Germany next to the Iron Curtain. Since embarking on an overland journey from Berlin to Beijing after high school, he became hooked by peoples’ lifeways in Northeast Asia. In college, Sören began studying history in earnest and grew intrigued by Russia and China, the world’s largest and most populous countries. He has published widely on this pivotal yet forgotten region. Sören is a research fellow at the German Historical Institute Washington and is currently embarking on a new project that examines anti-Chinese sentiments from a global perspective.
Published in 1999, David Wolff’s To the Harbin Station was a pioneering work that paved the path for many historical studies that followed, and which remains an unparalleled analysis of Russia’s only colony and its imperial expansion into China in the two decades leading up to the 1917 revolution. The monograph is more than an urban history of Harbin. It is the history of a region, a railroad, and the nature of late tsarist imperialism.
In 1898, near the projected intersection of the Chinese Eastern Railroad (the last leg of the Trans-Siberian) and China's Sungari River, Russian engineers founded the city of Harbin. Between the survey of the site and the profound dislocations of the 1917 revolution, Harbin grew into a bustling multiethnic urban center with over 100,000 inhabitants. In this area of great natural wealth, Russian, Chinese, Japanese, Korean, and American ambitions competed and converged, and sometimes precipitated vicious hostilities.
Drawing on the archives, both central and local, of seven countries, this history of Harbin presents multiple perspectives on Imperial Russia's only colony. The…
