Fans pick 100 books like Intoxicating Manchuria

When people ask for book recommendations on Japan’s empire, Louise Young's Japan’s Total Empire usually tops my list. Young focuses on the empire in Manchuria from 1931 to 1945, and highlights Manchuria as more than a Japanese military conquest—it was also a vast cultural project that mobilized the nation behind state intervention at home and imperial expansion abroad. To tell this story, Young focuses on much more than the army and civilian bureaucracy—she also shows how an ideal Manchukuo was imagined by multiple actors, from the mass media and business groups to intellectuals, settlers, and grassroots associations. Empire in Manchuria mobilized the Japanese state and society to an unprecedented degree, and transformed it in enduring and irrevocable ways.  

One of the first scholars to write a full-length monograph on Manchukuo, Duara delves into the Chinese and Japanese writers who viewed northeast China under Japanese occupation as a means to envision their own Pan-Asianist ideals. He analyses this in the context of a broader "East Asian modern" in Manchukuo, and utilizes political and literary sources to unearth previous connections with previous iterations and currents of Chinese nationalism tied to the Pan-Asianism of the early twentieth century.

In this edited volume with contributions from scholars from China, Japan, Korea, and North America, we investigate the intellectual climate of Manchukuo and interrogate how writers found both opportunity and peril in this new state under Japanese control. This study approaches Manchukuo literature from a transnational perspective, and most importantly, not all of the scholars in our collection agree with each other! We contest the "collaboration-resistance" binary that had been so persistent in much scholarship related to China under Japanese occupation by illuminating the complex choices made by cultural producers during their careers. One of our chapters features an essay by one of Manchukuo's last living writers.

In tandem with the "Manshû bûmu" [Manchuria Boom] in Japan from the late nineties until early aughts, numerous memoirs have appeared on the market by former Japanese settlers of Manchukuo. One of the more chilling and nuanced accounts is that of Takarabe Toriko, a celebrated Japanese poet, who was a child and preteen during the 1930s and 1940s in a family where her father served as a Kantô Army officer near Jiamusi in Japanese-occupied northeast China. She herself experienced and witnessed life under Japanese occupation, as well as the brutal revenge exacted upon Japan's overlords after defeat, where both Chinese and Russians wreaked violence upon their oppressors as the Japanese attempted to flee. As a young girl, Takarabe recounts personal memories of a horror that, ironically, had been experienced by the colonized only a short time before. This engaging memoir expertly translated by Phyllis Birnbaum is both fascinating and a… show more.

We know a lot about how the Chinese state sought to ban, limit, and exclude opium from its borders, but this book uniquely delves into the multifaceted way that the demand for the drug emerged in the first place and then spread down the social scale to become a mass commodity. I especially loved the detailed way in which the author showed how consumers produced a variety of meanings surrounding opium and incorporated it into both elite and popular culture. Writing against so many myths, Yangwen shows us that for much of its history, opium was celebrated not demonized.

A brilliant account of the two Opium Wars showing how they have been remembered in particular ways in order to make modern political points. Lovell shows us how political operators on both sides used the question of the opium trade to further their own interests. It exposes the nasty business of imperialism but also takes down a lot of myths about the wars. The book allows us to see the conflicts both in terms of what happened at the time, and how views over those events changed over the following century and a half. She explores the international history of opium and how it became linked with racist representations of Chinese overseas and how this continues to affect relations between peoples and governments today.

A great deal has been written about the Jewish refugees who flooded into Shanghai during World War II, but that’s not the case with the story of the wealthy Sephardic Jewish families who arrived in the early days of opium trading and built fabulous fortunes. In Last Kings of Shanghai, Pulitzer Prize winning journalist Jonathan Kaufman weaves the epic tale of the Sassoons and the Kadoories, stretching from Baghdad to Shanghai to London and Hong Kong. It’s a story of business acumen and political intrigue, of wartime survival and the choices that saw one family perpetuate its wealth and influence in China, and the other fade into history.

I first listened to this book about 20 years ago, and to write this article, I revisited it. In 20 years, many things have changed. Yet, my love for this book remains as strong as ever. I love its simple opening sentence and foreshadowing closing sentence. I love the details—the vivid, realistic descriptions of the characters, emotions, setting, culture, customs, and language. I felt immersed in the scenes, right alongside the characters. Using a Chinese expression, the book flows smoothly and naturally, like clouds and water. I believe this book represents the pinnacle of Pearl S. Buck’s career, not just because it won the Nobel Prize for Literature but because the quality of the writing is truly extraordinary. 

I must also mention that Anthony Heald narrates this audiobook. His voice is captivating and mesmerizing; I believe he’s one of the best narrators in the world. I recently watched a short… show more.

What Pan Ling does for the Chinese side of the story, Grescoe does for the Western expats living in 1930s Shanghai. I stayed in the Cathay in the 1980s long after it had been renamed Peace Hotel. 

But the old glamour shined through and I wondered what incredible things the building had seen. Grescoe’s book took me back to its glory days and introduced me to the people—and some of their more notorious doings—who frequented its salons, bars, and restaurants.   

This skillful history links politics, economics, and military concerns to the development of Japan’s empire in Manchuria. Beginning with the end of the Russo-Japanese War and concluding with the takeover of Manchuria from 1931, Yoshihisa Tak Matsusaka shows how Manchuria remained a looming presence within Japanese political life. More strikingly, he argues against the idea that Japanese imperialism in the 1930s represented a radical break from the past. Far from it, he shows the construction of Manchukuo and Japanese foreign policy “as the denouement of an older story as much as the beginning of a new.”