100 books like The Last Kings of Shanghai

I love just about anything Peter writes, but this book is special; it’s his first, about his stint as a Peace Corps volunteer in China in the late 1990s, just about the time I moved to Laos. It was a great inspiration to me: the perfect combination of personal memoir and cultural insight.

Bonus: Peter continues to write for the New Yorker magazine about his students from all those years ago and what they are up to today.

How often do we consider the people behind the objects we use every day?

This book offers an unrivalled glimpse into the lives of the female workers who manufacture many of the products we take for granted and, in so doing, provides a human face to China’s rapid development. Through her interactions and interviews, Chang illustrates how the emergence of new industrial metropolises is transforming the opportunities and aspirations of young rural women.

While she does not shy away from showing the grittier aspects of China’s colossal factories, crucially, Chang demonstrates how their workers are autonomous individuals with concerns and dreams both relatable and unfamiliar.

This stimulating read is one of my favourite texts to use with university students, raising, as it does, all sorts of questions about gender, class, culture, and individual agency, but it has much to offer a wider audience, too, not least in providing an important… show more.

The Chinese Communist Party is a mystery and this book is the best journalistic guide to try to understand it. This book inspired my reporting in China. It made me understand that the party is at the heart of every important decision made by Beijing though its decision-making is rarely visible. Written by a former Financial Times reporter, the book documents the big role the party plays in everything from picking the CEOs of China’s biggest firms to revamping the military.

We are used to thinking about how much China has changed in the past 50 years, thanks to the actions of the United States. But we rarely think about China’s historic impact on the U.S. This magisterial book by a former Washington Post reporter with long experience in China corrects that imbalance. There is a reason the author uses 1776 in his subhead. The tea tossed into Boston Harbor was shipped from Xiamen, and America’s founders were inspired by Chinese society which they viewed as a meritocracy. China’s democratic reformers looked to the U.S. for inspiration too.

Decadent Old Shanghai was never going to survive a Communist takeover. It wasn’t easy to leave—in her family, my mother was told she was the lucky one, and so was the mother of author Helen Zia. An accomplished journalist, Zia masterfully captures what it was like for four young people—including her mother—to make the wrenching decision to leave their homes for places unknown, the chaos and distress of boarding that fabled “last boat” out of Shanghai, and what came after. The core of the story unfolds through the authentic accounts of the main characters Benny, Annuo, Bing, and Ho. Additionally, Zia uses detailed research and extensive interviews with hundreds of émigrés from all strata of Shanghai society, bringing to life this last of a generation to embark on a largely forgotten mass exodus.

Having interviewed hundreds of Chinese Canadians, I knew that many of Canada’s earliest Chinese migrants met and gave money to Sun Yat-sen, the father of modern China, though most were less enthusiastic about Chiang Kai-shek. This book presented a complicated narrative of US-Chinese relations from the perspective of the Soong sisters, who straddled the boundaries of west and east and lived in a world where most Chinese were excluded because of their race. Similar to many of the bachelors in my book, the sisters were also influenced by KMT politics and religion. Both the Soong sisters and the bachelors knew that religion trumped race and that Christian identities and faith helped them open doors to dominant society that remained closed to most Chinese of the era. 

At the center of the novel Night in Shanghai is Black American musician Thomas Greene, who arrives in Shanghai from segregated Baltimore to find wealth, position, and love—only to have his life changed forever by the outbreak of World War II. Author Nicole Mones was a businesswoman in China in the 1970s; her China experience, coupled with meticulous research, makes this a pitch-perfect portrait of the city and its denizens. A talented storyteller, she describes the little-known Black American experience of Shanghai, taking the reader from go-go Shanghai to wartime, weaving in actual events, characters, and depictions of the nightspots and jazz clubs of my parents’ Shanghai.

Hard to imagine now, but when Tess Johnston arrived in Shanghai as an American diplomat in 1981, no one was researching or writing much about Old Shanghai. Fascinated by the city’s old Western buildings, she collaborated with Shanghainese photographer Deke Erh to piece together the stories behind the once-grand architecture. Photographed in the 1980s and ’90s, A Last Look provides a provocative visual history of Old Shanghai, accompanied by succinct text penned in Johnston’s personable style. This oeuvre is not only an appealing entrée into a lost era but has become a precious remembrance, as many of its subject buildings and neighborhoods have since been demolished. Although the book is out of print, it’s worth ordering a used copy.

The cultural and financial legacy of the two Opium Wars and the general opium economy lingered well into the twentieth century, through the First and Second World Wars.

In the mid-1930s, the American journalist Emily Hahn lived in Shanghai where she opened an astonishing window on the immense change over a century, culminating in the downfall of the Qing Empire and the struggle of early national China to counter Japanese imperialism. 

As a prolific New Yorker journalist, novelist, and autobiographer Hahn renders accounts of cross-cultural intimacy and literary ambition that unfold against the expanding war zones of the Second World War. 

Grescoe’s compelling biography pulls the reader into a seductive circle of opium smoking and literary salon conversation, coordinated by the Shanghainese writer and publisher Zau Sinmay (Shao Sunmei; 邵洵美). 

Grecoe then charts the harrowing and melancholy demise of its members.

Reading this book was like listening to beautiful music. It’s similar to Pachinko in that it covers a generational family saga, but this story has bite!

I loved how much I learned about pre-communist China in this book, but I also loved that the stories of family resonated so deeply.