100 books like Factory Girls

I am a Geography professor at DePaul University with a long-standing obsession with the world, comparing puddle shapes to countries as a small child and subsequently initiating map and flag collections that I cultivate to this day. Having lived in different parts of the UK and the USA, as well as being fortunate enough to travel further afield, I’ve relished the opportunity to explore widely and chat with the people who know their places best. I love books that alter how I look at the planet, and I am particularly intrigued by the subtle ways in which people have shaped our world—and our perceptions of it—both intentionally and inadvertently.

Right after college, I lived abroad in Asia, in the small, landlocked country of Laos. A key theme of the book is the role of the U.S. in the world. During the Vietnam War, Laos was subject to a massive bombing campaign by the U.S., and decades later, the country was still coping with the effects. As unexploded bombs continued to kill people every year, how would my colleagues and neighbors react to an American living among them? The book is mainly about the joys of navigating another culture, and while Laos is unique, I’ve read a lot of books about living abroad in Asia, and common themes certainly emerge.

I am a professor emerita of Anthropology at Berkeley. I have written books on Muslim women in runaway factories; the modern Chinese diaspora; Cambodian refugees in the US; neoliberal Asian states; and Singapore's biomedical hub. I also write on contemporary Chinese art. We live in worlds interwoven by assemblages of technology, politics, and culture. Each situation is crystallized by the shifting interactions of global forces and local elements. Given our interlocking, interdependent realities, a sustainable future depends on our appreciation of cultural differences and support of transnational cooperation. For many people, China today is a formidable challenge, but learning about its peoples' struggles and desires is a beginning toward recognizing their humanity.

I have been professionally involved with contemporary art since the 1980s, when I was a curator at the Institute of Contemporary Art in Boston. In the forty years since I've seen an enormous shift in the orientation of American curators and scholars from Western art to a global perspective. After earning my PhD at Harvard, and writing several books on contemporary art, I wanted to tackle the challenge of a truly comparative contemporary art history. To do so, I've depended on the burgeoning scholarship from a new more diverse generation of art historians, as well as on many decades of travel and research. My book Heritage and Debt is an attempt to synthesize that knowledge. 

I am a professor emerita of Anthropology at Berkeley. I have written books on Muslim women in runaway factories; the modern Chinese diaspora; Cambodian refugees in the US; neoliberal Asian states; and Singapore's biomedical hub. I also write on contemporary Chinese art. We live in worlds interwoven by assemblages of technology, politics, and culture. Each situation is crystallized by the shifting interactions of global forces and local elements. Given our interlocking, interdependent realities, a sustainable future depends on our appreciation of cultural differences and support of transnational cooperation. For many people, China today is a formidable challenge, but learning about its peoples' struggles and desires is a beginning toward recognizing their humanity.

I am a professor emerita of Anthropology at Berkeley. I have written books on Muslim women in runaway factories; the modern Chinese diaspora; Cambodian refugees in the US; neoliberal Asian states; and Singapore's biomedical hub. I also write on contemporary Chinese art. We live in worlds interwoven by assemblages of technology, politics, and culture. Each situation is crystallized by the shifting interactions of global forces and local elements. Given our interlocking, interdependent realities, a sustainable future depends on our appreciation of cultural differences and support of transnational cooperation. For many people, China today is a formidable challenge, but learning about its peoples' struggles and desires is a beginning toward recognizing their humanity.

For nearly 40 years I have worked at the Wall Street Journal, largely focusing on international economics. I was part of a team that won a Pulitzer Prize for coverage of the Asian and Russian financial crisis. China has been a particular passion. In 1999, I covered the U.S. negotiations with China over its entry to the World Trade Organization, which included side trips to New Zealand and elsewhere for some of the talks. From 2011 to 2014, I was posted in Beijing where I wrote about the Chinese economy and loved getting out to the countryside. Back in Washington, I reported on the deteriorating U.S.-China relationship, especially during the Trump years.

For nearly 40 years I have worked at the Wall Street Journal, largely focusing on international economics. I was part of a team that won a Pulitzer Prize for coverage of the Asian and Russian financial crisis. China has been a particular passion. In 1999, I covered the U.S. negotiations with China over its entry to the World Trade Organization, which included side trips to New Zealand and elsewhere for some of the talks. From 2011 to 2014, I was posted in Beijing where I wrote about the Chinese economy and loved getting out to the countryside. Back in Washington, I reported on the deteriorating U.S.-China relationship, especially during the Trump years.

“Old Shanghai” is in my blood: though raised in Hong Kong, I was surrounded by all things Shanghai through my parents and their friends, who had grown up during Shanghai’s 1930s heyday. The classical culture … the modern glamour … the breathtaking scandals! Since childhood I’ve searched for connections to my heritage; this fascination led me, years later, to write Remembering Shanghai with my mother, by then in her eighties. Having immersed myself in Shanghai history and culture most of my life, I am passionate about intimate, authentic stories that are told against a rich historical backdrop—the kind that make reviewers say “you can’t make this up!”

I have specialized in writing about Asia since first moving to Hong Kong as a journalist in 1989, and spent the past three decades trying to improve understandings between East and West. My Asian women friends repeatedly asked me why Western men expected them to pour their drinks and serve them food. I answered “because that’s what they saw in the movies.” The James Bond films perpetuating these images of servile Asian women scrubbing white mens’ backs in the bathtub were pervasive when they were growing up. I decided to uncover and explain where this history of imagery and the stereotypes they result in come from – and, as someone with an anthropological background, also explain cultural practices that foster misunderstandings.