I have been fascinated by women who are artists and activists, such as Ivy Bottini, Käthe Kollwitz and Peggy Guggenheim. (All subjects of plays I wrote). They are convicted, unique, champions of justice, diversity and inclusion.
Maude is such a joyful, wise older woman who embraces life, who refuses to judge people, who provides guidance for a young troubled man.
Especially infectious is Maude’s love of life which balances nicely with and counters Harold’s preoccupation with death.
The advice delivered by Maude, such as, “It’s best not to be too moral. You cheat yourself out of too much life. Aim above morality,” always contains a unique perspective that is profoundly unpredictable and truthful.
Nineteen-year-old Harold Chasen is obsessed with death. He fakes suicides to shock his self-obsessed mother, drives a customized Jaguar hearse, and attends funerals of complete strangers. Seventy-nine-year-old Maude Chardin, on the other hand, adores life. She liberates trees from city sidewalks and transplants them to the forest, paints smiles on the faces of church statues, and “borrows” cars to remind their owners that life is fleeting—here today, gone tomorrow! A chance meeting between the two turns into a madcap, whirlwind romance, and Harold learns that life is worth living. Harold and Maude started as Colin Higgins’ master’s thesis at UCLA…
Two self-interested people will try to outperform each other. One will win, the other will lose. If they instead cooperate, both will win a bit, and lose a bit. Is this preferable? I say yes, because in the long term, winning a bit many times, is better than winning a lot, once. Choosing short-term gain at the expense of long-term benefit is a waste of potential for societies and individuals. Traditional morality works, sometimes, in some cases. Rational morality can fill the gaps, and expand the circle of morality so that when higher ideals fail or become too difficult to follow, rationality can be about more than just short-term self-interest.
For Gintis, morality is the result of social evolution.
Humans are meant to cooperate and behave morally because of the evolutionary history of our societies. If humans are social animals, then it follows, they must be moral animals as well.
Gintis, unlike the previous authors in the list, focuses on the social, rather than the individual, to also argue for a moral theory that does not depend on or stem from individual moral character, or moral constraints on behavior.
This is an important argument because it highlights, at least implicitly, that we have a lot in common with social animals and as such, we can learn a lot from animal societies, as well as from early human societies.
Why do humans, uniquely among animals, cooperate in large numbers to advance projects for the common good? Contrary to the conventional wisdom in biology and economics, this generous and civic-minded behavior is widespread and cannot be explained simply by far-sighted self-interest or a desire to help close genealogical kin. In A Cooperative Species, Samuel Bowles and Herbert Gintis--pioneers in the new experimental and evolutionary science of human behavior--show that the central issue is not why selfish people act generously, but instead how genetic and cultural evolution has produced a species in which substantial numbers make sacrifices to uphold ethical norms…
History is learned in the worst way by most, through textbooks. Textbooks are written heavy on dates, timelines, and synopsizing events for multiple-choice, maybe a few, essay questions in schools. Whose facts are they? To paraphrase Frederick Douglass, what does the Fourth of July mean when you’re black? History is taught in these fact silos. But that’s not how it happens. History happens in layers that build under pressure, erupt, and shift like rock sediment evolving over time. I chose these five nonfiction books because they unapologetically show the fault lines and pressures that make American history. These books also uncover the hidden gems created by those societal pressures.
The United States was born out of a revolution, but the civil rights of its citizens were created by evolution over the country’s nearly 250-year history. In this book, author Kyle G. Volk traces how various minorities elbowed their way to the American rights table and changed our democratic political system.
What made the book resonate with me was the well-researched examples of how minorities got their voices heard by the majority. He sticks to the meat and potatoes issues that matter to regular people, such as transportation, education, and booze–wet regulations, as it were.
Should the majority always rule? If not, how should the rights of minorities be protected? In Moral Minorities and the Making of American Democracy, historian Kyle G. Volk unearths the origins of modern ideas and practices of minority-rights politics. Focusing on controversies spurred by the explosion of grassroots moral reform in the early nineteenth century, he shows how a motley but powerful array of self-understood minorities reshaped American democracy as they battled laws regulating Sabbath observance, alcohol, and interracial contact. Proponents justified these measures with the "democratic" axiom of majority rule. In response, immigrants, black northerners, abolitionists, liquor dealers, Catholics,…
I’m a debut novelist who loves a good family drama. I’m a fiction professor at the University of Memphis, where I teach a course on the dysfunctional family novel featuring books on this list. I’m also an atheist, a bisexual, and a father to a one-year-old—all of which influenced my book. In addition to the novel, I’ve written a story collection called Quantum Convention. My stories have aired on Public Radio International’s Selected Shorts and appeared in American Short Fiction, Gulf Coast, and Electric Literature, among other journals. I also have a new essay up at Lit Hub about channeling my bisexuality through queer characters.
Wilson’s novels often interrogate art and morality in a hilarious fashion.
In this book, siblings Annie and Buster struggle to overcome their childhood personas of Child A and Child B in their parents’ performance art pieces. When Caleb and Camille disappear under mysterious circumstances, Annie and Buster must investigate to find out if their parents are really dead or if this is yet another elaborate scheme in the name of art.
What is real? What is artifice? Can they escape the myth of their parents’ making and find a healthier way to make their own art?
Mr and Mrs Fang called it art. Their children called it mischief. Performance artists Caleb and Camille Fang dedicated themselves to making great art. But when an artist's work lies in subverting normality, it can be difficult to raise well-adjusted children. Just ask Buster and Annie Fang. For as long as they can remember, they starred (unwillingly) in their parents madcap pieces. But now that they are grown up, the chaos of their childhood has made it difficult to cope with life outside the fishbowl of their parent’s strange world.
When the lives they’ve built come crashing down, brother and…
I’ve always been fascinated by the ancient Romans and particularly by the ways they wrote about themselves. A Professor of Ancient History at Birkbeck, University of London since 2005, I regularly take part in BBC Radio 4’s In Our Time, discussing topics such as Roman decadence. Later generations look back on ancient Rome as mired in luxury and sexual misbehaviour—but that’s because the Romans themselves were constantly accusing one another of terrible vices. What can these claims tell us about Roman society? That’s a question that I’ve often returned to in many years of university teaching—and writing books, such asThe Politics of Immorality in Ancient Rome.
This provocative analysis of the sex lives of Roman emperors invites us to reflect on the relationships between emperors and the favourites who were objects of their sexual desires. Vout looks at gossipy anecdotes in Suetonius’ imperial biographies, as well as poems celebrating the eunuch Earinus (of whom the emperor Domitian was said to be enamoured) and statues of the beautiful youth Antinous (beloved of the emperor Hadrian). Why were Romans so interested in the objects of imperial desire? What did it mean to be the emperor’s lover? And what can this material tell us about the way Romans imagined imperial power?
The relationships between Roman emperors and their objects of desire, male and female, are well attested. The salacious nature of this evidence means that it is often omitted from mainstream historical inquiry. Yet that is to underestimate the importance of 'gossip' and the act of thinking about an emperor's private life. In this book Dr Vout takes the reader from Rome, and Martial's and Statius' poems about Domitian's favourite eunuch, to Antioch and dialogues in praise of Lucius Verus' mistress, to the widespread visual commemoration and cult of Hadrian's young male lover, Antinous. She explores not the relationships themselves but…
I’ve always liked narrative history and how we can take research and turn it into a story. More importantly, I love books that can recover the histories of marginalized people—people who don’t make it into the history textbooks. Historical true crime gives me access to realities we don’t often see. Court transcripts, detective reports, news accounts, and oral histories all combine to illuminate a world beyond the famous and known. I’m drawn to those books (and book projects) that ask the question: what can we know about the past if we look at it through the lens of a crime? Whose realities do we witness through such a lens?
This was one of the first books I read that showed me how powerful true crime can be as a vehicle for historical narrative. Jewett’s murder in 1830s New York was all but forgotten until Cline recovers that case and the social world of sex workers in that era.
It’s the writer’s eye for narrative details and her contemporary sleuthing into the complexities of Jewett’s life that keeps me coming back to this book again and again. Cline continually reveals her research process, and by doing so, I felt like I was part of the story as she reconstructs the crime and New York in the 1830s.
In 1836, the murder of a young prostitute made headlines in New York City and around the country, inaugurating a sex-and-death sensationalism in news reporting that haunts us today. Patricia Cline Cohen goes behind these first lurid accounts to reconstruct the story of the mysterious victim, Helen Jewett.
From her beginnings as a servant girl in Maine, Helen Jewett refashioned herself, using four successive aliases, into a highly paid courtesan. She invented life stories for herself that helped her build a sympathetic clientele among New York City's elite, and she further captivated her customers through her seductive letters, which mixed…
I decided at the age of 5 that I wanted to write and illustrate books for children. That is exactly what I have been doing the last 40 years of my adult life. I find that I walk around seeing and hearing the world as potential stories. It’s fun! I can not imagine doing anything else for a living! I recommended the 5 books that I did because they are a little strange and curious and thought-provoking. The art, as well. Therefore, they feel like they emerged from the author/illustrator from that place within, way down deep, where only authentic expression of self can be found.
Leon and his mom are new to town. His dad is in the army. Leon shares his new room with his imaginary friend, Bob. Their friendship is as important as it is real, to Leon. A tender and loving relationship. A boy moves in next door. Read the book to see how sweet this deceivingly simple story is. The words are sparse and well-chosen. The artwork is loose and expressive ink linework. Beautiful watercolor washes. The imaginary friend theme is treated in a fresh way. I am always touched by the portrayal of little boys’ natural sweetness - as they really are when allowed to be.
A touching urban tale about a boy and his imaginary friend, from a multi-award-winning picture-book creator.
Bob is Leon's best friend. He shares Leon's room. Everywhere Leon goes, Bob goes too. Then one day a boy moves in next door. But when Leon goes to ask his new neighbour to go to the park with him, he discovers Bob has gone...
This is a book like no other! With its first sentences, it gripped me, and I couldn't put it down till the very end. The same happened to everybody I recommended it to.
Formally, it is part of a trilogy, and I loved to read all three of them. Its style is dry and almost merely reporting, and yet it is emotionally involved in a powerful way.
Is what we are told meant to be real? Or is it only the product of a traumatized mind trying to cope with war, poverty, pain, abuse, and the endless yearning for what is lost? Are the twins, the protagonists of this trilogy, really two separate fictional characters or rather one with a dissociated mind? A thrilling question till the end.
Twin brothers, left with their evil grandmother at a time when war has blurred all distinctions between good and evil, learn to steal and kill in the name of survival and create their own loveless morality
As a fantasy author and professional counsellor, I am incredibly passionate about topics which are relevant not only to mental health, but to us in contemporary society. Feminist themes such as those discussed in my book list comes under than umbrella—we deal with these in our day to day lives. I experience them personally and also see it within my counselling clients. I believe that being able to read about these issues within fantasy stories is really important to allow us to understand and process the difficult thoughts and feelings they can bring up within us.
A grimdark fantasy in the tone of Abercrombie, Moss’s The Worthy is a brilliant debut that explores a fractious sibling relationship between brother and sister Prince Barsten and Princess Ailith, both of whom are battling to become heir to the kingdom of Crell. Ailith herself is hiding her lover, Lady Avalon, at the same time as trying to protect the kingdom when it quite literally begins to tear itself apart due to a mysterious magical entity. The book explores issues of patriarchal oppression, historic abuse and trauma, sexuality and homophobia. Despite the grim world and morally grey characters, I found myself drawn into this story because of the important themes it considered.
Blood is thicker than water. Tell that to Prince Barsten, betrayed and abandoned on foreign soil. His sister is intent on claiming the throne and he’s intent on stealing it back. One of them might succeed, if it weren’t for a sacred creature infecting people with its emotions. Rage, fear, paranoia, despair. As their country collapses, the royal siblings must stay true to themselves or find out just how thick their blood really is.
Moss’s compelling debut novel dives into a desperate kingdom, full of intrigue, treachery and sapphic-longing. Fast-paced and awash with sinful characters and fetid settings, The Worthy…
When I was younger, I got into a lot of trouble. Many good-hearted people helped me. In part, this inspired me to become a clinical psychologist. When I was in graduate school at Harvard, I became disillusioned with clinical psychology and inspired to figure out why people are motivated to help others. During this process, a lecturer from the Biology Department, Robert Trivers, approached me and we exchanged drafts of papers we were writing. Trivers’ ideas caused me to see altruism and morality in an entirely different, and much more valid, way. In Survival of the Virtuous I demonstrate how psychological findings on altruism and morality can be gainfully interpreted from an evolutionary perspective.
My introduction to Richard Alexander was a set of compelling words that he wrote in the margin of a draft of one of my early papers on the evolution of altruism: “no, no, no, no.” I had gotten it wrong.
In The Biology of Moral Systems, Richard Alexander presents an account of how morality evolved in the human species that has proven almost exactly right. The key to understanding morality, he argues, is to view it as a system that evolved to enable individuals who can benefit from cooperating with one another to resolve their conflicts of interest in mutually beneficial ways.
Alexander explains how the moral systems that have evolved in human societies are structured in ways that enable people to reap the benefits of increasingly indirect systems of reciprocity.
Despite wide acceptance that the attributes of living creatures have appeared through a cumulative evolutionary process guided chiefly by natural selection, many human activities have seemed analytically inaccessible through such an approach. Prominent evolutionary biologists, for example, have described morality as contrary to the direction of biological evolution, and moral philosophers rarely regard evolution as relevant to their discussions.The Biology of Moral Systems adopts the position that moral questions arise out of conflicts of interest, and that moral systems are ways of using confluences of interest at lower levels of social organization to deal with conflicts of interest at higher…
