Here are 100 books that The Notebook fans have personally recommended if you like
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In addition to writing novels, I’m also a playwright. Whatever form I work in, I’m drawn to character, drama, and emotion. I aspire to write literary page-turners that feel as rich and complicated as real life. Also, I want the endings of my books to slay readers and break their hearts. Of course, when I say that, I’m not necessarily speaking of sorrow; sometimes your heart breaks from expanding, from a surfeit of feeling. Your heart breaks only to grow larger.
This novel about a fifteen-year-old girl’s affair with an older, wealthy man is a provocative exploration of memory. The novel’s language is arch and lyric, always making me feel as if I’ve been hypnotized.
The book is a love story, but in this story, love doesn’t lead to salvation. Still, the splendid, haunting language lifts the tale into the realm of the mythic.
A sensational international bestseller, and winner of Frances' coveted Prix Goncourt, 'The Lover' is an unforgettable portrayal of the incandescent relationship between two lovers, and of the hate that slowly tears the girl's family apart.
Saigon, 1930s: a poor young French girl meets the elegant son of a wealthy Chinese family. Soon they are lovers, locked into a private world of passion and intensity that defies all the conventions of their society.
A sensational international bestseller, 'The Lover' is disturbing, erotic, masterly and simply unforgettable.
I'm a psychoanalyst and a writer. I'm fascinated with the thoughts, feelings, dreams, and fantasies that make up our inner worlds, and I love how the beauty of language can reach beyond what ordinary experience seems to suggest. My novels take place in the minds of their protagonists; I look through their eyes and follow the ideas, memories, and hopes that guide their lives. I enjoy their idiosyncrasies, allow them to be weird, vulnerable, and volatile, and I think of them as lovable and in times of adversity as brave as any human being can be.
This is one of the most fascinating and beautiful books I've read.
It gently leads the reader into the lives of three protagonists (told in loosely connected stories), whose relationships start seemingly real but get increasingly confusing, enigmatic, and almost psychotic. After I read this book, winner of the prestigious Prix Goncourt, I read all books by Marie NDiaye, and I loved them all.
Her language is original and amazing, and her characters are presented in such a caring and dignified way that the reader can empathize with and appreciate the difficult struggles of these women's disturbed and endlessly searching minds. Reading N'Diaye is an extraordinary experience. I am always waiting for her next publication.
Forty-year-old Norah leaves Paris, her family and her career as a lawyer to visit her father in Dakar. It is an uncomfortable reunion - she is asked to use her skills as a lawyer to get her brother out of prison - and ultimately the trip endangers her marriage and her relationship with her own daughter, and drives her to the very edge of madness.
Fanta, on the other hand, leaves Dakar to follow her husband Rudy to rural France. And it is through Rudy's bitter and guilt-ridden perspective that we see Fanta stagnate with boredom in this alien, narrow…
I'm a psychoanalyst and a writer. I'm fascinated with the thoughts, feelings, dreams, and fantasies that make up our inner worlds, and I love how the beauty of language can reach beyond what ordinary experience seems to suggest. My novels take place in the minds of their protagonists; I look through their eyes and follow the ideas, memories, and hopes that guide their lives. I enjoy their idiosyncrasies, allow them to be weird, vulnerable, and volatile, and I think of them as lovable and in times of adversity as brave as any human being can be.
I only discovered the world-renowned author Clarice Lispector in 2015, when the excellent edition of her complete stories was published.
Her capacity for keen and idiosyncratic observation penetrates the human heart and mind and makes her tales simultaneously shocking, amusing and thought provoking. Imagine to read the story of a chicken and feel yourself being almost passionately involved in its short life! Or think of the birthday party of an 89-year-old woman, who despises her family that surrounds her in barely veiled hostility!
These stories are amazing in every way; they are rooted in a deep understanding of the human mind, and their psychological grasp is eye-opening. I find them much more accessible than Lispector's novels and enjoy rereading them from time to time.
Here, gathered in one volume, are the stories that made Clarice a Brazilian legend. Originally a cloth edition of eighty-six stories, now we have eighty- nine in all, covering her whole amazing career, from her teenage years to her deathbed. In these pages, we meet teenagers becoming aware of their sexual and artistic powers, humdrum housewives whose lives are shattered by unexpected epiphanies, old people who don't know what to do with themselves- and in their stories, Clarice takes us through their lives-and hers-and ours.
I'm a psychoanalyst and a writer. I'm fascinated with the thoughts, feelings, dreams, and fantasies that make up our inner worlds, and I love how the beauty of language can reach beyond what ordinary experience seems to suggest. My novels take place in the minds of their protagonists; I look through their eyes and follow the ideas, memories, and hopes that guide their lives. I enjoy their idiosyncrasies, allow them to be weird, vulnerable, and volatile, and I think of them as lovable and in times of adversity as brave as any human being can be.
In the first sentence of this novel Anna Lore falls madly in love with a man she happens to run into on the street of her hometown.
Even though she only vaguely recognizes him as they strike up a brief conversation, she becomes so obsessed with him that she is willing to give up everything for him, including her marriage of twenty years with a loving and reliable husband who she loves too.
Reading this novel, I was fascinated with Anna Lore's struggle to understand what's driving her towards a man, who almost against his will has such irresistable power over her. To follow her thinking as it makes her crazy infatuation appear reasonable and compelling is a fascinating experience of the uncanny nature of the unconscious.
Anna has been living happily for twenty years with loving, sturdy, outgoing Guillaume when she suddenly (truly at first sight) falls in love with Thomas. Intelligent and handsome, but apparently scarred by a terrible early emotional wound, he reminds Anna of Jude the Obscure. Adrift and lovelorn, she tries unsuccessfully to fend off her attraction, torn between the two men. "How strange it is to leave someone you love for someone you love. You cross a footbridge that has no name, that's not named in any poem. No, nowhere is a name given to this bridge, and that is why…
William MacAskill is an associate professor in philosophy at the University of Oxford. At the time of his appointment, he was the youngest associate professor of philosophy in the world. He cofounded the nonprofits Giving What We Can, the Centre for Effective Altruism, and Y Combinator–backed 80,000 Hours, which together have moved over $300 million to effective charities. He is the author of Doing Good Betterand What We Owe The Future.
In The Life You Can Save, Peter Singer makes the case that we can do a tremendous amount of good by donating to high-impact charities. Every year, hundreds of thousands of children die from preventable diseases, and at little cost to ourselves, we can make an enormous positive difference by giving to organizations like the Against Malaria Foundation.
For the first time in history, eradicating world poverty is within our reach.
Yet around the world, a billion people struggle to live each day on less than many of us pay for bottled water.
In The Life You Can Save, Peter Singer uses ethical arguments, illuminating examples, and case studies of charitable giving to show that our current response to world poverty is not only insufficient but morally indefensible. The Life You Can Save teaches us to be a part of the solution, helping others as we help ourselves.
'A persuasive and inspiring work that will change the way…
I have been fascinated by women who are artists and activists, such as Ivy Bottini, Käthe Kollwitz and Peggy Guggenheim. (All subjects of plays I wrote). They are convicted, unique, champions of justice, diversity and inclusion.
Maude is such a joyful, wise older woman who embraces life, who refuses to judge people, who provides guidance for a young troubled man.
Especially infectious is Maude’s love of life which balances nicely with and counters Harold’s preoccupation with death.
The advice delivered by Maude, such as, “It’s best not to be too moral. You cheat yourself out of too much life. Aim above morality,” always contains a unique perspective that is profoundly unpredictable and truthful.
Nineteen-year-old Harold Chasen is obsessed with death. He fakes suicides to shock his self-obsessed mother, drives a customized Jaguar hearse, and attends funerals of complete strangers. Seventy-nine-year-old Maude Chardin, on the other hand, adores life. She liberates trees from city sidewalks and transplants them to the forest, paints smiles on the faces of church statues, and “borrows” cars to remind their owners that life is fleeting—here today, gone tomorrow! A chance meeting between the two turns into a madcap, whirlwind romance, and Harold learns that life is worth living. Harold and Maude started as Colin Higgins’ master’s thesis at UCLA…
I started out as an economics major in college but soon realized that the discipline was based on totally unrealistic assumptions, so I switched to philosophy and literature. I started reading Marx, Freud, and Nietzsche with some of my roommates and then chose UC San Diego for graduate work because of its focus on what became known as “theory”—which was taught there by luminaries including Jameson, Lyotard, and Marin.
I have been researching the psycho-dynamics of markets and capitalism ever since, and have become convinced that rescuing markets from capital is the only way to save the planet from environmental catastrophe.
Lasch’s critique of widespread culture-induced narcissism was recommended to me when it first came out by my mother, of all people. It hasn't held up well, but despite its one-sidedness, it still helped me understand the impact of capitalism on the Western psyche.
Although it covers some of the same ground as Richard Sennett’s earlier Fall of Public Man, I really benefited from the way it couched its critique in psychoanalytic terms, drawing on the work of respected analysts Heinz Kohut and Otto Kernberg.
When The Culture of Narcissism was first published in 1979, Christopher Lasch was hailed as a "biblical prophet" (Time). Lasch's identification of narcissism as not only an individual ailment but also a burgeoning social epidemic was ground-breaking. His diagnosis of American culture is even more relevant today, predicting the limitless expansion of the anxious and grasping narcissistic self into every part of American life.
I am a great African-American writer because I have not spent eons in jail (taught writing classes there), never been shot by the police (yet), and I have a number of interesting books for sale ranging from Urban, Erotic, Science-Fiction, Fiction and Pan-African Occult. My books have been used in writing classes in colleges, universities, and prisons. I was one of the panelists for Professor Justin Gifford's presentation at the Modern Language Association Conference at the Hilton, LA Live. Also, I participated in a California State University, Dominguez Hills (CSUDH) event, celebrating the 50th Anniversary of the “Watts Rebellion”. I have agreed to let this university archive my works.
I think that we should all make an effort to understand people who are not from our cultural stew; people who seem different, but wind up being like us; once we get to know them.
Patrick Oster is not a sociologist, a psychologist, or an ugly American. He could be Joe Blow from down the block who decides to go to Mexico, to get to know the Mexican people. He does not make an effort to know all the people, he simply makes friends with those who are friendly, and leaves the others alone; just the way he would do in America.
I feel that this book is a wonderful example of what can come from an honest exploration and a warm writing style.
The Mexicans is a multifaceted portrait of the complex, increasingly turbulent neighbor to our south. It is the story of a country in crisis -- poverty, class tensions, political corruption -- as told through stories of individuals. From Augustín, an honest cop, we learn that many in the Mexican police force use torture as their number-one-crime-solving technique; from Julio Scherer Garcia, a leading newspaper editor, we learn how kidnapping and intimidating phone calls stifle a free press; we hear from a homosexual teacher wary of bigotry in a land of machismo; and many others. Moving from Mexico City discos to…
I grew up with Irish folklore, Lord of the Rings, and X-Men comics as my bedtime stories, but I am also a domestic violence survivor twice over with c-PTSD. I was never able to get justice for anyone who hurt me. I created my stories as a way to cope and understand my feelings and triggers by making them their own personalities. So, I made my trauma available for everyone in a fantasy setting with two love interests to adore the heroine who had to endure so much but never gave up on giving people someone to root for when they couldn’t for themselves anymore.
I loved the premise of this series. It's such a different take on fated mates that it was just refreshing! I also loved the main female character. She’s so stubborn and willing to do whatever it takes to do what is needed, even if it’s not on the up and up. And the unhinged males were fabulous as well!
After the death of my mother and her Bonded, I was relieved to find my own Bonds. I was sure everything would be okay if I had them. It wasn’t. The fate of our people is in my hands and I know we’re better off if I’m alone. After five years on the run, I’m caught and dragged back to face the men I ran away from. I thought I was doing the right thing. Now, I’m not so sure. North, Nox, Gryphon, Atlas, and Gabe may never forgive me but one thing is for sure. I won’t ever forgive…
I am a professor of history and Director of the Lawton M. Chiles Jr. Center for Florida History at Florida Southern College in Lakeland, Florida. I am a specialist in Southern, social, criminal justice, and legal history. I am the author or co-author of seven books, including three that address criminal justice at the state and federal level. My articles and reviews on criminal justice history have appeared in the America Historical Review, American Journal of Legal History, Journal of Southern History, Florida Historical Quarterly, Florida Bar Journal, and Georgia Historical Quarterly.
No book was more fundamental in shaping and revolutionizing our understanding of the mores and values of the Antebellum South than Bertram Wyatt-Brown’s Southern Honor. Using legal documents, letters, diaries, and newspaper columns, this book reveals how the South’s honor system shaped and influenced how southerners lived, worked, and fought with one another. “Primal Honor” also influenced the way that Southerners made, enforced, or did not enforce the law. Southern men adopted an ancient honor code that shaped their society from top to bottom. By claiming honor and dreading shame, they controlled their slaves, ruled their households, established the social rankings of themselves, kinfolk, and neighbors, and responded ferociously against perceived threats. Honor required men to demonstrate their prowess and engage in fierce defense of the individual, family, community, and regional reputation by duel, physical encounter, or war. Subordination of African-Americans was uppermost in this Southern ethic. Any threat, whether…
A finalist for the Pulitzer Prize and the American Book Award, hailed in The Washington Post as "a work of enormous imagination and enterprise" and in The New York Times as "an important, original book," Southern Honor revolutionized our understanding of the antebellum South, revealing how Southern men adopted an ancient honor code that shaped their society from top to bottom. Using legal documents, letters, diaries, and newspaper columns, Wyatt-Brown offers fascinating examples to illuminate the dynamics of Southern life throughout the antebellum period. He describes how Southern whites, living chiefly in small, rural, agrarian surroundings, in which everyone knew…
