I have been fascinated by women who are artists and activists, such as Ivy Bottini, Käthe Kollwitz and Peggy Guggenheim. (All subjects of plays I wrote). They are convicted, unique, champions of justice, diversity and inclusion.
An insightful examination of art collector Peggy Guggenheim, a fascinating character, Ms. Guggenheim was friends with a vast assortment of American and European writers and artists. The reader gets to see the contradictory sides of this brilliant and unconventional woman. As a result of reading this book, I wrote a play about her entitled The Collection.
"Mrs. Guggenheim, how many husbands have you had?" she was once asked. "D'you mean my own, or other people's?"
Peggy Guggenheim's tempestuous life (1898-1979) spanned the most exciting and volatile years of the twentieth century, and she lived it to the full. How she became one of the century's foremost collectors of modern art-and one of its most formidable lovers-is the subject of this lively and authoritative biography.
Her father, Benjamin Guggenheim, went down with the Titanic en route home from installing the elevator machinery in the Eiffel Tower, and it was in Paris in the 1930s that the young…
Ms. Kollwitz is one of the most famous expressionistic German artists and was the first female to teach in a university setting. She was a pacifist, champion of the poor, a politically-active socialist. Under the Nazi regime, her work was labeled “Degenerate.” After learning about Ms. Kollwitz, I wrote a play about her entitled Censored.
A fun, insightful, humorous revelation about a celebrated poet who returns to her conservative home and examines the people and ideas that shaped her. I identify with this book because I, too, was raised Mennonite. In addition. The protagonist of my book is a Mennonite.
"It is rare that I literally laugh out loud while I'm reading, but Janzen's voice―singular, deadpan, sharp-witted and honest―slayed me." ―Elizabeth Gilbert, author of Eat, Pray, Love
Not long after Rhoda Janzen turned forty, her world turned upside down. It was bad enough that her husband of fifteen years left her for Bob, a guy he met on Gay.com, but that same week a car accident left her injured. Needing a place to rest and pick up the pieces of her life, Rhoda packed her bags, crossed the country, and returned to her quirky Mennonite family's home, where she was…
Maude is such a joyful, wise older woman who embraces life, who refuses to judge people, who provides guidance for a young troubled man.
Especially infectious is Maude’s love of life which balances nicely with and counters Harold’s preoccupation with death.
The advice delivered by Maude, such as, “It’s best not to be too moral. You cheat yourself out of too much life. Aim above morality,” always contains a unique perspective that is profoundly unpredictable and truthful.
Nineteen-year-old Harold Chasen is obsessed with death. He fakes suicides to shock his self-obsessed mother, drives a customized Jaguar hearse, and attends funerals of complete strangers. Seventy-nine-year-old Maude Chardin, on the other hand, adores life. She liberates trees from city sidewalks and transplants them to the forest, paints smiles on the faces of church statues, and “borrows” cars to remind their owners that life is fleeting—here today, gone tomorrow! A chance meeting between the two turns into a madcap, whirlwind romance, and Harold learns that life is worth living. Harold and Maude started as Colin Higgins’ master’s thesis at UCLA…
A resourceful woman, an outcast, cleverly survives a harsh life. She turns to art for inspiration and fulfillment.
The descriptions of Kya’s drawings of shells, feathers, and seabirds were evocative. Equally compelling was the poetry composed by the talented and insightful Kya.
The relationship between Kya and the black couple, Jumping’ and Mabel, was moving and heartfelt.
The book tackles topics of abandonment, isolation, and betrayal; against this reality Kya proves to be resilient, creative, and resourceful.
OVER 12 MILLION COPIES SOLD WORLDWIDE NOW A MAJOR MOTION PICTURE A NUMBER ONE NEW YORK TIMES BESTSELLER
For years, rumours of the 'Marsh Girl' have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, finding friends in the gulls and lessons in the sand. Then the time comes when she yearns to be…
Devastated by the death of her husband and sons, Hannah, a Mennonite,sells the family farm andcreates a store and living quarters in a delivery truck. She travels several circuits, selling her wares. Hannah becomes the heart of a network of interlinking lives that span many years. As Hannah’s relationships deepen, her faith diminishes but her vision of humanity expands. Hannah is a clever problem-solver, shrewd schemer, spinner of tender lies, advocate for justice, unwitting promoter of the arts, and dream weaver.
On Draakensky Windmill Estate, magick and mystery rule. Sketch artist Charlotte Knight is hired to live on the estate while illustrating poetry under the direction of the reclusive spinster, and wind witch, Jaa Morland—who believes in ghosts. Charlotte quickly encounters the voice of a ghost and a sinister figure lurking in the shadows.
Charlotte takes refuge in Marc Sexton, a charismatic local with knowledge of Celtic magick—who wears a silver wolf amulet around his neck. With his dark secrets of the Otherworld and his magickal powers, they delve into a world of…
Draakensky: A Supernatural Tale of Magick and Romance
A murder. A wind sorcerer. A dark spirit. On Draakensky, magick dictates destiny.
The Chief of Police discovers an elderly woman dead in the Mianus River. There is a ghost who resides here and flings its words through the spinning air. River magic too, streams across Draakensky Windmill estate, conjuring a secret in Bedford, New York.
Sketch artist Charlotte Knight arrives on Draakensky to a bright opportunity. She is hired to illustrate the poetry of Rainer Maria Rilke under the direction of Jaa Morland, the recluse spinster of Draakensky. Jaa, a believer in ghosts, instructs Charlotte to ‘draw the ghosts.’…
