Here are 100 books that Three Strong Women fans have personally recommended if you like
Three Strong Women.
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In addition to writing novels, I’m also a playwright. Whatever form I work in, I’m drawn to character, drama, and emotion. I aspire to write literary page-turners that feel as rich and complicated as real life. Also, I want the endings of my books to slay readers and break their hearts. Of course, when I say that, I’m not necessarily speaking of sorrow; sometimes your heart breaks from expanding, from a surfeit of feeling. Your heart breaks only to grow larger.
This novel about a fifteen-year-old girl’s affair with an older, wealthy man is a provocative exploration of memory. The novel’s language is arch and lyric, always making me feel as if I’ve been hypnotized.
The book is a love story, but in this story, love doesn’t lead to salvation. Still, the splendid, haunting language lifts the tale into the realm of the mythic.
A sensational international bestseller, and winner of Frances' coveted Prix Goncourt, 'The Lover' is an unforgettable portrayal of the incandescent relationship between two lovers, and of the hate that slowly tears the girl's family apart.
Saigon, 1930s: a poor young French girl meets the elegant son of a wealthy Chinese family. Soon they are lovers, locked into a private world of passion and intensity that defies all the conventions of their society.
A sensational international bestseller, 'The Lover' is disturbing, erotic, masterly and simply unforgettable.
I'm a psychoanalyst and a writer. I'm fascinated with the thoughts, feelings, dreams, and fantasies that make up our inner worlds, and I love how the beauty of language can reach beyond what ordinary experience seems to suggest. My novels take place in the minds of their protagonists; I look through their eyes and follow the ideas, memories, and hopes that guide their lives. I enjoy their idiosyncrasies, allow them to be weird, vulnerable, and volatile, and I think of them as lovable and in times of adversity as brave as any human being can be.
I only discovered the world-renowned author Clarice Lispector in 2015, when the excellent edition of her complete stories was published.
Her capacity for keen and idiosyncratic observation penetrates the human heart and mind and makes her tales simultaneously shocking, amusing and thought provoking. Imagine to read the story of a chicken and feel yourself being almost passionately involved in its short life! Or think of the birthday party of an 89-year-old woman, who despises her family that surrounds her in barely veiled hostility!
These stories are amazing in every way; they are rooted in a deep understanding of the human mind, and their psychological grasp is eye-opening. I find them much more accessible than Lispector's novels and enjoy rereading them from time to time.
Here, gathered in one volume, are the stories that made Clarice a Brazilian legend. Originally a cloth edition of eighty-six stories, now we have eighty- nine in all, covering her whole amazing career, from her teenage years to her deathbed. In these pages, we meet teenagers becoming aware of their sexual and artistic powers, humdrum housewives whose lives are shattered by unexpected epiphanies, old people who don't know what to do with themselves- and in their stories, Clarice takes us through their lives-and hers-and ours.
I'm a psychoanalyst and a writer. I'm fascinated with the thoughts, feelings, dreams, and fantasies that make up our inner worlds, and I love how the beauty of language can reach beyond what ordinary experience seems to suggest. My novels take place in the minds of their protagonists; I look through their eyes and follow the ideas, memories, and hopes that guide their lives. I enjoy their idiosyncrasies, allow them to be weird, vulnerable, and volatile, and I think of them as lovable and in times of adversity as brave as any human being can be.
This is a book like no other! With its first sentences it gripped me, and I couldn't put it down till the very end. The same happened to everybody I recommended it to.
Formally it is part of a trilogy. Its style is dry and almost merely reporting, and yet it is emotionally involving in a powerful way.
Is what we are told meant to be real? Or is it only the product of a traumatized mind trying to cope with war, poverty, pain, abuse, and the endless yearning for what is lost? Are the twins, the protagonists of this trilogy, really two separate fictional characters or rather one with a dissociated mind?
Twin brothers, left with their evil grandmother at a time when war has blurred all distinctions between good and evil, learn to steal and kill in the name of survival and create their own loveless morality
I'm a psychoanalyst and a writer. I'm fascinated with the thoughts, feelings, dreams, and fantasies that make up our inner worlds, and I love how the beauty of language can reach beyond what ordinary experience seems to suggest. My novels take place in the minds of their protagonists; I look through their eyes and follow the ideas, memories, and hopes that guide their lives. I enjoy their idiosyncrasies, allow them to be weird, vulnerable, and volatile, and I think of them as lovable and in times of adversity as brave as any human being can be.
In the first sentence of this novel Anna Lore falls madly in love with a man she happens to run into on the street of her hometown.
Even though she only vaguely recognizes him as they strike up a brief conversation, she becomes so obsessed with him that she is willing to give up everything for him, including her marriage of twenty years with a loving and reliable husband who she loves too.
Reading this novel, I was fascinated with Anna Lore's struggle to understand what's driving her towards a man, who almost against his will has such irresistable power over her. To follow her thinking as it makes her crazy infatuation appear reasonable and compelling is a fascinating experience of the uncanny nature of the unconscious.
Anna has been living happily for twenty years with loving, sturdy, outgoing Guillaume when she suddenly (truly at first sight) falls in love with Thomas. Intelligent and handsome, but apparently scarred by a terrible early emotional wound, he reminds Anna of Jude the Obscure. Adrift and lovelorn, she tries unsuccessfully to fend off her attraction, torn between the two men. "How strange it is to leave someone you love for someone you love. You cross a footbridge that has no name, that's not named in any poem. No, nowhere is a name given to this bridge, and that is why…
My name is Susan Blumberg-Kason and I write books about strong women who have a strong sense of place. I think we are all partly defined by where we live and I enjoy examining how our environment informs our choices. My first book centers around someone I know very well—me! My memoir, Good Chinese Wife, takes place in my favorite city—Hong Kong—the place where I came of age and married for the first time, as well as China and a few cities in the US. I’m also a sucker for a good cover and I absolutely love my Good Chinese Wife cover!
Marc Chagall is a household name to arts aficionados, but
his daughter Ida was also renowned in the Paris art world before World War II.
This lovely novel tells of the overbearing way Chagall treated Ida and how he
viewed her more as an assistant than a daughter. And when she married, he
painted “The Wedding Chair” as a gift to her, which represented his anger at
her leaving. This novel helped bring about a new trend to recount the untold
stories of women alongside—or even in front of—famous men.
"In prose as painterly and evocative as Chagall's own dazzling brushstrokes, Gloria Goldreich finely evokes one of the most significant masters of modern art through the discerning eyes of [his] loyally protective daughter."—Cynthia Ozick, award-winning author of Foreign Bodies
An exquisite, haunting exploration of the complex mind of Marc Chagall, and the artist's famous chair, through the eyes of his daughter during World War II—perfect for fans of Mrs. Poe and The Paris Wife
Beautiful Ida Chagall, the only daughter of Marc Chagall, is blossoming in the Paris art world beyond her father's controlling gaze. But, her newfound independence is…
I’m a writer and high school history teacher who has been obsessed with women from history since I was twelve. Prior to A Most Clever Girl, I wrote And They Called It Camelot about First Lady Jacqueline Kennedy and American Princess about Alice Roosevelt. I've also written four novels about women from the ancient world, spotlighting Theodora of the Byzantine Empire, Egypt's Pharaoh Hatshepsut, the story of Genghis Khan’s wife and daughters, and a novel of Alexander the Great's women.
I think most history fans know about the ill-fated relationship between Napoleon and Josephine, but I loved that this novel also highlighted Josephine’s early—and mostly forgotten—years spent in Haiti as France’s ideals of equality spurred the bloody Haitian Revolution. Josephine then also has to survive the French Revolution before she catches Napoleon’s eye.
Until recently, my lovely in-laws kept a home in southern France near where my father-in-law grew up. Their hilltop village was everything my summer-in-France fantasies could imagine: red-tile roofs, overflowing flower boxes, croissants on every corner (or at least four), bustling markets, and palm trees framing a snowcapped peak. Downsizing in their eighties meant selling the house, but some of my fondest memories will always reside there. This summer most of my travels will take place from my garden in Colorado. I plan to trek the world through books. These are some of my favorite reads for an armchair trip to France through romance, mysteries, exploration, and cooking.
I’m already revealing a pattern, aren’t I? I adore books that plunge their protagonist into a new life abroad. When Stella’s estranged mother dies, Stella receives an unusual inheritance: a one-way ticket to Paris.
Alone in a foreign city, Stella falls back into her cautious, frugal ways. I can relate! However, an impulsive purchase propels her on a path to new discoveries—of Paris and herself. Stella plunges into the culinary scene. She lives as a “tumbleweed” at the famous Shakespear and Company Bookshop.
'No one writes about food like Ruth Reichl... I consider her essential nourishment.' NIGELLA LAWSON
Ripping open the envelope, she read Celia's last words to her. There was just one line written on the paper: 'Go to Paris.'
The last word anyone would use to describe Stella St. Vincent is adventurous. She's perfectly comfortable with the familiar, strict routines of her life as a copyeditor in New York. Or at least, she is until she receives a mysterious note from her late mother and a one-way plane ticket to Paris.
Alone and overwhelmed in a foreign city, Stella avoids new…
As Rebecca Roberts in Apocalypse was an ancestor whose achievements have been largely ignored-maybe because of gender-it seemed to be time to redress the balance. A female author may have done the job better, but none stepped forward at the time and Hollywood screenwriter K.Lewis was keen to write a screenplay, requiring a concept screenplay outline as a guide. It was that which later became the 1st Edition of Apocalypse.
Although written as a play, it has a foreword detailing its subject—the life of Joan of Arc. Joan was the inspiration and much-admired heroine of Rebecca Roberts in my own book. Based closely on the Inquisition records, it has very moving moments, whether read or performed as a play.
'What other judgment can I judge by but my own?' Charting the meteoric rise and fall of Joan of Arc and her mission to drive the English from France, Shaw's Saint Joan draws directly on the medieval records to cut through the sentiment that characterized previous literary treatments of her story. A powerful example of a new kind of history play, its staging of dissent and social constraint, personal responsibility and female assertion, as well as fervent adherence to a cause, gave it a powerful modernity in its own day and continuing resonance in ours. Acclaimed internationally, this instant modern…
Until recently, my lovely in-laws kept a home in southern France near where my father-in-law grew up. Their hilltop village was everything my summer-in-France fantasies could imagine: red-tile roofs, overflowing flower boxes, croissants on every corner (or at least four), bustling markets, and palm trees framing a snowcapped peak. Downsizing in their eighties meant selling the house, but some of my fondest memories will always reside there. This summer most of my travels will take place from my garden in Colorado. I plan to trek the world through books. These are some of my favorite reads for an armchair trip to France through romance, mysteries, exploration, and cooking.
The title says it all—Paris is always a good idea! My now-husband romantically invited me to meet him in Paris, way back when, so it’s a special place for me. So is this book, which is a fun, emotional story about love, wanderlust, and finding one’s self.
Chelsea Martin threw herself into work to cope with her mother’s death. Seven years later, her father announces he’ll remarry, prompting Chelsea to examine her own life. She plans a trip to Europe to retrace the last time she remembers being happy.
I adore Chelsea for her bravery and this book for transporting me to gorgeous places, from Paris to Ireland and a vineyard in Italy.
A thirty-year-old woman retraces her gap year through Ireland, France, and Italy to find love—and herself—in this hilarious and heartfelt novel.
It's been seven years since Chelsea Martin embarked on her yearlong postcollege European adventure. Since then, she's lost her mother to cancer and watched her sister marry twice, while Chelsea's thrown herself into work, becoming one of the most talented fundraisers for the American Cancer Coalition, and with the exception of one annoyingly competent coworker, Jason Knightley, her status as most successful moneymaker is unquestioned.
My passion for 19th-century French art, literature, and social history was enkindled in academia, but when my doctoral research uncovered the remarkable story of a forgotten 19th-century courtesan, I set out on a career in biography. During the 19th century, the ‘woman question’ was marked by both radical change and fierce dispute. Based on careful research, my writing seeks to lift this history out of the dusty annals of academia and bring its characters and events vividly to life for the 21st-century reader. My books introduce real women, piecing their stories back together in intimate detail so that readers can really share their successes and frustrations.
Every biographer needs a reliable social history, an authority that distils the essential, orders the chronology, and acts as a framework on which to pin all those facts. In his assured style, James F. McMillan artfully weaves the myriad strands of history into a seamless and engaging narrative. From prostitutes to housewives and from workers to salonières, the author spans the whole social spectrum to pinpoint not just what French women did, but why, and crucially, how their actions were received. The scrupulous research, swift pace, and crisp style make this comprehensive study a bible to anyone interested in the history of French women during the long 19th century.
France and Women, 1789-1914 is the first book to offer an authoritative account of women's history throughout the nineteenth century. James McMillan, author of the seminal work Housewife or Harlot, offers a major reinterpretation of the French past in relation to gender throughout these tumultuous decades of revolution and war. This book provides a challenging discussion of the factors which made French political culture so profoundly sexist and in particular, it shows that many of the myths about progress and emancipation associated with modernisation and the coming of mass politics do not stand up to close scrutiny. It also reveals…
