I’m a Professor of History at Johns Hopkins University who studies the history of France and the French empire. My research stretches from the age of Louis XIV through the French Revolution, exploring questions of political economy, capitalism, empire, the Enlightenment, and popular culture. At a moment when historical research is becoming increasingly specialized, my work builds bridges between political, economic, and cultural history.
Covo investigates long-neglected economic aspects of the Haitian Revolution. Beginning in the pre-revolutionary period, when the French called the colony of Saint-Domingue (present-day Haiti) the “Pearl of the Caribbean,” this deeply researched book spotlights the role Haiti played as a commodities hub during the American, French, and Haitian Revolutions. I find this book particularly important because it shows how imperial trade and racial capitalism defined the age of commercial republicanism.
The Age of Revolutions has been celebrated for the momentous transition from absolute monarchies to representative governments and the creation of nation-states in the Atlantic world. Much less recognized than the spread of democratic ideals was the period's growing traffic of goods, capital, and people across imperial borders and reforming states' attempts to control this mobility.
Analyzing the American, French, and Haitian revolutions in an interconnected narrative, Manuel Covo centers imperial trade as a driving force, arguing that commercial factors preceded and conditioned political change across the revolutionary Atlantic. At the heart of these transformations was the "entrepot," the island…
I am a historian of the eighteenth-century Atlantic World, specializing in the American and French Revolutions. The relationship between ideas and politics has fascinated me since I worked in media relations in Washington, DC. Because I think history can help us better understand our current political controversies and challenges, I write about the origins of representative democracy in the eighteenth century. I’m also an Assistant Professor of History at the University of Notre Dame where I teach classes on colonial and revolutionary America, the Constitution, and history of the media.
The Haitian Revolution was long left out of the history of Atlantic revolutions, dismissed as a violent uprising of enslaved people without an ideological dimension.
Dubois’s book walks readers through the twists and turns of this decade-long revolution, highlighting the intellectual agency of enslaved and freed people and the ideological consequences of this transformative event.
The Haitian Revolution is a notoriously complicated event, but I found that this book provided coherence and a compelling analysis of the effects of this crucial moment in the history of democracy and movement for human rights. And it was a gripping read at that.
The first and only successful slave revolution in the Americas began in 1791 when thousands of brutally exploited slaves rose up against their masters on Saint-Domingue, the most profitable colony in the eighteenth-century Atlantic world. Within a few years, the slave insurgents forced the French administrators of the colony to emancipate them, a decision ratified by revolutionary Paris in 1794. This victory was a stunning challenge to the order of master/slave relations throughout the Americas, including the southern United States, reinforcing the most fervent hopes of slaves and the worst fears of masters.
From the time I heard of the 2010 earthquake in Haiti that killed over 200,000 people, my heart was drawn to that country. From 2012 to 2017 I lead five mission trips to Cap Haitian, where we toured mission work, helped Haitians build an elementary school, and met so many of these beautiful people. I ate the great cooking of “Mama Jo” who, along with her husband, hosted us. I gave “horsey” rides to children at a Port-au-Prince orphanage; and shared in prayer and singing with churches near Cap Haitian. In short, I fell in love with these people. How could I notwrite a novel of hope about them?
This is the definitive biography on Toussaint. First published in 1863, it clearly showed me why Toussaint L’Ouverture was one of the most admired world leaders of his time. They called him “the Black Napoleon!” Reading this book brought back to mind that I did a report on Haiti and Toussaint back when I was in junior high (“a long time ago in a universe far, far away!") Even at the time I was impressed by how much the Haitian Revolution influenced our own Civil War.
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When we are thinking of the origins or roots of contemporary movements like #BlackLivesMatter, the Haitian Revolution represents a foundational, inspirational moment but one of also wider world-historical impact and importance – ‘the only successful slave revolt in history’ – and so as the most outstanding leader to emerge during that revolutionary upheaval Toussaint Louverture will always retain relevance and iconic significance. I've had an interest in Toussaint and the Haitian Revolution ever since undertaking my doctorate on how the black Trinidadian revolutionary historian C.L.R. James came to write his classic history of the Haitian Revolution. I currently teach history, including the history of Atlantic slavery and abolition, in the School of Humanities and Social Science at the University of Brighton.
Taking as its title a line from the sonnet William Wordsworth wrote in 1802 in honour of the then imprisoned Toussaint Louverture, Julius S Scott’s work – like that of Carolyn Fick – gives us a powerful sense of just how revolutionary the Haitian Revolution was. Focusing on how sailors, runaway slaves, soldiers, and others spread revolutionary ideas of the Radical Enlightenment across the Caribbean during the 1790s, Scott gives us another brilliant ‘history from below’, full of inspiring examples of internationalism. Leaders of other slave revolts across the Caribbean took on names like ‘Toussaint’, while even the English radical Thomas Paine came to inspire Francophone blacks in this period – such as the imprisoned ‘John Paine’ detained by British authorities in colonial Jamaica in 1793.
The Common Wind is a gripping and colorful account of the intercontinental networks that tied together the free and enslaved masses of the New World. Having delved deep into the gray obscurity of official eighteenth-century records in Spanish, English, and French, Julius S. Scott has written a powerful "history from below." Scott follows the spread of "rumors of emancipation" and the people behind them, bringing to life the protagonists in the slave revolution. By tracking the colliding worlds of buccaneers, military deserters, and maroon communards from Venezuela to Virginia, Scott records the transmission of contagious mutinies and insurrections in unparalleled…
I was drawn to Haiti for two reasons; the Haitian Revolution is the only one of the three 18th century upheavals to fulfill the declared ideology of the French and American Revolutions by extending basic human rights to all people, not just white people. Secondly, or maybe I should put it first, the practice of Vodou makes Haiti one of the few places where one can meet divinity in the flesh, an experience I coveted, although (as it is written) it is a fearful thing to fall into the hands of the Living God.
Chauvet is another of the all-time great Haitian novelist, best known for her Amour, Colère, Folie, which depicted the horrors of the Duvalier regime--- obliquely and somewhat allegorically, but sharply enough that the book was banned and most copies destroyed—it did not become generally available until after the author’s death. La Danse sur le Volcan, a historical novel, is equally powerful and gives a wonderfully complete and complex view of all the complications of race, class, and culture that existed in Haiti while still a French sugar colony, on the eve of Revolution.
Dance on the Volcano tells the story of two sisters growing up during the Haitian Revolution in a culture that swings heavily between decadence and poverty, sensuality and depravity. One sister, because of her singing ability, is able to enter into the white colonial society otherwise generally off limits to people of color. Closely examining a society sagging under the white supremacy of the French colonist rulers, Dance on the Volcano is one of only novels to closely depict the seeds and fruition of the Haitian Revolution, tracking an elaborate hierarchy of skin color and class through the experiences of…
When we are thinking of the origins or roots of contemporary movements like #BlackLivesMatter, the Haitian Revolution represents a foundational, inspirational moment but one of also wider world-historical impact and importance – ‘the only successful slave revolt in history’ – and so as the most outstanding leader to emerge during that revolutionary upheaval Toussaint Louverture will always retain relevance and iconic significance. I've had an interest in Toussaint and the Haitian Revolution ever since undertaking my doctorate on how the black Trinidadian revolutionary historian C.L.R. James came to write his classic history of the Haitian Revolution. I currently teach history, including the history of Atlantic slavery and abolition, in the School of Humanities and Social Science at the University of Brighton.
Carolyn Fick was a doctoral student of C.L.R. James and George Rudé during the 1970s in Montreal, Canada, and in keeping with the turn of social history towards ‘history from below’ in that decade, produced a pioneering study in 1990 of the wider contested forms of revolutionary leadership beyond Toussaint Louverture during the Haitian Revolution, particularly in the South of what was then French colonial Saint Domingue. Carolyn remains a leading historian of the Haitian Revolution, and her work helps us better understand the class dynamics of the revolutionary process as it unfolded, and the tragedy of Toussaint as he developed into a representative of a new land-owning ruling class in Saint Domingue, even as he continued to strike powerful blows at European slave-owning colonial powers.
In 1789 the French colony of Saint Domingue was the wealthiest and most flourishing of the Caribbean slave colonies, its economy based on the forced labor of more than half a million black slaves raided from their African homelands. The revolt of this underclass in 1791-the only successful slave rebellion in history-gained the slaves their freedom and set in motion the colony's struggle for independence as the black republic of Haiti.
In this pioneering study, Carolyn E. Fick argues that the repressed and uneducated slaves were the principal architects both of their own freedom and of the successful movement toward…
I’m a Professor of History at Johns Hopkins University who studies the history of France and the French empire. My research stretches from the age of Louis XIV through the French Revolution, exploring questions of political economy, capitalism, empire, the Enlightenment, and popular culture. At a moment when historical research is becoming increasingly specialized, my work builds bridges between political, economic, and cultural history.
A Professor of French and Francophone studies, Stieber describes the development of Haitian literature and print culture in the immediate aftermath of that nation’s revolution, when Haiti was divided between a southern Francocenteric republic and a northern anti-colonial monarchy. I’m impressed by all the ways in which this book illuminates the literary dimension of Haiti’s civil war, underscoring how writers on different sides of the conflict offered competing visions of Haiti’s past, present, and future. The book further explores how this cultural divide played out in successive Haitian governments and even in how historians write about Haiti today.
Turns to the written record to re-examine the building blocks of a nation
Picking up where most historians conclude, Chelsea Stieber explores the critical internal challenge to Haiti's post-independence sovereignty: a civil war between monarchy and republic. What transpired was a war of swords and of pens, waged in newspapers and periodicals, in literature, broadsheets, and fliers. In her analysis of Haitian writing that followed independence, Stieber composes a new literary history of Haiti, that challenges our interpretations of both freedom struggles and the postcolonial. By examining internal dissent during the revolution, Stieber reveals…
I fell in love with Latin American literature when I was in the Peace Corps in the late 1960s in the highlands of Colombia. My husband and I were in a program of rural community development. The Colombian writer, Gabriel García Márquez, published his now-famous novel, One Hundred Years of Solitude, while we were there (in 1967), and when I read it, I said, “This is the kind of fiction that I want to keep on reading and studying forever!” And so I have. I am on the faculty of the University of Houston, where I teach Latin American literature and history, including a course on Magical Realism.
The Kingdom of this World is written by a Cuban writer and pits two worldviews against each other—the Afro-Haitian and the French.
This short novel is set at the end of the eighteenth century in Haiti, and the French are trying to maintain control of their colonies in the Caribbean. We see these different world views from both points of view so that the same event can have disastrously different meanings.
We follow the Haitian slave, Ti Noel, who reports on “magical” happenings that stem from his Haitian belief in shape-shifting: men can take flight if necessary, or transform themselves into animals or insects, or otherwise do what the French consider “magic” and the Haitians consider normal. We see events from the French point of view of Pauline Bonaparte, sister of Napoleon and wife of a French general who was sent to Haiti to put down the slave revolt.
I
finally did myself the favour of reading The
Black Jacobins. This landmark work tells the neglected, remarkable
story of the Haitian Revolution of 1791, the most successful slave revolt in
history.
Perhaps a book can have no greater compliment than the fact that, as a
reader, I now devoutly wish that I had read it many years ago.
Authoritative and
beautifully written, it is an essential corrective to the nefarious efforts by
many outsiders over the century following the revolution to suppress the tale
of a black republic triumphing over European enemies. This is a captivating
story of a past still too often sidelined.
In 1791, inspired by the ideals of the French Revolution, the slaves of San Domingo rose in revolt. Despite invasion by a series of British, Spanish and Napoleonic armies, their twelve-year struggle led to the creation of Haiti, the first independent black republic outside Africa. Only three years later, the British and Americans ended the Atlantic slave trade.
In this outstanding example of vivid, committed and empathetic historical analysis, C. L. R. James illuminates these epoch-making events. He explores the appalling economic realities of the Caribbean economy, the roots of the world's only successful slave revolt and the utterly extraordinary…
I’m a Professor of History at Johns Hopkins University who studies the history of France and the French empire. My research stretches from the age of Louis XIV through the French Revolution, exploring questions of political economy, capitalism, empire, the Enlightenment, and popular culture. At a moment when historical research is becoming increasingly specialized, my work builds bridges between political, economic, and cultural history.
I find this book as enlightening as it is useful. In a single volume, Dubois provides a sweeping history of the Haitian Revolution and its legacy. He recounts not only how Haitians rose up against slavery to establish their own independent nation, but how that nation struggled internally to define itself while contending externally with a racist and hostile world order.
Even before the recent earthquake destroyed much of the country, Haiti was known as a benighted place of poverty and corruption. Maligned and misunderstood, the nation has long been blamed by many for its own wretchedness. But as acclaimed historian Laurent Dubois demonstrates, Haiti's troubles owe more to a legacy of international punishment for the original sin of staging the only successful slave revolt in the world. Dubois vividly depicts the isolation and impoverishment that followed the 1804 rebellion: the crushing indemnities imposed by the former French rulers, which initiated a cycle of debt; the multiple interventions by the U.S.…
