Here are 100 books that Entrepôt of Revolutions fans have personally recommended if you like
Entrepôt of Revolutions.
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I am passionate about bringing back to life persons from the past who have been forgotten, misunderstood, or even deliberately mischaracterized. In order to get to the truth, there are a host of myths that must be shattered or discarded. Most of the histories that I have written have done precisely this–showing the fallacy of familiar myths and discovering the hidden truths about people and events that have been distorted, often by some of the most popular literature. In order to achieve these results, I have had to spend years in “boring” archives in order to reveal people and events that are never boring.
I was blown away by this book because it spoke to my own efforts to find voices from the past that had been silenced, sometimes for centuries, by those who did not want certain stories to be told. Sometimes, the silencing was by legal suppression or even outright murder.
We’ve all heard that history is written by the winners, but how often do we think about the libraries and archives that are created by the winners, and how often the losers’ stories are kept out of these repositories? Even when scattered evidence is found, it is usually ignored, not only by the historians who write the approved versions of the past but also by the readers who fail to recognize inconvenient truths when they are confronted by them.
Now part of the HBO docuseries Exterminate All the Brutes, written and directed by Raoul Peck
The 20th anniversary edition of a pioneering classic that explores the contexts in which history is produced—now with a new foreword by renowned scholar Hazel Carby
Placing the West’s failure to acknowledge the Haitian Revolution—the most successful slave revolt in history—alongside denials of the Holocaust and the debate over the Alamo, Michel-Rolph Trouillot offers a stunning meditation on how power operates in the making and recording of history.
This modern classic resides at the intersection of history, anthropology, Caribbean, African-American, and post-colonial studies, and…
I’m a Professor of History at Johns Hopkins University who studies the history of France and the French empire. My research stretches from the age of Louis XIV through the French Revolution, exploring questions of political economy, capitalism, empire, the Enlightenment, and popular culture. At a moment when historical research is becoming increasingly specialized, my work builds bridges between political, economic, and cultural history.
I find this book as enlightening as it is useful. In a single volume, Dubois provides a sweeping history of the Haitian Revolution and its legacy. He recounts not only how Haitians rose up against slavery to establish their own independent nation, but how that nation struggled internally to define itself while contending externally with a racist and hostile world order.
Even before the recent earthquake destroyed much of the country, Haiti was known as a benighted place of poverty and corruption. Maligned and misunderstood, the nation has long been blamed by many for its own wretchedness. But as acclaimed historian Laurent Dubois demonstrates, Haiti's troubles owe more to a legacy of international punishment for the original sin of staging the only successful slave revolt in the world. Dubois vividly depicts the isolation and impoverishment that followed the 1804 rebellion: the crushing indemnities imposed by the former French rulers, which initiated a cycle of debt; the multiple interventions by the U.S.…
I’m a Professor of History at Johns Hopkins University who studies the history of France and the French empire. My research stretches from the age of Louis XIV through the French Revolution, exploring questions of political economy, capitalism, empire, the Enlightenment, and popular culture. At a moment when historical research is becoming increasingly specialized, my work builds bridges between political, economic, and cultural history.
When you think about Columbus arriving in Haiti, Casimir asks, do you imagine yourself on the boat or on the shore? With deep insight, Casimir writes from the perspective of those on the shore, producing a decolonial history that emphasizes how rural Haitians drew on African traditions to resist the brutal system of plantation slavery imposed by French colonists. Further, he shows how patterns of popular resistance persisted during and after the Haitian Revolution, when Haitian elites attempted to revive parts of the plantation system. This is one of the most insightful and compelling books I read this year.
In this sweeping history, leading Haitian intellectual Jean Casimir argues that the story of Haiti should not begin with the usual image of Saint-Domingue as the richest colony of the eighteenth century. Rather, it begins with a reconstruction of how individuals from Africa, in the midst of the golden age of imperialism, created a sovereign society based on political imagination and a radical rejection of the colonial order, persisting even through the U.S. occupation in 1915.
The Haitians also critically retheorizes the very nature of slavery, colonialism, and sovereignty. Here, Casimir centers the perspectives of Haiti's moun andeyo - the…
I’m a Professor of History at Johns Hopkins University who studies the history of France and the French empire. My research stretches from the age of Louis XIV through the French Revolution, exploring questions of political economy, capitalism, empire, the Enlightenment, and popular culture. At a moment when historical research is becoming increasingly specialized, my work builds bridges between political, economic, and cultural history.
A Professor of French and Francophone studies, Stieber describes the development of Haitian literature and print culture in the immediate aftermath of that nation’s revolution, when Haiti was divided between a southern Francocenteric republic and a northern anti-colonial monarchy. I’m impressed by all the ways in which this book illuminates the literary dimension of Haiti’s civil war, underscoring how writers on different sides of the conflict offered competing visions of Haiti’s past, present, and future. The book further explores how this cultural divide played out in successive Haitian governments and even in how historians write about Haiti today.
Turns to the written record to re-examine the building blocks of a nation
Picking up where most historians conclude, Chelsea Stieber explores the critical internal challenge to Haiti's post-independence sovereignty: a civil war between monarchy and republic. What transpired was a war of swords and of pens, waged in newspapers and periodicals, in literature, broadsheets, and fliers. In her analysis of Haitian writing that followed independence, Stieber composes a new literary history of Haiti, that challenges our interpretations of both freedom struggles and the postcolonial. By examining internal dissent during the revolution, Stieber reveals…
I was drawn to Haiti for two reasons; the Haitian Revolution is the only one of the three 18th century upheavals to fulfill the declared ideology of the French and American Revolutions by extending basic human rights to all people, not just white people. Secondly, or maybe I should put it first, the practice of Vodou makes Haiti one of the few places where one can meet divinity in the flesh, an experience I coveted, although (as it is written) it is a fearful thing to fall into the hands of the Living God.
Lyonel Trouillot is one of the most powerful novelists of our time, extremely well known in the Francophone world, though less so in the US, in part because of the difficulty of translating his intensely lyrical prose. He has a rare ability to make artistically sound texts based on very immediate reportage on the various Haitian crises. This particular novel is especially valuable in the way it relates the desperation of Haitian life today to the country’s heroic past.
Deux enfants courent, fuyant la misère du bidonville, le destin, le corps d'un père alcoolique et violent qu'ils viennent de tuer. Tableau d'une population désorientée et meurtrie, privée d'échappatoire, ce récit est un bouleversant cri d'alarme au coeur de l'indifférence.
I have studied revolutions for over forty years, trying to understand how people fought for liberty and democracy--but also to understand how things so often went wrong! I have worked at universities in the US, the UK, Japan, Germany, Russia, and Hong Kong, gaining a global view of how societies change. I have learned that everywhere people have to struggle for their rights. Whether in ancient Greece or in modern Cambodia, the resulting revolutionary drama unfolds sometimes with wonderful results, but sometimes with tragedy. No events better display the very best and worst that we can accomplish. I’ve chosen the books on this list to convey the power of revolutions, their grand successes and tragic failures.
There are a thousand books on the French Revolution, but most of them focus on the foibles of the aristocracy, or the wild rage of the crowds, or the heroism of Napoleon. Popkin’s new history does a masterful job of covering all the key events and personalities in France in the years leading up to the Revolution and in its unfolding over almost two decades. He is particularly good at placing the Revolution in the context of world history (showing its relation to events in the New World, from the American Revolution to the Revolution in Haiti), and in keeping a focus on the role of the French Revolution in the history of liberty. Indeed, through the eyes of the revolutionaries and their followers in this book, you can watch the dawn of liberty arise in the early years of the Revolution, and then fade under the increasingly militarist and…
The principles of the French Revolution remain the only possible basis for a just society -- even if, after more than two hundred years, they are more contested than ever before. In A New World Begins, Jeremy D. Popkin offers a riveting account of the revolution that puts the reader in the thick of the debates and the violence that led to the overthrow of the monarchy and the establishment of a new society. We meet Mirabeau, Robespierre, and Danton, in all of their brilliance and vengefulness; we witness the failed escape and execution of Louis XVI; we see women…
Nobody’s Magicbegan, not as the series of novellas it became, but as a collection of stories I couldn’t stop telling. And it wasn’t just my characters’ comings and goings that enthralled me. It was the way they demanded I let them tell their own stories. I enjoy reading and writing novellas because they allow space for action, voice, and reflection, and they can tackle manifold themes and conversations in a space that is both large and small. At the same time, they demand endings that are neither predictable nor neat, but rather force the reader to speculate on what becomes of these characters they’ve come to know and love.
I wasn’t far into Love before it became crystal clear why its author fled her native Haiti after publishing it, in spite of the fact that the novella is ostensibly historical fiction. The narrator Claire’s depiction of a Duvalier-esque commandant is a scathing one, and in truth, no one escapes Claire’s acerbic wit, keen eye for detail, and incisive observations about colorism, class, and the perpetual violence that is engendered by colonial rule and persists long after its end. Claire is both an unreliable narrator—she is jealous, petty, and bitterly indignant about her treatment by her family—and yet, a trustworthy one. Love taught me how to create a Black woman narrator who does not have to be trusted (or even liked) to be listened to, believed.
The only English translation of “a masterpiece” (The Nation)—a stunning trilogy of novellas about the soul-crushing cost of life under a violent Haitian dictatorship, featuring an introduction by Edwidge Danticat
Originally published in 1968, Love, Anger, Madness virtually disappeared from circulation until its republication in France in 2005. Set in the barely fictionalized Haiti of “Papa Doc” Duvalier’s repressive rule, Marie Vieux-Chauvet’s writing was so powerful and so incendiary that she was forced to flee to the United States. Yet Love, Anger, Madness endures.
Claire, the narrator of Love, is the eldest of three daughters who surrenders her dreams of…
I’m a writer and high school history teacher who has been obsessed with women from history since I was twelve. Prior to A Most Clever Girl, I wrote And They Called It Camelot about First Lady Jacqueline Kennedy and American Princess about Alice Roosevelt. I've also written four novels about women from the ancient world, spotlighting Theodora of the Byzantine Empire, Egypt's Pharaoh Hatshepsut, the story of Genghis Khan’s wife and daughters, and a novel of Alexander the Great's women.
I think most history fans know about the ill-fated relationship between Napoleon and Josephine, but I loved that this novel also highlighted Josephine’s early—and mostly forgotten—years spent in Haiti as France’s ideals of equality spurred the bloody Haitian Revolution. Josephine then also has to survive the French Revolution before she catches Napoleon’s eye.
I’m endlessly fascinated by the stories of young women from the WW2 era, who came of age at the moment the world was torn apart. As an author of wartime historical fiction with strong female characters, it’s vital for me to understand the experience of ordinary women who grew up in such extraordinary times, so I’m always on the hunt for real voices from the era. I’d love to think that in similar circumstances I’d face my challenges with the same humour, resourcefulness, bravery, and humanity as my favourite five female memoirists selected for you here.
This incredible memoir reads like a thriller. Polish-born Francoise ran a Berlin bookshop until she was forced to flee from Nazi persecution, first to Paris, then to Southern France. The term ‘unputdownable’ is a terrible cliché, but was literally the case for me with this breathtaking story of escape and survival. Clear your diary before you open the covers of this compelling book.
In 1921, Francoise Frenkel - a Jewish woman from Poland - opens her first bookshop in Berlin. It is a dream come true. The dream lasts nearly two decades. Then suddenly, it ends.
It ends after police confiscations and the Night of Broken Glass, as Jewish shops and businesses are smashed to pieces. It ends when no one protests. So Francoise flees to France, just weeks before war breaks out.
In Paris, on the wireless and in the newspapers, horror has made itself at home. When the city is bombed, Francoise seeks refuge in Avignon, then Nice. She fears she…
I am a Paris-born, award-winning artist and author. Although I have lived on four continents, France is in my blood and draws me back time and again. It’s no surprise that countless novels are set in France – and Paris in particular. My debut historical fiction L’Origine: The secret life of the world’s most erotic masterpiece marries my three passions – History (I majored in French history), Art, and Literature. I'm the recipient of six literary honors and my freelance articles and blog posts can be found on platforms such as HuffPost, France Magazine, DailyArt Magazine, Bonjour Paris, The Book Commentary, and BookBrunch. I hope you enjoy the eclectic range of books on my recommended list!
Pauline Baer de Perignon doesn’t hold anything back – she puts her ego aside as she shares her secret ambitions, doubts and insecurities, triumphs and frustrations on her mission to uncover a distressing chapter in her family’s history. The rhythm and pace are indicative of a book translated from the French - a slow-moving train rather than a speeding locomotive, but that just enhanced the feeling of accompanying the author on her passionate yet painful quest in the face of seemingly insurmountable obstacles.
A charming and heartfelt story about war, art, and the lengths a woman will go to find the truth about her family.
'As devourable as a thriller... Incredibly moving' Elle
'Pauline Baer de Perignon is a natural storyteller - refreshingly honest, curious and open' Menachem Kaiser
'A terrific book' Le Point
It all started with a list of paintings. There, scribbled by a cousin she hadn't seen for years, were the names of the masters whose works once belonged to her great-grandfather, Jules Strauss: Renoir, Monet, Degas, Tiepolo and more. Pauline Baer de Perignon knew little to nothing about Strauss,…
