100 books like The Lover

Dugan was my grandmother’s maiden name. Her family was from County Wexford, Ireland near Rosslare on the island’s east coast. In recent years I have extensively studied my Irish heritage and have discovered much about my family, and about the DNA running through my own Irish blood. The inquiry has revealed much about my love of storytelling, good conversation, and generally about the way I move through the world. As a writer of several books of personal narrative and fiction, I have tried to write books that capture a certain emotion, and now through my own ancestral discoveries, I understand how those emotions and familial ties are so tightly linked. 

Right after college, I lived abroad in Asia, in the small, landlocked country of Laos. A key theme of the book is the role of the U.S. in the world. During the Vietnam War, Laos was subject to a massive bombing campaign by the U.S., and decades later, the country was still coping with the effects. As unexploded bombs continued to kill people every year, how would my colleagues and neighbors react to an American living among them? The book is mainly about the joys of navigating another culture, and while Laos is unique, I’ve read a lot of books about living abroad in Asia, and common themes certainly emerge.

Rory MacLean is one of Britain's most innovative travel writers. His books – which have been translated into a dozen languages — include UK top tens Stalin's Nose and Under the Dragon as well as Pravda Ha Ha and Berlin: Imagine a City, "the most extraordinary work of history I've ever read" according to the Washington Post which named it a "Book of the Year". Over the years he has travelled throughout Burma – apart from when banned by the military government for his writings – coming to know it as a deeply-wounded and fractured golden land of temple bells, be-medalled generals who enrich themselves through drug deals and ever-optimistic men and women who fight on to restore its ‘democratic transition’.

Early in life, I felt the presence of a “guardian angel” who would take my hand and accompany my mind to imagine distant cultures. I grew up in Florence, and in our history, there were so many tales of people coming from afar, and of Florentines traveling across deserts and oceans. And as time passed, I would be drawn to beautifully written true stories which opened windows onto different epochs and dramas of life in both near and far-flung places of the world.

Right after college, I lived abroad in Asia, in the small, landlocked country of Laos. A key theme of the book is the role of the U.S. in the world. During the Vietnam War, Laos was subject to a massive bombing campaign by the U.S., and decades later, the country was still coping with the effects. As unexploded bombs continued to kill people every year, how would my colleagues and neighbors react to an American living among them? The book is mainly about the joys of navigating another culture, and while Laos is unique, I’ve read a lot of books about living abroad in Asia, and common themes certainly emerge.

Since arriving as a refugee in America, my father, Mae Bunseng has always wanted to tell his story. It would take many decades later for me, as I was coming of age, to consider what exactly my father had lived through. I was shocked at what he told me and knew his story had to be told. Thus over a decade ago I worked with my him to what eventually became Under the Naga Tail. In addition to this book, along the way, a short documentary called Ghost Mountain was created and released on PBS, which is accessible for streaming here. The film would win the best documentary at the HAAPI Film Festival.

Núria Añó is a Spanish novelist and biographer. She writes on authors like Elfriede Jelinek, Patricia Highsmith, Salka Viertel, Alexandre Dumas fils, Franz Werfel or Karen Blixen. Her writing centers on the characters’ psychology, often through the use of anti-heroes. The characters stand out most about her work; they are more relevant than the topic itself. With an introspection, a reflection, not sentimental, but feminine, she finds a unique balance between the marginal worlds of parallels. Her novels deal with important social and current themes like injustice or lack of communication between individuals.

Núria Añó is a Spanish novelist and biographer. She writes on authors like Elfriede Jelinek, Patricia Highsmith, Salka Viertel, Alexandre Dumas fils, Franz Werfel or Karen Blixen. Her writing centers on the characters’ psychology, often through the use of anti-heroes. The characters stand out most about her work; they are more relevant than the topic itself. With an introspection, a reflection, not sentimental, but feminine, she finds a unique balance between the marginal worlds of parallels. Her novels deal with important social and current themes like injustice or lack of communication between individuals.

I grew up in Boston and New York and currently live in Montreal. I have worked primarily in writing performance texts and plays. I founded the performance company Bluemouth Inc., with whom I have written and staged over a dozen works. In 2018, I completed an MFA in Creative Writing at Concordia University, where I was awarded the Dean of Arts and Sciences Award for Excellence in Creative Writing. As for my expertise in compiling this list, I am the daughter of a strong force-of-nature woman who fought for what she had and taught her kids they can get through anything as long as they have humor, music, and books.

I love historical fiction, and with dual timelines, I often find myself identifying with a contemporary character who is trying to solve some mystery from the past. I wrote an article titled Five Questions to Ask Before Writing a Dual Timeline Novel, in which I addressed structure, how to relate the timelines to each other, and how to keep the reader engaged when going back and forth between time periods. I also wrote a blog post about how fitting the pieces together for this kind of work can be a bit like solving a jigsaw puzzle. Each of the novels I’ve recommended is an example of a satisfying final picture.