Here are 100 books that A Fortune-Teller Told Me fans have personally recommended if you like
A Fortune-Teller Told Me.
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I’m a Stanford professor who became fascinated
with oil and everything it does to for us and to us. For years I traveled the
world talking to the people who know petroleum: executives in the big oil companies,
politicians and activists, militants and victims, spies and tribal chiefs. Blood
Oil explains what I learned and how we can make our oil-cursed world better
for all of us.
Oil isn’t the only natural resource that can
curse: the Belgian colonizers inflicted decades of extraordinary brutality on
the peoples of the Congo while extracting their ivory and rubber.
Hochschild
paints horrific vistas of extreme greed and violence, and also tells the
stories of the heroic individuals who resisted it. I didn’t know much about
real ‘The Heart of Darkness’ before reading this book—now I know that the true
savages were the Europeans.
Winner of the Duff Cooper Prize, King Leopold's Ghost is the true and haunting account of Leopold's brutal regime and its lasting effect on a ruined nation. With an introduction by award-winning novelist Barbara Kingsolver.
In the late nineteenth century, when the great powers in Europe were tearing Africa apart and seizing ownership of land for themselves, King Leopold of Belgium took hold of the vast and mostly unexplored territory surrounding the Congo River. In his devastatingly barbarous colonization of this area, Leopold stole its rubber and ivory, pummelled its people and set up a ruthless regime that would reduce…
Rory MacLean is one of Britain's most innovative travel writers. His books – which have been translated into a dozen languages — include UK top tens Stalin's Nose and Under the Dragon as well as Pravda Ha Ha and Berlin: Imagine a City, "the most extraordinary work of history I've ever read" according to the Washington Post which named it a "Book of the Year". Over the years he has travelled throughout Burma – apart from when banned by the military government for his writings – coming to know it as a deeply-wounded and fractured golden land of temple bells, be-medalled generals who enrich themselves through drug deals and ever-optimistic men and women who fight on to restore its ‘democratic transition’.
"Nearly every night I dream of the Shan State, of Mandalay, of the jungle. The landscapes of my dreams resemble real ones, yet they shift like images on silver screens…" Pascal Khoo Thwe’s mesmerizing biography stretches from his grandmother’s creation stories to civil war and a chance conversation about James Joyce which leads to a new life in Britain. A minor masterpiece.
The astonishing story of a young man's upbringing in a remote tribal village in Burma and his journey from his strife-torn country to the tranquil quads of Cambridge.
In lyrical prose, Pascal Khoo Thwe describes his childhood as a member of the Padaung hill tribe, where ancestor worship and communion with spirits blended with the tribe's recent conversion to Christianity. In the 1930s, Pascal's grandfather captured an Italian Jesuit, mistaking him for a giant or a wild beast; the Jesuit in turn converted the tribe. (The Padaung are famous for their 'giraffe women' - so-called because their necks are ritually…
Right after college, I lived abroad in Asia, in the small, landlocked country of Laos. A key theme of the book is the role of the U.S. in the world. During the Vietnam War, Laos was subject to a massive bombing campaign by the U.S., and decades later, the country was still coping with the effects. As unexploded bombs continued to kill people every year, how would my colleagues and neighbors react to an American living among them? The book is mainly about the joys of navigating another culture, and while Laos is unique, I’ve read a lot of books about living abroad in Asia, and common themes certainly emerge.
I guess that this book doesn’t really count, as Duras was born and grew up in Vietnam; a Frenchwoman in Indochina, she wasn’t living abroad.
Her portrayal of her own coming of age and sexual awakening (still rather controversial to many) illuminates not only the way colonial society was structured but also larger themes of love and loss.
It was one of the first things I read before moving to Laos, and her voice, singular and astonishing, has never left me.
A sensational international bestseller, and winner of Frances' coveted Prix Goncourt, 'The Lover' is an unforgettable portrayal of the incandescent relationship between two lovers, and of the hate that slowly tears the girl's family apart.
Saigon, 1930s: a poor young French girl meets the elegant son of a wealthy Chinese family. Soon they are lovers, locked into a private world of passion and intensity that defies all the conventions of their society.
A sensational international bestseller, 'The Lover' is disturbing, erotic, masterly and simply unforgettable.
Right after college, I lived abroad in Asia, in the small, landlocked country of Laos. A key theme of the book is the role of the U.S. in the world. During the Vietnam War, Laos was subject to a massive bombing campaign by the U.S., and decades later, the country was still coping with the effects. As unexploded bombs continued to kill people every year, how would my colleagues and neighbors react to an American living among them? The book is mainly about the joys of navigating another culture, and while Laos is unique, I’ve read a lot of books about living abroad in Asia, and common themes certainly emerge.
Another inspiration for me was Mark’s first book, about his experience in the 1980s teaching English and studying martial arts in China. One of the first books to explore life in China after the reforms that followed the excesses of the Cultural Revolution, this book has become a classic.
A few years after this book was published, he even starred in a film adaptation! I’m a little old to do that now.
This large print edition recounts the true adventures of a young martial arts student in China. Told as a series of lightly sketched episodes, the book allows the reader a glimpse of Chinese culture largely unaccessible to foreigners.
Since arriving as a refugee in America, my father, Mae Bunseng has always wanted to tell his story. It would take many decades later for me, as I was coming of age, to consider what exactly my father had lived through. I was shocked at what he told me and knew his story had to be told. Thus over a decade ago I worked with my him to what eventually became Under the Naga Tail. In addition to this book, along the way, a short documentary called Ghost Mountain was created and released on PBS, which is accessible for streaming here. The film would win the best documentary at the HAAPI Film Festival.
Haing Ngor, is still only one of three Asian actors to win an Oscar, received in 1985 for Best Supporting Actor in his portrayal of journalist Dith Pran for the film, The Killing Fields.Remarkably Haing Ngor himself was a survivor of the genocide in Cambodia, a trained Doctor at the time before the Khmer Rouge enacted their devastating atrocities upon the country. He would only survive torture by pretending to be an uneducated taxi driver. This book will leave you in awe and inspired, as it did for me, of Haing Ngor’s life. He resettles in America, doing jobs cleaning latrines to suddenly finding himself becoming Hollywood famous overnight. He was an important voice in the advocacy of human rights, until he, unfortunately, passed away in 1996.
This is an autobiographical account of life in Cambodia under the Khmer Rouge, written by the Oscar-winning actor from "The Killing Fields", whose own experiences under the Khmer Rouge were more shocking than those of Dith Pran, the character he played. The Khmer Rouge, led by Maoist fanatics, laid waste to the social fabric of Cambodia, forcing the entire population into agricultural labour camps and murdering those they considered bourgeois or intellectual. As a doctor, Haing S. Ngor was a special target of the Khmer Rouge; his family was wiped out, his wife died from starvation in his arms, and…
Early in life, I felt the presence of a “guardian angel” who would take my hand and accompany my mind to imagine distant cultures. I grew up in Florence, and in our history, there were so many tales of people coming from afar, and of Florentines traveling across deserts and oceans. And as time passed, I would be drawn to beautifully written true stories which opened windows onto different epochs and dramas of life in both near and far-flung places of the world.
This true story occurred over twenty years starting in 1920. A haunted garden on a small island of the Indonesian Maluku archipelago. Here, Felicia has spent her early childhood with her grandmother, the last of an old line of Dutch spice growers. Felicia returns from Europe, after a ruinous marriage, with her baby son Willem. The plantation, overgrown and abandoned, reaches down to the blue-green waters. Felicia and her grandmother settle down again together to the ebb and flow of life surrounded by clove and nutmeg trees, and mystery. But slowly strange events happen in that Garden of Eden and a fascinating story of violence and murder unfolds in a world dominated by the psychic forces of nature, where nothing is predictable or a cliche.
In Wild, Cheryl Strayed writes of The Ten Thousand Things: "Each of Dermoût’s sentences came at me like a soft knowing dagger, depicting a far-off land that felt to me like the blood of all the places I used to love.” And it's true, The Ten Thousand Things is at once novel of shimmering strangeness—and familiarity. It is the story of Felicia, who returns with her baby son from Holland to the Spice Islands of Indonesia, to the house and garden that were her birthplace, over which her powerful grandmother still presides. There Felicia finds herself wedded to an uncanny…
Early in life, I felt the presence of a “guardian angel” who would take my hand and accompany my mind to imagine distant cultures. I grew up in Florence, and in our history, there were so many tales of people coming from afar, and of Florentines traveling across deserts and oceans. And as time passed, I would be drawn to beautifully written true stories which opened windows onto different epochs and dramas of life in both near and far-flung places of the world.
In this wondrous book on Caravaggio, the world of Naples unfolds from the inside through an electrifying reading experience. Written with grace, almost every sentence imparts an epiphany. The author challenges us to undertake soul-work, even if one is a secular reader. Reading becomes an act of empathy and passion. In the words of Wallace Stevens, potential readers will become ‘necessary angels’.
A Profound New Look at the Italian Master and His Lasting Legacy
Now celebrated as one of the great painters of the Renaissance, Michelangelo Merisi da Caravaggio fled Rome in 1606 to escape retribution for killing a man in a brawl. Three years later he was in Naples, where he painted The Seven Acts of Mercy. A year later he died at the age of thirty-eight under mysterious circumstances. Exploring Caravaggio's singular masterwork, in The Guardian of Mercy Terence Ward offers an incredible narrative journey into the heart of his artistry and his metamorphosis from fugitive to visionary.
Early in life, I felt the presence of a “guardian angel” who would take my hand and accompany my mind to imagine distant cultures. I grew up in Florence, and in our history, there were so many tales of people coming from afar, and of Florentines traveling across deserts and oceans. And as time passed, I would be drawn to beautifully written true stories which opened windows onto different epochs and dramas of life in both near and far-flung places of the world.
This masterpiece - believed to be the oldest full-length ‘novel’ in existence - is an extraordinary exploration of human feelings, emotions, and relations as fresh and beguiling today as when it was first written one thousand years ago. I include this as non-fiction because it is a true account of daily life at the Heian Japanese court. Lady Murasaki’s characters draw the reader into their passion and terrors in an uncannily modern way, still so alive today. Readers will find themselves immersed in a strange and distant culture whose inhabitants’ loves, rivalries, suffering and follies they can easily identify with. It is an astonishing diary disguised as a “novel”, one of the greatest classics of all time, surprisingly written by a woman.
"What Waley did create is literary art of extraordinary beauty that brings to life in English the world Murasaki Shikibu imagined. The beauty of his art has not dimmed, but like the original text itself retains the power to move and enlighten."-Dennis Washburn, from his foreword
Centuries before Shakespeare, Murasaki Shikibu's The Tale of Genji was already acknowledged as a classic of Japanese literature. Over the past century, this book has gained worldwide acceptance as not only the world's first novel but as one of the greatest works of literature of all time.
I find it crucially important that we acknowledge that slavery is a global phenomenon that still exists this very day. Dutch historians like me have an obligation to show that the Dutch East India Company, called the world’s first multinational, was a major slave trader and employer of slavery. I am also personally involved in this endeavour as I am one of the leaders of the “Exploring the Slave Trade in Asia” project, an international consortium that brings together knowledge on this subject, and is currently a slave trade in Asia database.
This book became the starting point for many publications on slavery in Southeast Asia. It is a collection of essays that not only provides us with an overview of the entire region over the past 700 years but also suggests how we can study the multifarious forms of slavery and bondage in the region in a comparative manner. Although almost forty years old it is still indispensable reading for any course on slavery in Southeast Asia, including my own course.
During 30 years living in Chiang Mai, Thailand, I have developed a deep appreciation of Northern Thai culture and a fascination with its 700-year history. Though the region escaped being colonised as were nearby Laos (by the French) and Burma (by the Brits), a teak boom in the late 19th century came close to pulling it under the colonial yoke as Western trading companies muscled in. Teak Lord explores the frequently fragile relationships between circumspect Asians and adventurous Westerners, against a background of shifting borders and impenetrable jungle.
Norman Lewis is best known for his non-fiction works such as The Golden Land (about Burma) and A Dragon Apparent (about Vietnam). Yet he also wrote a dozen novels that show a great flair for characterisation, dialogue and plot pacing, in addition to his incisive descriptions. A Single Pilgrimtells the story of John Crane, manager of a teak logging company in North Thailand, who revels in “the voluptuousness of routine and civilized triviality”. However, his company’s leases are about to expire and the thought of an end to his Oriental idyll is more than Crane can bear.
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