I've been reading science fiction since the age of seven, when I first read Madaleine L’Engle’s A Wrinkle in Time. Then it was Podkayne of Mars by Robert Heinlein,A Rite of Passage by Alexei Panshin, Dune by Frank Herbert, The Lord of the Rings by J.R.R. Tolkien, etc. My list is in honour of Women’s History Month and to recognize the gifted female writers of the past who faced discrimination in the publishing world and yet still triumphed. When I started writing fiction, with my medical background, it had to be about medicine. Thus The Grace Lord series was born. My protagonist, Dr. Grace Lord, is a fearless and compassionate combat surgeon.
Murasaki Shikibu was a lady of the Heian Court of Japan in the eleventh century and has been credited with creating the first novel ever written.
The Tale of Genji has stood the test of centuries. It reveals a world of political machinations, danger, passionate intrigue, and forbidden love in an exotic setting of a time long forgotten. Genji is the son of an emperor and, once you read him, you will understand why his tale is still so popular today.
In the early eleventh century Murasaki Shikibu, a lady in the Heian court of Japan, wrote what many consider to be the world’s first novel, more than three centuries before Chaucer. The Heian era (794—1185) is recognized as one of the very greatest periods in Japanese literature, and The Tale of Genji is not only the unquestioned prose masterpiece of that period but also the most lively and absorbing account we have of the intricate, exquisite, highly ordered court culture that made such a masterpiece possible.
Genji is the favorite son of the emperor but also a man of dangerously…
Early in life, I felt the presence of a “guardian angel” who would take my hand and accompany my mind to imagine distant cultures. I grew up in Florence, and in our history, there were so many tales of people coming from afar, and of Florentines traveling across deserts and oceans. And as time passed, I would be drawn to beautifully written true stories which opened windows onto different epochs and dramas of life in both near and far-flung places of the world.
This masterpiece - believed to be the oldest full-length ‘novel’ in existence - is an extraordinary exploration of human feelings, emotions, and relations as fresh and beguiling today as when it was first written one thousand years ago. I include this as non-fiction because it is a true account of daily life at the Heian Japanese court. Lady Murasaki’s characters draw the reader into their passion and terrors in an uncannily modern way, still so alive today. Readers will find themselves immersed in a strange and distant culture whose inhabitants’ loves, rivalries, suffering and follies they can easily identify with. It is an astonishing diary disguised as a “novel”, one of the greatest classics of all time, surprisingly written by a woman.
"What Waley did create is literary art of extraordinary beauty that brings to life in English the world Murasaki Shikibu imagined. The beauty of his art has not dimmed, but like the original text itself retains the power to move and enlighten."-Dennis Washburn, from his foreword
Centuries before Shakespeare, Murasaki Shikibu's The Tale of Genji was already acknowledged as a classic of Japanese literature. Over the past century, this book has gained worldwide acceptance as not only the world's first novel but as one of the greatest works of literature of all time.
I write books for young readers about history, science, and nature. I lived in Japan for six years and became fascinated with Japanese history—particularly the late 12th-century civil war recounted in the medieval classic The Tale of the Heike. I especially loved stories about Minamoto Yoshitsune, the warrior who won the war but was destroyed by his elder brother Yoritomo, who became the first Shogun and kicked off the 700-year reign of the samurai. I spent two years researching Samurai Rising: The Epic Life of Minamoto Yoshitsune and loved every minute of it. I’m also a second-degree black belt in kendo (Japanese sword fighting).
The perfect companion piece to The Tale of Genji, The Tale of Murasaki is a modern historical novel about Murasaki Shikibu (author of The Tale of Genji). Author Liza Dalby is a scholar of Japanese culture as well as the only Westerner ever to become a geisha. A meticulously researched, evocative window into Heian Japan.
The Tale of Murasaki is an elegant and brilliantly authentic historical novel by the author of Geisha and the only Westerner ever to have become a geisha.
In the eleventh century Murasaki Shikibu wrote the world’s first novel, The Tale of Genji, the most popular work in the history of Japanese literature. In The Tale of Murasaki, Liza Dalby has created a breathtaking fictionalized narrative of the life of this timeless poet–a lonely girl who becomes such a compelling storyteller that she is invited to regale the empress with her tales. The Tale of Murasakiis the story of an enchanting…
Growing up, I was introduced to Japanese
culture and history through anime. But I decided to dig a little deeper,
reading history books and looking up more and more information. I was
fascinated by what was presented of “Old Japan,” both the misconceptions that
were spread by pop culture and by the surprising details that it gets right
that no one would believe. This fascination is one of the most consistent
things about me through the years, and the idea of delving into works of my own
that merged samurai drama with lesbian relationships has been a recurring
desire of mine for years.
For me, it's hard to find stories that are so willing to dive into the feel of a bygone era, especially one that is potentially as obscure to some audiences as the Heian period of Japan. Set in a period of slow change, this short story collection combines the tensions of the period (a rising warrior class, Shinto vs Buddhist religious tensions, factions in the imperial court) in combination with the rich variety of strange beings in the folklore of Japan. I love how it paints a picture of a world that is simultaneously grounded in human motivations and populated by the esoteric and supernatural.
In an ancient Japan where the incursions of gods, ghosts, and demons into
the living world is an everyday event, an impoverished nobleman named Yamada no
Goji makes his living as a demon hunter for hire. With the occasional assistance
of the reprobate exorcist Kenji, whatever the difficulty - ogres, demons,
fox-spirits - for a price Yamada will do what needs to be done, even and
especially if the solution to the problem isn't as simple as the edge of a
sword. Yet, no matter how many monsters he has to face, or how powerful and
terrible they may be,…
Kyoto is one of the world’s great cities. I first came here in 1994, its 1200th anniversary, and was entranced by its many treasures. In the city’s river basin were fostered the traditional arts and crafts of Japan. This is the city of Zen, Noh, the tea ceremony, geisha, moss and rock gardens, not to mention the aristocratic aesthetes of the Heian Era. Here in the ancient capital are imperial estates and no fewer than 17 World Heritage sites, including the Golden Pavilion and the divine Byodo-in. Faced with this wealth of wonders, I tried to weave them into a coherent story – the story of a most remarkable city.
Still today Kyoto is haunted by the magic of its Heian past (794-1185), when an aristocratic elite indulged in aesthetic pursuits, particularly poetry writing. Without an understanding of the period, it is impossible to understand modern Kyoto. The classic work is The Tale of Genji, but it is too heavy a tome to carry around, so the much slimmer and more accessible Pillow Book isrecommended. I loved the Willdean wit, the sharp observations, and the intriguing lists. I’m sure you will too, for unlike Genji it has not dated.
In the tenth century, Japan was both physically and culturally isolated from the rest of the world. The Pillow Book recaptures this lost world with the diary of a young court lady. Sei Shōnagon was a contemporary of Murasaki Shikibu, who wrote the well-known novel The Tale of Genji. Unlike the latter's fictionalized view of the Heian-era court, Shōnagon's journal provides a lively miscellany of anecdotes, observations, and gossip, intended to be read in juicy bits and pieces. This unique volume was first rendered into English in 1889. In 1928, Arthur Waley, a seminal figure in the Western studies of…
I’ve been living in and writing about Japan for two decades—it’s where my wife and I have raised a bicultural family and where I don’t think I’ll ever run out of stories I want to tell. Whether written by Japanese or non-Japanese, I love reading work that documents Japan and its culture in an honest and thoughtful way. I hope you’ll try some of the books on this list because, with so much Japan coverage today veering towards cultural exoticism and fetishism or leaning on familiar stereotypes and tropes, it’s even more important to seek out great Japanese writing.
For a concise history of Japan and a cultural primer on the country, I don’t think anything else is as easily digestible or insightful as this book. It does an incredible job of highlighting key periods in Japanese history, from the foundation of the first capital to the modernization of the Meiji era and the rise of militarism, while also covering the development of such things as religion, arts, and architectural styles.
What’s really impressive is that it does it all in just 400 pages: a far cry from some of the painfully heavy books I had to wade through studying history many years ago in college.
A classic of Japanese history, this book is the preeminent work on the history of Japan.
Newly revised and updated, A History of Japan is a single-volume, complete history of the nation of Japan. Starting in ancient Japan during its early pre-history period A History of Japan covers every important aspect of history and culture through feudal Japan to the post-cold War period and collapse of the Bubble Economy in the early 1990's. Recent findings shed additional light on the origins of Japanese civilization and the birth of Japanese culture.
Also included is an in-depth analysis of the Japanese religion,…
I'm a retired economics professor from the US who studied Japan for most of my 46-year career and have lived in Kyoto since 2008. I first visited Kyoto in 1981, naively hoping to revel in the splendors of the Heian era, and was disappointed to find that the physical manifestations of medieval Japan as evoked in The Tale of Genjihad vanished. But the persisting legacy of that ancient age is still evident to the trained observer. Japan today embodies its past. It's not enough to know that Japan today is a prosperous country. Curious people also want to know how it got that way. The roots lie deep in the past.
This is essential background for any reader of the Tale of Genji, the famous novel written by Murasaki Shikibu in the early 11th century. In a breezy style that pulls the reader along, Morris describes how the court nobles of Heian—the original name for Kyoto—had created a distinctive high culture inspired by borrowings from China but uniquely Japanese. We learn about a polygamous society in which males among the court nobles competed for the affection of high-born females through poetry and aesthetics. Political ambitions were channeled into the pursuit of higher social rank rather than into government works and policies. That last sentence could describe Japanese politics of today. Readers of this book will learn that even in the eleventh century, Japan already had a sophisticated culture, government, and style of life. The nation’s economic development has roots that extend at least that far into the past.
Ivan Morris’s definitive and widely acclaimed portrait of the ceremonious and melancholy world of ancient Japan.
Using The Tale of Genji and other major literary works from Japan’s Heian period as a frame of reference, The World of the Shining Prince recreates an era when women set the cultural tone. Focusing on the world of the emperor’s court—a world deeply admired by Virginia Woolf, among others—renowned scholar of Japanese history and literature Ivan Morris explores the politics, society, religious life, and superstitions of the period.
Offering readers detailed portrayals of the daily lives of courtiers, the cult of beauty they…
I used to steal Tolkien and Piers Anthony books from my older brother’s bookcase and burn through library world mythology sections like a ravenous beast. When I reached college in the 1990s, I realized “world” mythology had usually meant “Western” myths, and that’s when I became a Japanese Studies major and dove headfirst into feudal Japan: kitsune, dragons, dream-eaters, tengu, and other fantastical creatures. I was in love. Perfectly natural that when I started writing novels, my brain conjured romantic fantasy based on East Asian myths. Hope you’re ready to fall in love as well, with the Japanese version of fox spirits—kitsune!
In 2000, there were few English-language fantasy books based on Japanese myths. I opened this one, and instantly, Heian Period Feudal Japan came alive in a lyrical, mesmerizing way, unlike the dry history books.
And unlike the fantasy I’d grown up with, the main voice of the book was a woman—a complicated, imperfect magical kitsune who also felt like a human woman. This book made me hungrier for more non-Western myths as a lens through which to view my own concepts of womanhood.
Based on the award - winning short story Fox Magic, Kij Johnson's THE FOX WOMAN is a haunting novel of love and magic, of Kitsune, the young fox kit who catches a glimpse of a Japanese nobleman and resolves to snare his heart. Kitsune embarks on a journey that will change her, her family, and all the humans she encounters...and the magic she conjures will transform all of their lives forever. Set against the backdrop of medieval Japanese society, THE FOX WOMAN is both a retelling of the classic Japanese animal fable and a stunning exploration of what it means…
Growing up, I was introduced to Japanese
culture and history through anime. But I decided to dig a little deeper,
reading history books and looking up more and more information. I was
fascinated by what was presented of “Old Japan,” both the misconceptions that
were spread by pop culture and by the surprising details that it gets right
that no one would believe. This fascination is one of the most consistent
things about me through the years, and the idea of delving into works of my own
that merged samurai drama with lesbian relationships has been a recurring
desire of mine for years.
Though potentially incomplete (some scholars argue we're missing one or two chapters, or that the story was never meant to end), The Tale of Genji manages to paint a vivid picture of the life of a lost age, with its own array of traditions, values, and fashions; a world where one's skill with poetry was just as valuable as political acumen and their outlook is so different from a modern perspective. At the same time, it presents the timeless complexity of relationships between men and women, and the social expectations and norms that impact those connections.
Written centuries before the time of Shakespeare and even Chaucer, The Tale of Genji marks the birth of the novel and after more than a millennium, this seminal work continues to enchant readers throughout the world. Lady Murasaki Shikibu and her tale's hero, Prince Genji, have had an unmatched influence on Japanese culture. Prince Genji manifests what was to become an image of the ideal Heian era courtier: gentle and passionate. Genji is also a master poet, dancer, musician and painter. The Tale of Genji follows Prince Genji through his many loves, and varied passions. This book has influenced not…
