100 books like The Pillow Book

Kyoto is one of the world’s great cities. I first came here in 1994, its 1200th anniversary, and was entranced by its many treasures. In the city’s river basin were fostered the traditional arts and crafts of Japan. This is the city of Zen, Noh, the tea ceremony, geisha, moss and rock gardens, not to mention the aristocratic aesthetes of the Heian Era. Here in the ancient capital are imperial estates and no fewer than 17 World Heritage sites, including the Golden Pavilion and the divine Byodo-in. Faced with this wealth of wonders, I tried to weave them into a coherent story – the story of a most remarkable city.

Kyoto is one of the world’s great cities. I first came here in 1994, its 1200th anniversary, and was entranced by its many treasures. In the city’s river basin were fostered the traditional arts and crafts of Japan. This is the city of Zen, Noh, the tea ceremony, geisha, moss and rock gardens, not to mention the aristocratic aesthetes of the Heian Era. Here in the ancient capital are imperial estates and no fewer than 17 World Heritage sites, including the Golden Pavilion and the divine Byodo-in. Faced with this wealth of wonders, I tried to weave them into a coherent story – the story of a most remarkable city.

Right after college, I lived abroad in Asia, in the small, landlocked country of Laos. A key theme of the book is the role of the U.S. in the world. During the Vietnam War, Laos was subject to a massive bombing campaign by the U.S., and decades later, the country was still coping with the effects. As unexploded bombs continued to kill people every year, how would my colleagues and neighbors react to an American living among them? The book is mainly about the joys of navigating another culture, and while Laos is unique, I’ve read a lot of books about living abroad in Asia, and common themes certainly emerge.

Kyoto is one of the world’s great cities. I first came here in 1994, its 1200th anniversary, and was entranced by its many treasures. In the city’s river basin were fostered the traditional arts and crafts of Japan. This is the city of Zen, Noh, the tea ceremony, geisha, moss and rock gardens, not to mention the aristocratic aesthetes of the Heian Era. Here in the ancient capital are imperial estates and no fewer than 17 World Heritage sites, including the Golden Pavilion and the divine Byodo-in. Faced with this wealth of wonders, I tried to weave them into a coherent story – the story of a most remarkable city.

I'm a retired economics professor from the US who studied Japan for most of my 46-year career and have lived in Kyoto since 2008. I first visited Kyoto in 1981, naively hoping to revel in the splendors of the Heian era, and was disappointed to find that the physical manifestations of medieval Japan as evoked in The Tale of Genji had vanished. But the persisting legacy of that ancient age is still evident to the trained observer. Japan today embodies its past. It's not enough to know that Japan today is a prosperous country. Curious people also want to know how it got that way. The roots lie deep in the past. 

When I was studying Japan in graduate school, my advisor once told me that he hoped I wouldn’t pursue research in women’s history, calling it a fad. He was wrong, but it took me well over ten years to figure that out. Thanks to colleagues and friends, I helped build the field of Japanese women’s history in English, especially for the early modern period. As professor emerita at the University of California, Irvine, I remain committed to the possibility of uncovering the lives of yet more amazing women who challenge the stereotypes of docile wife and seductive geisha all too prevalent in fiction set in Japan.

Early in life, I felt the presence of a “guardian angel” who would take my hand and accompany my mind to imagine distant cultures. I grew up in Florence, and in our history, there were so many tales of people coming from afar, and of Florentines traveling across deserts and oceans. And as time passed, I would be drawn to beautifully written true stories which opened windows onto different epochs and dramas of life in both near and far-flung places of the world.

One fateful day in 4th grade, after finishing the Chronicles of Narnia, I picked up a YA spy novel off my teacher’s bookshelf. I never went back. I was immediately drawn to the depth of the characters, the nuance of how their public persona didn’t always match their internal thoughts, and their ability to succeed when no one thought they could. Eventually, what I read became what I wrote. Now, whenever I get overwhelmed, I love to turn to the genre that helped me through High School. Whether I reread old favorites, revisit my own stories, or find new friends, these characters remind me I can do anything.

I dreamed of being a fairy tale princess at a young age, and although I never received my glass slipper, I still have a highly active imagination. This is probably why fantasy books are my favorite, and I’ve read extensively in this space. I’m also a huge Disney and Harry Potter nerd. While I might not win a trivia competition on these topics, I could definitely hold my own. To be honest, immersing myself in another world is my favorite form of escapism and the number one way I relax and unwind after work. I’ve read many, many books in my life and can quickly tell you the ones I love the best.

I’m the author of the Storybook Valley chick-lit series, which includes Fooling Around With Cinderella and Prancing Around With Sleeping Beauty. I love reading and writing lighthearted novels about young women finding their Prince Charming—and also themselves. Setting is also important to me as a writer. To create my Storybook Valley novels I spied on Cinderellas at amusement parks and discreetly watched employees head off into off-limits areas. I watched hours of YouTube interviews with former Disney World princesses, behind-the-scenes videos with other amusement park employees, and listened to podcast interviews with managers of theme parks. All the novels I chose had well-developed settings that were an integral part of the book.