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Kyoto is one of the world’s great cities. I first came here in 1994, its 1200th anniversary, and was entranced by its many treasures. In the city’s river basin were fostered the traditional arts and crafts of Japan. This is the city of Zen, Noh, the tea ceremony, geisha, moss and rock gardens, not to mention the aristocratic aesthetes of the Heian Era. Here in the ancient capital are imperial estates and no fewer than 17 World Heritage sites, including the Golden Pavilion and the divine Byodo-in. Faced with this wealth of wonders, I tried to weave them into a coherent story – the story of a most remarkable city.
This was my introduction to the major sights of Kyoto. As well as providing essential information, there is an extra section suggesting how to value each sight on a deeper level. It helped me appreciate just how special Kyoto is. That it has stayed in print for so long is testimony to its worth.
This Kyoto travel guide presents the best tourists sites in Japan's spiritual and historical capital.
With this guide the visitor needs no further assistance to learn all that a place has to offer. It is factual, concise, and complete. This Japan travel book is generously illustrated with photographs, maps, route plans, and building plans, as well as a selection of reproductions from old prints and picture scrolls.
The sights were specifically chosen to give foreign visitors a broad understanding of Kyoto's political, religious, and cultural history. Among them are the ancient Phoenix Hall of the Byodo-in, the famous rock garden…
Kyoto is one of the world’s great cities. I first came here in 1994, its 1200th anniversary, and was entranced by its many treasures. In the city’s river basin were fostered the traditional arts and crafts of Japan. This is the city of Zen, Noh, the tea ceremony, geisha, moss and rock gardens, not to mention the aristocratic aesthetes of the Heian Era. Here in the ancient capital are imperial estates and no fewer than 17 World Heritage sites, including the Golden Pavilion and the divine Byodo-in. Faced with this wealth of wonders, I tried to weave them into a coherent story – the story of a most remarkable city.
Kyoto is known for its many famous sights. But wandering around the backstreets and through the many pockets of nature brings rewards of a completely different kind. Armed with this guide by long-term resident Judith Clancy, I enjoyed many happy days exploring lesser-known routes while appreciating the advice about places to eat and what to look at.
This revised and updated edition of the Japan travel classic and cultural guide gets you wandering from downtown quarters to remote mountaintop temples and features expanded information on new museums and gardens now open year-round for viewing.
Judith Clancy's expert research weaves a rich narrative of Kyoto's history, local lore, and artistic and religious background to guide you through your journey.
Includes:
31 explorations including 5 mountain routes, 17 World Heritage Sites, Arashiyama, Kiyomizu-dera, Philosopher's Walk, the city's 6 Zen temple complexes, and much more
Detailed maps tracing each route
Over 30 descriptive photos
Tips on etiquette and behavior
A…
Kyoto is one of the world’s great cities. I first came here in 1994, its 1200th anniversary, and was entranced by its many treasures. In the city’s river basin were fostered the traditional arts and crafts of Japan. This is the city of Zen, Noh, the tea ceremony, geisha, moss and rock gardens, not to mention the aristocratic aesthetes of the Heian Era. Here in the ancient capital are imperial estates and no fewer than 17 World Heritage sites, including the Golden Pavilion and the divine Byodo-in. Faced with this wealth of wonders, I tried to weave them into a coherent story – the story of a most remarkable city.
Still today Kyoto is haunted by the magic of its Heian past (794-1185), when an aristocratic elite indulged in aesthetic pursuits, particularly poetry writing. Without an understanding of the period, it is impossible to understand modern Kyoto. The classic work is The Tale of Genji, but it is too heavy a tome to carry around, so the much slimmer and more accessible Pillow Book isrecommended. I loved the Willdean wit, the sharp observations, and the intriguing lists. I’m sure you will too, for unlike Genji it has not dated.
In the tenth century, Japan was both physically and culturally isolated from the rest of the world. The Pillow Book recaptures this lost world with the diary of a young court lady. Sei Shōnagon was a contemporary of Murasaki Shikibu, who wrote the well-known novel The Tale of Genji. Unlike the latter's fictionalized view of the Heian-era court, Shōnagon's journal provides a lively miscellany of anecdotes, observations, and gossip, intended to be read in juicy bits and pieces. This unique volume was first rendered into English in 1889. In 1928, Arthur Waley, a seminal figure in the Western studies of…
Right after college, I lived abroad in Asia, in the small, landlocked country of Laos. A key theme of the book is the role of the U.S. in the world. During the Vietnam War, Laos was subject to a massive bombing campaign by the U.S., and decades later, the country was still coping with the effects. As unexploded bombs continued to kill people every year, how would my colleagues and neighbors react to an American living among them? The book is mainly about the joys of navigating another culture, and while Laos is unique, I’ve read a lot of books about living abroad in Asia, and common themes certainly emerge.
Iyer’s prose is beautiful, and he’s best known for his travel writing. In this book, he stays put, living in Japan and immersing himself in Zen and the pleasures of traditional life in Kyoto. He also meets his wife, and the combination of cultural study and personal memoir makes for an absolutely lovely read.
When Pico Iyer decided to go to Kyoto and live in a monastery, he did so to learn about Zen Buddhism from the inside, to get to know Kyoto, one of the loveliest old cities in the world, and to find out something about Japanese culture today -- not the world of businessmen and production lines, but the traditional world of changing seasons and the silence of temples, of the images woven through literature, of the lunar Japan that still lives on behind the rising sun of geopolitical power.
I’ve spent a lot of time in Japan, and my new novel, Beautiful Shining People, is a direct result of two profound experiences I had there. The first was when I was hiking through the hills of Kyoto late one night and turned around to see a glowing creature–some have said they think I saw a kami. The second experience happened when I was in Hiroshima at the Peace Park. I immediately started crying, seeing all the schoolchildren learning about the horrible atrocity committed against their ancestors. I have no idea why it affected me so much, but it was one of the most moving experiences of my life.
Yasunari Kawabata was the first Japanese author to ever win the Nobel Prize in Literature – and Snow Country is a perfect example of why he did.
It’s the simple tale of a Tokyo businessman who meets a geisha when he takes a trip to a rural onsen (hot springs) town. It’s a melancholy tale, and you feel for the geisha and her harrowing circumstance much more than the Tokyoite.
It’s also a slim book, but one with beautiful descriptions of the snow. You can read it in one sitting, but it will stick with you long after.
Shimamura is tired of the bustling city. He takes the train through the snow to the mountains of the west coast of Japan, to meet with a geisha he believes he loves. Beautiful and innocent, Komako is tightly bound by the rules of a rural geisha, and lives a life of servitude and seclusion that is alien to Shimamura, and their love offers no freedom to either of them. Snow Country is both delicate and subtle, reflecting in Kawabata's exact, lyrical writing the unspoken love and the understated passion of the young Japanese couple.
I’ve spent a lot of time in Japan, and my new novel, Beautiful Shining People, is a direct result of two profound experiences I had there. The first was when I was hiking through the hills of Kyoto late one night and turned around to see a glowing creature–some have said they think I saw a kami. The second experience happened when I was in Hiroshima at the Peace Park. I immediately started crying, seeing all the schoolchildren learning about the horrible atrocity committed against their ancestors. I have no idea why it affected me so much, but it was one of the most moving experiences of my life.
Memoirs of a Geishais the only book I’ve actually dreamed about while reading – that’s how much it gripped me.
Not only are the characters richly drawn, the cultural details and world of pre-war Japan are so immersive you’ll feel like you are walking the streets of the Kyoto of almost a century ago. This book also fascinates me because it is the only one Arthur Golden ever wrote.
I don’t know why he never wrote again, but how could he top it? It’s the perfect novel.
'An epic tale and a brutal evocation of a disappearing world' The Times
A young peasant girl is sold as servant and apprentice to a renowned geisha house. Many years later she tells her story from a hotel in New York, opening a window into an extraordinary half-hidden world of eroticism and enchantment, exploitation and degradation and summoning up a quarter of a century of Japan's dramatic history.
'Intimate and brutal, written in cool, lucid prose it is a novel whose psychological empathy and historical truths are outstanding' Mail on Sunday
I’ve been enjoying Japanese stories from the moment I first found them, a direct result of living, studying, and working in Japan for five years, from Imari City (in Kyushu Island) to Tokyo (on Honshu). The pacing of Japanese novels—starting out slowly and deliberately, then speeding up like a tsunami out of nowhere—totally appeals to me, and feels infinitely more connected to exploring the subtleties, complexity, and beauty of relationships. This is especially true when compared to Western novels, which seem overly obsessed with splashing grand, dramatic action and injury on every other page. I just love revisiting Japan through reading.
Looking for a well-curated, wide variety of Japanese short stories written by nearly all the famous modernist novelists revered in Japan? This collection contains everything from Kawabata’s "The Izu Dancer" to Satomi Ton’s marvelously deep story called "Blowfish", wherein the hero—a famously talented Kabuki actor succumbs to the kind of brain-fogging, body-busting death that only blowfish poison can deliver. The author manages to get inside the head of his character, uncovering what transitioning into death feels like, with humor sprinkled here and there, and an emotional recollection/revelation about his own actor-father dying in a theater fire.
This collection of short stories, including many new translations, is the first to span the whole of Japan's modern era from the end of the nineteenth century to the present day. Beginning with the first writings to assimilate and rework Western literary traditions, through the flourishing of the short story genre in the cosmopolitan atmosphere of the Taisho era, to the new breed of writers produced under the constraints of literary censorship, and the current writings reflecting the pitfalls and paradoxes of modern life, this anthology offers a stimulating survey of the development of the Japanese short story. Various indigenous…
I write books for young readers about history, science, and nature. I lived in Japan for six years and became fascinated with Japanese history—particularly the late 12th-century civil war recounted in the medieval classic The Tale of the Heike. I especially loved stories about Minamoto Yoshitsune, the warrior who won the war but was destroyed by his elder brother Yoritomo, who became the first Shogun and kicked off the 700-year reign of the samurai. I spent two years researching Samurai Rising: The Epic Life of Minamoto Yoshitsune and loved every minute of it. I’m also a second-degree black belt in kendo (Japanese sword fighting).
The perfect companion piece to The Tale of Genji, The Tale of Murasaki is a modern historical novel about Murasaki Shikibu (author of The Tale of Genji). Author Liza Dalby is a scholar of Japanese culture as well as the only Westerner ever to become a geisha. A meticulously researched, evocative window into Heian Japan.
The Tale of Murasaki is an elegant and brilliantly authentic historical novel by the author of Geisha and the only Westerner ever to have become a geisha.
In the eleventh century Murasaki Shikibu wrote the world’s first novel, The Tale of Genji, the most popular work in the history of Japanese literature. In The Tale of Murasaki, Liza Dalby has created a breathtaking fictionalized narrative of the life of this timeless poet–a lonely girl who becomes such a compelling storyteller that she is invited to regale the empress with her tales. The Tale of Murasakiis the story of an enchanting…
I have specialized in writing about Asia since first moving to Hong Kong as a journalist in 1989, and spent the past three decades trying to improve understandings between East and West. My Asian women friends repeatedly asked me why Western men expected them to pour their drinks and serve them food. I answered “because that’s what they saw in the movies.” The James Bond films perpetuating these images of servile Asian women scrubbing white mens’ backs in the bathtub were pervasive when they were growing up. I decided to uncover and explain where this history of imagery and the stereotypes they result in come from – and, as someone with an anthropological background, also explain cultural practices that foster misunderstandings.
By reading this actual account by a woman who became a geisha herself, you will come to understand how far from reality the fictional book Memoirs of a Geisha, written by a man, really was. This is the best-ever portrait of this world and the women – far
from the pining, love-besotted servants – who inhabit it.
Ever since Westerners arrived in Japan, they have been intrigued by Japanese womanhood and, above all, by geisha. This fascination has spawned a wealth of extraordinary fictional creations, from Puccini’s Madame Butterfly to Arthur Golden’s Memoirs of a Geisha. But as denizens of a world defined by silence and mystery, real geisha are notoriously difficult to meet and even to find. As a result, their history has long been cloaked in secrecy.
Lesley Downer, an award-winning writer, Japanese scholar, and consummate storyteller, gained more access to this world than almost any other Westerner, and spent several months living in it.…
I first came to Japan knowing nothing about the place I was going to live. With hindsight, that was perhaps foolish, but it started my adventure in Japanese history. At first, I stumbled through blindly, reading the odd book and watching dramas and movies for fun. But then I discovered Yasuke, an African who became samurai in 1581. He focused me, and I started reading to discover his world. History means nothing without knowing what came before and after, so I read more, and more, until suddenly, I was publishing books and articles, and appearing on Japanese TV. It has gone well beyond the African Samurai now, but I am eternally grateful to him for his guidance.
As with number 4, I recommend anything by Leslie Downer, but can only choose one, so chose this. It gave me a view of Japanese history that I had never encountered before and told the story of Japan’s first truly global superstar, Kawakami Sadayakko. It is criminal that this lady is not better known, as she was a key player in the formation of the modern Japanese entertainment industry and the popularization of Japanese culture around the globe. Very well written and researched. An excellent read.
The author of Women of the Pleasure Quarters shares the story of the famous geisha whose life inspired Puccini's Madame Butterfly, from her training and participation in secret geisha traditions to her defection from her lucrative career to marry the penniless actor and political maverick Otojiro Kawakami and her rise to international celebrity. Reprint.
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