Here are 100 books that The Tale of Genji fans have personally recommended if you like
The Tale of Genji.
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Growing up, I was introduced to Japanese
culture and history through anime. But I decided to dig a little deeper,
reading history books and looking up more and more information. I was
fascinated by what was presented of “Old Japan,” both the misconceptions that
were spread by pop culture and by the surprising details that it gets right
that no one would believe. This fascination is one of the most consistent
things about me through the years, and the idea of delving into works of my own
that merged samurai drama with lesbian relationships has been a recurring
desire of mine for years.
Japan is full of figures from its own history that loves to villainize, and few of them stand out, like Taira no Kiyomori. This prose retelling of the original epic covers the rise and fall of the Taira Clan is full of politics, scheming, ruthlessness, and more than a few bloody battles. Kiyomori is someone I can understand the motivations of, even as I condemn him for his tactics and monstrous actions. The Heike Story is the bloodstained and muddy underbelly that emerges as the samurai warrior class rises to prominence and the power of the old aristocracy wanes.
Kyoto in the twelfth century was a magnificent city, but crime, disorder, and lust were rampant. The people were abused by the nobility, while the armed Buddhist monks terrorized court and commoner alike. In despair, the Emperor called upon the Heike and Genji clans to quell civil disturbances. Although the clans succeeded, they quarreled over the spoils of war and plunged the country into a century of warfare.This novel describes the rise to power of Kiyomori of the Heike clan during this turbulent time. From a youth sunk in poverty, Kiyomori eventually rose to become the Emperor's Chief Councillor. Although…
Growing up, I was introduced to Japanese
culture and history through anime. But I decided to dig a little deeper,
reading history books and looking up more and more information. I was
fascinated by what was presented of “Old Japan,” both the misconceptions that
were spread by pop culture and by the surprising details that it gets right
that no one would believe. This fascination is one of the most consistent
things about me through the years, and the idea of delving into works of my own
that merged samurai drama with lesbian relationships has been a recurring
desire of mine for years.
These eight short stories are samurai-focused historical fiction done with an appreciation for the traditions and the legacy of the warrior class of Old Japan. They all come from the years of the Warring States period, which many argue was the heyday of the samurai and the height of their prowess. These stories capture the values and emotions that drove these warriors, even outside the battlefield. These stories are framed almost like snapshots or sketches, capturing the moment and the character of that moment in vivid fashion.
These eight compelling stories offer valuable insights into Japanese culture. Recounted by a distinguished scholar, they feature scenes from samurai life that embody the concept of Bushido, the "way of the warrior." Their portrayals of loyalty, romance, passion, and heroism offer a true reflection of the values of the Japanese knighthood. Largely fact-based, these fables originated among the traditional storytellers of Japan and were later adapted into romances and historical dramas. Asataro Miyamori, a professor of English at the Oriental University in Tokyo, drew upon authentic sources in compiling this volume, which first appeared in 1920. In the preface, Miyamori…
Growing up, I was introduced to Japanese
culture and history through anime. But I decided to dig a little deeper,
reading history books and looking up more and more information. I was
fascinated by what was presented of “Old Japan,” both the misconceptions that
were spread by pop culture and by the surprising details that it gets right
that no one would believe. This fascination is one of the most consistent
things about me through the years, and the idea of delving into works of my own
that merged samurai drama with lesbian relationships has been a recurring
desire of mine for years.
While it feels a little slow to start, this novel is the kind of thing that takes typical fantasy tropes, puts them in a bucket, and dumps it upside down. The story is fantastical and doesn't shy away from that fact, but it is also deeply influenced by Japan's folklore, mythology, and spiritual traditions.
The forces of the God of Light and the Goddess of Darkness have waged a ruthless war across the land of Toyoashihara for generations. But for 15-year-old Saya, the war is far away and unimportant--until the day she discovers that she is the reincarnation of the Water Maiden and a princess of the Children of the Dark. Raised to love the Light and detest the Dark, Saya must come to terms with her heritage even as she tumbles into the very heart of the conflict that is destroying her country. The armies of the Light and Dark both seek to…
Growing up, I was introduced to Japanese
culture and history through anime. But I decided to dig a little deeper,
reading history books and looking up more and more information. I was
fascinated by what was presented of “Old Japan,” both the misconceptions that
were spread by pop culture and by the surprising details that it gets right
that no one would believe. This fascination is one of the most consistent
things about me through the years, and the idea of delving into works of my own
that merged samurai drama with lesbian relationships has been a recurring
desire of mine for years.
For me, it's hard to find stories that are so willing to dive into the feel of a bygone era, especially one that is potentially as obscure to some audiences as the Heian period of Japan. Set in a period of slow change, this short story collection combines the tensions of the period (a rising warrior class, Shinto vs Buddhist religious tensions, factions in the imperial court) in combination with the rich variety of strange beings in the folklore of Japan. I love how it paints a picture of a world that is simultaneously grounded in human motivations and populated by the esoteric and supernatural.
In an ancient Japan where the incursions of gods, ghosts, and demons into
the living world is an everyday event, an impoverished nobleman named Yamada no
Goji makes his living as a demon hunter for hire. With the occasional assistance
of the reprobate exorcist Kenji, whatever the difficulty - ogres, demons,
fox-spirits - for a price Yamada will do what needs to be done, even and
especially if the solution to the problem isn't as simple as the edge of a
sword. Yet, no matter how many monsters he has to face, or how powerful and
terrible they may be,…
I have a passion for Japan and the Japanese stretching back over four decades. I’ve done a lot of wandering around my wife Yuriko’s home-country – walked the 3200km length of it; hiked across it from the Sea of Japan to the Pacific, climbing all 21 of its 3000m peaks; broken the record for climbing its 100 Famous Mountains; walked around the 88 Sacred Temples of Shikoku Pilgrimage; and journeyed around the Saigoku 33 Temples of Kannon Pilgrimmage – and written books on all these adventures. I’ve co-written Lonely Planet’s “Japan” and “Hiking in Japan” guidebooks since the late 1990s, covering everywhere from Hokkaido to Okinawa.
After 40 years of bathing in onsen (hot springs), our local sento (public bathhouse), and all sorts of equivalents, I’ve come to understand that bathing in Japan is a lot more than a way of keeping clean – it’s an immersion in culture as well as hot water. I found Clark’s book fascinating and often found myself muttering “ah, yes, he’s right” to myself, as I looked back on my bathing experiences in Japan. Historically, bathing is not something to be undertaken alone, but in groups, be they family, friends, or workmates. Some of my best experiences in Japan have been the daily ritual of taking my children to our local sento and becoming friends with locals in our neighborhood. “Hadaka no tsukiai” – friends in nakedness – nothing is hidden!
My upbringing in refined Bucharest, surrounded by books and Romania's rich folklore, as well as my youth excursions in the idyllic Transylvanian countryside, instilled in me a love for storytelling. Although I have a medical degree, my insatiable curiosity about historical figures' lives, journeys, and the landscapes they encountered has driven me to investigate and write about these enthralling tales. This allowed me to share the wonders of travel through historical and contemporary fiction with a strong historical foundation - and a dog or two. On my blog I share enchanting gems from Romania’s past, while on social media I promote Romania’s history and culture under the hashtag #Im4Ro.
When researching historical fiction, one often falls down many rabbit holes. One such gap led me to China, where printing technology was in use 150 years before Gutenberg was born.
These short stories, woven from the tapestry of ancient Eastern folklore, offer both entertainment and profound insights. They not only provide a rich education in Eastern literature, but they also highlight the timeless truth that humanity's essence remains constant, whether in the East or West, regardless of era.
People's daily lives are fraught with mysteries and uncertainties that transcend geographical boundaries. While the distinct Eastern cultural prism through which these shared human experiences are filtered, provides a beguiling and enthralling perspective.
This anthology is a must-read for anyone interested in Asian short stories.
Ryunosuke Akutagawa (1892-1927) is one of Japan's foremost stylists - a modernist master whose short stories are marked by highly original imagery, cynicism, beauty and wild humour. 'Rashoemon' and 'In a Bamboo Grove' inspired Kurosawa's magnificent film and depict a past in which morality is turned upside down, while tales such as 'The Nose', 'O-Gin' and 'Loyalty' paint a rich and imaginative picture of a medieval Japan peopled by Shoguns and priests, vagrants and peasants. And in later works such as 'Death Register', 'The Life of a Stupid Man' and 'Spinning Gears', Akutagawa drew from his own life to devastating…
My parents were both born and raised in Japan but met in New York and eventually settled in Los Angeles, where I grew up. My first language was Japanese and as a nisei (second generation), I am deeply steeped in my Asian heritage. I am continually inspired by the art and storytelling that originates from Japanese culture and love to incorporate them into my own work.
As a little kid, I read the Japanese version of these stories and I was delighted when I found the English version to read to my then tiny daughter. “Momo-Taro,” or Peach Boy, is one of my favorite tales from childhood and there are so many others included in the book that I had forgotten about. These classic stories are a wonderful addition to any library!
This colorfully illustrated multicultural children's book presents Japanese fairy tales and other folk stories--providing insight into a vibrant literary culture.
For 60 years, generations of English-speaking children around the world have been enchanted by Japanese Children's Favorite Stories--and for good reason. With such titles as "The Toothpick Warriors" and "The Rabbit Who Crossed the Sea," these 20 stories offer age-old lessons in kindness and goodness that are still riveting to children and parents alike. This 60th Anniversary Tuttle edition is proof that good stories never wear out.
In this treasure trove of much-beloved Japanese children's stories, you'll meet charming characters…
I have always loved cats and have lived with many: Princess Sheba Darling, Precious Sammy Dearest, Couscous Kerouac, P.C. (Perfect Cat), Neshama, and Mitzi. Each cat has a distinct personality and quickly taught me how things were going to go: some cats are lap cats, some are not. Some cats are finicky, some cats will eat anything. Some cats slept on my pillow, some cats prowled—and yowled—all night long. In addition to cats, I have always loved picture books and have written many about cats including: Cats, Cats, Cats!Welcoming Elijah: A Passover Tale With A Tail, A-B-C Cats, 1-2-3 Cats, and The Best Cat In The World.
I have read this book at least a dozen times. First published in 1930, it has become a classic, winning the Newbery Medal (the Oscar of children’s books!) and other awards. The story, which takes place in Japan, is about a poor, humble artist, who is working on an important painting. Though he has very little money and cannot afford another mouth to feed, his housekeeper brings a little white cat home from the market. At first, the artist is disgruntled, but nevertheless, the cat becomes known as Good Fortune, and indeed, through an act of selflessness, the cat does bring good fortune to the artist. The writing style is gorgeous, and the book is an absolute pleasure to read. Very soothing and meditative. No wonder it’s become a classic!
This timeless fable has been a classic since its first publication in 1930, and this beautifully reillustrated edition brings the magic and wonder of the tale to a new generation of readers.
In ancient Japan, a struggling artist is angered when his housekeeper brings home a tiny white cat he can barely afford to feed. But when the village’s head priest commissions a painting of the Buddha for a healthy sum, the artist softens toward the animal he believes has brought him luck.
According to legend, the proud and haughty cat was denied the Buddha’s blessing…
I’ve been interested in Japanese culture, mythology, and martial arts since I was a teenager. My favorite books are those where I become completely submerged, losing myself in the story and forgetting where the main character ends and I begin. Stories that focus on an ordinary person who gets pulled into another world while remaining firmly planted in their current world. Stories where the character has to learn new skills or discover special talents; a connection to the past or to another realm; or becomes part of some mysterious group operating outside of society. When I couldn’t find enough books that fulfilled my hunger for this specific genre, I decided to write some myself!
When I watched Blood: The Last Vampire, a Japanese horror film based on manga by Mamoru Oshii, I was hooked. I discovered Saya, and manga. Saya is a fierce and beautiful vampire killer who wears a modest Japanese school uniform while hunting. The vampires mostly look like normal people. Some are scared and run, others fight back. Either way, they die. I liked the contradicting image of the innocent-looking schoolgirl who is a ferocious killer, but the story was also thought-provoking. When Saya makes a mistake and kills an innocent person, it showed a dilemma most ‘hero’ stories don’t address. Are we either completely good or always evil? Saya is the inspiration for Shoko, the lead character in my novels, and she struggles with this. Can you serve the gods and also be a killer?
At Yokota Base in Japan, American soldiers stand guard at the brink of the Vietnam War. Although they fear the enemy outside their base, an even more dangerous enemy waits within - bloodthirsty vampires walk among them. Appearing human, the beasts lurk in secret among the soldiers, waiting for the moment to attack. Saya, a fierce and beautiful vampire hunter, is sent to lead a team of undercover agents whose mission is to decide who is human and who is not, and wipe out the vampires before they can wipe out the base. But even though Saya is a powerful…
My parents were both born and raised in Japan but met in New York and eventually settled in Los Angeles, where I grew up. My first language was Japanese and as a nisei (second generation), I am deeply steeped in my Asian heritage. I am continually inspired by the art and storytelling that originates from Japanese culture and love to incorporate them into my own work.
I grew up reading about and experiencing “kamishibai,” which is a Japanese storytelling format using illustration boards. This book by Allen Say gorgeously renders the life of a kamishibai man and what seems like his dying art of sharing stories. I remember trying to make my own kamishibai in elementary school and I’ve been toying with the idea of making one again. The book is a gem!
The Kamishibai man used to ride his bicycle into town where he would tell stories to the children and sell them candy, but gradually, fewer and fewer children came running at the sound of his clappers. They were all watching their new televisions instead. Finally, only one boy remained, and he had no money for candy. Years later, the Kamishibai man and his wife made another batch of candy, and he pedaled into town to tell one more story—his own. When he comes out of the reverie of his memories, he looks around to see he is surrounded by familiar…
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