Here are 100 books that The Legends of Tono fans have personally recommended if you like
The Legends of Tono.
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I’ve been living in and writing about Japan for two decades—it’s where my wife and I have raised a bicultural family and where I don’t think I’ll ever run out of stories I want to tell. Whether written by Japanese or non-Japanese, I love reading work that documents Japan and its culture in an honest and thoughtful way. I hope you’ll try some of the books on this list because, with so much Japan coverage today veering towards cultural exoticism and fetishism or leaning on familiar stereotypes and tropes, it’s even more important to seek out great Japanese writing.
Basho is best known as Japan’s most influential haikuist, but this book is a reminder that he is also one of the great early travel writers.
The haiku-punctuated accounts of Basho’s travels offer evocative glimpses of life and spirituality in 17th-century Japan. Through Basho’s interest in documenting the natural world, we can also start to understand the lasting importance of nature in Japanese culture.
'It was with awe That I beheld Fresh leaves, green leaves, Bright in the sun'
When the Japanese haiku master Basho composed The Narrow Road to the Deep North, he was an ardent student of Zen Buddhism, setting off on a series of travels designed to strip away the trappings of the material world and bring spiritual enlightenment. He writes of the seasons changing, the smell of the rain, the brightness of the moon and the beauty of the waterfall, through which he sensed the mysteries of the universe. These writings not only chronicle Basho's travels, but they also capture…
I’ve been living in and writing about Japan for two decades—it’s where my wife and I have raised a bicultural family and where I don’t think I’ll ever run out of stories I want to tell. Whether written by Japanese or non-Japanese, I love reading work that documents Japan and its culture in an honest and thoughtful way. I hope you’ll try some of the books on this list because, with so much Japan coverage today veering towards cultural exoticism and fetishism or leaning on familiar stereotypes and tropes, it’s even more important to seek out great Japanese writing.
When your short stories inspire a Kurosawa movie, they must be something special. This collection includes Rashomon and In a Bamboo Grove, two stories set in medieval Japan that inspired the movie Rashomon. It also mixes stylistically vivid pieces that explore moral ambiguity, can be witty and cynical, and are deeply poignant.
That’s especially true in stories where Akutagawa writes of his own personal struggles—he took his own life aged just 35 in 1927. As Haruki Murakami puts it, Akutagawa’s work is “spine-tingling brilliance.”
Ryunosuke Akutagawa (1892-1927) is one of Japan's foremost stylists - a modernist master whose short stories are marked by highly original imagery, cynicism, beauty and wild humour. 'Rashoemon' and 'In a Bamboo Grove' inspired Kurosawa's magnificent film and depict a past in which morality is turned upside down, while tales such as 'The Nose', 'O-Gin' and 'Loyalty' paint a rich and imaginative picture of a medieval Japan peopled by Shoguns and priests, vagrants and peasants. And in later works such as 'Death Register', 'The Life of a Stupid Man' and 'Spinning Gears', Akutagawa drew from his own life to devastating…
I’ve been living in and writing about Japan for two decades—it’s where my wife and I have raised a bicultural family and where I don’t think I’ll ever run out of stories I want to tell. Whether written by Japanese or non-Japanese, I love reading work that documents Japan and its culture in an honest and thoughtful way. I hope you’ll try some of the books on this list because, with so much Japan coverage today veering towards cultural exoticism and fetishism or leaning on familiar stereotypes and tropes, it’s even more important to seek out great Japanese writing.
This book is the perfect antidote to all the stereotypes written about Japan’s subcultures. Nothing annoys me more than coverage that labels Japan as weird, quirky, or bizarre when really it just has different elements to the culture of those who use such labels.
That kind of othering ignores that beneath the surface, there’s much that unites Japanese with Americans or Brits or anyone else. We all laugh, cry, and experience a similar raft of emotions from birth to death. What I love about this book, beyond Wong’s superb photography, is how his interviews humanize the cosplayers, gyaru and varied otaku he meets, while also offering insights into their passions and lifestyles.
The book will delve into the world of Japanese subcultures and the obsessive approach that many people take to their hobbies, passions and lifestyle choices. The Obsessed will contain photos and texts – such as potentially profiles, essays or features – of a diverse range of Otaku and other fans and followers of different subcultures, and will unveil what is behind these obsessions and what makes these people tick.
I’ve been living in and writing about Japan for two decades—it’s where my wife and I have raised a bicultural family and where I don’t think I’ll ever run out of stories I want to tell. Whether written by Japanese or non-Japanese, I love reading work that documents Japan and its culture in an honest and thoughtful way. I hope you’ll try some of the books on this list because, with so much Japan coverage today veering towards cultural exoticism and fetishism or leaning on familiar stereotypes and tropes, it’s even more important to seek out great Japanese writing.
For a concise history of Japan and a cultural primer on the country, I don’t think anything else is as easily digestible or insightful as this book. It does an incredible job of highlighting key periods in Japanese history, from the foundation of the first capital to the modernization of the Meiji era and the rise of militarism, while also covering the development of such things as religion, arts, and architectural styles.
What’s really impressive is that it does it all in just 400 pages: a far cry from some of the painfully heavy books I had to wade through studying history many years ago in college.
A classic of Japanese history, this book is the preeminent work on the history of Japan.
Newly revised and updated, A History of Japan is a single-volume, complete history of the nation of Japan. Starting in ancient Japan during its early pre-history period A History of Japan covers every important aspect of history and culture through feudal Japan to the post-cold War period and collapse of the Bubble Economy in the early 1990's. Recent findings shed additional light on the origins of Japanese civilization and the birth of Japanese culture.
Also included is an in-depth analysis of the Japanese religion,…
I saw my first Godzilla movie when I was seven years old, and I immediately fell in love: what kid doesn’t want to be a giant radioactive monster with attitude? But unlike baseball cards, I never outgrew Godzilla and, over the decades, came to appreciate the cultural significance of one of the world’s most enduring film icons. In my writing on Godzilla, I explore my own fascination with monsters and contemplate why all societies, from the dawn of time to today, have compulsively created imaginary creatures that terrify them. The books on this list have helped me understand the human obsession with monsters, and I hope you will find them equally enlightening and enjoyable.
I was fascinated by yokai, the weird and wonderful creatures of Japanese folklore, well before they became a thing on social media and in global pop culture. Of all the books designed to introduce yokai to Western audiences, Michael Dylan Foster's is by far the best at explaining how the Japanese understand these legendary creatures and their roles in Japanese culture throughout history.
His stories of kappa and oni and monstrous umbrellas with arms and legs are hilarious, creepy, unforgettable, instructive, and revealing. If I have one gripe about this book, it is that Foster dismisses Godzilla and other kaiju as not being yokai. He’s wrong, but everyone deserves one mistake, especially in an otherwise excellent book.
Monsters, ghosts, fantastic beings, and supernatural phenomena of all sorts haunt the folklore and popular culture of Japan. Broadly labeled yokai, these creatures come in infinite shapes and sizes, from tengu mountain goblins and kappa water spirits to shape-shifting foxes and long-tongued ceiling-lickers. Currently popular in anime, manga, film, and computer games, many yokai originated in local legends, folktales, and regional ghost stories. Drawing on years of research in Japan, Michael Dylan Foster unpacks the history and cultural context of yokai, tracing their roots, interpreting their meanings, and introducing people who have hunted them through the ages. In this delightful…
Growing up, I was introduced to Japanese
culture and history through anime. But I decided to dig a little deeper,
reading history books and looking up more and more information. I was
fascinated by what was presented of “Old Japan,” both the misconceptions that
were spread by pop culture and by the surprising details that it gets right
that no one would believe. This fascination is one of the most consistent
things about me through the years, and the idea of delving into works of my own
that merged samurai drama with lesbian relationships has been a recurring
desire of mine for years.
Though potentially incomplete (some scholars argue we're missing one or two chapters, or that the story was never meant to end), The Tale of Genji manages to paint a vivid picture of the life of a lost age, with its own array of traditions, values, and fashions; a world where one's skill with poetry was just as valuable as political acumen and their outlook is so different from a modern perspective. At the same time, it presents the timeless complexity of relationships between men and women, and the social expectations and norms that impact those connections.
Written centuries before the time of Shakespeare and even Chaucer, The Tale of Genji marks the birth of the novel and after more than a millennium, this seminal work continues to enchant readers throughout the world. Lady Murasaki Shikibu and her tale's hero, Prince Genji, have had an unmatched influence on Japanese culture. Prince Genji manifests what was to become an image of the ideal Heian era courtier: gentle and passionate. Genji is also a master poet, dancer, musician and painter. The Tale of Genji follows Prince Genji through his many loves, and varied passions. This book has influenced not…
I have lived on a small island in Japan for over 25 years. I moved into my aging and empty Japanese abode before akiya—empty houses—became a phenomenon, and I described my experiences in a regular column for The Japan Times from 1997 to 2020. I love Japan’s countryside and wish more tourists would visit places outside Japan’s major cities. The living is simple, the Japanese people are charming and Japan itself is one of the most unique places in the world. These books are written by people who have taken the leap and chosen the tranquil existence of the pastoral Japanese countryside.
Miyamoto is a famous ethnologist who walked the length of Japan, padding through its far-flung hamlets, to compile books about provincial livelihoods in the 1930s. The result is a look into the hard lives of rice farmers and their wives.
Miyamoto’s interviews revealed many of the cultural quirks, such as the promiscuous ways of certain country women and their equally unrestrained suitors—often traders passing through town. The characters Miyamoto interviews offer fascinating, frank, and impactful voices, especially from women who would not have otherwise been heard.
Tsuneichi Miyamoto (1907-1981), a leading Japanese folklore scholar and rural advocate, walked 160,000 kilometers to conduct interviews and capture a dying way of life. This collection of photos, vignettes, and life stories from pre- and postwar rural Japan is the first English translation of his modern Japanese classic. From blowfish to landslides, Miyamoto's stories come to life in Jeffrey Irish's fluid translation.
Growing up, I was introduced to Japanese
culture and history through anime. But I decided to dig a little deeper,
reading history books and looking up more and more information. I was
fascinated by what was presented of “Old Japan,” both the misconceptions that
were spread by pop culture and by the surprising details that it gets right
that no one would believe. This fascination is one of the most consistent
things about me through the years, and the idea of delving into works of my own
that merged samurai drama with lesbian relationships has been a recurring
desire of mine for years.
For me, it's hard to find stories that are so willing to dive into the feel of a bygone era, especially one that is potentially as obscure to some audiences as the Heian period of Japan. Set in a period of slow change, this short story collection combines the tensions of the period (a rising warrior class, Shinto vs Buddhist religious tensions, factions in the imperial court) in combination with the rich variety of strange beings in the folklore of Japan. I love how it paints a picture of a world that is simultaneously grounded in human motivations and populated by the esoteric and supernatural.
In an ancient Japan where the incursions of gods, ghosts, and demons into
the living world is an everyday event, an impoverished nobleman named Yamada no
Goji makes his living as a demon hunter for hire. With the occasional assistance
of the reprobate exorcist Kenji, whatever the difficulty - ogres, demons,
fox-spirits - for a price Yamada will do what needs to be done, even and
especially if the solution to the problem isn't as simple as the edge of a
sword. Yet, no matter how many monsters he has to face, or how powerful and
terrible they may be,…
My parents were both born and raised in Japan but met in New York and eventually settled in Los Angeles, where I grew up. My first language was Japanese and as a nisei (second generation), I am deeply steeped in my Asian heritage. I am continually inspired by the art and storytelling that originates from Japanese culture and love to incorporate them into my own work.
As a little kid, I read the Japanese version of these stories and I was delighted when I found the English version to read to my then tiny daughter. “Momo-Taro,” or Peach Boy, is one of my favorite tales from childhood and there are so many others included in the book that I had forgotten about. These classic stories are a wonderful addition to any library!
This colorfully illustrated multicultural children's book presents Japanese fairy tales and other folk stories--providing insight into a vibrant literary culture.
For 60 years, generations of English-speaking children around the world have been enchanted by Japanese Children's Favorite Stories--and for good reason. With such titles as "The Toothpick Warriors" and "The Rabbit Who Crossed the Sea," these 20 stories offer age-old lessons in kindness and goodness that are still riveting to children and parents alike. This 60th Anniversary Tuttle edition is proof that good stories never wear out.
In this treasure trove of much-beloved Japanese children's stories, you'll meet charming characters…
I have always loved cats and have lived with many: Princess Sheba Darling, Precious Sammy Dearest, Couscous Kerouac, P.C. (Perfect Cat), Neshama, and Mitzi. Each cat has a distinct personality and quickly taught me how things were going to go: some cats are lap cats, some are not. Some cats are finicky, some cats will eat anything. Some cats slept on my pillow, some cats prowled—and yowled—all night long. In addition to cats, I have always loved picture books and have written many about cats including: Cats, Cats, Cats!Welcoming Elijah: A Passover Tale With A Tail, A-B-C Cats, 1-2-3 Cats, and The Best Cat In The World.
I have read this book at least a dozen times. First published in 1930, it has become a classic, winning the Newbery Medal (the Oscar of children’s books!) and other awards. The story, which takes place in Japan, is about a poor, humble artist, who is working on an important painting. Though he has very little money and cannot afford another mouth to feed, his housekeeper brings a little white cat home from the market. At first, the artist is disgruntled, but nevertheless, the cat becomes known as Good Fortune, and indeed, through an act of selflessness, the cat does bring good fortune to the artist. The writing style is gorgeous, and the book is an absolute pleasure to read. Very soothing and meditative. No wonder it’s become a classic!
This timeless fable has been a classic since its first publication in 1930, and this beautifully reillustrated edition brings the magic and wonder of the tale to a new generation of readers.
In ancient Japan, a struggling artist is angered when his housekeeper brings home a tiny white cat he can barely afford to feed. But when the village’s head priest commissions a painting of the Buddha for a healthy sum, the artist softens toward the animal he believes has brought him luck.
According to legend, the proud and haughty cat was denied the Buddha’s blessing…
