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Growing up, I was introduced to Japanese
culture and history through anime. But I decided to dig a little deeper,
reading history books and looking up more and more information. I was
fascinated by what was presented of “Old Japan,” both the misconceptions that
were spread by pop culture and by the surprising details that it gets right
that no one would believe. This fascination is one of the most consistent
things about me through the years, and the idea of delving into works of my own
that merged samurai drama with lesbian relationships has been a recurring
desire of mine for years.
Japan is full of figures from its own history that loves to villainize, and few of them stand out, like Taira no Kiyomori. This prose retelling of the original epic covers the rise and fall of the Taira Clan is full of politics, scheming, ruthlessness, and more than a few bloody battles. Kiyomori is someone I can understand the motivations of, even as I condemn him for his tactics and monstrous actions. The Heike Story is the bloodstained and muddy underbelly that emerges as the samurai warrior class rises to prominence and the power of the old aristocracy wanes.
Kyoto in the twelfth century was a magnificent city, but crime, disorder, and lust were rampant. The people were abused by the nobility, while the armed Buddhist monks terrorized court and commoner alike. In despair, the Emperor called upon the Heike and Genji clans to quell civil disturbances. Although the clans succeeded, they quarreled over the spoils of war and plunged the country into a century of warfare.This novel describes the rise to power of Kiyomori of the Heike clan during this turbulent time. From a youth sunk in poverty, Kiyomori eventually rose to become the Emperor's Chief Councillor. Although…
Growing up, I was introduced to Japanese
culture and history through anime. But I decided to dig a little deeper,
reading history books and looking up more and more information. I was
fascinated by what was presented of “Old Japan,” both the misconceptions that
were spread by pop culture and by the surprising details that it gets right
that no one would believe. This fascination is one of the most consistent
things about me through the years, and the idea of delving into works of my own
that merged samurai drama with lesbian relationships has been a recurring
desire of mine for years.
These eight short stories are samurai-focused historical fiction done with an appreciation for the traditions and the legacy of the warrior class of Old Japan. They all come from the years of the Warring States period, which many argue was the heyday of the samurai and the height of their prowess. These stories capture the values and emotions that drove these warriors, even outside the battlefield. These stories are framed almost like snapshots or sketches, capturing the moment and the character of that moment in vivid fashion.
These eight compelling stories offer valuable insights into Japanese culture. Recounted by a distinguished scholar, they feature scenes from samurai life that embody the concept of Bushido, the "way of the warrior." Their portrayals of loyalty, romance, passion, and heroism offer a true reflection of the values of the Japanese knighthood. Largely fact-based, these fables originated among the traditional storytellers of Japan and were later adapted into romances and historical dramas. Asataro Miyamori, a professor of English at the Oriental University in Tokyo, drew upon authentic sources in compiling this volume, which first appeared in 1920. In the preface, Miyamori…
Growing up, I was introduced to Japanese
culture and history through anime. But I decided to dig a little deeper,
reading history books and looking up more and more information. I was
fascinated by what was presented of “Old Japan,” both the misconceptions that
were spread by pop culture and by the surprising details that it gets right
that no one would believe. This fascination is one of the most consistent
things about me through the years, and the idea of delving into works of my own
that merged samurai drama with lesbian relationships has been a recurring
desire of mine for years.
Though potentially incomplete (some scholars argue we're missing one or two chapters, or that the story was never meant to end), The Tale of Genji manages to paint a vivid picture of the life of a lost age, with its own array of traditions, values, and fashions; a world where one's skill with poetry was just as valuable as political acumen and their outlook is so different from a modern perspective. At the same time, it presents the timeless complexity of relationships between men and women, and the social expectations and norms that impact those connections.
Written centuries before the time of Shakespeare and even Chaucer, The Tale of Genji marks the birth of the novel and after more than a millennium, this seminal work continues to enchant readers throughout the world. Lady Murasaki Shikibu and her tale's hero, Prince Genji, have had an unmatched influence on Japanese culture. Prince Genji manifests what was to become an image of the ideal Heian era courtier: gentle and passionate. Genji is also a master poet, dancer, musician and painter. The Tale of Genji follows Prince Genji through his many loves, and varied passions. This book has influenced not…
Growing up, I was introduced to Japanese
culture and history through anime. But I decided to dig a little deeper,
reading history books and looking up more and more information. I was
fascinated by what was presented of “Old Japan,” both the misconceptions that
were spread by pop culture and by the surprising details that it gets right
that no one would believe. This fascination is one of the most consistent
things about me through the years, and the idea of delving into works of my own
that merged samurai drama with lesbian relationships has been a recurring
desire of mine for years.
While it feels a little slow to start, this novel is the kind of thing that takes typical fantasy tropes, puts them in a bucket, and dumps it upside down. The story is fantastical and doesn't shy away from that fact, but it is also deeply influenced by Japan's folklore, mythology, and spiritual traditions.
The forces of the God of Light and the Goddess of Darkness have waged a ruthless war across the land of Toyoashihara for generations. But for 15-year-old Saya, the war is far away and unimportant--until the day she discovers that she is the reincarnation of the Water Maiden and a princess of the Children of the Dark. Raised to love the Light and detest the Dark, Saya must come to terms with her heritage even as she tumbles into the very heart of the conflict that is destroying her country. The armies of the Light and Dark both seek to…
I've been reading science fiction since the age of seven, when I first read Madaleine L’Engle’s A Wrinkle in Time. Then it was Podkayne of Mars by Robert Heinlein,A Rite of Passage by Alexei Panshin, Dune by Frank Herbert, The Lord of the Rings by J.R.R. Tolkien, etc. My list is in honour of Women’s History Month and to recognize the gifted female writers of the past who faced discrimination in the publishing world and yet still triumphed. When I started writing fiction, with my medical background, it had to be about medicine. Thus The Grace Lord series was born. My protagonist, Dr. Grace Lord, is a fearless and compassionate combat surgeon.
Murasaki Shikibu was a lady of the Heian Court of Japan in the eleventh century and has been credited with creating the first novel ever written.
The Tale of Genji has stood the test of centuries. It reveals a world of political machinations, danger, passionate intrigue, and forbidden love in an exotic setting of a time long forgotten. Genji is the son of an emperor and, once you read him, you will understand why his tale is still so popular today.
In the early eleventh century Murasaki Shikibu, a lady in the Heian court of Japan, wrote what many consider to be the world’s first novel, more than three centuries before Chaucer. The Heian era (794—1185) is recognized as one of the very greatest periods in Japanese literature, and The Tale of Genji is not only the unquestioned prose masterpiece of that period but also the most lively and absorbing account we have of the intricate, exquisite, highly ordered court culture that made such a masterpiece possible.
Genji is the favorite son of the emperor but also a man of dangerously…
I write books for young readers about history, science, and nature. I lived in Japan for six years and became fascinated with Japanese history—particularly the late 12th-century civil war recounted in the medieval classic The Tale of the Heike. I especially loved stories about Minamoto Yoshitsune, the warrior who won the war but was destroyed by his elder brother Yoritomo, who became the first Shogun and kicked off the 700-year reign of the samurai. I spent two years researching Samurai Rising: The Epic Life of Minamoto Yoshitsune and loved every minute of it. I’m also a second-degree black belt in kendo (Japanese sword fighting).
The perfect companion piece to The Tale of Genji, The Tale of Murasaki is a modern historical novel about Murasaki Shikibu (author of The Tale of Genji). Author Liza Dalby is a scholar of Japanese culture as well as the only Westerner ever to become a geisha. A meticulously researched, evocative window into Heian Japan.
The Tale of Murasaki is an elegant and brilliantly authentic historical novel by the author of Geisha and the only Westerner ever to have become a geisha.
In the eleventh century Murasaki Shikibu wrote the world’s first novel, The Tale of Genji, the most popular work in the history of Japanese literature. In The Tale of Murasaki, Liza Dalby has created a breathtaking fictionalized narrative of the life of this timeless poet–a lonely girl who becomes such a compelling storyteller that she is invited to regale the empress with her tales. The Tale of Murasakiis the story of an enchanting…
I'm a retired economics professor from the US who studied Japan for most of my 46-year career and have lived in Kyoto since 2008. I first visited Kyoto in 1981, naively hoping to revel in the splendors of the Heian era, and was disappointed to find that the physical manifestations of medieval Japan as evoked in The Tale of Genjihad vanished. But the persisting legacy of that ancient age is still evident to the trained observer. Japan today embodies its past. It's not enough to know that Japan today is a prosperous country. Curious people also want to know how it got that way. The roots lie deep in the past.
This is essential background for any reader of the Tale of Genji, the famous novel written by Murasaki Shikibu in the early 11th century. In a breezy style that pulls the reader along, Morris describes how the court nobles of Heian—the original name for Kyoto—had created a distinctive high culture inspired by borrowings from China but uniquely Japanese. We learn about a polygamous society in which males among the court nobles competed for the affection of high-born females through poetry and aesthetics. Political ambitions were channeled into the pursuit of higher social rank rather than into government works and policies. That last sentence could describe Japanese politics of today. Readers of this book will learn that even in the eleventh century, Japan already had a sophisticated culture, government, and style of life. The nation’s economic development has roots that extend at least that far into the past.
Ivan Morris’s definitive and widely acclaimed portrait of the ceremonious and melancholy world of ancient Japan.
Using The Tale of Genji and other major literary works from Japan’s Heian period as a frame of reference, The World of the Shining Prince recreates an era when women set the cultural tone. Focusing on the world of the emperor’s court—a world deeply admired by Virginia Woolf, among others—renowned scholar of Japanese history and literature Ivan Morris explores the politics, society, religious life, and superstitions of the period.
Offering readers detailed portrayals of the daily lives of courtiers, the cult of beauty they…
Kyoto is one of the world’s great cities. I first came here in 1994, its 1200th anniversary, and was entranced by its many treasures. In the city’s river basin were fostered the traditional arts and crafts of Japan. This is the city of Zen, Noh, the tea ceremony, geisha, moss and rock gardens, not to mention the aristocratic aesthetes of the Heian Era. Here in the ancient capital are imperial estates and no fewer than 17 World Heritage sites, including the Golden Pavilion and the divine Byodo-in. Faced with this wealth of wonders, I tried to weave them into a coherent story – the story of a most remarkable city.
Still today Kyoto is haunted by the magic of its Heian past (794-1185), when an aristocratic elite indulged in aesthetic pursuits, particularly poetry writing. Without an understanding of the period, it is impossible to understand modern Kyoto. The classic work is The Tale of Genji, but it is too heavy a tome to carry around, so the much slimmer and more accessible Pillow Book isrecommended. I loved the Willdean wit, the sharp observations, and the intriguing lists. I’m sure you will too, for unlike Genji it has not dated.
In the tenth century, Japan was both physically and culturally isolated from the rest of the world. The Pillow Book recaptures this lost world with the diary of a young court lady. Sei Shōnagon was a contemporary of Murasaki Shikibu, who wrote the well-known novel The Tale of Genji. Unlike the latter's fictionalized view of the Heian-era court, Shōnagon's journal provides a lively miscellany of anecdotes, observations, and gossip, intended to be read in juicy bits and pieces. This unique volume was first rendered into English in 1889. In 1928, Arthur Waley, a seminal figure in the Western studies of…
Early in life, I felt the presence of a “guardian angel” who would take my hand and accompany my mind to imagine distant cultures. I grew up in Florence, and in our history, there were so many tales of people coming from afar, and of Florentines traveling across deserts and oceans. And as time passed, I would be drawn to beautifully written true stories which opened windows onto different epochs and dramas of life in both near and far-flung places of the world.
This masterpiece - believed to be the oldest full-length ‘novel’ in existence - is an extraordinary exploration of human feelings, emotions, and relations as fresh and beguiling today as when it was first written one thousand years ago. I include this as non-fiction because it is a true account of daily life at the Heian Japanese court. Lady Murasaki’s characters draw the reader into their passion and terrors in an uncannily modern way, still so alive today. Readers will find themselves immersed in a strange and distant culture whose inhabitants’ loves, rivalries, suffering and follies they can easily identify with. It is an astonishing diary disguised as a “novel”, one of the greatest classics of all time, surprisingly written by a woman.
"What Waley did create is literary art of extraordinary beauty that brings to life in English the world Murasaki Shikibu imagined. The beauty of his art has not dimmed, but like the original text itself retains the power to move and enlighten."-Dennis Washburn, from his foreword
Centuries before Shakespeare, Murasaki Shikibu's The Tale of Genji was already acknowledged as a classic of Japanese literature. Over the past century, this book has gained worldwide acceptance as not only the world's first novel but as one of the greatest works of literature of all time.
I have a passion for Japan and the Japanese stretching back over four decades. I’ve done a lot of wandering around my wife Yuriko’s home-country – walked the 3200km length of it; hiked across it from the Sea of Japan to the Pacific, climbing all 21 of its 3000m peaks; broken the record for climbing its 100 Famous Mountains; walked around the 88 Sacred Temples of Shikoku Pilgrimage; and journeyed around the Saigoku 33 Temples of Kannon Pilgrimmage – and written books on all these adventures. I’ve co-written Lonely Planet’s “Japan” and “Hiking in Japan” guidebooks since the late 1990s, covering everywhere from Hokkaido to Okinawa.
After 40 years of bathing in onsen (hot springs), our local sento (public bathhouse), and all sorts of equivalents, I’ve come to understand that bathing in Japan is a lot more than a way of keeping clean – it’s an immersion in culture as well as hot water. I found Clark’s book fascinating and often found myself muttering “ah, yes, he’s right” to myself, as I looked back on my bathing experiences in Japan. Historically, bathing is not something to be undertaken alone, but in groups, be they family, friends, or workmates. Some of my best experiences in Japan have been the daily ritual of taking my children to our local sento and becoming friends with locals in our neighborhood. “Hadaka no tsukiai” – friends in nakedness – nothing is hidden!
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