Here are 100 books that The Tale of Genji fans have personally recommended if you like
The Tale of Genji.
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I write books for young readers about history, science, and nature. I lived in Japan for six years and became fascinated with Japanese history—particularly the late 12th-century civil war recounted in the medieval classic The Tale of the Heike. I especially loved stories about Minamoto Yoshitsune, the warrior who won the war but was destroyed by his elder brother Yoritomo, who became the first Shogun and kicked off the 700-year reign of the samurai. I spent two years researching Samurai Rising: The Epic Life of Minamoto Yoshitsune and loved every minute of it. I’m also a second-degree black belt in kendo (Japanese sword fighting).
The perfect companion piece to The Tale of Genji, The Tale of Murasaki is a modern historical novel about Murasaki Shikibu (author of The Tale of Genji). Author Liza Dalby is a scholar of Japanese culture as well as the only Westerner ever to become a geisha. A meticulously researched, evocative window into Heian Japan.
The Tale of Murasaki is an elegant and brilliantly authentic historical novel by the author of Geisha and the only Westerner ever to have become a geisha.
In the eleventh century Murasaki Shikibu wrote the world’s first novel, The Tale of Genji, the most popular work in the history of Japanese literature. In The Tale of Murasaki, Liza Dalby has created a breathtaking fictionalized narrative of the life of this timeless poet–a lonely girl who becomes such a compelling storyteller that she is invited to regale the empress with her tales. The Tale of Murasakiis the story of an enchanting…
I have been fascinated with history in general, and the history of Japan, since I was in junior high when I read a book on the samurai. After attending summer school at Harvard in 1985, I resolved to devote myself to the study of Japan. Since then, I have studied at Michigan, Stanford, and Kyoto before teaching Japanese history at first Bowdoin College and now, Princeton University. Although I primarily research Japanese history, I find scholarship pertaining to medieval and early modern Europe to be fascinating as well.
A masterpiece. Royall Tyler translates this tale, which had been recited orally by blind monks in the fourteenth century, into beautiful English; the rhythms of the language, its beauty, tragedy, and poetry become accessible to an English-speaking audience for the first time. One of the greatest accomplishments in translation and a must-read for all interested in medieval Japanese warfare and epic war tales.
The Tale of the Heike is Japan's great martial epic: a masterpiece of world literature and the progenitor of all samurai stories. This major and groundbreaking new Penguin translation is by Royall Tyler, acclaimed translator of The Tale of Genji.
First assembled from scattered oral poems in the early fourteenth century, The Tale of the Heike is Japan's Iliad - a grand-scale depiction of the wars between the Heike and Genji clans. Legendary for its magnificent and vivid set battle scenes, it is also a work filled with intimate human dramas and emotions, contemplating Buddhist themes of suffering and separation,…
I write books for young readers about history, science, and nature. I lived in Japan for six years and became fascinated with Japanese history—particularly the late 12th-century civil war recounted in the medieval classic The Tale of the Heike. I especially loved stories about Minamoto Yoshitsune, the warrior who won the war but was destroyed by his elder brother Yoritomo, who became the first Shogun and kicked off the 700-year reign of the samurai. I spent two years researching Samurai Rising: The Epic Life of Minamoto Yoshitsune and loved every minute of it. I’m also a second-degree black belt in kendo (Japanese sword fighting).
The Japanese love underdogs. Ten are portrayed here, ranging from the 4th to the 20th centuries, with storylines that Shakespeare would’ve stolen if only he’d known about them. A terrific round-up that will inspire you to delve deeper into Japanese history.
Alexander, Robin Hood, Wellington, George Washington... The Western literatures are packed with the stories—real and otherwise—of diverse heroes, but most of them share the common element of victory. Many of them died heroically to achieve their goals.
In Japan, however, many of the most revered heroes lost their lives without achieving their goals, and in many cases fought their battles in full realization that they would end in abject defeat and death.
This cultural background remains a bedrock underlying the modern Japanese psyche, and continues to shape the Japanese as individuals and a society even today, unconsciously, in the same…
I write books for young readers about history, science, and nature. I lived in Japan for six years and became fascinated with Japanese history—particularly the late 12th-century civil war recounted in the medieval classic The Tale of the Heike. I especially loved stories about Minamoto Yoshitsune, the warrior who won the war but was destroyed by his elder brother Yoritomo, who became the first Shogun and kicked off the 700-year reign of the samurai. I spent two years researching Samurai Rising: The Epic Life of Minamoto Yoshitsune and loved every minute of it. I’m also a second-degree black belt in kendo (Japanese sword fighting).
Miyamoto Musashi (1584-1645) has an almost mythic status as Japan’s greatest swordsman. As a teenager, he fought on the losing side at Sekigahara, and went on to become a renowned duelist. The two-sword style he created (nitoryu) is still practiced as part of modern kendo (Japanese sword fighting). It wasn’t just Musashi’s technical mastery that left mouths agape, but also his ability to psych out his opponents. If you’ve never heard of his famous duel against Sasaki Kojiro on Funa Island, you’re in for a treat. Wilson’s short biography captures Musashi in all his enigmatic glory.
An expert on samurai history paints a vivid, multi-faceted portrait of feudal Japan and Miyamoto Musashi—the legendary swordsman who wrote the classic martial arts treatise, The Book of Five Rings
Born in 1584, Miyamoto Musashi was the legendary samurai known throughout the world as a master swordsman, spiritual seeker, and author of the classic book on strategy, The Book of Five Rings. Over 350 years after his death, Musashi and his legacy still fascinate readers worldwide, inspiring artists, authors, and filmmakers.
In The Lone Samurai, respected translator and expert on samurai culture William Scott Wilson presents both a vivid account…
My name is Sara Jo Easton, and I’m the bisexual author of the Zarder novels, a fantasy series where a race of dragon-like creatures called Onizards learns to get past their prejudices. When I was at a book signing for my third book, The Blood of Senbralni, a strange man loudly declared I was part of an agenda to turn people to homosexuality and Satan with my evil dragons. To be clear, I am not and will never be affiliated with Satan. I made a vow that every book I wrote from that point forward would have at least one LGBTQ+ romance with a happy ending to annoy people like that man.
If you’re like me, you are a sucker for stories about an outsider finding themselves in a new society and having to struggle and adapt to circumstances they don’t fully understand.
Genly Ai is a man who is sent to the planet Gethen to convince the people there to join a planetary alliance. The problem is Genly is so fixated on his manhood and personal identity that he can’t adapt culturally in a world where everyone is genderfluid.
Genly’s political mistakes get him into a lot of trouble that his lone ally Estraven tries to save him from, and it is only by learning to accept differences and listen to Estraven that Genly finally succeeds in his quest.
You can’t go wrong with the engrossing worldbuilding in this book, and as a bonus the people trying to ban LGBTQ+ books will be extremely annoyed if you read a book where…
50TH ANNIVERSARY EDITION-WITH A NEW INTRODUCTION BY DAVID MITCHELL AND A NEW AFTERWORD BY CHARLIE JANE ANDERS
Ursula K. Le Guin's groundbreaking work of science fiction-winner of the Hugo and Nebula Awards.
A lone human ambassador is sent to the icebound planet of Winter, a world without sexual prejudice, where the inhabitants' gender is fluid. His goal is to facilitate Winter's inclusion in a growing intergalactic civilization. But to do so he must bridge the gulf between his own views and those of the strange, intriguing culture he encounters...
Embracing the aspects of psychology, society, and human emotion on an…
As a writer of Gothic-inflected suspense and horror fiction, I just can’t help it: I love to be scared! We are lucky to be in a time when so many wonderful thrillers, mysteries, suspense, and horror stories are being written and published, but I have a great love for the classics of the genre. These are the books I turn to again and again, not just to marvel at their craft and ingenuity, but to feel the skin prickle on my arms and shoulders and the hairs rise on the back of my neck. Whether for the first or the twentieth time, let these masterworks cast their spells over you.
I have been a fan of Gothic and melodrama since I first watched the 1931 film Frankenstein with Boris Karloff–and I was delighted to discover that the book is even better and so much more than what we’ve ever seen on screen.
Frankenstein’s monster is articulate and soulful in Mary Shelley’s atmospheric, dread-filled original novel, and his plight is all the more moving because of it. She wrote it when she was just 18 years old, still grieving over the death of her first child two years earlier. I feel her aching sorrow on every page.
One of the BBC's '100 Novels That Shaped Our World'
'That rare story to pass from literature into myth' The New York Times
Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley on Lake Geneva. The story of Victor Frankenstein who, obsessed with creating life itself, plunders graveyards for the material to fashion a new being, but whose botched creature sets out to destroy his maker, would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity. Based on the third…
I grew up in the sixties and loved all things science fiction when it was at its peak. Being a voracious reader, I spent many days in the local library. I wanted to learn how to be good enough to get my books there. I was encouraged by friends and began studying writing at workshops and conventions. There, I met many of my favorite authors, including Anne McCaffery, Orson Scott Card, Lois McMaster Bujold, and A. C. Crispin. I also met scientists and actors. Critique groups honed my craft and expanded my appreciation of books. I learned to read and write outside my comfort zone.
I fell in love with the people of Pern and their struggles to survive. They adapted and overcame the dangers. They battled against the thread and made a home on Pern.
I was amazed that this was a science fiction book, not a fantasy. It had dragons. I was well past my young adult years when this book hooked me like a fish.
In this world, I saw infinite possibilities for more stories. It touched my heart and made me realize that I could overcome any obstacle in my life. It also taught me that, like Pern, my future held infinite possibilities.
Volume I of The Dragonriders of Pern®, the groundbreaking series by master storyteller Anne McCaffrey
On a beautiful world called Pern, an ancient way of life is about to come under attack from a myth that is all too real. Lessa is an outcast survivor—her parents murdered, her birthright stolen—a strong young woman who has never stopped dreaming of revenge. But when an ancient threat to Pern reemerges, Lessa will rise—upon the back of a great dragon with whom she shares a telepathic bond more intimate than any human connection. Together, dragon and rider will fly . . . and…
I like history. I also like myth. And I revere the imagination, the liberal use of which can lead to what many call “fantasy.” Though the portions change, almost all the fiction I’ve written—from The Chess Garden to John the Baptizer to my latest, The Unknown Woman of the Seine—is the product of this recipe. Some moment from the past captures my attention, digs its hooks in, invites research, which begets questions, which beget answers that only the imagination can provide, informed both by experience and by the oldest illustrations of why we are the way we are. Dice these up, let simmer until you’re not sure which is which, and serve.
Why not start with the oldest surviving long-form narrative there is. While purporting to account for the late reign of the very real King of the very real Sumerian city-state Uruk, the epic of Gilgamesh—very like the epics that the Greeks would offer some 4 to 14 hundred years later—trots out a world replete with the goddesses, monsters, magical drums, forests, and sacred undersea plants. The flavor of this world is first and most memorably signaled by the deliberate creation of a rival for its protagonist. Sculpted from river clay, then sexually domesticated by a temple maiden, the wild man Enkidu fights his way into a lifelong bromance with Gilgamesh that eventually confronts each with his own mortality. Again, for being the oldest such tale we know of, and for having to be chiseled on tablets, the whole thing holds up as a very living document, wildly entertaining, psychologically…
An English-language rendering of the world's oldest epic follows the journey of conquest and self-discovery by the king of Uruk, in an edition that includes an introduction that places the story in its historical and cultural context.
I like history. I also like myth. And I revere the imagination, the liberal use of which can lead to what many call “fantasy.” Though the portions change, almost all the fiction I’ve written—from The Chess Garden to John the Baptizer to my latest, The Unknown Woman of the Seine—is the product of this recipe. Some moment from the past captures my attention, digs its hooks in, invites research, which begets questions, which beget answers that only the imagination can provide, informed both by experience and by the oldest illustrations of why we are the way we are. Dice these up, let simmer until you’re not sure which is which, and serve.
The Bible, by committee. Well, sure. Provided we can leave to others—or maybe just to each individual reader—the problem of deciding which parts are the history, which the myth, and which seem to be, let’s just say, imaginatively conceived (and which of these can claim the firmest purchase on the Truth we should probably also leave to the reader), the Good Book remains the deconstructed prototype for the kind of literary braid we’re talking about, the all-time album of mirrors, fashioned from pretty much all the same genres we still write in—poetry, philosophy, allegory, parable, vignette, epistolary, horror, and IKEA instruction manual.
Regarding the blend of the natural and supernatural, the moment I’ve been looking at with students recently—this for a class I’ve offered on the subject of mental health and literature—is the meeting of Jesus and the Gerasene Demoniac,…
The top-selling ESV Thinline Bible is ideal for use at home and on-the-go. At one inch thick and available in multiple designs, there is a perfect ESV Thinline Bible for everyone.
I like history. I also like myth. And I revere the imagination, the liberal use of which can lead to what many call “fantasy.” Though the portions change, almost all the fiction I’ve written—from The Chess Garden to John the Baptizer to my latest, The Unknown Woman of the Seine—is the product of this recipe. Some moment from the past captures my attention, digs its hooks in, invites research, which begets questions, which beget answers that only the imagination can provide, informed both by experience and by the oldest illustrations of why we are the way we are. Dice these up, let simmer until you’re not sure which is which, and serve.
No, not the Donna Tartt novel, which I also like a lot, but the 6th-century text from which she copped her title, the one by Procopius about the reign of Justinian and Theodora (admirably and unflinchingly translated by Richard Atwater). I have a weak spot for the work of “contemporaneous” historians, especially when their self-interest is so patent. The great virtue of such texts is that they remind us: as wild and wonderful as the human imagination may be, there’s some stuff you just can’t make up. In the case of Procopius, however, it’s not clear that he isn’t making this stuff up, the Secret History being an alternate account of his experience in the Imperial court, the one he kept in a locked drawer just in case the Barbarians ever took over and needed proof he wasn’t just a toady to the former regime.
Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. Procopius of Caesarea (in Palestine) is the most important source for information about the reign of the emperor Justinian and his wife Theodora. From 527 to 531 Procopius was a counsel the great general of the time, Belisarius. He was on Belisarius's first Persian campaign, and later took part in an expedition…
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