The most recommended books on Southeast Asia

Norman Lewis is best known for his non-fiction works such as The Golden Land (about Burma) and A Dragon Apparent (about Vietnam). Yet he also wrote a dozen novels that show a great flair for characterisation, dialogue and plot pacing, in addition to his incisive descriptions. A Single Pilgrim tells the story of John Crane, manager of a teak logging company in North Thailand, who revels in “the voluptuousness of routine and civilized triviality”. However, his company’s leases are about to expire and the thought of an end to his Oriental idyll is more than Crane can bear.

This memoir of a teak inspector working in the forests of North Siam offers a fascinating glimpse into the life of an Englishman coming to terms with an alien culture and environment in the 1920s. Campbell’s sharp observations and dry wit carry the reader through the steps involved in teak logging, from girdling the trees to felling, dragging, and floating them downstream, and offer the chance to share encounters with man-eating tigers and rogue elephants along the way.

This classic travel book, first published in 1951, is said to have inspired Graham Greene to travel to Vietnam and to write The Quiet American, the greatest piece of fiction on white men in Southeast Asia. It is also a charming and charmed eyewitness account of the dying days of the French colonial occupation of Indochina which makes A Dragon Apparent a document so much of its time that readers might it find quaint, patronizing, and perhaps a little racist. The locals don’t come away very well but neither does the author who barely speaks to them. That said, Lewis’ observations of Luang Prabang are worth revisiting.

Warned by a Hong-Kong fortune-teller not to risk flying for a whole year, the author – a vastly experienced Far East war and revolutions correspondent of the German Der Spiegel – took what he called “the first step into an unknown world.” It turned out to be one of the most extraordinary years he ever spent: he was marked by death and instead he was reborn. Geography expanded under his feet. Magnificently written in the best traditions of travel literature. A full immersion into the invisible world and belief systems that shape Southeast Asian cultures.

I love to travel, most especially to Asia and Southeast Asia, and am drawn to novels from, about, and based in those parts of the globe.

The Phone Booth at the Edge of the World was particularly intriguing to me as it is a fictional story focusing on a real place that I had read about after Japan's 2011 earthquake and tsunami. The author's imagination was sparked by a disconnected old black telephone in a phone booth—a "Wind Phone"—installed on a high hill, offering people the chance to communicate with lost loved ones; their voices carried into the wind.

Beautifully written, poetic, this is a heartbreaking and heartwarming tale about grieving, loss, hope, healing, and love. It is a story that will always stay with me.

Regilme studies the negative impact of US foreign aid on Philippines’s and Thailand’s human rights. He argues that the shared policy expectations between the donors and recipient governments and the domestic legitimacy of recipient regime jointly determine the extent of human rights abuse. The recipients with strong domestic legitimacy need only use the foreign aid on legitimate military threats. This was the case for the Philippines and Thailand in the 1990s. When the domestic legitimacy of the recipient regime is weak, that foreign aid is strategically repurposed to include the repression of the political opposition. This explains the human rights abuse in Thaksin and Arroyo administrations. The book helps us understand how authoritarian aid recipients can manipulate foreign aid to seek political survival. 

A little-known aspect of the Pacific War was the imprisonment of Allied civilians. While these Japanese-run prison camps were not deliberate death machines, as were the Nazi-run concentration camps, large numbers of women and children died of starvation and disease there, or at least had their health permanently ruined. Many stories would come out of these camps, both horrific and inspiring. Perhaps the most brilliantly creative story of the latter category was the vocal orchestra, a group of imprisoned women who sought to recreate symphonic music with their voices. Colijn’s memoir was made into the film, Paradise Road.

I stumbled upon Ronit Ricci’s captivating book while finalizing my own research on early modern Jewish translation in Europe. The experience of reading this book was a little like (what I can only imagine) discovering an unknown relative on 23andme must feel like.

Ricci explores the literary networks that developed during the spread of Islam through early modern South and Southeast Asia. She shows how translators from Arabic into Javanese, Malay, and Tamil developed a remarkably creative approach to translation and how they domesticated (“localized” is her preferred term) their sources, reshaping unfamiliar concepts to resonate with their target readers.

Engaging with Ricci’s book was an uncanny experience; here, in a distant translator culture, I found fascinating parallels to the issues and concerns I encountered in my own research, often approached in surprisingly similar ways. Who would have thought that Old Yiddish and Old Javanese shared such common ground?

The most important development in the world concerns the reconstitution of the world along post-Western lines. The value of Spryut’s book is that it reintroduces an imperial perspective to the discipline of international relations.

The book describes how imperial international relations functioned in the Middle East, northern and southern Asia. The author focuses on their collective beliefs, demonstrating how much these beliefs and resulting outcomes differed from those in the West and its Westphalia-based state system.

The book reminds us of what the world was like when the West was less powerful and what may be about to become now that the Western hegemony is shattered.

Drake served in an armor unit in Southeast Asia in the 1970s, so it’s no coincidence that Hammer’s Slammers, a collection of short stories, revolves around a tank unit. So many military SFF stories focus on knuckle-dragging ground-pounders, so it’s refreshing to see war from a tank turret. Drake has been accused of writing gun porn, but I find a lot of nuance in his writing, especially on combat motivation and small-unit leadership. He was one of the first military SFF authors to write an openly gay character, and women fight right alongside men without the misogynistic or objectifying undertones that sometimes afflict the subgenre. To get a sense for Drake’s writing, “But Loyal to His Own” and “Caught in the Crossfire” are two of my favorite stories.