During 30 years living in Chiang Mai, Thailand, I have developed a deep appreciation of Northern Thai culture and a fascination with its 700-year history. Though the region escaped being colonised as were nearby Laos (by the French) and Burma (by the Brits), a teak boom in the late 19th century came close to pulling it under the colonial yoke as Western trading companies muscled in. Teak Lord explores the frequently fragile relationships between circumspect Asians and adventurous Westerners, against a background of shifting borders and impenetrable jungle.
A tale of piety, greed, debauchery, and equanimity in a remote Asian kingdom.
It’s 1875 and Chiang Mai, capital of Lanna, is a cultural crossroads of Buddhist monks and Christian missionaries, of spirit doctors and opium smokers, of seductive dancers and Western adventurers. A sharp rise in teak prices leads to a mad rush for logging concessions, and the forests of Lanna resound to the thwack of axes and the trumpeting of elephants as the mighty trees are felled. Enter Doctor Cheek, a medical missionary and teak trader, whose exploits in this exotic realm—saving the life of the ruler’s wife, setting up a harem of local beauties, and standing triumphant at the kingdom’s highest point—make him a legend in his lifetime.
When I read this gripping biography of Samuel White from Bath in England, who rose from being an interloper in the trade of Southeast Asia to become ruler of a huge tract of land on the Andaman Coast of Siam/Burma, I was smiling and shaking my head at the improbability of it all. White’s outlandish and piratical adventures are comparable to the wild exploits of Pirates of the Caribbean, and at times left me gasping in disbelief. Maurice Collis is little known these days, yet his two decades (1912–1934) as an administrator in Burma made him the ideal candidate to recount this remarkable tale.
Foremost among the biographies that Maurice Collis wrote during his wide-ranging literary career is Siamese White - an account of the career of Samuel White of Bath who, during the reign of James II, was appointed by the King of Siam as a mandarin of that country. The book superbly embodies that old adage - truth is stranger than fiction.
'A magnificent story, full of interest and excitement, but there is more to it than that. Collis, who has lived for years on the scene of these high happenings, is able to give us a first-hand picture of a fascinating…
Amitav Ghosh is one of my favourite historical novelists and his ability to bring his characters to life draws readers into the web of this epic tale. The story begins in Burma in the shadow of the "Glass Palace" in Mandalay, from where King Thibaw has recently been exiled by the British. It then spans an entire century, following the lives of several characters, particularly Rajkumar, who begins as a food-stall assistant and after many years working in the teak forests, he manages to buy a timber yard of his own. If you enjoy this novel, don’t miss the Ibis Trilogy, about the opium trade in China and India.
The International Bestseller from the Man Booker Prize shortlisted author
'An absorbing story of a world in transition' JM Coetzee
'A Doctor Zhivago for the Far East' The Independent
Rajkumar is only another boy, helping on a market stall in the dusty square outside the royal palace, when the British force the Burmese King, Queen and all the Court into exile. He is rescued by the far-seeing Chinese merchant, and with him builds up a logging business in upper Burma. But haunted by his vision of the Royal Family, he journeys to the obscure town in India where they have…
A lifelong hero of mine, George Orwell is best known for his political allegoriesAnimal Farm and 1984, but his first published novel, written after a five-year stint as a policeman in Burma, gave an indication of his direction as a writer, with a vicious swipe at colonial attitudes and manners. The main character, John Flory, is a jaded teak merchant who detests the colonial “lie that we’re here to uplift our Black brothers instead of to rob them”. He has no friends at the local colonial club, is unlucky in love and meets a tragic end—all part of Orwell’s drive to “tell it like it is.”
Honest and evocative, George Orwell's first novel is an examination of the debasing effect of empire on occupied and occupier.
Burmese Days focuses on a handful of Englishmen who meet at the European Club to drink whisky and to alleviate the acute and unspoken loneliness of life in 1920s Burma-where Orwell himself served as an imperial policeman-during the waning days of British imperialism.
One of the men, James Flory, a timber merchant, has grown soft, clearly comprehending the futility of England's rule. However, he lacks the fortitude to stand up for his Indian friend, Dr. Veraswami, for admittance into the…
This memoir of a teak inspector working in the forests of North Siam offers a fascinating glimpse into the life of an Englishman coming to terms with an alien culture and environment in the 1920s. Campbell’s sharp observations and dry wit carry the reader through the steps involved in teak logging, from girdling the trees to felling, dragging, and floating them downstream, and offer the chance to share encounters with man-eating tigers and rogue elephants along the way.
Here is a bold and entertaining account of the life of a European teak inspector working in the heart of the Thai countryside in the 1920s. Beginning with a description of his voyage, Campbell conveys the adventure and the loneliness, the beauty and the terror, that was the White Man's lot and sprinkles his narrative with pithy anecdotes about his various encounters. Teak-Wallah is an evocative tale of a world that still exists, but in which the European no longer has a role.
Norman Lewis is best known for his non-fiction works such as The Golden Land (about Burma) and A Dragon Apparent (about Vietnam). Yet he also wrote a dozen novels that show a great flair for characterisation, dialogue and plot pacing, in addition to his incisive descriptions. A Single Pilgrimtells the story of John Crane, manager of a teak logging company in North Thailand, who revels in “the voluptuousness of routine and civilized triviality”. However, his company’s leases are about to expire and the thought of an end to his Oriental idyll is more than Crane can bear.
My life and work have been profoundly affected by the central circumstance of my existence: I was born into a very large military Catholic family in the United States of America. As a child surrounded by many others in the 60s, I wrote, performed, and directed family plays with my numerous brothers and sisters. Although I fell in love with a Canadian and moved to Canada, my family of origin still exerts considerable personal influence. My central struggle, coming from that place of chaos, order, and conformity, is to have the courage to live an authentic life based on my own experience of connectedness and individuality, to speak and be heard.
Trapped in her enormous, devout Catholic family in 1963, Annie creates a hilarious campaign of lies when the pope dies and their family friend, Cardinal Stefanucci, is unexpectedly on the shortlist to be elected the first American pope.
Driven to elevate her family to the holiest of holy rollers in the parish, Annie is tortured by her own dishonesty. But when “The Hands” visits her in her bed and when her sister finds herself facing a scandal, Annie discovers her parents will do almost anything to uphold their reputation and keep their secrets safe.
Questioning all she has believed and torn between her own gut instinct and years of Catholic guilt, Annie takes courageous risks to wrest salvation from the tragic sequence of events set in motion by her parents’ betrayal.
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