100 books like Drive Your Plow Over the Bones of the Dead

I love this book because of how beautiful and hopeful it is. The author pulls together amazing stories from her life to gradually weave an understanding of the meta-crisis we find ourselves in. I was captivated by the way she contrasts her family’s indigenous American culture with our modern approaches to both science and the economy.

I love Robin’s prose, which is exquisitely written. But perhaps what I value the most is the fact that she writes with optimism, giving me the courage to get up every day and think about how to put her wisdom into practice.

This contemporary, quirky tale centers around the life of Keiko, a young woman who has never done anything in a conventional way and has her mother very worried that her daughter will never find a man and settle down into a conventional life. No, Keiko’s ways of thinking are startling and odd in ways that are both amusing and somewhat horrifying, as she really does fall outside the realm of conventional thinking and socially rewarded behavior. The reader comes to love her as she grows into womanhood (and personhood) as a worker in a fast-paced convenience store, where she memorizes hundreds of products and practices behaving more “normally” by mimicking the actions and words of her co-workers. Then a man named Shiraha enters the picture, for a new twist.

This literary rendering of Dublin at the beginning of the 20th century comprises fifteen stories. Whenever I read them, I can feel Joyce’s adoration for this city—and the last story, "The Dead," is glorious.

The final line always slays me: “His soul swooned slowly as he heard the snow falling faintly through the universe and faintly falling, like the descent of their last end, upon all the living and the dead”

Fourteen-year-old Mattie Ross has got grit.

This book was recommended to me by my firefighter brother, who often reads what I call “he-man” books. The titles always have words like mutiny, bullets, gangsters, firestorm, etc. So, when he suggested I read this book, I had my reservations. (In fairness, the books he recommends consistently end up on my list of all-time favorites–I guess that’s what I get for pre-judging!) In any case, over the years, I have learned the one thing we both love in a protagonist–and now I have a name for it–is grit. I can’t recommend this book highly enough.

This novel about a fifteen-year-old girl’s affair with an older, wealthy man is a provocative exploration of memory. The novel’s language is arch and lyric, always making me feel as if I’ve been hypnotized.

The book is a love story, but in this story, love doesn’t lead to salvation. Still, the splendid, haunting language lifts the tale into the realm of the mythic.

A controversial play because of its end. Nora Helmer is the main character, a Norwegian married woman, wife of a bank manager, and a mother of three. Her life elapses day after day without opportunities for self-fulfillment in the last decades of the 19th century. I can’t say this female character is a feminist for its time, because she lives in a world full of laws made by men; so, in this sense she is like a doll, a superficial and wasteful person, and she changes slowly from act to act; she feels empty, she contemplates killing herself and at the end of the play Nora leaves her husband and family trying to escape from a stifling male-dominated society. Although this play was not intended written as a feminist, it has a great historical value in this field. If after reading you try to imagine what kind of life… show more.

Elfriede Jelinek has many anti-heroines in novels and plays, but I pick Erika Kohut, a repressed Austrian piano teacher who in her late thirties is still living under the power of her stifling elderly mother. Vienna, the city of music and great composers like Franz Schubert, is seen not only through the Vienna Conservatory but inside peep-shops that Erika frequently visits to escape from her mother. Although she is a masochist and self-mutilates, she begins a relationship with Walter, a new student, and gives him the instructions through an atypical letter. Jelinek's work makes me feel many things, not only due to her stories and characters but also the depth of her writing! The importance of her voices in novels and plays is extraordinary, her prose is satirical and very critical. She looks at their characters psychologically, from the deep of human behavior.

There’s a driving intensity to this book's narrative and atmosphere, which remains as compelling and fresh today as when I first read it years ago. Part of its power derives from Eugenides’ use of first-person plural narration through the collective voice of a group of neighborhood boys still haunted, years later in adulthood, by the untimely deaths of five adolescent sisters in 1970s suburban Michigan.

Part-detectives, part-elegists, they piece together their memories of not only the girls but of a particular place and time now vanished. I’m always struck by the book’s deft melding of pathos and humor and by the way that what is essentially a personal suburban tragedy gradually begins to speak to a wider malaise that calls into question the American dream itself.

The Tourist Trail is an eco-thriller featuring an unlikely but thoroughly entertaining cast of characters—among them a whale rescuer, a penguin researcher, an FBI agent, a computer tech, and an animal-rights activist—whose lives come together in the wild and dangerous waters of the Southern Ocean. All of these characters have secrets that are slowly revealed, and the alternating points of view pull readers toward a cinematic ending. The Tourist Trail is about endangered species and oceans at risk, but most of all, it’s about animals and the human heroes who devote their lives toward saving them—it’s not only an unputdownable mystery but a compassionate and heartfelt ode to our oceanic animals who need saving.

Billed as YA lit, don’t let that stop you. It is an auto-fictional account of a young boy refugee from Iran who suddenly finds himself in the middle of Oklahoma: malls and milkshakes. I was in fits of laughter throughout because the narrator's voice is so unique and charming, a much more optimistic Holden Caulfield. But the themes can also be hard, and therein lies the magic.

I loved the unique story structure of telling his stories in the format of 1001 Nights. This validated my own choice to structure my book in the format of The Little Match Girl, striking matches in a snowstorm. I loved this book for its swirl of myth, magical realism, and family stories that weave seamlessly through a modern-day exploration of refugee identity and belonging.