The best books about Dublin

I really enjoyed this book because it rang true for me.

The new partnership between Det. Scorcher Kennedy and Richie Curran is one that I’m quite familiar with. French balances the challenges of Scorcher’s personal life with the complexities of the investigation at hand very well.

In many ways, this book reminds me a lot of the BBC series Happy Valley (which absolutely nails the policing culture). And that it’s set in Ireland doesn’t hurt!

There’s no logical reason why the two main characters can’t be together, yet they’re in a push-me-pull-you dance until the last page—one of the best-selling dances of recent times. Marianne and Connell meet at high school, but the cracks in their home lives and the pressures of adolescence have led to a mutual sense of internalised shame that threatens to rupture their connection, from school to university and beyond. It’s hard to be a bystander to their intimacy, observing the way low self-worth is affecting their behaviour, but Rooney’s capacity for natural dialogue and capturing the discomfort of people becoming vulnerable is unrivalled. It’s a startlingly skilled portrayal of what deep, intense love does when it finds two wounded people too young.

This gem of a book is a dark comedy of extraordinary originality. It explores the moment of a murder and stretches it to the length of a short novel. 

Unlike his hero James Joyce, who sometimes took himself a little too seriously, Briain O'Nolan (Flann O'Brien) remains with his tongue firmly in his cheek. As I lived and worked in Dublin I have a special association with this novel.

If you have ever travelled along the magical Vico Road, south of Dublin, you will have passed the house of De Selby, the fictional annotator of the book, whose scientific theories turn all the laws of nature on their head. In this book nothing is quite what it seems, and the underlying theme darker than the comedy suggests. 

It is a book very much for the connoisseur of the unexpected.

This biography brings fully to life the multi-faceted Austrian physicist Erwin Schrödinger. Although best known as the co-inventor of quantum mechanics, he later wrote a book called What is Life which inspired many physicists to apply their talents to biology. Moore gives a full account of Schrödinger’s upbringing, his education, his science, and his extensive philosophical writings. You can judge for yourself if Moore is persuasive when he argues that the erotic intensity of several of Schrödinger’s extramarital affairs helped fuel and found expression in some of his specific scientific achievements. 

Paddy Clarke’s 10-year-old voice is compelling and funny.

He lives in Dublin, Ireland in the 1960s, and the way he tells his story is breathless, fast-paced, and naïve: a child’s mind, puzzled at life’s complexities. I wanted to have him round for tea and reassure him.

His narration is full of left turns and right turns and about turns as we follow – or try to follow - his train of thought. He doesn’t understand many of the things that happen at school, at home, and with the friends with whom he roams town, playing war games and making nuisances of themselves.

But, as his family begins to fracture, we weep for him.  

A post-Donna Tart’s Secret History-esque tale of literary mystics who make up a secret society at Trinity College Dublin which tends, unfairly, to get left behind in analyses of Irish ‘Celtic Tiger’ fiction.

This is fiction from or dealing with the abrupt and accelerated modernity that hit Ireland like a cultural torpedo in the early 2000s, and quite a lot of it fails to capture the discombobulation of living through that time.

The First Verse is a campus novel about sexy secretive students and shady deeds which also plots a queer geography of Dublin’s gay scene as well as illustrating the emotional tension that exists in Dublin between city centre and its polarised northern and southern suburbs.

Dublin is such a mannered city, caught in Georgian poses while falling apart as postmodernity obliterates its value system, that it surprises me there aren’t more Dublin novels about baroque subcultures. McCrea is… show more.

Sarah Stewart Taylor is an American writer who has lived and studied in Ireland.

Her books offer complex, intelligent plots filled with flawed yet compelling characters. Maggie D'arcy, a detective in the North Shore of Long Island and divorced mother of a teenage girl, offers to go to Ireland to follow up on a phone call her uncle Danny received.

His daughter, and Maggie’s cousin, Erin, has been missing for twenty-three years, since disappearing on a hike in the Wicklow mountains. Back then, Erin went to Dublin to try and find her, and became involved in the initial enquiry. Now the Irish police have found something, a buried scarf they believe belonged to Erin. And another girl has gone missing.

The settings are finely-drawn––you can feel the rain and smell the peat fires. A beautifully written novel, not to be missed. That rarest of treats, a literary mystery.

Hugo Hamilton’s 2003 autobiography The Speckled People recounts his Dublin childhood experiences of being brought up by a brutal, Gaelic-speaking and nationalist father who forbade him from speaking English and a German mother who escaped from Nazi Germany. 

Hugo’s linguistic difficulties and cultural disparities restricted his personal development where confusion and frustration led to isolation. I am fascinated by his search for self-identity through his love of English resulting in a thought-provoking narrative that reflects the powerful role of language in the representation of the self and identity formation. I can vouch for this in my own memoir where the increasing complexity of language of the ageing child highlights the stages of my linguistic and cognitive development.

In a Glass Darkly is a collection of unusual Gothic tales. The shorter stories provide the foreboding inevitability of the genre, with atmospheric hauntings and ghostly floating eyes. Fans of M. R. James or H. P Lovecraft will appreciate these.

In addition, the collection features two novella-length stories. Carmilla, an early and influential vampire story, and "The Room At The Dragon Volant", which is a romance horror. Carmilla inspired many of the elements Bram Stoker used in Dracula. Both these longer stories are atmospheric and wonderfully picturesque in their descriptions of the people and places.

This is the most recent novel to make my list. As much as I relished Rooney’s earlier work, her latest is heftier, for it grapples with the genuine planetary and personal crises faced by her generation. Her characters don’t shy away from speaking openly about love, sex, and relationships—or the perverse economic system that is rapidly bringing humanity to its knees with consumer-driven smiles painted on its faces. Neither do her characters hold back from earnest discussions of Marxism. The latter note is getting wide play culturally, particularly with millennials, but mainstream media has rarely picked up on the reverberations underfoot. Rooney’s Beautiful World, Where Are You? is not so reticent—and more rewarding for its brazen honesty about the personal and the political.

Life Without Children is a collection of ten short stories by Irish author Roddy Doyle. Nearly all the stories are set in Dublin and feature characters who are middle-aged or older men who are struggling to find a sense of purpose in their lives while confined to their homes during lockdowns. Some men lash out in anger at their partners. Others make the best of things, finding moments of intimacy and connection and forging stronger relationships with their adult children and wives. One of the few stories to be written from the perspective of a woman features a nurse who is shattered by the deaths from COVID of her patients. The stories in this collection are often bleak, but there are many poignant and even droll moments.

What can one say about this classic? It is the quintessential story of old Dublin.

Published in 1914, the collection of fifteen short stories takes the reader on a journey through middle-class Ireland, touching on Irish nationalism and country pride, but also on the forces that were slowing changing Ireland at the time. The stories move chronologically from boyhood to manhood and culminate with what some critics say is the finest short story ever written, “The Dead.”

This story, like many others in Dubliners is both a meditation on everyday urban life and a study of human relationships, including how we live with our memories, our heritage, and how we find ways to manifest our personal emotions.

Mistaken is the tale of two boys (Kevin and Gerald) who are remarkably similar in appearance, though far from similar in affluence and background. The story is set in Dublin and told from the point of view of Kevin, now older and having just attended Gerald’s funeral. It slipstreams through past and present, and at nearly every corner it leaves Kevin questioning his own identity and memories, and wondering if perhaps the boys’ connection had even greater implications than he thought. In my book, there is a fictional novel within the novel, about twins who aren’t twins, and it is loosely inspired by the meeting of Kevin and Gerald in Mistaken.

Neil Jordan is an underrated talent, and his writing is superbly atmospheric here.

In January 1919 the newly elected Sinn Fein MPs in Ireland met in Dublin and set up Dail Eireann, the assembly of the self-proclaimed independent Irish republic. As the new government, they took control of the local authorities, the administration of justice, the tax system, and other aspects of government, and ruled Ireland as if it were totally independent of British rule. Charles Townshend tells the remarkable story of the early years of the Irish Republic, and how the parallel Sinn Fein state came to effectively run the new country.

In the summer of 1968, I was 20 and spent the summer pretty much banally in Israel and Europe. Around me, the world was on fire, but I was inside my own head.

Eventually, I washed up in Dublin, where I walked in a cold rain to Dorset Street, there to recreate Leopold Bloom’s pork kidney purchase from Dlugacz, the butcher. There was no Dlugacz on Dorset, but there was another butcher who stuffed into stiff pink butcher paper something that glistened and oozed. My plan was to fry it up, as Leopold had, on the hotplate in my rented room. It did not go well. I was felled intestinally in dramatic fashion; pity there was no one to observe. 

Somehow, in my travels, I had obtained a copy of At Swim Two-Birds, and now, my insides recreating The Troubles, I wanly reached for it and read the first paragraph:… show more.

To comprehend the present, one must examine the past and observe the undercurrents that forge a people and their nation. 

Rutherfurd’s Rebels of Ireland succeeds brilliantly in this endeavor. The families in this novel deal with the real historical events that shaped Irish destiny. They drew me into their lives and swept me along on a journey through time. When I finally emerged, I felt as if I had witnessed history, and lived it alongside them!

In my opinion, few writers have expressed in words the sensation of what it's like to make and listen to music quite like Roddy Doyle has in The Commitments. The book abounds with youthful energy and humor. His nearly complete reliance on dialogue rather than description creates an immediacy that I've rarely experienced elsewhere. He eschews tired cliches in favor of presenting music-making as a craft that requires prodigious amounts of labor and a high tolerance for BS. This also happens to be the source material for one of the best band movies ever made.

The Secret Place is actually an adult mystery, but keep reading to see why I think it works as YA too. Creepy atmosphere, slow build-up, which I love, set in Ireland, mostly in a boarding school. Full of secrets, complex relationships, and murder. Tana French is a genius and this book switches from YA to adult voice most of the suspects in this book are teens. My picture of these characters is so vivid, as with all of the characters in her books, I feel like they are in the same room with me. And some of them I don’t want in the same room as me! I love this book and have read it twice!

Cynical, elegantly plotted, and beautifully written, in this, the sixth of French’s Dublin Murder Squad mysteries, a young woman is found dead in her home and the initial conclusion is that she’s a victim of domestic violence. Her boyfriend is hauled in and questioned and the Squad is convinced it’s an open and shut case. All except the deeply unpopular Antoinette Conway, who spots a number of inconsistencies that give her pause. Pushed to the limit by the hostility and harassment of her so-called colleagues, Conway probes deeper into the case—at the risk of sinking her precarious career for good.

The story of a curious young woman on a quest for knowledge and insights into the deeper mysteries of the world.

With the guidance of a wise shaman and a witch who have both walked the path of truth before her in different ways, she learns magic and how to overcome fear. It is a book that takes the reader on a journey alongside Brida and leaves space for one’s own moments of self-discovery, learning, and growth.