I came of age in Oklahoma as a gay youth in the late 1970s and early 1980s, keeping myself hidden out of safety and shame. Once I was old enough to leave my small-minded town and be myself, I crashed headlong into the oncoming AIDS epidemic. It set me on a path to understanding the world and my place in it as a homosexual. I turned to reading about the lives and histories of those who came before me, to learn about their deaths and survivals in what could be an ugly, brutal world. These works continue to draw me, haunt me, and inspire me to share my story through my writing.
The sweeping saga of two seemingly socially disparate boys caught up in the volatile world of early 1900s Ireland from which springs forth the Easter Uprising. As a writer and a reader,I am amazed at the historical details and language that are completely immersive, as well as by the structure and control O’Neill wields over the book. Yet he never overwhelms with the “history,” nor does he ever lose sight of the true story, the true heart of his stunning novel.
The love story between the boys is timeless and beautiful and, of course, tragic, as is so often the case with gay love stories from our history. It has haunted me since I first read the novel some twenty-two years ago. It is yet another book I often come back to reread, and I am astounded all over…
Praised as “a work of wild, vaulting ambition and achievement” by Entertainment Weekly, Jamie O’Neill’s first novel invites comparison to such literary greats as James Joyce, Samuel Beckett and Charles Dickens.
Jim Mack is a naïve young scholar and the son of a foolish, aspiring shopkeeper. Doyler Doyle is the rough-diamond son—revolutionary and blasphemous—of Mr. Mack’s old army pal. Out at the Forty Foot, that great jut of rock where gentlemen bathe in the nude, the two boys make a pact: Doyler will teach Jim to swim, and in a year, on Easter of 1916, they will swim to the…
In life and writing I’m torn between a desire for solitude and for connection with people. As a young woman I lived in a cottage miles from friends, working from home while my husband was at work, bringing up our first child. No email, no texting, few visitors. It was idyllic, and I was desperately lonely; that’s when I began to write. We moved, I found friends. But still I dream of solitude. Could I handle it now? It’s surely why I found myself writing a novel about a young woman who finds herself suddenly alone in the wild, with no friends – doesn’t everyone write about the things they fear?
This novel has everything I love – a narrator who’s definitely not telling us everything, newly arrived in a remote house by a lake in Norway that is so clearly drawn I can see and feel it in my bones.
Trond has secrets and this is where he’s going to live now. There’s a man down the track whose window he can see when it falls dark. A river flows fast beyond the trees. Petterson’s beautiful, spare writing creates a filmic atmosphere in which past mysteries unfold as Trond begins to learn to live alone with his past.
Stunning story-telling, wonderful place-setting, and a character utterly unlike me that I loved reading in his solitude.
A bestseller and winner of the IMPAC Dublin Literary Award, now in paperback from Graywolf Press for the first time
We were going out stealing horses. That was what he said, standing at the door to the cabin where I was spending the summer with my father. I was fifteen. It was 1948 and oneof the first days of July.
Trond's friend Jon often appeared at his doorstep with an adventure in mind for the two of them. But this morning was different. What began as a joy ride on "borrowed" horses ends with Jon falling into a strange trance…
Growing up, I didn’t understand the hypersensitivity I felt to my own inner world and the outer. Highly alert to both interoceptive and exteroceptive data, I often felt overstimulated and overwhelmed by the intensity to which I experienced my own feelings, the feelings of others, and sensory inputs. I thought there was something wrong with me because being a feeler is generally seen as a weakness.I now write novels about quiet, sensitive, introspective young people for others who feel like I did, as a way to share the true power within this way of being, which I have discovered to be a gift, not a curse over time.
The story of a curious young woman on a quest for knowledge and insights into the deeper mysteries of the world.
With the guidance of a wise shaman and a witch who have both walked the path of truth before her in different ways, she learns magic and how to overcome fear. It is a book that takes the reader on a journey alongside Brida and leaves space for one’s own moments of self-discovery, learning, and growth.
This is the story of Brida, a young Irish girl, and her quest for knowledge. She has long been interested in various aspects of magic but is searching for something more. Her search leads her to people of great wisdom, who begin to teach Brida about the spiritual world. She meets a wise man who dwells in a forest, who teaches her about overcoming her fears and trusting in the goodness of the world; and a woman who teaches her how to dance to the music of the world, and how to pray to the moon. As Brida seeks her…
I really am passionate about children and education. Reading to children is such a joy especially when they snuggle in and get absorbed in the story. Education is the only way to achieve some sort of equity in our world. The world I knew as a child is no more and that is a good thing. Cruel biases and intolerance hurt so many. Today there is more freedom and the potential to live true to yourself whatever that may be. I like books that show the diversity of our humanity, that can be read to children to broaden their understanding, acceptance, and tolerance of family which may be very different from their own.
This is a sentimental favourite. There is bathroom humour and funny furry “Gigglers” that protect children from mean adults. I read this book to my son on a plane from Dublin to Toronto after my mother died and he was hooked. I was hoarse after 4 hours but he wanted to finish it. It got very rude at the end (you have to read to find out) and I wanted to stop as we were close to other passengers and I was fading fast. I was talking him out of finishing when the passenger beside me piped up and said “you can’t stop now—what happens?" They added, “I never wanted children but seeing you with your son makes me think.” It’s a good read funny read and a moment I will always remember.
Gloriously silly comedy from Booker prize winner and bestseller Roddy Doyle.
If adults are mean to children, they get the Giggler Treatment. It's smelly. It's squishy. And it sticks to your shoe. But sometimes, just sometimes, the Gigglers make a mistake...
Can Robbie, Kayla, Jimmy and Rover the dog come to Mr Mack's rescue before the poo hits the shoe?
Look out for more cheeky runaway comedies starring the Mack family and Rover the wonder-dog: ROVER SAVES CHRISTMAS (9781407139739) and THE MEANWHILE ADVENTURES (9781407139746).
I am a retired history teacher with 36 years of teaching experience in high school and college. I am also a passionate world traveler and for over four decades led students on overseas tours. In 2012 (the year I retired from teaching) I released my first novel, Widder’s Landing set in Kentucky in the early 1800s. One of my main characters came from a family of Irish Catholics—and he is featured in Rebels Abroad. Ireland has always fascinated me and in my nine trips to the country, I smelled the peat fires, tasted the whiskey, listened to the music and the lyrical tales told by the tour leaders—and came to love the people.
To comprehend the present, one must examine the past and observe the undercurrents that forge a people and their nation.
Rutherfurd’s Rebels of Ireland succeeds brilliantly in this endeavor. The families in this novel deal with the real historical events that shaped Irish destiny. They drew me into their lives and swept me along on a journey through time. When I finally emerged, I felt as if I had witnessed history, and lived it alongside them!
The Princes of Ireland, the first volume of Edward Rutherfurd’s magisterial epic of Irish history, ended with the disastrous Irish revolt of 1534 and the disappearance of the sacred Staff of Saint Patrick. The Rebels of Ireland opens with an Ireland transformed; plantation, the final step in the centuries-long English conquest of Ireland, is the order of the day, and the subjugation of the native Irish Catholic population has begun in earnest.
Edward Rutherfurd brings history to life through the tales of families whose fates rise and fall in each generation: Brothers who must choose between fidelity to their ancient…
I’m an Irish writer and historian. I always enjoyed history, even in school, and I went on to study it at Maynooth University, receiving a BA. I became a history teacher and eventually head of the history department in Méanscoil Iognáid Rís. I began writing local history articles for the Dunlavin arts festival and the parish magazine. I went back to university and got a first-class honours MA from Maynooth, before being awarded a PhD from DCU. I’ve won the Lord Walter Fitzgerald prize and the Irish Chiefs’ Prize, and my students were winners in the Decade of Centenaries competition. Now retired, I continue to write and lecture about history!
I chose this short book because it casts light on a hidden history—that of faction fighting. Contrary to widespread belief, factions were not confined to rural areas in Ireland, nor were they a wholly nineteenth-century phenomenon. Kelly’s book provides a detailed account of the development of factions in eighteenth-century Dublin, from the Kevan Bail to the Ormond and Liberty Boys (and other little-known factions), and vividly describes the periodic disorder associated with them as they tried to establish control in the city. Kelly also outlines how the city’s economic and demographic growth led to the social conditions which nurtured factionalism, and he traces changes in the nature of factionalism as the eighteenth century progressed. An enthralling read about a topic that has often gone under the historiographical radar!
Compared with organised agrarian protest, factional disorder (rural and urban) in eighteenth-century Ireland has escaped close scrutiny. The Ormond and Liberty Boys have achieved a considerable measure of renown but the picture of them available to date is misleading and incomplete. The object of this study is to set the Liberty and Ormond Boys in their contemporary context. The conditions necessary to enable factions to develop and flourish in Dublin were in place by the 1720s, when the city was sufficiently developed physically and demographically to sustain the local and sectoral identities that faction required. Nonetheless, the growth of faction…
I had so many questions as I grew up. Why was I so different to other boys. Then, some 20 years ago, I started to find and talk to others like me. I realised I was transgender, ‘born in the wrong body’ as the saying goes. From that point on I began to work for the LGBTQ+ community as I also negotiated the personal and difficult path of transitioning from male to female. My passion for activism continues to this day, shown in my role as Chair of Dublin LGBTQ+ Pride and delivering workshops, presentations, and lectures to multinational companies and government bodies where I encourage everyone to see the beauty in diversity.
This was one of my favourite books recently. I picked it up in a charity shop out of curiosity as the two boys were extremely famous Irish actors and theatre designers, albeit being born in the UK.
Their relationship was illegal for the entirety of their lives but their talent and fame allowed them the liberty to walk hand in hand down Dublin’s fashionable Grafton Street in the 1950s, receiving only smiles and acknowledgements. The brilliant telling of their story covers all aspects of life in Ireland from the early 1900s, the difficulties they faced, financial and personal, but the love they felt for each other shines through every page.
If you can get a copy and have any interest in gay Irish culture and theatre I thoroughly recommend it.
The Ireland of the inter-war years was an island of remarkable contradictions. In spite of the highly moralistic attitude of Church and State, including an official censorship of publications, there existed a heady atmosphere of laissez-faire. Artistic life in Dublin possessed a piquancy never found before or since, accentuated during the war years when Ireland's neutrality resulted in intense social activity centred on the international embassies. Two inseparable figures of genius dominated the artistic scene in Dublin during this period: Hilton Edwards and Micheal MacLiammoir. Both were actors of formidable range and power. Edwards was also one of the finest…
Growing up on a small farm in southern Ohio, I was the first generation of my family to attend both high school and college. Literature, reading it, talking about it, studying it, was my entry into a world of larger possibilities than my family’s somewhat straitened circumstances had allowed me. Faulkner attracted me because the rural enclave in which we lived, and my neighbors, resembled locales and characters in his fiction. Shakespeare attracted me for many reasons, most notably the beauty of his language and the ability of his plays to reveal new meanings as my life experiences changed.
This, Sally Rooney’s first novel, was greeted with widespread critical acclaim. Fresh, witty, knowing, and au courant in its exploration of present-day sexual and romantic entanglements, the novel was clearly the work of a major talent.
Both Conversations and Rooney’s highly popular second novel, Normal People, have been adapted for television. Perhaps you’ve seen one or both and have read the novels as a result. If not, I urge you to do so, beginning with Conversations.
I haven’t yet watched either adaptation, but I believe that watching and reading have different sorts of advantages. Against the immediacy and vividness of watching TV shows, reading the novel will allow you to move at your own pace, to savor Rooney’s verbal dexterity, to revisit earlier scenes, and to discover their added significance. Watch (if you haven’t already), read, enjoy!
'This book. This book. I read it in one day. I hear I'm not alone.' - Sarah Jessica Parker (Instagram)
'Brilliant, funny and startling.' Guardian
'I really like Conversations with Friends. I like the tone [Rooney] takes when she's writing. I think it's like being inside someone's mind.' - Taylor Swift
'A sharp, darkly funny comment on modern relationships.' Sunday Telegraph
Frances is twenty-one years old, cool-headed and observant. A student in Dublin and an aspiring writer, at night she performs spoken word with her best friend Bobbi, who used to be her girlfriend.…
As an experienced teacher I was fascinated by how writing personal stories helped to develop confidence as well as oral and written self-expression at different levels of complexity in children across the primary school age range. This encouraged me to embark on a MA in creative writing where I wrote an extended autobiographical piece that focused on how the relationship between my father and myself affected my childhood. I continued this research into my doctoral studies in Irish autobiography. I explored the history of Irish autobiography, memory, and identity formation. This research provided the context to write my own childhood memoir I Am Patrick.
Hugo Hamilton’s 2003 autobiography The Speckled Peoplerecounts his Dublinchildhood experiences of being brought up by a brutal, Gaelic-speaking and nationalist father who forbade him from speaking English and a German mother who escaped from Nazi Germany.
Hugo’s linguistic difficulties and cultural disparities restricted his personal development where confusion and frustration led to isolation. I am fascinated by his search for self-identity through his love of English resulting in a thought-provoking narrative that reflects the powerful role of language in the representation of the self and identity formation. I can vouch for this in my own memoir where the increasing complexity of language of the ageing child highlights the stages of my linguistic and cognitive development.
'This is the most gripping book I've read in ages ... It is beautifully written, fascinating, disturbing and often very funny.' Roddy Doyle
The childhood world of Hugo Hamilton, born and brought up in Dublin, is a confused place. His father, a sometimes brutal Irish nationalist, demands his children speak Gaelic, while his mother, a softly spoken German emigrant who has been marked by the Nazi past, speaks to them in German. He himself wants to speak English. English is, after all, what the other children in Dublin speak. English is what they use when they hunt him down in…
I have been a student of the history of ideas, with a particular interest in political thought, for over forty years. I have read countless books, both ancient and modern, and in several languages, that explore themes related to public life. I am a dedicated citizen of a contemporary liberal democracy, but today, I live in fear of a growing backlash against liberal democracy. The risk of democratic backsliding in the contemporary US is real as citizens become more disillusioned with politics. In other liberal democracies, some party leaders are adopting populist rhetoric to enhance their electoral appeal, but in doing so, they are undermining some of the established norms of public life.
Ben Jelloun was a political prisoner in Morocco for several years and was imprisoned in a dark cell in the ground in unimaginably horrific conditions. This book demonstrates politics gone wrong and the extent of the brutality that can be ravaged on other human beings in a system lacking justice or any sense of human rights and dignity.
Despite the intensely inhumane conditions of imprisonment, Ben Jelloun carries us along his journey and offers his readers an inspiring account of endurance and courage.
This book needs to be read by people in an era of democratic backsliding because it helps to demonstrate some of the things that are at stake when electorates become tempted by authoritarian leaders.
An immediate and critically acclaimed bestseller in France and winner of the 2004 International IMPAC Dublin Literary Award, This Blinding Absence of Light is the latest work by Tahar Ben Jelloun, the first North African winner of the Prix Goncourt and winner of the 1994 Prix Mahgreb. Ben Jelloun crafts a horrific real-life narrative into fiction to tell the appalling story of the desert concentration camps in which King Hassan II of Morocco held his political enemies under the most harrowing conditions. Not until September 1991, under international pressure, was Hassan's regime forced to open these desert hellholes. A handful…
