Love The Liberty and Ormond Boys? Readers share 100 books like The Liberty and Ormond Boys...

I’ve always been interested in developments in Irish history during the under-studied seventeenth century. This was the period when many of the political, social, and economic foundations of modern Ireland emerged. The century began during the major upheaval of the Nine Years’ War and witnessed two more major conflicts—the 1641 Rebellion (which lasted until 1653) and the Williamite War of the 1690s. However, Gillespie’s book is unusual in that it focuses on the various efforts made to reach accommodations between natives and settlers, Catholics and Protestants, the Gaelic Irish, the Old English, and the New English, during the decades between these conflicts. All in all, a fascinating read which shows that things might have evolved differently had these efforts succeeded.

The ‘decade of centenaries’ from 2013-2023 has seen a plethora of books published about events during the Irish Revolution of a hundred years ago or so. Most of them have a glaring omission in that they do not mention, or only barely mention, the great influenza pandemic (the Spanish Flu) of 1918-1919, despite the fact that infection rates and mortality rates were extremely high. Milne’s book tackles the subject head-on, and fills a gap in the narrative of the pivotal decade 1913-23 in Irish history. The high quality of the research is evident in the enormous level of detail throughout the book, and Milne has given a human voice to many of the victims’ families by including survivor memories passed down through the generations. A sombre, thought-provoking read!

This is an unusual, ambitious, and relevant book, focusing on the Christian values contained within Irish political thought over a period of approximately three hundred years (from the late eighteenth century to approximately the year 2000). Many Irish politicians and patriots included a Christian element in their visions of and for an independent or a self-governed Ireland. Beginning with Wolfe Tone and the United Irishmen of the 1790s, this Christian element is traced through Emmet, O’Connell, the Young Irelanders, the Fenians, the Home Rulers, and the leaders of the 1916 rising. The book goes on to trace the Christian vision through the periods of the Irish Revolution, independent Ireland, and the northern troubles of the late twentieth century. Engrossing and insightful, this excellent book provides much food for thought!

Many Irish history books mention the fate of prisoners, often involving transportation to Australia. This book picks up the narrative where they left off. The authors have meticulously pieced together the story of those on board the convict ship Tasmania, which left Ireland for Van Dieman’s Land in 1845, carrying 138 female convicts. The book tells the stories of voiceless people at the bottom of the social scale (being both convicted and female). The process of transportation is explored in detail and the women’s new lives in Tasmania are examined. Two women, Eliza Davis (infanticide) and Margaret Butler (stealing potatoes) form the centre-piece of the study. Both later married and had families and descendants, leaving a legacy in their new home. A sad, informative but ultimately hopeful read.

This book sticks the reader in the middle of a maternity ward in poverty and flu-stricken Dublin circa 1918. I was totally rooting for nurse Julia Powers, an experienced maternity nurse who works long, thankless shifts trying to keep women and their babies alive.

The lack of medicine, staffing, and money is appalling as women enter the hospital to give birth. Yet through empathy, determinism, and quick thinking, Julia, her trainee, and her patients find ways to help each other. It’s a tour de force in female friendship, intelligence, and problem-solving and an indictment of the medical incompetency of male physicians.

It illuminates a cross-section of Dublin citizens struggling with poverty, the Great Flu, and the aftermath of a horrendous war. I found the story moving, gripping, and somehow hopeful.

Stranded on a dark road in the middle of the night, a young woman accepts a lift from a passing stranger.

It’s the nightmare scenario that every girl is warned about, and she knows the dangers all too well – but what other choice does she have? As they drive, she alternates between fear and relief – one moment thinking he is just a good man doing a good thing, the next convinced he’s a monster.

But a monster is exactly what she's looking for. When the driver drops her safely home Lucy’s heart sinks. She will have to try again tomorrow night. She’s made herself the bait, in her bid to find the man who took her sister.

Set in and around Dublin and the Dublin mountains, this gripping read from the author of The Nothing Man and 56 Days will keep you guessing until the very end. But… show more.

When most people think of noir, they think of a cynical fedora-wearing, trenchcoated detective wisecracking his way through a mystery, and while that is part of the genre, it isn’t the whole of it. Noir can be funny, but that humor needs to be dark, and cynicism is a definite component. All of that is included in this book and it’s delivered with an Irish twist. Bruton’s hitman, Patrick Callen, who rides a bike through the streets of Dublin, is a man who likes lists: To-Do List: Kill Henry O’Neil, Meet the Bronze Man, Buy Food, Sleep with Olivia, Bike Shop, Visit Ma. But when he finds a baby on the job, it interrupts both his list and his life. A hitman and a baby—if that doesn’t make you want to read the book, nothing will.

The author tries to be fair. He gives general readers an overview of the complex Irish freedom struggle. I don’t agree with all his observations, but I find his book engaging.

He is well-known in Ireland, with a regular column in the Irish Times and many appearances on radio and television. Formerly of Dublin City University, he is now a Professor of Modern Irish History at University College Dublin.

This, Sally Rooney’s first novel, was greeted with widespread critical acclaim. Fresh, witty, knowing, and au courant in its exploration of present-day sexual and romantic entanglements, the novel was clearly the work of a major talent. 

Both Conversations and Rooney’s highly popular second novel, Normal People, have been adapted for television. Perhaps you’ve seen one or both and have read the novels as a result. If not, I urge you to do so, beginning with Conversations. 

I haven’t yet watched either adaptation, but I believe that watching and reading have different sorts of advantages. Against the immediacy and vividness of watching TV shows, reading the novel will allow you to move at your own pace, to savor Rooney’s verbal dexterity, to revisit earlier scenes, and to discover their added significance. Watch (if you haven’t already), read, enjoy!

I love the delightful yet diverse ensemble of characters that form the story of Evening Class and how their individual stories weave together so beautifully. It taught me that it’s never too late to take a risk or try something new and that everybody has a story, no matter how they present themselves to the world. There is something so comforting in Maeve Binchy’s delightful prose and many moments of laugh-aloud humour.