100 books like The Trap

This island mystery is set on a chilly resort off the coast of Ireland, so you won’t need sunscreen here, but you will need stamina as you’re once again trapped.

I loved this cast of characters attending the wedding of a glamorous and famous bride and groom. Media celebrities are so much fun to read about. But the real star of the show is the hostile setting and the menacing characters who are all there for something, some cleverly hiding their true motives until the very end.

A fast, propulsive read. 

It’s a crisp spring morning when Cass drops her husband, a respected lecturer, to the beach for his medically prescribed swim. While waiting for him, something catches her eye. A young woman runs towards her husband and embraces him – until he holds his hand over her face and she falls down on the stones, dead.

Kelly has created a stunning premise for her debut novel. Set on Dublin’s rocky Killiney beach, the book is about Cass’s solitary quest to unravel what has taken place.

The atmospheric setting of the waves lapping, the shingly stones crunching, and the moody sky continues through this edge-of-your-seat read about obsession and dark secrets coming to light.

Ideas of neglect and abandonment as well as isolation run throughout Where I End, a tense shocking literary debut from the Irish writer and journalist. This story is about an incapacitated mother being cared for by her teenage daughter.

I loved the desolation White created on the remote island inspired by Inis Meáin. With cliffs on one end, a sandy beach on the other, White describes how she was walking one day with her husband when she felt an explicable sense of dread.

“It wasn’t just wild and windswept and any of those clichés, it was actually more the stillness and the strangeness of it. And I noticed it was really getting to my husband as well, this kind of dread seeping up into us from the rocks and the sky and the ocean.”

This feeling is translated directly into the centre of the book, where the borders between landscape… show more.

Towering headlands, windswept beaches, derelict houses. Ruined churches. Author Andrea Carter admits that her entire Innisowen mystery series is inspired by place – landscape and buildings which gives her novels atmosphere and depth.

Her latest offering is Death Writes, set in the stunning Northern Irish location of Glendara.

In Glendara, preparations are underway for Glenfest, Glendara's literary festival. Phyllis Kettle, the local bookshop owner, is especially pleased to have persuaded Gavin Featherstone, the local best-selling recluse writer, to take part.

The festival begins, and an eager crowd awaits Featherstone's appearance on stage. He is unexpectedly engaging, but when he stands to read from his new book, he stumbles and keels over on the platform.

Solicitor and local woman Benedicta O Keefe discovers that she holds Featherstone's will at the office, drafted by her predecessor. Soon, she's drawn into a complicated legal wrangle over the man's estate involving his family… show more.

I chose this short book because it casts light on a hidden history—that of faction fighting. Contrary to widespread belief, factions were not confined to rural areas in Ireland, nor were they a wholly nineteenth-century phenomenon. Kelly’s book provides a detailed account of the development of factions in eighteenth-century Dublin, from the Kevan Bail to the Ormond and Liberty Boys (and other little-known factions), and vividly describes the periodic disorder associated with them as they tried to establish control in the city. Kelly also outlines how the city’s economic and demographic growth led to the social conditions which nurtured factionalism, and he traces changes in the nature of factionalism as the eighteenth century progressed. An enthralling read about a topic that has often gone under the historiographical radar!

When most people think of noir, they think of a cynical fedora-wearing, trenchcoated detective wisecracking his way through a mystery, and while that is part of the genre, it isn’t the whole of it. Noir can be funny, but that humor needs to be dark, and cynicism is a definite component. All of that is included in this book and it’s delivered with an Irish twist. Bruton’s hitman, Patrick Callen, who rides a bike through the streets of Dublin, is a man who likes lists: To-Do List: Kill Henry O’Neil, Meet the Bronze Man, Buy Food, Sleep with Olivia, Bike Shop, Visit Ma. But when he finds a baby on the job, it interrupts both his list and his life. A hitman and a baby—if that doesn’t make you want to read the book, nothing will.

This, Sally Rooney’s first novel, was greeted with widespread critical acclaim. Fresh, witty, knowing, and au courant in its exploration of present-day sexual and romantic entanglements, the novel was clearly the work of a major talent. 

Both Conversations and Rooney’s highly popular second novel, Normal People, have been adapted for television. Perhaps you’ve seen one or both and have read the novels as a result. If not, I urge you to do so, beginning with Conversations. 

I haven’t yet watched either adaptation, but I believe that watching and reading have different sorts of advantages. Against the immediacy and vividness of watching TV shows, reading the novel will allow you to move at your own pace, to savor Rooney’s verbal dexterity, to revisit earlier scenes, and to discover their added significance. Watch (if you haven’t already), read, enjoy!

This book sticks the reader in the middle of a maternity ward in poverty and flu-stricken Dublin circa 1918. I was totally rooting for nurse Julia Powers, an experienced maternity nurse who works long, thankless shifts trying to keep women and their babies alive.

The lack of medicine, staffing, and money is appalling as women enter the hospital to give birth. Yet through empathy, determinism, and quick thinking, Julia, her trainee, and her patients find ways to help each other. It’s a tour de force in female friendship, intelligence, and problem-solving and an indictment of the medical incompetency of male physicians.

It illuminates a cross-section of Dublin citizens struggling with poverty, the Great Flu, and the aftermath of a horrendous war. I found the story moving, gripping, and somehow hopeful.

In January 1919 the newly elected Sinn Fein MPs in Ireland met in Dublin and set up Dail Eireann, the assembly of the self-proclaimed independent Irish republic. As the new government, they took control of the local authorities, the administration of justice, the tax system, and other aspects of government, and ruled Ireland as if it were totally independent of British rule. Charles Townshend tells the remarkable story of the early years of the Irish Republic, and how the parallel Sinn Fein state came to effectively run the new country.

This is one of several excellent books that explores how nonhuman animals shaped cities (see also Andrew Robichaud’s Animal City, Frederick L. Brown’s The City is More Than Human, Dawn Day Biehler’s Pests in the City, and Hannah Velten’s Beastly London, for example). Cities are multispecies spaces and they have always been so, even as the history of a given city shifts and changes. When we walk through a city like Dublin today we may not immediately think about the many, many nonhuman animals who used to roam the same streets and pathways we walk on today. And yet, as Juliana Adelman explores in this book, there are hints and traces of this animal history if we know where to look.