100 books like The Lemon Man

I love books that mash up genres and Dan Will has done just that with this first offering in his Arcane Casebook series. His hero, Alexander Lockerby, is a man after my own heart—a noir detective through and through. Only this fedora-wearing gumshoe has a little extra zing up his sleeve—magic. He’s a runewright, and while I have to admit I didn’t know what that was when I began the book, it became perfectly clear by the end. I won’t ruin it for you, but suffice it to say, it’s aces with the noir genre—a man gifted with certain talents, but not ones enough to gain him the easy life. This story starts out simple, but takes little time to grab you by the collar and slap you across the kisser. And the good news? There are eight more to keep it company. 

Have you ever read a book and said to yourself, dang, I wish I’d have thought of that? Well that’s just what happened when I found this book. Jaffe’s gumshoe, Marshall Drummond, is a detective straight from the 1940s. The only problem? It’s not 1940 and Drummond is, well, dead—dead as a doornail. But like a true hardboiled detective, Drummond doesn’t let a little thing like the big sleep stop him. Instead, he haunts the office of Max Porter, making the man’s life far more interesting—and intriguing—than it otherwise would have ever been. Another great thing about this book is how Jaffe weaves history into the story—something I like to do in my own writing. Set in North Carolina, this book is just what it promises: fun, funny, suspenseful, and scary!   

I have to admit, this book is a bit of a personal indulgence. I’ve always been fascinated by the swamps of Louisiana and the mysteries that hide in those murky waters. Add a human arm in the mouth of an alligator and you’ve definitely gotten my attention. Some day I’m going to write a book that is set there—I just haven’t figured out a storyline yet—but when I do, I hope it’s half as good as BJ Bourg’s first book in his Clint Wolf series. I know it’s a cliché, but this book really did grab me from the start and, I guarantee, the end of the first chapter will haunt you, just as it haunts Clint Wolf.   

My last book may seem like an odd choice, but, as they say, there is a method to my madness. Erle Stanly Gardner created a character in the form of Perry Mason that became a television icon in the late 50s with more than 270 episodes. However, simply put, the man on the television is nothing like the man in the books. So, if you want to know the real Perry Mason, you need to start with the first book in Gardner’s series:The Case of the Velvet Claws. This book is noir at it’s finest, by a master of the craft, with a femme fatal that defines the term. This is my favorite of all the Gardner books because it delivers a hardboiled punch—one that’s not easy to forget.   

Stranded on a dark road in the middle of the night, a young woman accepts a lift from a passing stranger.

It’s the nightmare scenario that every girl is warned about, and she knows the dangers all too well – but what other choice does she have? As they drive, she alternates between fear and relief – one moment thinking he is just a good man doing a good thing, the next convinced he’s a monster.

But a monster is exactly what she's looking for. When the driver drops her safely home Lucy’s heart sinks. She will have to try again tomorrow night. She’s made herself the bait, in her bid to find the man who took her sister.

Set in and around Dublin and the Dublin mountains, this gripping read from the author of The Nothing Man and 56 Days will keep you guessing until the very end. But… show more.

I chose this short book because it casts light on a hidden history—that of faction fighting. Contrary to widespread belief, factions were not confined to rural areas in Ireland, nor were they a wholly nineteenth-century phenomenon. Kelly’s book provides a detailed account of the development of factions in eighteenth-century Dublin, from the Kevan Bail to the Ormond and Liberty Boys (and other little-known factions), and vividly describes the periodic disorder associated with them as they tried to establish control in the city. Kelly also outlines how the city’s economic and demographic growth led to the social conditions which nurtured factionalism, and he traces changes in the nature of factionalism as the eighteenth century progressed. An enthralling read about a topic that has often gone under the historiographical radar!

This incredibly moving novel, set in Dublin in 1918, tells the story of a nurse, Julia, who works in the maternity ward of a hospital.

During the height of the terrible flu epidemic, Julia must risk her own life in order to save the lives of the women under her care. I love learning about the medical world, and the history of women as healers. The story features a real doctor – Dr. Kathleen Lynn – a pioneering medical woman who, along with brave women like Julia, saved lives against all odds. 

In January 1919 the newly elected Sinn Fein MPs in Ireland met in Dublin and set up Dail Eireann, the assembly of the self-proclaimed independent Irish republic. As the new government, they took control of the local authorities, the administration of justice, the tax system, and other aspects of government, and ruled Ireland as if it were totally independent of British rule. Charles Townshend tells the remarkable story of the early years of the Irish Republic, and how the parallel Sinn Fein state came to effectively run the new country.

I first read this book in my teens and it profoundly affected me. The storyline is set in Dublin from 1907 to 1914, when a third of the city’s residents were destitute. Large families lived in single rooms in the dilapidated former homes of wealthy landlords. The author weaves the lives of his fictional characters into the workers’ revolt and great lockout of 1913, a tragic time for the ordinary people of Dublin. In spite of this, there are wonderful scenes of kindness and self-sacrifice that a close-knit community will often provide. I feel this book greatly influenced my own writing decades after first reading it. 

Foley depicts a struggle of finding oneself and learning where one belongs, and holding onto the everchanging definition especially when the geography surrounding us suddenly changes. Maggie and her family migrate from Chicago to Ireland, leaving behind her favorite uncle, and musical influence, the wayward Kevin. Add to this the backdrop of the anticipation of attending a Nirvana concert and you have all the fixings for a well-rounded tale of love, loss, and living. Having had the pleasure of meeting Foley a time or two, I can attest that her sense of setting is as apparent in her identity as an Irish Chicago resident as ever, and this comes through in her characters, who illustrate the same.