The best books about the Republic of Ireland

This was one of my earliest experiences with historical fantasy and started my love affair with the genre—both as a reader and a writer. Its rich storytelling plays in the gaps of what we know about Brian Boru, the most renowned king of medieval Ireland. I love how the story is grounded in historical setting and context (without overwhelming us with detail) and woven with the legendary magic of the place and time. What especially draws me in is the depiction of strong, complicated, female characters so often overshadowed in history but brought to life, front and center, in Llwelyn’s tale.

I loved this book. If I had to describe this novel in one word it would be intelligent. Set in Celtic Ireland in the Iron Age, the language is rich and expressive and Merrigan takes you into his world until you feel you belong there. You are drawn into a time where everything is governed by the gods. The story takes you through the training of the young warriors and druids. With the ongoing conflict over land, and with the people’s lives steeped in superstitious beliefs, we come to care that the outcome falls well with our tribe.

Fionn is born into a simple rural tribe. His life is sweet as he grows to double figures playing with his sisters in the fields. At the age of ten, he is called to serve, and the boys of fighting age are gathered from across the land, taken from their families, and… show more.

Can we talk about how amazing Nora Roberts is? I started reading her more traditional romance novels as guilty pleasures when I was younger and quickly realized she loves to write about strong women. The O’Dwyer trilogy is part of her supernatural books, focusing on an ancient curse, a long-held obsession and the enduring power of love. Tucked in a small village in Ireland are a brother and sister, their American cousin, and their circle of friends. Together, witches, warlocks, and humans battle an ancient evil to break a curse that has plagued their family for centuries. Two of the main characters are separated from each other by the curse and their longing is so palpable. I don’t do spoilers, so you will have to read the trilogy to find out what happens. 

This is a gritty story of the peril young Irish immigrants faced when coming to America, along with the hardships they were escaping back in Ireland. The fact that others were waiting to abuse and exploit the immigrants is certainly historically accurate. However, B.J. Hoff’s stories are always filled with hope and shine a light on hope in God. It’s Christian fiction, so readers should be aware of that. Also, this new edition includes two stories, a great deal. B.J. Hoff passed away in 2021 but left a long legacy of inspirational historical fiction.

In January 1919 the newly elected Sinn Fein MPs in Ireland met in Dublin and set up Dail Eireann, the assembly of the self-proclaimed independent Irish republic. As the new government, they took control of the local authorities, the administration of justice, the tax system, and other aspects of government, and ruled Ireland as if it were totally independent of British rule. Charles Townshend tells the remarkable story of the early years of the Irish Republic, and how the parallel Sinn Fein state came to effectively run the new country.

Grace O’Malley was my first pirate love and will forever hold a special place in my heart. This is the seminal biography of her by the woman who basically singlehandedly brought her whole story to the world. Anne Chambers is one of my women pirate researcher heroines and her depth of knowledge on Grace is unmatched. This book reads like a novel and is packed with amazing tales. I have read this one many times!

At the end of the 19th century, Ireland made more whiskey than any other nation. Then came an economic downturn, political trouble, and Prohibition, which devastated the country’s storied whiskey industry. Until recently, only a handful of Irish distilleries remained. Not any more—Irish whiskey is roaring, with new, small producers (like Teeling) joining the likes of the hulking, ancient producers (like Midleton). Muldoon and his colleagues share with readers a bit of the old and new on Irish whiskey. From Barley to Blarney is structured like a travelogue, with chapters devoted to the provinces where Irish whiskey is made, and its colorful coverage may induce the reader to book a flight to the Emerald Island. 

I’ve always been interested in developments in Irish history during the under-studied seventeenth century. This was the period when many of the political, social, and economic foundations of modern Ireland emerged. The century began during the major upheaval of the Nine Years’ War and witnessed two more major conflicts—the 1641 Rebellion (which lasted until 1653) and the Williamite War of the 1690s. However, Gillespie’s book is unusual in that it focuses on the various efforts made to reach accommodations between natives and settlers, Catholics and Protestants, the Gaelic Irish, the Old English, and the New English, during the decades between these conflicts. All in all, a fascinating read which shows that things might have evolved differently had these efforts succeeded.

I’m a sucker for tongue-in-cheek humour, the sort of dry, straight-faced joke that is so skilfully woven into a narrative or a character’s personality that you’re almost not sure if it was meant to be funny.

Alex Barclay has that skill in truckloads, and uses it to tremendous effect in this book. It’s a ripping yarn about a young girl on the search for her dad – except, it’s about a lot more than that.

It embraces the absurd and the vividly real in equal measure, all told through the eyes of a beautifully-crafted main character.

I can’t think of another book like it – it is utterly, uniquely brilliant.

This is a great book that you cannot put down. It reminds me of my favorite series, Outlander. Going back through time is something that a lot of us dream about, but never experience. I love a good love story, but this book also has mystery, intrigue, and pulls at your heartstrings. I consider it Historical Fiction because even though we cannot travel through time, there were a lot of women that had the same feelings and trauma in the 1920s that the main character went through. 

Edna O’Brien’s 2012 autobiography Country Girl is a blunt, gripping, lyrical and non-self-pitying depiction of her early life in the west of Ireland. It exposes the stultifying conformity imposed by the Catholic Church, family and community which I experienced myself. She rebelled as she sought freedom and self-expression from a domineering mother and drunken father. Edna’s escape to Dublin, London and New York as well as her exile from Ireland reflects an individual addicted to drugs and alcohol who seeks acknowledgement, liberty and success through many failed relationships. Edna’s autobiography resonates with many of my own experiences of the 1960’s. Country Girl demonstrates how one Irish female writer broke the cultural silence so that others would not feel alone. Her writing was an inspiration to me for my own memoir.

This book is the best analysis written by the forerunner of Atlantic history in Ireland. Based on an astonishing amount of literary and historical sources, it is an outstanding insight into the complex and lengthy process of English colonization of Ireland set within the broader Atlantic and European context. 

Being Irish, I can’t help but place Ireland, in my best top ten historical fictional novels. The country is famous for its legends and fantasy, but this story is also about the passage of time from the ice age to the 1950s, told by one of the last of the ancient storytellers that used to roam the roads of Ireland, passing on tales and news from the past.

A young boy is hooked by the stories and as he grows to manhood, he is determined to follow the storyteller wherever he travels. He loses him, but he devotes his life to finding him and learning more of the bygone ages and its people, once again.

This is a beautiful story, told by the late Frank Delaney, and although he lived in America, he never really left Ireland and its mysteries.

This book may seem an aberration, but it makes my list because it touches on my own research life, my own literary journey, and my heart: it connects Appalachia and Ireland. This is a book of poetry—simple, lovely pieces written in both places—accompanied by gorgeous photographs of nature and landmarks. As one who travels to Ireland whenever I can, and pines for it when I can’t, this book transports me from my mountain home to those shores across the Atlantic. I am a visual writer, in that I see my stories play out, and especially the stories I imagine for my Irish immigrant ancestors. So a picture book of poems that connects my two homelands strikes the right note with me, lets my mind relax and create.

Brooklyn is one of my favorite contemporary novels.

Written in spare, clear prose, the story reels you in as you follow a young Irish girl in the 1950s, who leaves her small town in Ireland to find work in Brooklyn. Homesickness sets in, but love happens too until she is called home at her sister’s death. Complications ensue! 

This novel has been made into a great film also.

Notorious for its violence, the 17th century is also a time of sweeping change. Change ignites resistance. When I first started researching Irish history, I was well aware of Cromwell’s march, and soon discovered much more and perhaps worse. How could people survive under constant threat and fear? How could humans justify such cruelty? This book examines several horrific events, the people and the policies that allowed them to happen—in the interest of learning from history that which we should never repeat.

This book, for younger readers, is a collection of retellings of some of Ireland’s most well-known stories like Oisín in Tír na nÓg, as well as less famous ones like Son of an Otter, Son of a Wolf. Doyle writes terrifically well, perfectly pitching his tales at a young audience. Illustrated by Niamh Sharkey in her distinctive style, this is a collection to be treasured. I loved the pronunciation guide for the Irish names, as well as the introduction and the page about Doyle’s sources.

Brian McGilloway’s novel is told in the first person from the perspective of a grieving mother who tries to pick through the lies and secrets to uncover what happened to her only child. On her journey she uncovers the brutal truth; everybody lies. The book takes a realistic look at Dora Condron’s emotional descent into a bleak world where she comes to believe that no one will tell the truth. I like most of all that it is crime novel, a mystery, and a family drama that is told from the single perspective. The mother’s introspection about her failings as a parent really hits home when we consider what our own last words might have been to a loved one who walks out the door and never walks back in. 

Yeats, a mystic poet, travelled across Ireland in the late 1800s and early 1900s, asking country people if they’d ever seen fairies and taking down their stories. “I believe when I am in the mood that all nature is full of people whom we cannot see,” he wrote in an earlier book, The Celtic Twilight. “Even when I was a boy I could never walk in a wood without feeling that at any moment I might find before me somebody or something I had long looked for without knowing….” Yates believed the songs and stories "handed down among the cottages” were “Folk art [which]… because it has gathered into itself the simplest and most unforgettable thoughts of the generations… is the soil where all great art is rooted.”  His own poetry bears this out. 

In Dublin Hanged, Henry paints an evocative picture of the turn-of-the-eighteenth-century Irish capital collapsing under rising property crime, food shortages due to series of particularly inclement winters, and political unrest. He also vividly captures the events that led to the organisation of the first metropolitan uniformed police in the British Isles, which came to be widely unpopular. Henry shows, the organisation of the force was costly and in order to fund the new police, the household tax ‘skyrocketed’ virtually overnight. Henry’s analysis reveals there was a marked decline in the frequency of rape and violent assaults in the years following the introduction of the police in October 1786, indicating a degree of effectiveness of the new police despite the lack of its popularity.