Here are 100 books that Tales from Old Ireland fans have personally recommended if you like
Tales from Old Ireland.
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I have been a student of Druidry since the mid-1990s and I have also had a passion for history and mythology since I received a children’s version of “The Twelve Labours of Hercules” when I was around 7 years old. I’ve read pretty much all the major stories and texts in relation to Celtic myth and Druid lore (particularly from Ireland), sometimes in multiple versions, so I think I have a fair idea of what is useful or worth reading.
This is a huge compendium containing both well-known and rare stories, that have been updated into modern English for easy reading.
While it’s very readable it also maintains a high level of continuity with the source material from which the stories come from, with only minor changes and all the key elements intact. This makes an excellent introduction to Irish mythology and a handy reference book for myths on particular areas of folklore that are widely covered.
Here, collected in one volume, are tales and legends that range from the misty dawn of Gaelic history and the triumph of St Patrick to the Ireland of the present day - tales as beautiful, mystical, and enchanting as the ancient land itself.
I grew up in Ireland, where I was surrounded by stories, modern and ancient. Irish myths and legends formed the basis of the history curriculum for most children beginning the subject. Irish children are incredibly familiar with "The Children of Lir" and legendary heroes like Cúchulainn – we even have a rollercoaster named after him in our only proper theme park! As a teacher, I continued to retell these stories to my young, receptive audiences. When I was given the opportunity to write my own book of fairy tales, myths, and legends, I jumped at the chance. The research, including the reading of the books on this page, was almost as much fun as writing my book!
This is possibly the best collection of Irish myths and legends that I’ve read. It’s as comprehensive as Lady Gregory’s book but much more palatable. It charts the mythology of Ireland from the arrival of the Tuatha Dé Danann, right up to the arrival of Christianity. Written in clear, no-nonsense prose, this was one of my prime reference texts when writing my own book.
'These legends are the action-packed stories - of ancient heroes, huge battles, attempted invasions, prophecies and spells, clashes between the underworld and the real world, abductions, love affairs and feasts - which have fascinated the Irish mind for more than 2,000 years . . . Most of them have an extraordinary, stark narrative sweep, with a marvellous sense of detail . . . Heaney writes directly and fluently . . . with great tact and skill.' Sunday Times
I grew up in Ireland, where I was surrounded by stories, modern and ancient. Irish myths and legends formed the basis of the history curriculum for most children beginning the subject. Irish children are incredibly familiar with "The Children of Lir" and legendary heroes like Cúchulainn – we even have a rollercoaster named after him in our only proper theme park! As a teacher, I continued to retell these stories to my young, receptive audiences. When I was given the opportunity to write my own book of fairy tales, myths, and legends, I jumped at the chance. The research, including the reading of the books on this page, was almost as much fun as writing my book!
The renowned Rosemary Sutcliff examines the life and times of legendary hero, Finn MacCool in this modern and compelling book. Her descriptive writing and attention to detail makes the writing flow effortlessly across the page. The book doesn’t read like a collection of legends, but like a modern thriller. I highly recommend it, along with its companion book, The Hound of Ulster.
Set more than a thousand years ago in the soft green hills of Ireland, in a shifting time when enchanted creatures and the Fairy Kind still flickered in and out of the lives of men, the ancient stories of Finn MacCool and the brotherhood of the Fianna shimmer with magic. Here Rosemary Sutcliff breathes new life into adventures of these Irish heroes and their battles with strange and supernatural beings.
I was a weird kid. Often accused of ‘thinking too much’, I cut my literary teeth on Stephen King, Ray Bradbury, Phillip K Dick, and Shirley Jackson. Raised on their dark milk, I grew up wanting more than hollow scares and mindless eviscerations. Don’t just give me a scary story, give me a scary story that resonates, one that raises a lens to our world, our history, the rules we’re asked to live by. Unsettle me, make me think. Most of all, give me characters worth my precious time. These are the kind of stories I endeavor to write and the ones I most enjoy reading. I hope you enjoy this small selection as much as I have.
The Children of Lir is one of Ireland’s best-known myths. Over the years it has been more than a little sanitized, and as a consequence almost entirely relegated to a children’s beloved fairytale. With her rich, poetic prose and unflinching honesty, Deirdre Sullivan brings the story right back into the adult sphere. Her characters emerge, flawed and seething, from the magical fog of myth to hurt and help each other, and to drag the enthralled reader with them through aeons of vengeance, loyalty, and, eventually, peace.
I can’t stress how beautiful this novel is. An epic poem almost, it satisfies my hunger for beautiful prose, and for thematic depth and emotional resonance. If you love gorgeous writing as much as I do, you will love this one.
A dark, feminist retelling of The Children of Lir by the author of the multi-award-winning Tangleweed and Brine
'No-one else writes like Deirdre Sullivan. She is lyrical, poetic and thoroughly intoxicating.' Juno Dawson, author of Wonderland
'Unsettling, haunting, and darkly lyrical, Savage Her Reply is a beautiful thing.' Louise O'Neill, author of After The Silence
A retelling of the favourite Irish fairytale The Children of Lir. Aife marries Lir, a chieftain with four children by his previous wife. Jealous of his affection for his children, the witch Aife turns them into swans for 900 years.
I am a retired history teacher with 36 years of teaching experience in high school and college. I am also a passionate world traveler and for over four decades led students on overseas tours. In 2012 (the year I retired from teaching) I released my first novel, Widder’s Landing set in Kentucky in the early 1800s. One of my main characters came from a family of Irish Catholics—and he is featured in Rebels Abroad. Ireland has always fascinated me and in my nine trips to the country, I smelled the peat fires, tasted the whiskey, listened to the music and the lyrical tales told by the tour leaders—and came to love the people.
Perhaps no book has moved me more than Ireland by Frank Delaney.
Through a series of tales told by an itinerant storyteller the author paints a series of haunting, vivid portraits of Irish history. Each story stands alone, but over the course of three nights of story-telling, the pieces of this mosaic come together, revealing a clearer history than most history books could hope to present.
Delaney reaches deeper historical facts and allows a rare glimpse into how people felt and what they believed. I felt that I was listening to the storyteller, rather than reading words. This presents the Irish people in a unique and engaging light.
One evening in 1951, an itinerant storyteller arrives unannounced and mysterious at a house in the Irish countryside. By the November fireside he begins to tell the story of this extraordinary land. One of his listeners, a nine-year-old boy, grows so entranced by the storytelling that, when the old man leaves, he devotes his life to finding him again. It is a search that uncovers both passions and mysteries, in his own life as well as the old man's, and their solving becomes the thrilling climax to this tale. But the life of this boy is more than just his…
I have a passion for Historical Fiction. It started when I was 12 years old. Before that, I never liked any kind of history. Then, in school, we started learning about King Tut, and I was fascinated. I started having frequent dreams that he would sit and tell me stories about our life together and he believed that I was his wife, Sunni. Into adulthood, I still had these dreams, so I decided to write about the stories that he would tell. Along with exhaustive research, I learned who Sunni (Anukshanamun) was. My book is based on facts mixed with my dreams.
This is a great book that you cannot put down. It reminds me of my favorite series, Outlander. Going back through time is something that a lot of us dream about, but never experience. I love a good love story, but this book also has mystery, intrigue, and pulls at your heartstrings. I consider it Historical Fiction because even though we cannot travel through time, there were a lot of women that had the same feelings and trauma in the 1920s that the main character went through.
In an unforgettable love story, a woman's impossible journey through the ages could change everything...
Anne Gallagher grew up enchanted by her grandfather's stories of Ireland. Heartbroken at his death, she travels to his childhood home to spread his ashes. There, overcome with memories of the man she adored and consumed by a history she never knew, she is pulled into another time.
The Ireland of 1921, teetering on the edge of war, is a dangerous place in which to awaken. But there Anne finds herself, hurt, disoriented, and under the care of…
Nancy Blanton is an American author of Irish descent. She’s written three award-winning Irish historical novels and has a fourth underway. A former journalist, her focus on the 17th century derives from a history lesson about Oliver Cromwell, weariness of Tudor stories, decades of enlightening research, and a little help from supportive friends in County Cork.
Notorious for its violence, the 17th century is also a time of sweeping change. Change ignites resistance. When I first started researching Irish history, I was well aware of Cromwell’s march, and soon discovered much more and perhaps worse. How could people survive under constant threat and fear? How could humans justify such cruelty? This book examines several horrific events, the people and the policies that allowed them to happen—in the interest of learning from history that which we should never repeat.
This book examines one of the bloodiest epochs in Irish history. Part one covers the 16th century, revealing how efforts by the Tudor monarchy to curb the powers of the autonomous Irish lords degenerated into a bitter cultural and sectarian conflict characterized by summary killings and massacres. The second part pays particular attention to the 1641Ërebellion and the Confederate Wars.
I am an historian of urban crime and policing. I specialise in metropolitan forces, for example the Dublin Metropolitan Police, London Police, and their colonial counterparts. I am particularly interested in the transnational exchange of concepts and personnel. The latter decades of the nineteenth century saw a lively and consistent movement of police across countries and continents, cross-pollinating ideas and experiences, shaping the future of organised policing. I have traced Australian policing roots to the streets of Dublin and London, which are explored in To Preserve and Protect: Policing Colonial Brisbane (2020) through personal life stories of policemen and criminals alike.
In contrast to earlier works on the Garda history, Conway frames policing experience in Ireland by examining its history and development in the context of post-colonialism, its impact, and lived experiences. As Ireland achieved independence, she shows, ‘time constraints and lack of alternative experience led to the retention of many core features of colonial policing’, resulting in an organisation ideologically different but practically similar to the Irish forces of the preceding century. In 1925, the new police of the Irish Free State absorbed the Dublin Metropolitan Police, the Civic Guards, who filled the niche left vacant by the disbanded Constabulary, and contentiously, many ex-RIC men. Conway skillfully weaves gardaí interviews into this varied contemporary history of policing the Republic of Ireland.
The twentieth century was a time of rapid social change in Ireland: from colonial rule to independence, civil war and later the Troubles; from poverty to globalisation and the Celtic Tiger; and from the rise to the fall of the Catholic Church. Policing in Ireland has been shaped by all of these changes. This book critically evaluates the creation of the new police force, an Garda Siochana, in the 1920s and analyses how this institution was influenced by and responded to these substantial changes.
Beginning with an overview of policing in pre-independence Ireland, this book chronologically charts the history of…
I am the author of two books on distilled spirits and have been blogging at AlcoholReviews.com since 1998. I have written about drinks, drinks history, and drinks politics for the New York Times and the American Spectator magazine. Whiskey is my favorite distilled spirit—there are so many fantastic types and brands of it. For consumers, it can be really bewildering to navigate. So, I take it as my duty to help people navigate the wide and wild world of whiskey!
At the end of the 19th century, Ireland made more whiskey than any other nation. Then came an economic downturn, political trouble, and Prohibition, which devastated the country’s storied whiskey industry. Until recently, only a handful of Irish distilleries remained. Not any more—Irish whiskey is roaring, with new, small producers (like Teeling) joining the likes of the hulking, ancient producers (like Midleton). Muldoon and his colleagues share with readers a bit of the old and new on Irish whiskey. From Barley to Blarney is structured like a travelogue, with chapters devoted to the provinces where Irish whiskey is made, and its colorful coverage may induce the reader to book a flight to the Emerald Island.
From medieval monks to recent renaissance, From Barley to Blarney: A Whiskey Lover's Guide to Ireland includes everything you need to understand, appreciate, and mix one of the world's fastest-growing (and most delicious!) spirits.
An Irish whiskey guru, two bartender behemoths, and an adept writer combine forces to create this comprehensive guide to Irish whiskey. The book begins with an in-depth introduction to whiskey and its history in Ireland, including what makes the style of Irish whiskey unique. What follows is a detailed examination of 50 different Irish whiskeys and the distilleries that make them, as well as a discussion…
I had so many questions as I grew up. Why was I so different to other boys. Then, some 20 years ago, I started to find and talk to others like me. I realised I was transgender, ‘born in the wrong body’ as the saying goes. From that point on I began to work for the LGBTQ+ community as I also negotiated the personal and difficult path of transitioning from male to female. My passion for activism continues to this day, shown in my role as Chair of Dublin LGBTQ+ Pride and delivering workshops, presentations, and lectures to multinational companies and government bodies where I encourage everyone to see the beauty in diversity.
This is a lovely and well-written young adult book of a girl who explores her sexuality and faces the many challenges of being a teenager in modern Ireland.
There are no holds barred in the telling of some of the incidents, and the protagonist Lauren ends up facing every teenage girl’s worst nightmare. Acceptance of difference is a strong theme through the novel and recent Irish referendums on Equal (Same Sex) marriage and legislation to legalise abortion in Ireland are seen from a young person’s valuable point of view.
Here's what Lauren knows: she's not like other girls. She also knows it's problematic to say that - what's wrong with girls? She's even fancied some in the past. But if you were stuck in St Agnes, her posh all-girls school, you'd feel like that too. Here everyone's expected to be Perfect Young Ladies, it's even a song in the painfully awful musical they're putting on this year. And obviously said musical is directed by Lauren's arch nemesis.
Under it all though, Lauren's heart is bruised. Her boyfriend thinks she's crazy and her…
