Here are 96 books that Over Nine Waves fans have personally recommended if you like
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I have been a student of Druidry since the mid-1990s and I have also had a passion for history and mythology since I received a children’s version of “The Twelve Labours of Hercules” when I was around 7 years old. I’ve read pretty much all the major stories and texts in relation to Celtic myth and Druid lore (particularly from Ireland), sometimes in multiple versions, so I think I have a fair idea of what is useful or worth reading.
This is a huge compendium containing both well-known and rare stories, that have been updated into modern English for easy reading.
While it’s very readable it also maintains a high level of continuity with the source material from which the stories come from, with only minor changes and all the key elements intact. This makes an excellent introduction to Irish mythology and a handy reference book for myths on particular areas of folklore that are widely covered.
Here, collected in one volume, are tales and legends that range from the misty dawn of Gaelic history and the triumph of St Patrick to the Ireland of the present day - tales as beautiful, mystical, and enchanting as the ancient land itself.
I grew up in Ireland, where I was surrounded by stories, modern and ancient. Irish myths and legends formed the basis of the history curriculum for most children beginning the subject. Irish children are incredibly familiar with "The Children of Lir" and legendary heroes like Cúchulainn – we even have a rollercoaster named after him in our only proper theme park! As a teacher, I continued to retell these stories to my young, receptive audiences. When I was given the opportunity to write my own book of fairy tales, myths, and legends, I jumped at the chance. The research, including the reading of the books on this page, was almost as much fun as writing my book!
The renowned Rosemary Sutcliff examines the life and times of legendary hero, Finn MacCool in this modern and compelling book. Her descriptive writing and attention to detail makes the writing flow effortlessly across the page. The book doesn’t read like a collection of legends, but like a modern thriller. I highly recommend it, along with its companion book, The Hound of Ulster.
Set more than a thousand years ago in the soft green hills of Ireland, in a shifting time when enchanted creatures and the Fairy Kind still flickered in and out of the lives of men, the ancient stories of Finn MacCool and the brotherhood of the Fianna shimmer with magic. Here Rosemary Sutcliff breathes new life into adventures of these Irish heroes and their battles with strange and supernatural beings.
I was a weird kid. Often accused of ‘thinking too much’, I cut my literary teeth on Stephen King, Ray Bradbury, Phillip K Dick, and Shirley Jackson. Raised on their dark milk, I grew up wanting more than hollow scares and mindless eviscerations. Don’t just give me a scary story, give me a scary story that resonates, one that raises a lens to our world, our history, the rules we’re asked to live by. Unsettle me, make me think. Most of all, give me characters worth my precious time. These are the kind of stories I endeavor to write and the ones I most enjoy reading. I hope you enjoy this small selection as much as I have.
The Children of Lir is one of Ireland’s best-known myths. Over the years it has been more than a little sanitized, and as a consequence almost entirely relegated to a children’s beloved fairytale. With her rich, poetic prose and unflinching honesty, Deirdre Sullivan brings the story right back into the adult sphere. Her characters emerge, flawed and seething, from the magical fog of myth to hurt and help each other, and to drag the enthralled reader with them through aeons of vengeance, loyalty, and, eventually, peace.
I can’t stress how beautiful this novel is. An epic poem almost, it satisfies my hunger for beautiful prose, and for thematic depth and emotional resonance. If you love gorgeous writing as much as I do, you will love this one.
A dark, feminist retelling of The Children of Lir by the author of the multi-award-winning Tangleweed and Brine
'No-one else writes like Deirdre Sullivan. She is lyrical, poetic and thoroughly intoxicating.' Juno Dawson, author of Wonderland
'Unsettling, haunting, and darkly lyrical, Savage Her Reply is a beautiful thing.' Louise O'Neill, author of After The Silence
A retelling of the favourite Irish fairytale The Children of Lir. Aife marries Lir, a chieftain with four children by his previous wife. Jealous of his affection for his children, the witch Aife turns them into swans for 900 years.
I grew up in Ireland, where I was surrounded by stories, modern and ancient. Irish myths and legends formed the basis of the history curriculum for most children beginning the subject. Irish children are incredibly familiar with "The Children of Lir" and legendary heroes like Cúchulainn – we even have a rollercoaster named after him in our only proper theme park! As a teacher, I continued to retell these stories to my young, receptive audiences. When I was given the opportunity to write my own book of fairy tales, myths, and legends, I jumped at the chance. The research, including the reading of the books on this page, was almost as much fun as writing my book!
This book, for younger readers, is a collection of retellings of some of Ireland’s most well-known stories like Oisín in Tír na nÓg, as well as less famous ones like Son of an Otter, Son of a Wolf. Doyle writes terrifically well, perfectly pitching his tales at a young audience. Illustrated by Niamh Sharkey in her distinctive style, this is a collection to be treasured. I loved the pronunciation guide for the Irish names, as well as the introduction and the page about Doyle’s sources.
This book features tumbling tigers, happy hippos, rumbling rhinos and more! These lively animals and other creatures will help youngsters to count from one to twelve with the clever cockatoos. A delightful companion to Stephanie Bauer's "Alligator Alphabet", "Counting Cockatoos" also includes a colourful counting frieze.
In Ireland, there’s barely a rock or a hedge that doesn’t have a story attached to it. Lots of them are dark, some are sexy and many are downright hilarious. I myself grew up near a river whose name in the Irish language means “eyeballs”. We lived a short but rocky drive from Gleann Nimhe, A.K.A., “Poisoned Glen”, and the origins of these names lie in tales that are even more twisted than you might expect. My very Catholic school relished enthralling its overcrowded classrooms with these pagan stories. We were introduced to gods and saints, famous slaughters, and tragic heroines. For some of us, it sank in. Deep.
Although we’ve never stopped telling stories on this island, there is no doubt that a huge part of our heritage would have been lost if not for those who collected it, translated it for a non-Irish-speaking audience, and published it around the world. Lady Gregory’s brilliant collection, Gods and Fighting Men is the one on which so many others are based.
A few months ago I was on the bare Hill of Allen, "wide Almhuin of Leinster," where Finn and the Fianna lived, according to the stories, although there are no earthen mounds there like those that mark the sites of old buildings on so many hills. A hot sun beat down upon flowering gorse and flowerless heather; and on every side except the east, where there were green trees and distant hills, one saw a level horizon and brown boglands with a few green places and here and there the glitter of water. One could imagine that had it been…
I was a teenager when I discovered that my grandfather was an Irish rebel during the War of Independence. As a Canadian, I was astounded by the stories he told me when we were alone during my first visit to Dublin. At 16, I promised him I would write a book about him. Alas, he was long gone when I got started. Researching, I would think of him, whispering anecdotes to me he never told his children. I discovered the stories were much worse than he let on. I could not stop until I got the whole story down on paper. I think he is smiling.
I love that this book is a treasure chest of ancient stories passed down by word of mouth for countless generations. The Irish were originally a separate nation of Celts, with their own set of gods and heroes and warriors, their own idiosyncratic characters like shape-shifters, fairies, and leprechauns. I love that Lady Gregory spent years collecting these stories from the locals on her native West Coast, starting with her own nanny.
What I love most about this book is that it was a best seller when the rebels of 1916 were young and that they were raised on some of these same stories of courage, fortitude and yes, trickery. These wild characters were the role models of young developing Irish rebels at the turn of the century.
Lady Augusta Gregory's Irish Myths and Legends, or Gods and Fighting Men as it was first titled in 1904, is an essential collection of Irish myths, legends and folk tales gathered by Gregory from Irish oral story tellers at the close of the nineteenth century.
These epic tales are divided into two parts: the first charts the coming of the mythic Tuatha De Danaan to Ireland, the lives of Manannan and Lugh, and the tragedy of the Children of Lir. The second part follows the exploits and trials of Finn Mac Cumhal, the Fianna, Oisin, and the love story of…
In Ireland, there’s barely a rock or a hedge that doesn’t have a story attached to it. Lots of them are dark, some are sexy and many are downright hilarious. I myself grew up near a river whose name in the Irish language means “eyeballs”. We lived a short but rocky drive from Gleann Nimhe, A.K.A., “Poisoned Glen”, and the origins of these names lie in tales that are even more twisted than you might expect. My very Catholic school relished enthralling its overcrowded classrooms with these pagan stories. We were introduced to gods and saints, famous slaughters, and tragic heroines. For some of us, it sank in. Deep.
Jim Fitzpatrick’s CV may include the world’s most famous portrait of Che Guevara, but in Ireland, he is better known for his glorious depictions of our native myths and legends. If anything can be said to be his masterpiece, it is his work in The Book of Conquests. The text is a translation of a medieval manuscript, Lebor Gabála Érenn. This account of the mythical origins of Ireland was my most important inspiration for writing The Call. But as a child, it was the pulse-pounding illustrations that really made my jaw drop.
THE BOOK OF CONQUESTS, published in 1978, is the first volume of a trilogy of works, which tell the story of the ancient and magical race: the Tuatha Dé Danann. The second volume, THE SILVER ARM was published in 1981; while volume three, THE SON OF THE SUN is in preparation. THE BOOK OF CONQUESTS tells the story of Nuada, king of the Tuatha Dé Danann, and the First Battle of Moy Tura, one of the most important sagas in Early Irish Literature.
I’ve chosen to recommend fiction by Irish women, because I’m a female Irish writer myself. My own books are mostly for children, but, hey, I’m an adult. As well as a writer I am a retired publisher, a not-quite-retired editor, and an occasional translator, so I tend to engage very closely – OK, obsessively – with text. I have a pretty serious visual impairment, so most of my ‘reading’ is through the medium of audiobooks. I’m never sure if that influences my taste in reading. Anyway, these are the books I’ve liked recently, and hope you do too.
Let’s be clear: the title is ironic. This is a love story, told mostly in retrospect. Well, it’s not love exactly. It’s sex. Or a kind of twisted idea of romance. It’s attraction anyway, not quite obsessive, but close. And it’s mysterious. Who are these people? How do they connect to each other? How do they know each other? Do they even like each other? Why/why not?
The answers, if readers can identify them, are not reassuring. And yet... I loved this book, read it twice, straight off. It’s partly the descriptions of the physical world – natural and constructed – always partial, never conclusive, that are so attractive to read.
'A beautiful, wry love story' David Nicholls, author of ONE DAY
'I love this woman's writing. Golden sentences' Diana Evans, author of ORDINARY PEOPLE
'One of the year's most beautifully written books, THIS HAPPY traces the path to womanhood of Alannah from disastrous affair to no-less-comfortable marriage and beyond' The i, Best Books of 2020 So Far
'If you loved Sally Rooney's NORMAL PEOPLE, read this novel ... Darkly romantic ... Reminiscent of Eimear McBride's lyrical Joycean sentences' Vogue
'The best novel I have read all year' Sunday Business Post
Most people don’t realize how deeply ingrained folklore is to our daily lives. Superstitious habits like tossing spilled salt over the shoulder seem silly now, but had grave implications a hundred or more years ago. I love books that draw lines between folklore and reality, that weave tales laced with superstition, especially through the lens of modern issues. Stories like these have always helped me to not only understand myself better, but the world around me. The things people do and say aren’t nearly as important as why. Folklore, like changeling stories, I’ve found, is the key to human understanding.
Though Kent’s first novel,Burial Rites, was an absolute triumph, The Good People broke me in ways I am still discovering.
Based on a true story in Ireland, this book places a child at the center, surrounded by superstition and fear. He doesn’t speak or walk, which makes some folks believe he is a changeling. But the women who protect him demonstrate immense empathy as they try to navigate this world plucked out of a Grimm fairy tale.
Reading this book made me more deeply understand the power of kindness.
From the author of Burial Rites, "a literary novel with the pace and tension of a thriller that takes us on a frightening journey towards an unspeakable tragedy" (Paula Hawkins, bestselling author of The Girl on the Train and Into the Water).
Based on true events in nineteenth century Ireland, Hannah Kent's startling new novel tells the story of three women, drawn together to rescue a child from a superstitious community.
Nora, bereft after the death of her husband, finds herself alone and caring for her grandson Micheal, who can neither speak nor walk. A handmaid, Mary, arrives to help…
I picked these books because I love telling stories about bold women, and pirates float my boat. Being able to incorporate so much of history into my seafaring women, making them real and believable, makes writing that much more enjoyable. When I can incorporate real historical tidbits into my work it’s a good writing day, and I wanted to share my favorite research books with other readers.
Sjoholm goes far back in history to document tales of women who went to sea, and commanded ships, in Phoenicia, Scandinavia, the British Isles, and Ireland. There was no holding back strong seafaring women and I love seeing their stories brought to life. Grace O’Malley in particular won the respect of her English foes, including their strong ruler, Elizabeth I.
The Pirate Queen begins in Ireland with the infamous Grace O'Malley, a ruthless pirate and scourge to the most powerful fleets of sixteenth-century Europe. This Irish clan chieftain, sea captain, and pirate queen was a contemporary of Elizabeth I, a figure whose life is the stuff of myth. Regularly raiding English ships caught off Ireland's west coast, O'Malley was purported to have fought the Spanish armada just hours after giving birth to her son. She had several husbands in her lifetime, and acquired lands and castles that still dot the Irish coastline today. But Grace O'Malley was not alone. Since…
