Here are 100 books that Irish Myths and Legends fans have personally recommended if you like
Irish Myths and Legends.
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I was a teenager when I discovered that my grandfather was an Irish rebel during the War of Independence. As a Canadian, I was astounded by the stories he told me when we were alone during my first visit to Dublin. At 16, I promised him I would write a book about him. Alas, he was long gone when I got started. Researching, I would think of him, whispering anecdotes to me he never told his children. I discovered the stories were much worse than he let on. I could not stop until I got the whole story down on paper. I think he is smiling.
I love this story because it is a time portal that swiftly deposited me in the streets of Dublin just before the Easter Rising. I could see the dirty streets and poverty and feel the hunger for change, for freedom from occupation, that was palpable in the air. I watched the unbelievable and fantastic display of doomed, deadly belligerence against the British.
I love the intensity and rawness of the author’s changing outlook. From a disinterested privileged medical student to a hard-core rebel, abandoning his bright future, he leads men across the wilds of Ireland in tasks he would rather not undertake. I love that he tells this with such a poetic turn of phrase that I can feel the grass underfoot as the men walk and my stomach churning as they take aim.
More than any other book of the period, On Another Man's Wound captures the feel of Ireland―the way people lived, their attitudes and beliefs―and paints brilliant cameo sketches of the great personalities of the Rising and the War. Like many of the Irish, O'Malley was largely indifferent to the attempts to establish an independent Ireland―until the Easter Rising of 1916. As the fight progressed his feelings changed and he joined the Irish Republican Army.
I was a teenager when I discovered that my grandfather was an Irish rebel during the War of Independence. As a Canadian, I was astounded by the stories he told me when we were alone during my first visit to Dublin. At 16, I promised him I would write a book about him. Alas, he was long gone when I got started. Researching, I would think of him, whispering anecdotes to me he never told his children. I discovered the stories were much worse than he let on. I could not stop until I got the whole story down on paper. I think he is smiling.
I love the voice of authenticity that emanates from this story. The location is what was once considered one of the most remote, poor parts of Ireland, West Cork.
The author is a mere teenager at the time of the Rising. I love his deep regard for the men and women of his community, his understanding of the simple pleasures of their hard lives, his ability to communicate their stoic determination to fight the enemy in the face of possible disaster, particular cruelty, and severe punishment if they are caught.
I love how, without even trying, the author presents an explanation of how the rebel mindset permeated whole swathes of the country.
Where Mountainy Men have Sown gives a first-hand account of the fight for freedom in West Cork from 1916-21. It chronicles the social and military aspects of the War of Independence and describes the IRA's activities in the area, from Macroom to as far west as Ballingeary and Coolea, and covering Inchigeelagh to Ballyvourney and the Derrynasaggart Mountains. Micheal O Suilleabhain joined the armed struggle for freedom in his local area of Kilnamartyra at the age of thirteen and describes attacks on armed police patrols, barracks and a large-scale engagement against the elite of Britain's specially recruited fighting forces in…
I was a teenager when I discovered that my grandfather was an Irish rebel during the War of Independence. As a Canadian, I was astounded by the stories he told me when we were alone during my first visit to Dublin. At 16, I promised him I would write a book about him. Alas, he was long gone when I got started. Researching, I would think of him, whispering anecdotes to me he never told his children. I discovered the stories were much worse than he let on. I could not stop until I got the whole story down on paper. I think he is smiling.
Frank O'Connor is one of Ireland's most famous writers of short stories. I love that he took on this story about a beloved rebel leader and did so with all of the attention to detail and deep insight into characters that he is known for. I also love that his own affection and admiration of the man shines through even when trying to be dispassionate and unbiased and tell the bad with the good. It matters not.
His love for the man resonates across every type of action Collins takes, good, bad, or ugly. O'Connor opens a window into a nation's deep regard and tragic loss of the fearless man who convinced everyone freedom could be pried from the British and then set about to do it.
Re-issued with an introduction by Neil Jordan, 'The Big Fellow' is the 1937 biography of the famed Irish leader Michael Collins by acclaimed author Frank O'Connor. It is an uncompromising but humane study of Collins, whose stature and genius O'Connor recognised. A masterly, evocative portrait of one of Ireland's most charismatic figures, 'The Big Fellow' covers the period of Collins' life from the Easter Rising in 1916 to his death in 1922 during the Irish Civil War.
The author, having served with the Anti-Treaty IRA during the Irish Civil War, wrote 'The Big Fellow' as a form of reparation over…
I was a teenager when I discovered that my grandfather was an Irish rebel during the War of Independence. As a Canadian, I was astounded by the stories he told me when we were alone during my first visit to Dublin. At 16, I promised him I would write a book about him. Alas, he was long gone when I got started. Researching, I would think of him, whispering anecdotes to me he never told his children. I discovered the stories were much worse than he let on. I could not stop until I got the whole story down on paper. I think he is smiling.
I love this book because it is a compilation of first-person accounts of major events throughout the history of Ireland. From St. Patrick to the raids of the Vikings, the rebellions of former rebels, and all the way to the civil war of 1923-24. Each selection is from extant works located in libraries and institutions around the country.
We hear the wild stories told with awe and wonder, with shock and abhorrence, as if we are sitting in a pub listening to the author whisper his witness in astonishment or regret. Suddenly, we understand the Irish rebels, the generations of rebels through the centuries, and we find ourselves full of admiration for those men and women who endured and fought and finally found freedom for their countrymen.
The history of Ireland told through the words of the people who lived it
Eyewitness to Irish History draws upon original source materials to capture the tumultuous events and rich texture of Irish history like no other book. Comparing the readings compiled here to snapshots, the renowned Celtic scholar Peter Berresford Ellis offers what is, in essence, a family album of Ireland and the Irish people—beginning with Golamh, the legendary leader of the band of Iberian Celts who settled the island more than three thousand years ago, and concluding with gripping firsthand accounts by those on both sides of the…
In Ireland, there’s barely a rock or a hedge that doesn’t have a story attached to it. Lots of them are dark, some are sexy and many are downright hilarious. I myself grew up near a river whose name in the Irish language means “eyeballs”. We lived a short but rocky drive from Gleann Nimhe, A.K.A., “Poisoned Glen”, and the origins of these names lie in tales that are even more twisted than you might expect. My very Catholic school relished enthralling its overcrowded classrooms with these pagan stories. We were introduced to gods and saints, famous slaughters, and tragic heroines. For some of us, it sank in. Deep.
This is a fascinating look at the perceptions of Irish mythology at different points throughout our history. There’s always a lot of fuss on the internet about fantasy writers who get our mythology “wrong”, but Mark Williams shows that the legends themselves and their themes have evolved constantly to reflect the concerns and mores of the times and of the storytellers themselves. Ireland’s Immortals is almost an academic proof of the thesis laid out in Robert Holdstock’s brilliant novel, Mythago Wood, which -- it goes without saying -- I also highly recommend.
A sweeping history of Ireland's native gods, from Iron Age cult and medieval saga to the Celtic Revival and contemporary fiction
Ireland's Immortals tells the story of one of the world's great mythologies. The first account of the gods of Irish myth to take in the whole sweep of Irish literature in both the nation's languages, the book describes how Ireland's pagan divinities were transformed into literary characters in the medieval Christian era-and how they were recast again during the Celtic Revival of the late nineteenth and early twentieth centuries. A lively narrative of supernatural beings and their fascinating and…
Humor is based on surprise and the ‘foreign’ is often surprising. As I traveled all over the world for work, I searched out local authors and found myself laughing. It started with At Swim Two Birds and has never stopped.
In the summer of 1968, I was 20 and spent the summer pretty much banally in Israel and Europe. Around me, the world was on fire, but I was inside my own head.
Eventually, I washed up in Dublin, where I walked in a cold rain to Dorset Street, there to recreate Leopold Bloom’s pork kidney purchase from Dlugacz, the butcher. There was no Dlugacz on Dorset, but there was another butcher who stuffed into stiff pink butcher paper something that glistened and oozed. My plan was to fry it up, as Leopold had, on the hotplate in my rented room. It did not go well. I was felled intestinally in dramatic fashion; pity there was no one to observe.
Somehow, in my travels, I had obtained a copy of At Swim Two-Birds, and now, my insides recreating The Troubles, I wanly reached for it and read the first paragraph:…
A wildly comic send-up of Irish literature and culture, At Swim-Two-Birds is the story of a young, lazy, and frequently drunk Irish college student who lives with his curmudgeonly uncle in Dublin. When not in bed (where he seems to spend most of his time) or reading he is composing a mischief-filled novel about Dermot Trellis, a second-rate author whose characters ultimately rebel against him and seek vengeance. From drugging him as he sleeps to dropping the ceiling on his head, these figures of Irish myth make Trellis pay dearly for his bad writing. Hilariously funny and inventive, At Swim-Two-Birds…
I am a retired history teacher with 36 years of teaching experience in high school and college. I am also a passionate world traveler and for over four decades led students on overseas tours. In 2012 (the year I retired from teaching) I released my first novel, Widder’s Landing set in Kentucky in the early 1800s. One of my main characters came from a family of Irish Catholics—and he is featured in Rebels Abroad. Ireland has always fascinated me and in my nine trips to the country, I smelled the peat fires, tasted the whiskey, listened to the music and the lyrical tales told by the tour leaders—and came to love the people.
To comprehend the present, one must examine the past and observe the undercurrents that forge a people and their nation.
Rutherfurd’s Rebels of Ireland succeeds brilliantly in this endeavor. The families in this novel deal with the real historical events that shaped Irish destiny. They drew me into their lives and swept me along on a journey through time. When I finally emerged, I felt as if I had witnessed history, and lived it alongside them!
The Princes of Ireland, the first volume of Edward Rutherfurd’s magisterial epic of Irish history, ended with the disastrous Irish revolt of 1534 and the disappearance of the sacred Staff of Saint Patrick. The Rebels of Ireland opens with an Ireland transformed; plantation, the final step in the centuries-long English conquest of Ireland, is the order of the day, and the subjugation of the native Irish Catholic population has begun in earnest.
Edward Rutherfurd brings history to life through the tales of families whose fates rise and fall in each generation: Brothers who must choose between fidelity to their ancient…
I’ve loved nature and being outdoors since childhood, when I would escape our apartment complex by berry-picking in a park or sneaking onto the lush grounds of a local mental hospital. I grew up in Queens, New York, at a time of rapid development, and mourned as trees were felled for housing. I became an avid hiker, canoeist, and gardener as an adult, and serve on the board of an environmental organization in Montauk, Long Island. What we lose when we lose our connection to nature, saving our last wild places, and leaving a sustainable world to the next generation are key themes in my forthcoming novel--and personal motivation.
This marvelous novel allowed me to travel to the remote southwest coast of Ireland, on the Beara peninsula.
The landscape is so evocatively and vividly described that I felt as if I were hiking along with the appealing protagonist, Annie Crowe. Like me, Annie turns to walking and nature when she is depressed or needs thinking time, and boy does Annie have demons to battle! She’s a great character - both tough and fragile, a recovering alcoholic.
On a job assignment as a public relations expert in support of a copper mine, she finds herself thrust into controversy with the local community. It opposes the mine because it would despoil this wild landscape and also endanger the nesting Red-billed Chough. I loved every detail of the walks and the cliffs and the ocean that Johnson describes.
And running throughout is a spicy thread of ancient mythology and Gaelic mysticism, which…
Along the windswept coast of Ireland, a woman discovers the landscape of her own heart
When Annie Crowe travels from Seattle to a small Irish village to promote a new copper mine, her public relations career is hanging in the balance. Struggling to overcome her troubled past and a failing marriage, Annie is eager for a chance to rebuild her life.
Yet when she arrives on the remote Beara Peninsula, Annie learns that the mine would encroach on the nesting ground of an endangered bird, the Red-billed Chough, and many in the community are fiercely protective of this wild place.…
My passion for Celtic cultures, languages, and traditions comes from my family, where singing and storytelling were common. I worked as a singer and musician, and trained in Celtic Studies through Harvard University. That was an amazing experience, and research in Scotland and Ireland expanded my knowledge tremendously. I taught Celtic literature, mythology, and folklore at numerous colleges, and am Expert Contributor in Iron Age Pagan Celtic Religion for the Database of Religious History at the University of British Columbia, and invited Old Irish translator for the upcoming Global Medieval Sourcebook at Stanford University. I wake up every day excited to share the historical realities of these amazing cultures and beliefs!
So how does one interpret early Celtic literature?
Here is a prime example of how it's done, and done right. This anthology contains some of Emeritus Professor Tomás Ó Cathasaigh's most important studies and essays about early Irish literature, including mythic literature... and shows how much training, knowledge, and insight a person needs to not only to make sense of early Irish literature, but to really illuminate and understand it.
Tomás was my Old Irish teacher at Harvard, and it was truly an honour and blessing to sit at the knee of a master, as they say. He would blush to read such a gushing statement, as he was always so humble about his work, and understated in regards to his incredible knowledge and achievements.
His dry wit was unparalleled, as were his classes, which were intense to say the least. We were held to very high standards, and because…
Coire Sois, The Cauldron of Knowledge: A Companion to Early Irish Saga offers thirty-one previously published essays by Tomas O Cathasaigh, which together constitute a magisterial survey of early Irish narrative literature in the vernacular.
O Cathasaigh has been called "the father of early Irish literary criticism," with writings among the most influential in the field. He pioneered the analysis of the classic early Irish tales as literary texts, a breakthrough at a time when they were valued mainly as repositories of grammatical forms, historical data, and mythological debris. All four of the Mythological, Ulster, King, and Finn Cycles are…
Picking up a fantasy novel and getting away from real-world problems is an escape for me. Even though many of these issues don’t exist in our lives, we can still learn from the way the characters deal with their struggles. We can find compassion and empathy and maybe see that there are two sides to every story. Along the way, we also get to see stunning vistas and amazing, mythical creatures.
In The Girl of Dorcha Wood Ward leads her readers on an emotional journey of love and loss that is filled with innocence, betrayal, love, pain, bitterness, and revenge. Her characters are incredibly realistic. She has a way of making you feel like you’ve known them all your life. The setting is well-written and almost feels like home.
Treacherous. Evil. Dark. Dorcha Wood is all of these.
And none of them.
The people of Felmore talk of Dorcha Wood in whispers, if they speak of it at all. There is danger in the dark forest. Monstrous things, remnants of the Aos Sí, lurk in the shadows, hunting the unwary should one be careless enough to cross those borders.
But to seventeen-year-old Fiadh, Dorcha Wood is home. A haven. It speaks to her in the rustle of the wind through the leaves, in the wild things that come to her hand. It is a forest whose secrets become known…
