I’ve always enjoyed mystery and suspense stories—Agatha Christie and Mary Higgins Clark being two of my all-time favorite authors. Throw in some legends and folklore, and I’m hooked. I like well-crafted stories that keep me turning the pages. Those that stump me in figuring out the mystery are a plus for me. I love books with descriptive settings that place me, as the reader, in the heart of the action.
With a title like Genuine Deceit, how could I not pick this book? How can deceit be genuine? The suspense begins in chapter one and doesn’t let up until the end.
The characters are well-developed, the story is perfectly paced to keep a reader’s interest, and there are plenty of red herrings, but not enough to reveal the truth until the last pages. The touch of romance between the main character and a former Navy SEAL is an added plus.
I grew up in Yorkshire and spent many happy hours as a teenager wandering about the Yorkshire Sculpture Park, looking at giant Henry Moores in the rolling landscape. I subsequently trained as an art historian and have spent the last thirty years writing about art, from the YBAs to our prehistoric roots. A Little History of Art was borne out of this journey. Increasingly I have been drawn to researching what art can tell us about British history. My bookshelves groan with monographs but these five volumes have helped me think more deeply about Britain’s landscapes and its past. I hope they will do the same for you.
I read an early proof of this book (it is published on 13 April 2023) and was hooked from the first page.
Owens opens with footfall on medieval castle stairs and the tread of time – only the stairs she walks on are seventeenth-century copies and are part of the ongoing mythologising of England’s past.
She covers King Arthur and the Crusades, Beowulf and Tennyson, Shell tourist guides, and the rebuilding of Coventry Cathedral. Her excellent earlier bookSpirit of Place (Thames & Hudson) is focused more squarely on the British landscape but this new book connects to the myth of England, how it has been and still is constructed in all our minds.
Imagining England's Past takes a long look at the country's invented histories, from the glamorous to the disturbing, from the eighth century to the present day.
England has long built its sense of self on visions of its past. What does it mean for medieval writers to summon King Arthur from the post-Roman fog; for William Morris to resurrect the skills of the medieval workshop and Julia Margaret Cameron to portray the Arthurian court with her Victorian camera; or for Yinka Shonibare in the final years of the twentieth century to visualize a Black Victorian dandy?
When I stepped off the ferry onto Mainland Orkney, a piece of myself I never knew was missing suddenly slotted into place. Orkney became my geographic soulmate and I knew that The Darkest Court trilogy’s final book—and final battle—would have to take place there. Whenever I find myself longing to return, I pick up one of these books and throw myself back into the stories and histories that caught hold of my imagination all those years ago. I hope they stir your sense of magic and wonder the same way.
The best way to learn a new place is to read its folk tales. Muir’s curated collection not only gives a sense of the community values found throughout the wide spread of Orkney islands, but also of magic and wonder that pervades the place. You can easily take a tour to the specific locations mentioned in the stories, and I can assure you that rereading the stories in those places, with Muir’s charming, poetic prose, makes them come to life in fascinating new ways.
The Orkney Islands are a place of mystery and magic, where the past and the present meet, ancient standing stones walk and burial mounds are the home of the trows. Orkney Folk Tales walks the reader across invisible islands that are home to fin folk and mermaids, and seals that are often far more than they appear to be. Here Orkney witches raise storms and predict the outcome of battles, ghosts seek revenge and the Devil sits in the rafters of St Magnus Cathedral, taking notes! Using ancient tales told by the firesides of the Picts and Vikings, storyteller Tom…
I grew up in the ‘60s, when women were not in charge of anything much. I’ve always been fascinated by strong women. Amelia Earhart was a particular favorite, as were the suffragettes, Michelle Obama, and others. The strongest thing I’ve done in my life is to seize opportunities when they arise. I forged a second career that way, taking more than one leap of faith to do what I’ve always known I could do, be a writer. During and after my first career as a dental hygienist I took opportunities to be a newspaper wire editor, then a columnist, a magazine writer, an indexer, a nonfiction writer, and a novelist.
This is a small gem of a book that I’ve had for years and have read multiple times.
It’s a retelling of an Athabaskan legend that has been passed from mother to daughter for generations on the upper Yukon River in Alaska. The old women of the title belonged to a large migratory tribe that was slowly starving to death in a bitter Arctic winter. The chief and his male council determined the tribe had a better chance of survival if it left the useless old women behind to die.
What happened next? Read the book. I know you’ll love it as much as I do. It’s a triumphant story of the courage of women set against the inadequate leadership of men.
"No one should miss this beautiful legend." —Tony Hillerman
Velma Wallis’s award-winning, bestselling novel about two elderly Native American women who must fend for themselves during a harsh Alaskan winter
Based on an Athabascan Indian legend passed along for many generations from mothers to daughters of the upper Yukon River Valley in Alaska, this is the suspenseful, shocking, ultimately inspirational tale of two old women abandoned by their tribe during a brutal winter famine.
Though these women have been known to complain more than contribute, they now must either survive on their own or die trying. In simple but vivid…
I write novels for children, YA, and adults, most of which reflect my fascination with history, mystery, crime, and fantasy. I particularly enjoy writing timeslip novels, exploring how the past can inform the present and vice versa. I recently updated and revised my award-winning Shalott trilogy, which visits both the historical past and also the quasi-medieval world of Camelot in a reinterpretation of the legend of King Arthur and the Knights of the Round Table, and with reference also to The Lady of Shalott, the wonderful and mysterious poem by Alfred, Lord Tennyson. (A reviewer recently compared my Shalott trilogy with the novels of Diana Gabaldon = wow!)
This remarkable ‘novel’ opens (and closes) with the author being given a journal written by Roger, Duke of Lunel, ‘l’Escrivel’, from whom he claims to be descended. This diary forms the bulk of the novel, and it seems to be a translation of a real diary, an intimate and detailed account of the penitent Roger’s journey to Jerusalem in company with other pilgrims on the First Crusade. At times poetic and beautiful, Roger lays bare his innermost reflections on his faith, his sexuality, his guilty love for his friend’s wife, and his search for his soul and for redemption. In excruciating detail, we also learn of the venality, ambition, and greed of those in charge of the various crusader armies who seek power and position in their conquered territories, and the absolute brutality of the conquering crusaders who, in the name of Christ, slaughter, behead and burn all those men,…
A young French nobleman, Roger, Duke of Lunel, leaves his home to join the forces to recapture Jerusalem, yet the holy crusade turns horribly wrong as he witnesses savagery, betrayal, and deceit all around him, and he begins to believe that he will neverreturn home
LitRPG is special. It really is. LitRPG provides authors with some of the most powerful tools in storytelling. Computer-simulated worlds make magic fully believable. They enable giant mysteries, actual monsters, forbidden treasures, and incredibly diverse adversaries. LitRPG can be a love story or a tale of revenge. It can bring hope, despair, or just desserts. It’s a perfect vehicle for modern fantasy—a setting where the apocalypse can be at hand, where humans can fight gods, and where the world itself might be sentient. My love for LitRPG drove me to write an epic containing a series of huge, underlying mysteries that would reveal themselves over the course of the story.
Did you know that LitRPG was originally forged in the east? The Moonlight Sculptor (or Legendary Moonlight Sculptor, LMS, as most know it) was so popular that its ravenous fans spread it to the rest of the world. The series sets up a number of important tropes for the genre going forward. Many consider LMS to be required reading, but you should know going in that it has a very spotty translation. It’s a massive body of work, too, spanning 57 published volumes.
In it, a hardworking miser pseudonymously known as Weed overprepares and over-delivers time and time again. Watching Weed grow and affect his world is exciting and addictive. LMS is really engaging. It’s an excellent, albeit silly read. If you only read one Korean LitRPG, read this one.
While I wouldn’t go so far as to call myself a fan of horror, I have recently found myself drawn to darker books—especially at this time of the year with Halloween just around the corner. As a bisexual non-binary person, I love finding books with diverse LGBT+ rep in them, so these are just a few of the spookier LGBT+ books I think would make for great autumnal reading. Plus, my own book—My Name is Magic—features all kinds of mythological werebeasties and a race to save the day before the traditional Finnish Kekri festival, an equivalent of Halloween, although it involves less candy and more fire.
This YA novel is unquestionably one of my all time favourite reads. It’s about an asexual Apache girl with her ghost-dog sidekick in a world full of magic including faeries and vampires. The prose, the plot, the characters, the narrative structure—it was all brilliant and brought to life the story of a girl who can raise the ghosts of dead animals, a skill from her Lipan Apache family. A story that could’ve remained delightfully cute and sweet takes a decidedly darker turn when Elatsoe’s cousin is the picture-perfect town of Willowbee. As Elatsoe begins to investigate, she uncovers some seriously gruesome secrets in an alternate version of small-town America shaped by magic and monsters.
Imagine an America very similar to our own. It's got homework, best friends, and pistachio ice cream.
There are some differences. This America been shaped dramatically by the magic, monsters, knowledge, and legends of its peoples, those Indigenous and those not. Some of these forces are charmingly everyday, like the ability to make an orb of light appear or travel across the world through rings of fungi. But other forces are less charming and should never see the light of day.
Elatsoe lives in this slightly stranger America. She can raise the ghosts of dead animals, a skill passed down…
Becoming immersed in oral cultures was a massive wake-up call for me! Taught to privilege the written over the spoken word, as most literate people are, it took me years of living in the Pacific Islands, travelling regularly to their remoter parts, to appreciate that people who could neither read nor write could retain huge amounts of information in their heads – and explain it effortlessly. We undervalue orality because we are literate, but that is an irrational prejudice. And as I have discovered from encounters with oral traditions throughout Australia and the Pacific, India, and northwest Europe, not only are oral traditions extensive but may be thousands of years old.
First published in 1940, Hawaiian Mythology is an astonishingly comprehensive compilation of native Hawaiian stories and beliefs that, had it not been for the systematic – even dogged – efforts of people like Martha Beckwith may have never survived to today. This is a book to dip into, especially if you find yourself in Polynesia. The stories are factual, often unembellished, which allows you a glimpse into the soul of Pacific peoples. This book also explores the connections between (remote) Hawaii and other island groups in the western Pacific whence its people came, bearing oral memories that seeded the geography of Hawaii and directed the nature of its human occupation, probably hundreds of years before Europeans even knew the Pacific Ocean existed.
Ku and Hina―man and woman―were the great ancestral gods of heaven and earth for the ancient Hawaiians. They were life's fruitfulness and all the generations of mankind, both those who are to come and those already born.
The Hawaiian gods were like great chiefs from far lands who visited among the people, entering their daily lives sometimes as humans or animals, sometimes taking residence in a stone or wooden idol. As years passed, the families of gods grew and included the trickster Maui, who snared the sun, and fiery Pele of the volcano.
Ancient Hawaiians lived by the animistic philosophy…
I’m a woman. Laughing, crying, and swooning are all things I know intimately—sometimes heart-achingly. I’m living my life with my heart open, learning to be unashamedly me. That means I love, sometimes recklessly. That meant I hurt, sometimes more than anyone could know. And that means I swoon, not only for romance but also for the beauty of this “wild and precious life.” My recommended novels take you through all the feels. My own novels use my roots in Nashville, TN. Family and music are key. But more than that, my books are about learning to love yourself. I’ve learned personally that that’s the true happily ever after.
Romance isn't the only genre I read, of course. Laviniais written by one of my favorite authors, Ursula K LeGuin. This historical fiction novel takes a character from the ancient Aeneidand brings her to life.
In the Aeneid, Lavinia is the prize for Aeneas. But, she never speaks. Not even one word. LeGuin decided to fix that. She gives Lavinia her own story and journey. In doing so, she creates a rich protagonist who takes destiny into her own hands.
LeGuin traditionally writes science fiction. I love how this female writer in a male-dominated genre broke out of sci-fi to bring a historical female character to proper life. This is female empowerment, and I am so here for it! Lavinia is enthralling, exciting, and impassioned. Definitely a favorite!
An exceptional combination of history and mythology - 'an intriguing, luxuriously realised novel' FINANCIAL TIMES
'Subtly moving, playful...a novel that brought me to tears more than once. Lavinia is a delightful heroine' GUARDIAN
'Like Spartan Helen, I caused a war. She caused hers by letting men who wanted her take her. I caused mine because I wouldn't be given, wouldn't be taken, but chose my man and my fate. The man was famous, the fate obscure; not a bad balance.'
Lavinia is the daughter of the King of Latium, a victorious warrior who loves peace; she is her father's closest…
Pantheons and worship are elements of culture I’ve always found fascinating, partly from being a mostly secular person with relatives who are very religious. I read a lot of epic fantasy when I was younger that featured gods, like Erikson, and I love finding more recent works that play with how deities might affect a world, and vice versa. But I also picked some of the books below because they inject cli-fi or solarpunk into their worlds – something I’ve been adding to my second-world fantasy lately. Because why not create the same sort of aesthetic in other worlds?
This book was a serious inspiration for me when my debut novel was in an earlier draft. Tracy crafts this cool theology where “God” is a scientist and the world his Experiment, but not everyone agrees on whether that Experiment should be allowed to run free. What if God gets tired of playing and throws out the ant farm, or decide it’s not working…? The Nine centers on a motley-found family of characters, many of whom have rich backstories with each other that we get bits and pieces of, which is like catnip to me as a reader (and writer).
In the dark streets of Corma exists a book that writes itself, a book that some would kill for... Black market courier Rowena Downshire is just trying to pay her mother’s freedom from debtor's prison when an urgent and unexpected delivery leads her face to face with a creature out of nightmares. Rowena escapes with her life, but the strange book she was ordered to deliver is stolen. The Alchemist knows things few men have lived to tell about, and when Rowena shows up on his doorstep, frightened and empty-handed, he knows better than to turn her away. What he…
