I came to the Arthurian legends through the medium of medieval Welsh literature, a subject that had intrigued and challenged me since I was an undergraduate. I found the language impenetrable and yet beautiful, while the literature it encoded was fascinatingly unlike the literary traditions of England and France. I wanted to connect with a version of Arthur that preceded the romance traditions of France and England and bears witness to a much older culture and social organisation. Though I've learned to love other versions of Arthur, and indeed I teach the Arthurian legends as part of my academic work, the stark drama of the Welsh poems and tales continues to intrigue me.
This was one of the first Arthurian reference books and remains one of the best.
Its comprehensive scope, covering Arthurian legends and characters across many European literatures, provides answers to all possible questions about the world of Arthur. The format of short alphabetical entries is perfect for browsing – you will find all you need to know about the Bleeding Lance or the ‘Gargantuan Chronicles’ among many other lesser-known Arthurian curiosities.
I found this book invaluable when I was preparing my own book and I still dip into it when teaching students.
I remember being gifted a copy of a fairy tale book for children by someone my dad worked with as a kid. "Wow, these are really close to the originals," Mom murmured under her breath. "Wait, there are originals?" That set off a chain reaction of a lifelong love of fairy tales, myths, legends, and folk stories. Writing The Tooth Fairy forced me to double-check my lifetime of accumulated knowledge. Plus, being trapped indoors with audiobooks during a global pandemic left me a lot more time to learn! In short: I simply love the old legends.
Have you ever had a book actively try to stop you from reading it? This non-fiction book was guarded like all doorways into Fairie. Every time I sat down to read it the kettle would come to a boil, or the phone would ring! I read it cover to cover though. Even finding it again to tell you about it was a challenge.
Discover where faeries and other mythical creatures are hiding in our modern, urban environment with this beautifully illustrated guide to uncovering magical beings.
From the musty corners of libraries to the darkest depths of urban sewers, faeries, boggarts, redcaps, and other fantastical species can be found all around us-but only if we know where to look. And like every other being in the modern world, these wonderous creatures have been forced to adapt to the climate, industrial, and cultural changes of the modern era. Many formerly common creatures from akeki to cave trolls have been driven out by the urban…
The mission I have set myself as a novelist is to bring the past alive in the most engaging way; to try to tell some of the great tales of history as current, prescient stories. I want to open a reader’s mind, but also offer an escape, to fantastical places. My first novel for adults, Tomorrow, is told through the eyes of a dog who doesn’t die, whose quest for his similarly immortal master takes him through the wars of the 17th and 18th Centuries, and through every tottering court of Europe. My second, The Colour Storm, out in June 2022, is set in the art world of the Renaissance and is about the search for a new colour. The pigment has arrived in Venice and every artist of the day, from Leonardo to Michelangelo, is in fierce - perhaps murderous - competition to find it first.
Historical fiction is by no means a modern concept. Two thousand years ago, the Roman poet, Virgil, sets his epic tale in the distant past. Aeneas and his men voyage through Europe, North Africa, and the underworld, encountering physical and emotional devastation before arriving on Italian shores to found Rome. Elements may be fantastical but that past comes to life with the brilliant, bracing clarity of a spring morning.
Aeneas flees the ashes of Troy to found the city of Rome and change forever the course of the Western world--as literature as well. Virgil's Aeneid is as eternal as Rome itself, a sweeping epic of arms and heroism--the searching portrait of a man caught between love and duty, human feeling and the force of fate--that has influenced writers for over 2,000 years. Filled with drama, passion, and the universal pathos that only a masterpiece can express. The Aeneid is a book for all the time and all people.
Alienation from nature has contributed to environmental problems in today’s world. Until recently in human history, our daily lives were intertwined with living things. I've always been keenly interested in the intersection between people and nature, between ecology and society. How should we live, what have we done lately? Observation today can bring much-needed respect, and if we are lucky, we will find that animals, birds, and places intercept us in our wanderings, helping to bring forth distinctive and personal stories. There is danger, the seas are mighty, many monsters lurk in the dark. But can be silence too. Pull up a chair by the blazing fire, come listen to those voices.
In one of the finest pieces of world literature, Robert Bringhurst recounts stories of the Haida mythtellers. The isles of Haida Gwaii are 160 km into the Pacific, drenched in rain, mist, and wind. Here was one of the world's richest traditions of story, place, and nature, where myths thought themselves into people. We have the extraordinary sagas of Raven Travelling, Goose Food, and the Qquana Cycle, some individual oral sagas more than 5,000 lines long. “Wealth has big eyes,” said one storyteller. Raven is the trickster of the North, is ingenious, ever-watchful from high spruce and red cedar. “Bring us good luck,” people called out. Says one, “He always fools everybody, so he gets by easy.” Yet many of the Haida people died on contact with colonial invaders, and the coastal villages and rows of totem house poles stand abandoned.
The Haida world is a misty archipelago a hundred stormy miles off the coasts of British Columbia and Alaska. For more than a thousand years before the Europeans came, a great culture flourished on these islands. In 1900 and 1901 the linguist and ethnographer John Swanton took dictation from the last traditional Haida-speaking storytellers, poets, and historians. Robert Bringhurst worked for many years with these manuscripts, and in this text he brings them to life in the English language.
Long before I began writing my first fictional story and way before I researched for my first nonfiction paranormal book, I gave up ignoring the voices in my head and began writing horror, fantasy, and six nonfiction books on the paranormal in Virginia. Besides learning a new piece of history or legend I never knew before, the research for my nonfiction books and articles inspired me to incorporate it into my horror or fantasy fiction. I enjoy writing fiction, but I believe I learn as much as my readers when I write nonfiction.
This book is a collection of legends and folklore gathered by field workers of the Virginia Writers Project of the WPA that languished for decades in the libraries of the University of Virginia. It took folklorist Thomas E. Barde to put them in a book endorsed by the American Folklore Society. It helped me discover the witch stories told in the past until the 40s in the western part of Virginia, as I researched for the witch chapter of my own book. I enjoyed these tales and believed other armchair folklorists would enjoy them, too.
What do devil dogs, witches, haunted houses, Daniel Boone, Railroad Bill, "Justice John" Crutchfield, and lost silver mines have in common? All are among the subjects included in the vast collection of legends gathered between 1937 and 1942 by the field workers of the Virginia Writers Project of the WPA. For decades following the end of the project, these stories lay untouched in the libraries of the University of Virginia. Now, folklorist Thomas E. Barden brings to light these delightful tales, most of which have never been in print. Virginia Folk Legends presents the first valid published collection of Virginia…
I spent my career teaching Classics, mostly at Oxford University, where I was a fellow of Lady Margaret Hall and Professor of the Classical Tradition. I have worked on the influence of the ancient world on British literature and culture, especially in the Victorian age, and when being a conventional classicist have written mostly about Latin literature and Roman culture. I have also written short books on Jane Austen and Westminster Abbey.
The supreme classic of western literature and all that, but what fascinates me is the paradoxes. Here is a poem about success, victory, and empire, yet it is suffused with grief and melancholy. It is an imperfect poem written by a perfectionist; it wears a sovereign authority, but no epic poem seems more personal. None ends so abruptly, yet the ending seems entirely complete. Virgil is a ‘civilised’ poet, literary, self-conscious, and controlled, but he is also intuitive and instinctive: he finds dark and wonderful places, and who can match his sense of mystery, his power to evoke the indescribable? Dryden’s translation is an English classic, or if you prefer a modern version, I recommend Sarah Ruden.
"The translation is alive in every part. . . . This is the first translation since Dryden's that can be read as a great English poem in itself."-Garry Wills, New York Review of Books
This extraordinary new translation of Vergil's Aeneid stands alone among modern translations for its accuracy and poetic appeal. Sarah Ruden, a lyric poet in her own right, renders the classic poem in the same number of lines as the original work-a very rare feat that maintains technical fidelity to the original without diminishing its emotional power.
Ruden's translation follows Vergil's content faithfully, and the economy and…
Pantheons and worship are elements of culture I’ve always found fascinating, partly from being a mostly secular person with relatives who are very religious. I read a lot of epic fantasy when I was younger that featured gods, like Erikson, and I love finding more recent works that play with how deities might affect a world, and vice versa. But I also picked some of the books below because they inject cli-fi or solarpunk into their worlds – something I’ve been adding to my second-world fantasy lately. Because why not create the same sort of aesthetic in other worlds?
This book was a serious inspiration for me when my debut novel was in an earlier draft. Tracy crafts this cool theology where “God” is a scientist and the world his Experiment, but not everyone agrees on whether that Experiment should be allowed to run free. What if God gets tired of playing and throws out the ant farm, or decide it’s not working…? The Nine centers on a motley-found family of characters, many of whom have rich backstories with each other that we get bits and pieces of, which is like catnip to me as a reader (and writer).
In the dark streets of Corma exists a book that writes itself, a book that some would kill for... Black market courier Rowena Downshire is just trying to pay her mother’s freedom from debtor's prison when an urgent and unexpected delivery leads her face to face with a creature out of nightmares. Rowena escapes with her life, but the strange book she was ordered to deliver is stolen. The Alchemist knows things few men have lived to tell about, and when Rowena shows up on his doorstep, frightened and empty-handed, he knows better than to turn her away. What he…
While I wouldn’t go so far as to call myself a fan of horror, I have recently found myself drawn to darker books—especially at this time of the year with Halloween just around the corner. As a bisexual non-binary person, I love finding books with diverse LGBT+ rep in them, so these are just a few of the spookier LGBT+ books I think would make for great autumnal reading. Plus, my own book—My Name is Magic—features all kinds of mythological werebeasties and a race to save the day before the traditional Finnish Kekri festival, an equivalent of Halloween, although it involves less candy and more fire.
This YA novel is unquestionably one of my all time favourite reads. It’s about an asexual Apache girl with her ghost-dog sidekick in a world full of magic including faeries and vampires. The prose, the plot, the characters, the narrative structure—it was all brilliant and brought to life the story of a girl who can raise the ghosts of dead animals, a skill from her Lipan Apache family. A story that could’ve remained delightfully cute and sweet takes a decidedly darker turn when Elatsoe’s cousin is the picture-perfect town of Willowbee. As Elatsoe begins to investigate, she uncovers some seriously gruesome secrets in an alternate version of small-town America shaped by magic and monsters.
Imagine an America very similar to our own. It's got homework, best friends, and pistachio ice cream.
There are some differences. This America been shaped dramatically by the magic, monsters, knowledge, and legends of its peoples, those Indigenous and those not. Some of these forces are charmingly everyday, like the ability to make an orb of light appear or travel across the world through rings of fungi. But other forces are less charming and should never see the light of day.
Elatsoe lives in this slightly stranger America. She can raise the ghosts of dead animals, a skill passed down…
When wanting to understand the legend of Parzifal
and the Grail, you can’t do better than Joseph Campbell.
Not only does he retell the legendary story
in an engaging way, but he draws on the different versions of it with ease and
grace to bring more understanding, meaning, and context to its place in our own
narrative.
The first collection of Joseph Campbell’s writings and lectures on the Arthurian romances of the Middle Ages, a central focus of his celebrated scholarship, edited and introduced by Arthurian scholar Evans Lansing Smith, PhD, the chair of Mythological Studies at Pacifica Graduate Institute.
Throughout his life, Joseph Campbell was deeply engaged in the study of the Grail Quests and Arthurian legends of the European Middle Ages. In this new volume of the Collected Works of Joseph Campbell, editor Evans Lansing Smith collects Campbell’s writings and lectures on Arthurian legends, including his never-before-published master’s thesis on Arthurian myth, A Study of…
LitRPG is special. It really is. LitRPG provides authors with some of the most powerful tools in storytelling. Computer-simulated worlds make magic fully believable. They enable giant mysteries, actual monsters, forbidden treasures, and incredibly diverse adversaries. LitRPG can be a love story or a tale of revenge. It can bring hope, despair, or just desserts. It’s a perfect vehicle for modern fantasy—a setting where the apocalypse can be at hand, where humans can fight gods, and where the world itself might be sentient. My love for LitRPG drove me to write an epic containing a series of huge, underlying mysteries that would reveal themselves over the course of the story.
A Virtual Dream is a LitRPG that’s achieved legendary status. The story does so many things right. It establishes a compelling base-building story, gives meaning to NPCs, and pulls us to root for the oddball protagonist, whether or not we agree with him.
Mysteriously, books one and two of The Dragon’s Wrath haven’t been for sale online in years. Nonetheless, the demand for this series continues today and copies of each book still circulate the web, prized like treasures.
This book helped me realize how much more can be done with the LitRPG genre, and even though its story remains unfinished, the third book gives a considerable amount of resolution while leaving you hungry for more.
