The most recommended Odysseus books

Don't look for some high-brow version full of pseudo-Shakespearean language. Homer's story is a blood-and-guts tale (literally) of hard-bitten heroes, feuding among spiteful gods and bombastic military commanders. Try John Dolan's version from Feral house publishing, deliberately written as he imagined the story was first told – by soldiers sitting around a campfire exchanging yarns.

Journeys are most often linear – Here to There – or circular – "There and Back Again." The Odyssey is actually a return leg in the most traumatic and perennial circular journey: going to war, and then, getting back. "Wily" (in modern terms, read, "sneaky," "trickster")  Odysseus left Troy a famous warrior, but takes seven years to get home. The fabulous episodes of that journey, the Cyclops, the Sirens, Scylla and Charybdis, Circe, and Calypso, the wreck in Phaeacia that leaves him bereft even of clothes, have grounded the Western imagination. But the concluding little things – the recognition scenes, the dog that dies, and the nurse who doesn't – push that epic past into a close, human Now.

I loved Aphrodite’s Breath, a memoir because it honestly and intelligently explores the relationship between a mother and an adult daughter. Susan, the author, goes to live on a Greek island for a year with her elderly mother.

She faces the difficult questions of creativity and mortality as she negotiates an underground power struggle with her mother. It is poetic, insightful, and a pleasure to read.

Despite its main title, this collection isn’t actually about ‘everything’, in the way that Douglas Adams’s Life, the Universe and Everything (the third volume of The Hitchhiker’s Guide to the Galaxy) claimed to be. It’s the subtitle that says it all – well, almost everything.

Joyce’s modernist masterpiece was first published in Paris in 1922, the author by then well removed from his native Ireland. I’m a Classicist (trained in ancient Greek and Latin languages and Greek and Roman culture) and a specialist ancient Greek historian and archaeologist.

Joyce’s Ulysses occupies a very special, indeed unique place in what’s now routinely – and centrally – labelled ‘Classical reception’. (Ulysses is the Latin near-transliteration of Greek Oulixes, an alternative to Odysseus.) It’s a famously ‘difficult’ text, not so much in its underlying and structuring leitmotif – a transposition in every sense of the original Homeric epic hero Odysseus’ 10-year nostos,… show more.

I loved this book. It tells Odysseus’ story from the viewpoint of his loyal dog Argos. Intended for readers aged 8-12, it can awaken the child in all of us. We knew from The Odyssey how loyal a dog Argos was. But hearing in Argos’s own words how he protected Penelope, Telemachus, and the hall of Odysseus in his master’s absence makes absolutely clear that Argos is formidable indeed. In fact, he shares many of his master’s characteristics. He can plan, trick his opponents, and use his wits to overcome any challenge in service to Odysseus. He learns of Odysseus’ movements by speaking to birds who have come from the islands where Odysseus is struggling to return home from Troy. Although Argos dies of old age when he finally sees Odysseus, he has had a son who, loyal like his father, stands beside Odysseus and Telemachus and witnesses their slaughter… show more.

Because it is a great read, Homer’s novel-like Odyssey is one of the best-loved books from antiquity. Moreover, it illustrates Greek mythology in action. 

Homer’s epic tells of the difficult return of the hero Odysseus from distant Troy to his island-home of Ithaca following the Trojan War, as he seeks to be reunited with his wife Penelope. In the course of his travels, he is aided by the goddess Athena, who is his divine champion, but obstructed by the wrathful sea-god Poseidon, his persecutor. 

Among other obstacles are bizarre and memorable characters such as the one-eyed, cannibalistic Cyclops, the treacherous Scylla and Charybdis, the alluring witch Circe, and the erotic nymph Calypso. This translation by Robert Fagles is one of the best.

This book does several things. First, it offers fascinating bios of eight heroes from history and mythology. Two legendary Homeric characters—Achilles and Odysseus—are joined by six giant figures from history: Alcibiades, Cato, El Cid, Wallenstein, Francis Drake, and Garibaldi. Morally, these men are often a mix of good and bad—but their stories are always robustly colorful. Hughes-Hallett draws a fascinating distinction between Achilles and Odysseus—one hero chose death and glory, the other lied, cheated, and stole to retain life. 

Hughes-Hallett points out the dangers of hero worshiping giants whose prowess might outstrip their character; the dangers of seeking guidance from “great men” that we would be better off providing ourselves.

This is an obvious pick, I know. Still, it’s on record as the greatest adventure, the highest bar of duty and courage—and ultimately love.

Homer’s epic detailing Odysseus’ journey home from the Trojan War is fraught with peril and obstacles that would have made a lesser human give up and call it a day. 

Destiny called him away, but it was love that brought him home from war. At each crossroad Odysseus was offered an alternative, he chose to return to his wife, his son, and his land. He could have been made immortal.

He was offered riches and greater glory, and all the dude wanted was to kiss his wife and sleep in his own bed at the end of the day. Is that so much to ask?

The reason The Odyssey is on my list is to reflect the scale of destiny, and the answering and equal call… show more.

All adventures begin with The Odyssey.

Before there was Don Quixote, Huckleberry Finn, or Bilbo Baggins, there was brave Odysseus. It was Homer who first taught us what it means to desperately desire “to make it there and back again.” For me, The Odyssey struck a personal cord. As a warrior who once answered his nation’s call, it often wasn’t the battles in far distant lands, but the journey home, that was most difficult. Home, that beautiful, powerful word, holds great magic for Odysseus, and for me, too. Many ideas can send a hero on an adventure, but only love of home can bring him back again. These are the greatest adventures of all, and why The Odyssey is foundational for my own novel.

This spot very nearly went to the great John le Carre, perhaps his brilliant The Little Drummer Girl.

Grady’s debut is not as complex or as dense as le Carre, but it holds a special place in my heart, partly because of its back story.

Grady was a young congressional staffer in my adopted hometown of Washington, DC when he dreamed up a covert CIA unit whose role is to monitor foreign intelligence operations by scouring books and magazines from around the world.

When the novel was adapted into the movie Three Days of the Condor, it was seen by KGB generals who—assuming it was based on truth—set up a similar unit of their own. Amazing but true.