100 books like Heroes

I have read a lot of history and archaeology books and more often than not they can be a little dull, dry and in some cases work better than a sleeping tablet.

Not with this book, here you learn about parts of medieval England you just wouldn’t think about, written from a more personal point of view its less about political stuff like kings, queens, and those pesky archbishops and much more on the practicalities of living in medieval England.

Would you know what to eat, wear, or where to go to the toilet? Would you know how to address a lord or lady? Would you know what to do if you got sick? This is a vital guide for all time travelers!

My interest in the Vikings initially arose out of seeing the Lewis Chessmen at the British Museum, they have such interesting faces, full of life and mystery. For me, the chessmen are the reason for my writing journey and in this small and perfectly formed book is the story of their discovery on the Isle of Lewis and their journey to the present day.

Written by the marvelous storyteller Irving Finkel who is the Assistant Keeper of Ancient Mesopotamian script, languages, and cultures in the Department of the Middle East in the British Museum – which is something of a mouthful (check out his YouTube videos).

It is an easy read that transports a person back into time, wondering who the chessmen belonged to, why did they end up on a Scottish beach and what do those funny little carved characters make of it all? 

Going even further back in time this book looks to the archaeological evidence and asks, what was life like in the very distant past, in deep prehistory?

Was it short, violent, and miserable as we are often led to believe, or is there a different story? Here Francis Pryor examines the evidence to test this question and finds that actually, much like today, life was complex and yet a place where home and hearth lay at the center of our ancestors’ lives.

Francis Pryor writes from the heart, with empathy and imagination. I found it an easy read given it deals with what can be very dry pieces of archaeological evidence. If you are interested in early prehistory, this is a must read.

I have always admired people who can bring the past to life in a visual way and in this book, Victor Ambrose draws and paints the lives of people and places from the past.

The text is provided by Mick Aston, a well-known archaeologist of Time Team fame. Many of the places featured in this book were sites investigated by the Time Team. The book is full to the brim with excellent illustrations of places and perhaps importantly they are then peopled with interesting characters (for fans of Time Team, you may recognize a few faces).

This book makes it easy to travel back in time, to visualize what life may have been like for people way back when which is why I recommend it to any potential time travelers.

PS Look out for the cheeky dog…

Vernant was an influential scholar when I began writing about women in ancient Greece in the 1990s. His discussions of the social, political and religious institutions of the time, and their relationship with popular mythology, were informed by French structuralist theory.  For me his analysis of the role of marriage in a society devoted to virgin goddesses was particularly stimulating.

Closely related to my love for history is my love of mythology—the boundary between the two is porous. This book started that love. There have been many books published that present the Greek myths to children, and this book is not considered one of the classics, but because it was my favorite book when I was six, I have never found another version better. I love the illustrations and how stylized they are. They capture the myths’ mystique, yet you can always see the human. I was clutching this book in the back seat of my family’s car when my mom announced that we would be getting a baby brother. As I was reading about Jason and the Golden Fleece, I suggested Jason as a name. It stuck!

The ancient Greeks were not only good at making serious art such as epics and tragedies, they were also good at making fun of them in literature and art.

In the realm of art, the most abundant source of humor is painted vases, which were manufactured mostly for the use of men at symposia, or drinking parties.

Greek mythology was a favorite subject of the vase painters, and Mitchell’s richly-illustrated study of humorous vases provides a fun and unusual window into ancient burlesque treatments of Greek myths and legends.  

Set against a beautiful, violent landscape, The Door in the Mountain is the story of Ariadne, a young princess navigating her culture’s customs and her personal responsibilities. In Ariadne’s world, the course of one’s life is determined by whether one has a “godmark” – a special gift or ability granted by the heavens. Ariadne desperately wants to be godmarked like her brother and parents. That desperation fuels a mean streak that, at times, turns to downright cruelty. Caitlin Sweet is a master of characterization, and as a reader, I can’t help but sympathize with Ariadne’s longing to fit in with her family – to be considered their equal in all aspects – even when her words and actions are despicable to those around her. 

In this witty and intelligent book, broadcaster and novelist Natalie Haynes applies a woman’s mind to stories that in the past have been told to us mostly by men. She presents us with ten female characters who not only feature in ancient myths, but also have starring roles in later paintings, plays, novels, films, operas, and musicals. They include Pandora, Helen, Medusa, Eurydice, and Penelope: whether traditionally seen as victims or villains, all these women are explored in their ‘difficult, messy, murderous’ complexity. 

The challenge of writing historical fiction set in the distant past is bridging the vast gap between our modern understanding of the world and that of our distant forebears, since even our most basic assumptions and values undergo enormous changes over time. Those who love Renault’s works about classical antiquity relish the ability of her novels to truly carry us into another world, to make it felt and intelligible. This novel follows the fortunes of the mythic hero Theseus, from his origins in Troizen to his departure for Athens to find his father, his achievement of the kingship of Eleusis, his voluntary enslavement in Crete as a bull-dancer, an acrobat who vaults over living animals for spectacle, his confrontation with the minotaur and his eventual return home, older and more baffled by existence. It gives dimension to the mythic hero, a complexity that is at once familiar and profoundly, unsettlingly… show more.