96 books like Pandora's Jar

Vernant was an influential scholar when I began writing about women in ancient Greece in the 1990s. His discussions of the social, political and religious institutions of the time, and their relationship with popular mythology, were informed by French structuralist theory.  For me his analysis of the role of marriage in a society devoted to virgin goddesses was particularly stimulating.

Mulvey’s ground-breaking essay on women in film had a huge impact on the scholarship around the visual representation of women in a range of media. Her arguments about masculine voyeurism gave rise to countless discussions of ‘the male gaze,’ and influenced my own exploration of depictions of females in Greek sculpture. Here, the nude goddess Aphrodite was often presented as the object of a desiring gaze. But in ancient Greece the situation was complicated by the popularity of the male nude and the widespread acceptance of homoerotic relations. Mulvey herself went on to distinguish between the straight and the gay gaze. 

Thrilling portraits of violent women in Greek tragedy—for example, Clytemnestra, Electra, and Medea—seem like an anomaly in a society that expected women to get married, bear children, be quiet, and stay at home. In this accessible introduction to the subject Rabinowitz examines tragedy in its original theatrical and social contexts. Her analyses of selected plays are grounded in psychoanalytic and feminist theory, and include vivid accounts of some modern performances. Whatever is happening in the world, there is always a Greek tragedy that speaks to it. 

"The statements we make just by getting dressed in the morning." This book about fashion and dress codes, and how they interconnect with gender, sexuality, and class, is lively and thought-provoking. My own study of the women who appear in Greek vase paintings led me to look more closely at women’s relationship with their clothing. In particular their handling of shoes became a source of fascination, and in my current research I’m focussing on narratives around female footwear. In the book, Brydon’s chapter "Sensible Shoes" has been an inspiration. Stilettos, for example, are seen as being entirely ambiguous in their significance, items which can both empower and disable the wearer. Like the knife they are named after, they are double-edged. 

Greek mythology that reads like a storybook.

I never thought I would enjoy reading Greek mythology. But how Fry wrote it is really amazing. Now, when I go to a museum and see an ancient painting depicting Greek Mythology, I am often able to explain what is visualised in the artwork.

In the book, Zeus and the other Gods get a true character and the fights they have are depicted in a way that you still want to read it till the end, even if you know what the end will look like. 

I adored The Half God of Rainfall’s daring: a new free-verse epic crafted from ancient Yoruba and Greek mythology by Inua Ellams, a poet and playwright, who has also adapted it for theatre. It tells the story of Demi, the son of Modúpé, a mortal woman and the Greek god Zeus. Ellams does not shy away from Zeus’s canonical role as a violent sexual predator and the tale of Demi’s rise and fall as a basketball player, half god, and half mortal culminates in the overthrowing of the patriarchy. Demi’s mother Modúpé, with the aid of the Òrìsà (Yoruban Gods) and other women wronged by him – Leda, Danaë, Europa, Antiope – takes her revenge on the great Zeus himself. 

My love of ancient Greek heroes began with the old stop footage films of the 70s and early 80s.

The bravery, the adventure, and the mystery had me hooked at a young age. So, it was a delight to find a book that dealt with the heroes of the ancient Greeks in such an easy-to-read way. This book is not just a rehash of those much-loved tales such as Jason and the Argonauts or Odysseus, Stephen Fry has brought a more modern language to the stories making them relatable and relevant for today.

This is an all-time favourite of mine.

Looking for the quintessential guide to Greek mythology? This is the book I studied in high school, the first time learning the stories that have stuck with me to this day (many decades later). Hamilton’s storytelling feels authentic to the voices of the original authors without being dry. Among this collection, you’ll find creation stories (think Titans, Olympians, Zeus, and Hades), fabulous love stories (Orpheus and Eurydice, Cupid and Psyche!), heroes of the Trojan War (Odysseus and Achilles) and earlier (Hercules and Perseus), famous families (Oedipus and Antigone), and monsters (Cerberus and the Minotaur). You may not sit down and read this cover to cover, but Edith Hamilton’s Mythology is a great reference you’ll want on your shelf.

The ancient Greeks were not only good at making serious art such as epics and tragedies, they were also good at making fun of them in literature and art.

In the realm of art, the most abundant source of humor is painted vases, which were manufactured mostly for the use of men at symposia, or drinking parties.

Greek mythology was a favorite subject of the vase painters, and Mitchell’s richly-illustrated study of humorous vases provides a fun and unusual window into ancient burlesque treatments of Greek myths and legends.  

Set against a beautiful, violent landscape, The Door in the Mountain is the story of Ariadne, a young princess navigating her culture’s customs and her personal responsibilities. In Ariadne’s world, the course of one’s life is determined by whether one has a “godmark” – a special gift or ability granted by the heavens. Ariadne desperately wants to be godmarked like her brother and parents. That desperation fuels a mean streak that, at times, turns to downright cruelty. Caitlin Sweet is a master of characterization, and as a reader, I can’t help but sympathize with Ariadne’s longing to fit in with her family – to be considered their equal in all aspects – even when her words and actions are despicable to those around her.