100 books like The Homeric Gods

I was delighted by McEvilley’s learned and systematic effort to compare ideas and practices from the Mediterranean and Indian worlds. I had attempted similar, much smaller-scale comparisons in my own earliest academic work on Aristotle—seeking to understand neglected Aristotelian ideas in the light of Buddhist thought. However, McEvilley managed a much wider and more knowledgeable discussion, taking ancient thought more seriously than the majority of scholars.

Our predecessors did a good job of analyzing, interrogating, and controlling the many shades and phantoms of human consciousness. We may have surpassed them in the control of the external world, but we still have much to learn about our inner worlds.

I first encountered Spengler’s theories in work by science fiction writers such as A.E. Van Vogt and James Blish, who were enticed by Spengler’s notion that there was no single history of human civilization. Instead, distinct “Cultures” were born and slowly decayed into mere “Civilizations” by roughly predictable stages. Each Culture began with a fresh way of seeing and conceiving the world and our place in it, expressed in new art, politics, technology, and even mathematics.

The original inspiration was then lost and replaced by merely imitative and rule-governed art and society. Spengler certainly got a lot wrong, but I remain inspired by the notion that there are really different ways of being human and that—even if “the West” is bound, as other writers of the time expected, to decay—new lives, new Cultures will still emerge and flourish.

“Out of the spent and unconsidered earth,” in the poet Kipling’s words,… show more.

I first encountered Herodotus—the “Father of History”—when studying Ancient Greek for the UK A-level exams. I read the Greek text laboriously, with help from Aubrey de Selincourt’s translation. My teacher and fellow students could hardly believe that I didn’t find Book Two, which covers the customs of the Egyptians, boring. They were also surprised that I wasn’t contemptuous of Herodotus’s willingness to record what he was told without judgment.

The myth Herodotus created—of a Western world devoted to the rule of law and the freedom of individuals under that law, in opposition to a “despotic” East—has echoed down the years. It has also been accompanied by a skeptical, even cynical, approach to any claims of miracles or almost divine insight. However, what I learned from Herodotus was that the Greeks were conscious of other, older, and sometimes more impressive “barbarian” cultures all around them. I thought… show more.

The earliest philosophers in both Greece and India—it is a fact usually ignored—were poets. Kingsley’s work is a deeply engaging challenge to more “prosaic” interpretations, especially of Parmenides, whom most modern scholars interpret as someone struggling to articulate elementary logical distinctions, posing puzzles about negation and the many meanings of “is” in a way later resolved by Plato.

By taking Parmenides’ poetry seriously as a record of contemplative experience—even of ritualized sensory deprivation—Kingsley helped me to question my own assumptions and to explore ways of changing one’s own mind and motivation that are more effective and more disquieting than merely argumentative discourse. Other books by Kingsley bring an acute scholarly and historical sensibility to bear on what has been treated as merely marginal elements of ancient culture.

Vernant was an influential scholar when I began writing about women in ancient Greece in the 1990s. His discussions of the social, political and religious institutions of the time, and their relationship with popular mythology, were informed by French structuralist theory.  For me his analysis of the role of marriage in a society devoted to virgin goddesses was particularly stimulating.

My love of ancient Greek heroes began with the old stop footage films of the 70s and early 80s.

The bravery, the adventure, and the mystery had me hooked at a young age. So, it was a delight to find a book that dealt with the heroes of the ancient Greeks in such an easy-to-read way. This book is not just a rehash of those much-loved tales such as Jason and the Argonauts or Odysseus, Stephen Fry has brought a more modern language to the stories making them relatable and relevant for today.

This is an all-time favourite of mine.

The ancient Greeks were not only good at making serious art such as epics and tragedies, they were also good at making fun of them in literature and art.

In the realm of art, the most abundant source of humor is painted vases, which were manufactured mostly for the use of men at symposia, or drinking parties.

Greek mythology was a favorite subject of the vase painters, and Mitchell’s richly-illustrated study of humorous vases provides a fun and unusual window into ancient burlesque treatments of Greek myths and legends.  

Set against a beautiful, violent landscape, The Door in the Mountain is the story of Ariadne, a young princess navigating her culture’s customs and her personal responsibilities. In Ariadne’s world, the course of one’s life is determined by whether one has a “godmark” – a special gift or ability granted by the heavens. Ariadne desperately wants to be godmarked like her brother and parents. That desperation fuels a mean streak that, at times, turns to downright cruelty. Caitlin Sweet is a master of characterization, and as a reader, I can’t help but sympathize with Ariadne’s longing to fit in with her family – to be considered their equal in all aspects – even when her words and actions are despicable to those around her. 

In this witty and intelligent book, broadcaster and novelist Natalie Haynes applies a woman’s mind to stories that in the past have been told to us mostly by men. She presents us with ten female characters who not only feature in ancient myths, but also have starring roles in later paintings, plays, novels, films, operas, and musicals. They include Pandora, Helen, Medusa, Eurydice, and Penelope: whether traditionally seen as victims or villains, all these women are explored in their ‘difficult, messy, murderous’ complexity. 

Greek mythology that reads like a storybook.

I never thought I would enjoy reading Greek mythology. But how Fry wrote it is really amazing. Now, when I go to a museum and see an ancient painting depicting Greek Mythology, I am often able to explain what is visualised in the artwork.

In the book, Zeus and the other Gods get a true character and the fights they have are depicted in a way that you still want to read it till the end, even if you know what the end will look like.