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There is more than one history of the human world and more than one high culture–but all those histories and cultures may contribute to a unified sense of being and human potential. We need to step outside our immediate world, history, culture, and sensibility to learn–as G.K. Chesterton remarked–that humanity can be great and even glorious under conditions and with beliefs and fancies far different from ours. Knowing this, we may also gain new insight into our familiar local world. We may end, in Kipling’s words, by realizing that in the endless opposition of We and They, We ourselves are only a sort of They!
I was delighted by McEvilley’s learned and systematic effort to compare ideas and practices from the Mediterranean and Indian worlds. I had attempted similar, much smaller-scale comparisons in my own earliest academic work on Aristotle—seeking to understand neglected Aristotelian ideas in the light of Buddhist thought. However, McEvilley managed a much wider and more knowledgeable discussion, taking ancient thought more seriously than the majority of scholars.
Our predecessors did a good job of analyzing, interrogating, and controlling the many shades and phantoms of human consciousness. We may have surpassed them in the control of the external world, but we still have much to learn about our inner worlds.
This revolutionary study by the renowned classical philologist reveals the interplay of Greek and Indian thought at the roots of Western culture.
Thomas C. McEvilley’s magisterial work demonstrates that Eastern and Western civilizations have not always had separate, autonomous metaphysical schemes, but have mutually influenced each other over a long period of time. Examining ancient trade routes, imperialist movements, and migration currents, he shows how some of today’s key philosophical ideas circulated freely in the triangle between Greece, India, and Persia, leading to an intense metaphysical interchange between Greek and Indian cultures.
While scholars have sensed a philosophical kinship between…
There is more than one history of the human world and more than one high culture–but all those histories and cultures may contribute to a unified sense of being and human potential. We need to step outside our immediate world, history, culture, and sensibility to learn–as G.K. Chesterton remarked–that humanity can be great and even glorious under conditions and with beliefs and fancies far different from ours. Knowing this, we may also gain new insight into our familiar local world. We may end, in Kipling’s words, by realizing that in the endless opposition of We and They, We ourselves are only a sort of They!
I first encountered Spengler’s theories in work by science fiction writers such as A.E. Van Vogt and James Blish, who were enticed by Spengler’s notion that there was no single history of human civilization. Instead, distinct “Cultures” were born and slowly decayed into mere “Civilizations” by roughly predictable stages. Each Culture began with a fresh way of seeing and conceiving the world and our place in it, expressed in new art, politics, technology, and even mathematics.
The original inspiration was then lost and replaced by merely imitative and rule-governed art and society. Spengler certainly got a lot wrong, but I remain inspired by the notion that there are really different ways of being human and that—even if “the West” is bound, as other writers of the time expected, to decay—new lives, new Cultures will still emerge and flourish.
“Out of the spent and unconsidered earth,” in the poet Kipling’s words,…
The first volume of Oswald Spengler’s The Decline of the West is a classic milestone in the annals of historiography. However, it is not a history book in the traditional sense of recounting events in chronological order. Instead, it tries to explain the mechanisms that make different cultures tick. While classical culture had no concept of the past or future and was only fixated on the present, Western culture is focused on both the past as memory and the future as unconquered territory.
Like organisms that are born, mature and eventually die, cultures are the blossoming youth while civilizations usher…
There is more than one history of the human world and more than one high culture–but all those histories and cultures may contribute to a unified sense of being and human potential. We need to step outside our immediate world, history, culture, and sensibility to learn–as G.K. Chesterton remarked–that humanity can be great and even glorious under conditions and with beliefs and fancies far different from ours. Knowing this, we may also gain new insight into our familiar local world. We may end, in Kipling’s words, by realizing that in the endless opposition of We and They, We ourselves are only a sort of They!
I first encountered Herodotus—the “Father of History”—when studying Ancient Greek for the UK A-level exams. I read the Greek text laboriously, with help from Aubrey de Selincourt’s translation. My teacher and fellow students could hardly believe that I didn’t find Book Two, which covers the customs of the Egyptians, boring. They were also surprised that I wasn’t contemptuous of Herodotus’s willingness to record what he was told without judgment.
The myth Herodotus created—of a Western world devoted to the rule of law and the freedom of individuals under that law, in opposition to a “despotic” East—has echoed down the years. It has also been accompanied by a skeptical, even cynical, approach to any claims of miracles or almost divine insight. However, what I learned from Herodotus was that the Greeks were conscious of other, older, and sometimes more impressive “barbarian” cultures all around them. I thought…
'The first example of non-fiction, the text that underlies the entire discipline of history ... it is above all a treasure trove' Tom Holland
One of the masterpieces of classical literature, The Histories describes how a small and quarrelsome band of Greek city states united to repel the might of the Persian empire. But while this epic struggle forms the core of his work, Herodotus' natural curiosity frequently gives rise to colourful digressions - a description of the natural wonders of Egypt; tales of lake-dwellers, dog-headed men and gold-digging ants. With its kaleidoscopic blend of fact and legend, The Histories…
There is more than one history of the human world and more than one high culture–but all those histories and cultures may contribute to a unified sense of being and human potential. We need to step outside our immediate world, history, culture, and sensibility to learn–as G.K. Chesterton remarked–that humanity can be great and even glorious under conditions and with beliefs and fancies far different from ours. Knowing this, we may also gain new insight into our familiar local world. We may end, in Kipling’s words, by realizing that in the endless opposition of We and They, We ourselves are only a sort of They!
I first encountered Otto’s book just before going to Oxford University in 1964, and there, I discovered a way of understanding ancient Greek devotion to their gods.
By Otto’s account, those gods were whole worlds of meaning, from sexual joy (Aphrodite) and homicidal fury (Ares) to more subtle visions of the world (Hermes, the traveler in Twilight) and (finally) Zeus as the guarantor of promises, and of hospitality.
He also introduced me to the idea that the Greeks saw “gods” in moments of sudden joy or inspiration: the lucky moment when–in the poet Pindar’s words–a god sheds a shining light on our usual dreamy life.
Appassionante e insuperata ricostruzione dell’universo religioso greco, questo libro avvicina sapientemente il lettore alle figure della religione olimpica – e al loro peculiare modo di manifestarsi – seguendo una duplice da un lato Otto esamina il culto dei dodici dèi olimpici (soffermandosi anzitutto su Atena, Apollo, Artemide, Afrodite, Ermete), dall’altro ce li presenta come esseri che, grazie alle loro divine epifanie – tanto diverse eppure così sottilmente collegate le une alle altre –, vivono una vita inesauribile, compiuta in sé. E ammirevole è la sua prosa allorché si confronta con le più enigmatiche fra le divinità, come nel famoso ritratto…
I'm currently an Honorary Fellow in Social Theory at the University of York, U.K. For more than five decades I've been working to promote more reflexive perspectives in philosophy, sociology, social theory, and sociological research. I've written and edited many books in the field of social theory with particular emphasis on questions of culture and on work in the field of visual culture. Recently these have includedInterpreting Visual Culture (with Ian Heywood), The Handbook of Visual Culture, and an edited multi-volume textbook of international scholars to be published by Bloomsbury,The Bloomsbury Encyclopedia of Visual Culture. My own position can be found in my Dictionary of Visual Discourse: A Dialectical Lexicon of Terms.
The Kirk and Raven translation of the Presocratic Philosophers was one of the first anthologies in English to cover the beginnings of speculation and philosophical discourse in early Greek culture. It essentially made the thought of the Presocratics available to me and, on a broader scale, to an English-speaking audience (drawing upon the German text of Hermann Diels, Die Fragmente der Vorsokratiker and later editions edited by Walther Kranz (known to scholars as `Diels-Kranz’). While Kirk & Raven has been revised and edited by others it remains for me the first `path’ into ancient Greek thought (and thereby, to ways of thinking about the beginnings of theorizing and philosophy).
In terms of substance the work explores the transition from mythic traditions (Hesiod, Pherecydes, etc.) and Homeric poetry to the Ionian thinkers (Thales, Anaximander, Anaximenes, Xenophanes, Heraclitus), the radical monistic ontology of the Italian Schools (Pythagoras, Alcmaeon, Parmenides, Zeno, Melissus, and…
Beginning with a long and extensively rewritten introduction surveying the predecessors of the Presocratics, this book traces the intellectual revolution initiated by Thales in the sixth century BC to its culmination in the metaphysics of Parmenides and the complex physical theories of Anaxagoras and the Atomists in the fifth century it is based on a selection of some six hundred texts, in Greek and a close English translation which in this edition is given more prominence. These provide the basis for a detailed critical study of the principal individual thinkers of the time. Besides serving as an essential text for…
I’m a writer and educator working in central Virginia, and I’ve been in love with the ancient world since my first Latin class back in the seventh grade. I’ve always been interested in social history more than just the chronology of battles and the deeds of famous men, so my research looks for sources that can illuminate daily life and the viewpoints of marginalized populations. I hold a BA in English and History from the College of William and Mary and an MLitt from Mary Baldwin University.
This travelogue looks at the Mediterranean with dual vision: one ancient eye and one modern. Perrottet retraces the route taken by the wealthy Romans who were, in a sense, the world’s first tourists, living with enough safety and comfort to travel for leisure rather than necessity. He begins in Italy, then the Greek mainland and some island-hopping, makes a necessary stop in Troy, then moves down the Turkish coast and finally into Egypt. In doing so, he provides perspective both on what the Romans would have expected and discovered along the journey as well as what a modern-day traveller would find 2000 years later. The similarities are as surprising as the differences!
The ancient Romans were responsible for many remarkable achievements—Roman numerals, straight roads—but one of their lesser-known contributions was the creation of the tourist industry. The first people in history to enjoy safe and easy travel, Romans embarked on the original Grand Tour, journeying from the lost city of Troy to the Acropolis, from the Colossus at Rhodes to Egypt, for the obligatory Nile cruise to the very edge of the empire. And, as Tony Perrottet discovers, the popularity of this route has only increased with time.
Intrigued by the possibility of re-creating the tour, Perrottet, accompanied by his pregnant girlfriend,…
Quite young, I realized my life was based on the fantasies and wish-fulfillments of my parents. As a teenager I turned to science fiction and fantasy whose stories so often engaged imaginatively and decisively with fundamental issues of good and evil, truth and falsity, courage and deception, unlike my reality. In my struggle to portray that reality and its transformation something Freud wondered about proved helpful, whether our careful effort to reconstruct the past was wholly true or in part illusory. If it was effective as an explanation, then he felt it was valid, and I have written in the same spirit.
This was published as three separate novels that tell one coherent story (I. Beat to Quarters, II. Ship of the Line, III. Flying Colours). I spent a lot of time in the Hornblower world as an adolescent, an imaginary reality I sensed wasn't wholly imaginary—The Napoleonic Wars were real—although Hornblower is fictional. But we're all heroes of our own stories. What especially appealed is the portrait of a hero divided between alternating bursts of confident action and moments of intense self-doubt. That accords almost exactly with how I was made to feel as a child, at once supremely able and a second later, consumed by doubt and a sense of inadequacy.
This omnibus edition of the Hornblower Saga contains the first three novels C.S. Forester wrote about Horatio Hornblower — Beat to Quarters, Ship of the Line, and Flying Colours. During the Age of Sail, mastery of the art of naval warfare was daunting — the necessary knowledge and skill required was massive, the need for resourceful leadership essential, and the ability to face war and savagery critical. The complexity of the ships will stagger, the battles will haunt your dreams, and the men will consume your imagination. C.S. Forester brings it all to life.
Having lived in North America, Europe, and the Middle East, and visited many, many more countries, I am a traveler first and foremost. I travel because I like getting to know different types of people and seeing how they live and how they think about the world and about their place in it. As a historian, I can travel back in time to places even more exotic than one can visit today. My favorite place is the Mediterranean world in the Middle Ages – an exciting environment where Christians, Muslims, and Jews from Africa, Europe, and Asia, came together sometimes in conflict, but as often as not in collaboration or friendship.
That Most Precious Merchandise offers a much needed and evocatively-written reassessment of the experience of slavery in the late medieval Mediterranean. Tracing the networks of the slave trade from the Black Sea to Genoa, Venice, and Cairo, it argues that the Italian maritime powers and the Mamluk sultanate shared a similar approach to slavery. By re-assessing Black Sea slavery from the vantage point of both Italy and Egypt, Barker discerns commonalities in systems and approaches to slavery across cultures—she calls this a common culture of slavery. She presents as the principal themes of the book a series of conceptions and practices of slavery that cut across confessional and cultural lines, upending a number of fundamental paradigms that have shaped, and limited, the scholarly terrain.
The history of the Black Sea as a source of Mediterranean slaves stretches from ancient Greek colonies to human trafficking networks in the present day. At its height during the fourteenth and early fifteenth centuries, the Black Sea slave trade was not the sole source of Mediterranean slaves; Genoese, Venetian, and Egyptian merchants bought captives taken in conflicts throughout the region, from North Africa, sub-Saharan Africa, the Balkans, and the Aegean Sea. Yet the trade in Black Sea slaves provided merchants with profit and prestige; states with military recruits, tax revenue, and diplomatic influence; and households with the service of…
I was a very bright little girl growing up in Boston, Massachusetts in the mid-1960s. I passed the entrance exam for Girls’ Latin School in Boston without difficulty and set out for a lifelong journey through many great institutions of higher learning. By the time I was a university student, I knew I wanted to help solve social problems. So, I chose to become an economist. I’m a bit techy but I also have a passion for great writing and history. In recent years, my profession has allowed me to get to know Asia and its amazing cultures through my visits to Hong Kong, Taiwan, Japan, China, India, and my current abode, Beirut!
I read this wonderful book in the early 2000s when I had returned to Istanbul, Türkiye back from a professional position in the UK.
I was captivated by its description of the flora and fauna of our geography. I recall reading how the beloved chestnut trees of our region had made their way there from China. Braudel is an economic historian who is known to have placed physical and biological nature in the foreground of historical analysis. Thus, according to Braudel, nature is not merely space to be conquered or to be shaped by human desires.
Indeed, the organization of economic life in the Mediterranean was probably shaped by the diversity and difficulty of its geography as much as shaping it, as we argued in our article on Mediterranean business cycles published with Fabio Canova in Open Economies Review in 2013.
This general reader's history of the ancient mediterranean combines a thorough grasp of the scholarship of the day with an great historian's gift for imaginative reconstruction and inspired analogy. Extensive notes allow the reader to appreciate thestate of scholarship at the time of writing, the scale and breadth of Braudel's learning and the points where orthodoxy has changed, sometimes vindicating Braudel, sometimes proving him wrong. Above all the book offers us the chance to situate Braudel's mediterranean, born of a lifetime's love and knowledge, more clearly in the climates of the sea's history.
Raised crisscrossing America, I developed a ceaseless wanderlust that took me around the world many times. En route, I collected the stories and characters that make up my work. Polish cops and Greek fishermen, mercenaries and arms dealers, child prostitutes and wannabe terrorists: I hung with them all in an unparalleled international career that had me smuggle banned plays from behind the Iron Curtain, maneuver through Occupied Territories, and stowaway aboard a ‘devil’s barge’ for a three-day crossing from Cape Verde that landed me in an African jail. Greece, where I’ve spent some seven years total, stole my heart 50 years ago.
The setup of The Rebellious Tide instantly made me want to read it.
A man abandons his pregnant wife, and thirty years later Sebastien, their son, seeks him out, wanting an explanation and revenge. The father is the captain of a luxury liner cruising the Mediterranean, and Sebastien joins the crew to secretly stalk his father to find out what kind of person he is.
The story is full of mystery and disturbing elements, not to mention fluid sexuality. Ultimately, Sebastien discovers something his father has hidden in the belly of the ship that makes him confront what he’s feared about his own identity. A new twist on a high seas mystery!
Sebastien's search for his father leads him to a ship harbouring a dangerous secret.
Sebastien has heard only stories about his father, a mysterious sailor who abandoned his pregnant mother thirty years ago. But when his mother dies after a lifetime of struggle, he becomes obsessed with finding an explanation - perhaps even revenge.
The father he's never met is Kostas, the commanding officer of a luxury liner sailing the Mediterranean. Posing as a member of the ship's crew, Sebastien stalks his unwitting father in search of answers as to why he disappeared so many years ago.