I am a Templar history enthusiast with a penchant for spiritual surprises hiding in plain sight. I believe words are vessels of spirit and that writing opens a channel of communication for manifesting thoughts into reality. Traveling throughout Europe, Scotland, and England has deepened my confidence that there was so much more to the Middle Ages than crusades and feudalism. The Templars facilitated many societal transformations, including a flowering of mysticism under their guardianship. The mystery is… why have we not connected these dots before? And I suspect there’s much more to discover! My books gather research threads from seemingly isolated historic characters, places, and events into cohesive, inspired, and vibrant stories.
Of all Silva’s books, I am most excited about this one, because of his groundbreaking discoveries. I admire his relentless tenacity for research, while sniffing out enigmatic information. My love of Scottish history often leaves me feeling lost regarding its ancient history. But I also am super careful to take many extrapolations on ancient history with a grain of salt. Silva’s writings are refreshing and his sense of humor is delightful. So, if you want to learn more about your Scottish roots from before Christianity arrived, then take a stroll through ancient circles aligned with the constellation Orion. Home may not be where you think it is!
Around 6000 BC a revolution took place on Orkney and the Western Isles of Scotland. An outstanding collection of stone circles, standing stones, round towers and passage mounds appeared seemingly out of nowhere. And yet many such monuments were not indigenous to Britain, but to regions of the Caspian Sea and the Mediterranean. Their creators were equally mysterious. Traditions tell of the Papae and Peti, 'strangers from afar' who were physically different, dressed in white tunics and lived aside from the regular population. They were regarded as master astronomers with an uncanny ability to work with enormous stones. But where…
I wrote Women in the Ancient Mediterranean World: From the Palaeolithic to the Byzantines when my partner and I found out that we were having a daughter. I finished it just as daughter number two appeared! I wanted to write something they could connect with easily as young women to share my lifelong passion for Mediterranean history. I grew up inspired by my local landscape of castles and ruins, trips to Greece, Michael Wood documentaries, and lots of books. I studied ancient history and archaeology at Newcastle University and later got my PhD from Durham University. I’ve written on various aspects of the ancient world in journals, magazines, websites, and my previous books.
I came across this book in the early days of writing my own – and it was inspirational.
It’s massive, with 74 chapters, but taken individually these are not in themselves long or difficult reads. We find women of all stations from prostitutes to queens, wet nurses to dancers, and female gladiators introduced, and range in time from the Bronze Age to the Romans.
The authors draw inclusively on multiple approaches and types of evidence, bodies, material culture, iconography, texts, and more. Apart from the vast coverage, the philosophy of the volume as set out by the editors was compelling: to look at ‘real women’ themselves, not mythical women or goddesses, and to emphasize their bodies and names.
It’s a treasure trove for anyone interested in women in the ancient world.
This volume gathers brand new essays from some of the most respected scholars of ancient history, archaeology, and physical anthropology to create an engaging overview of the lives of women in antiquity. The book is divided into ten sections, nine focusing on a particular area, and also includes almost 200 images, maps, and charts. The sections cover Mesopotamia, Egypt, Anatolia, Cyprus, the Levant, the Aegean, Italy, and Western Europe, and include many lesser-known cultures such as the Celts, Iberia, Carthage, the Black Sea region, and Scandinavia. Women's experiences are explored, from ordinary daily life to religious ritual and practice, to…
I am Jeff Clarke, author and graphic designer. I have always been interested in origins and beginnings, whether it be the universe, life on Earth, military aviation and ancient societies. I possess a valuable private library of my own and generally prefer to use this rather than on-line sources as the authors’ qualifications are more easily ascertainable. I design the covers for all my novels.
This large and sumptuous volume, published in 1962, is the oldest of my references for ancient history.
Although over sixty years old its text, compiled by numerous specialists in their day, is still largely authoritative.
Where it excels, however, is in a cover to cover wealth of detailed pictures showing people, activities, situations, and places from ancient times in numerous parts of the world.
I have found this book an invaluable source, particularly regarding fashion and dress, for the book featured here as well as for Mycenaean period novels I’ve also published.
Oversized coffee-table book based on a series of articles entitled The Epic of Man which appeared in LIFE magazine from 1955 to 1957. They were prepared under the direction of Senior Editor Kenneth MacLeish and Art Director Charles Tudor and were written by Lincoln Barnett. Much new material has been added, and many of the illustrations and photographs are published here for the first time.
I’m a historian and professor of ancient Mesopotamia. I was born in the UK but have lived in the US for decades, and from childhood I loved ancient history and archaeology (even through a five-year stint as a bass player before and during college). No matter how long the human race exists in future, we have only one shared ancient global past, the remains of which represent a completely non-renewable resource and source of inspiration. There is plenty left to discover, with much evidence already excavated and awaiting interpretation. It’s a joy to analyze and share the words and life-stories of Mesopotamians in my books—in a conversation that stretches across millennia.
When this book first came out, I was just beginning work on my Ph.D. dissertation and it had a big influence on me. Stephanie Dalley writes in a wonderfully accessible style for general readers about the people of the 18th century BCE cities of Mari and Tell al Rimah, and throughout the book she quotes from the personal letters found there. She overcomes a common perception that the ancient world can seem removed and remote, by letting the ancient people speak directly to the reader. All the while, she also makes fascinating observations about what the documents reveal, and also includes discussions of archaeological evidence (such as culinary molds that were used to make fish-shaped bread, in the section on food preparation!).
A study on the social aspects of Mari and Karana, this book provides an account of life in the nineteenth century BCE. Illustrations with photographs and drawings of objects uncovered during excavations provide a lively counterpart to the texts themselves, many of which are quoted in translation.
I have been fascinated by ancient Greece and Rome since I first saw Italy and Greece as a teenager, revisiting them whenever I can. I studied ancient history at Cambridge University and have written eight books about it, most recently The Colosseum. After living in Paris, Rome, and London, I am now based in Wiltshire in southwest England, almost within sight of Stonehenge. There is a small megalith outside my own house.
Dictionaries are not usually meant to be fun but this fact-packed book is so well-written that it is a joy to read. Wonder who on earth was Cicero? What the Punic wars were all about? How the Greeks defeated the Persians at the Battle of Salamis? What was so special about Greek theatre? And why Rome conquered Britain? You will find all the answers here. Besides military and political events, it covers literature, philosophy, art, religion, sport, and society, all the way from 776BC and the first Olympic Games to the end of the Roman Empire in the west in AD476.
Ranging from the year of the first Olympic Games in 776 BC to the fall of the Roman Empire in AD 476, this dictionary contains over 2000 entries providing a reference guide to the ancient Greco-Roman world. It includes entries on personalities, events, politics, literature, art and society.
Henry Davis is an independent historical researcher who has been studying ancient history for over 20 years. Even though he wanted to embark on a formal education studying the Classics, he suffered from extreme anxiety and felt he could not do so. He resorted to self-study, with help from family and friends, who had degrees in Classical studies, and began reading the work of respected historians/scholars/classicists, Dame Mary Beard, Tom Holland, Sir Ronald Syme, Gavin Townend, and Anthony Birley, to name only a few.
The official title of the book is ‘Encyclopedia Biblica: A Critical Dictionary of the Literary, Political and Religious History, the Archaeology, Geography, and Natural History of the Bible.' This work was produced by various professors of Oxford University and was a continual work from 1899-1903. It seems to be rarely mentioned by historians and Biblical scholars today, and I am recommending this work because there is a considerable wealth of information in it, and any student of history would find it incredibly useful. The Oxford professors critically examined ancient folklore and legends, without being swayed by traditional opinions of the time. For example, the origins of the people of Israel, and Egyptian and Hittite history are thoroughly examined, as is the Biblical literature. Interestingly, in this work, the professors doubted the existence of Nazareth, stating: ‘Was Nazareth originally the name of a town (or village) at all? There…
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and…
When I was a child, I was forever drawing pictures of princesses in elaborate medieval and early modern dress. I devoured history books—especially those containing artworks that helped me visualize the people whose names rang out from their pages. Inexplicably, I was passionate about France and French language and culture from my primary school years. Then, in my early twenties, I stumbled onto Umberto Eco’s, The Name of the Rose, which appeared in English translation around 1983. History has been, and remains, my passion (as do whodunits). I have been passionately obsessed with in my research for over two decades—uncovering the truth that lies beneath the spin and the ashes.
This book appeared just as I was on the point of completing my doctoral thesis. It helped me to understand the importance of examining a queen and/or elite premodern woman’s networks—familial, political, diplomatic, friendship and how these networks underpinned her use of both soft and indeed hard power. When the document trail goes cold in the archives, looking more closely at female networks and how they played out is a great way of overcoming gaps and erasures—both deliberate and accidental. It remains a durable and very influential study and a bonus for non-Ibericists as it is in English.
Based on an exhaustive and varied study of predominantly unpublished archival material as well as a variety of literary and non-literary sources, this book investigates the relation between patronage, piety and politics in the life and career of one Late Medieval Spain's most intriguing female personalities, Maria De Luna.
I’m the author of five extremely different novels: Boy A(which was made into an award-winning film),Cham, Genus, The Tongues of Men or Angels, and Under Country. They share almost nothing in subject or setting. Ranging from first-century Judaea to a future London. From ski resort workers in France to young offender prisons in Britain. My latest work - Under Country - is about the 1984 Miners’ Strike and its still lingering scars in the North East pit villages. Yet, I suppose, if there were a unifying theme between them, it would be that each, in its own way, is influenced by and fascinated with Christianity.
Written long before quarantines became so fashionable, Jesus in Jim Crace’s novel is an almost peripheral player, because– set during Christ’s forty days in the wilderness – six other people share in the inhospitable desert caves, miracles, and hallucinations. Each character has their own troubles and trials; their own battles with demons to resolve; which they hope isolation and fasting will accomplish. And for each, in ingenious ways, it does… I am a big fan of Crace’s style, rhythm, and invention, and this is one of his finest works.
So this is happiness, she thought. Or this, at least, is what adds up to happiness. The prospect of never running after men and camels any more, of being Miri without shame or hesitation, of letting drop her headscarf for a change so that nothing intervened between her and the sky.
Five travellers venture into the Judean wilderness in search of redemption. Instead, amidst the barren rocks, they are met by a dangerous man, Musa, and fall under his dark influence. As the unforgiving days and bitter nights erode their resolve, it becomes clear…
Ever since my father introduced me to the Greeks, I’ve been passionate about the ancient world and bringing it alive. I read Classics at university and taught for eleven years, during which time I founded the award-winning theatre company, Actors of Dionysus, dedicated to performing Greek drama in translation. A highlight was staging my adaptation of Trojan Women not justin Ephesus Theatre but besides the walls of Troy. From 2010, I’ve divided my time between writing books and articles on wide-ranging classical subjects, editing Bloomsbury Academic Press’ ‘Looking at…’ series on Greek drama (which include my translations), book-reviewing, lecturing, and directing theatrical performances (most recently with Dame Sian Phillips).
For anyone wanting to find out not just what happened in the Graeco-Persian Wars (490–479 BC) but how their participants viewed the world, Herodotus’ Histories are a treasure trove. Writing a generation after the event, Herodotus travelled widely, interviewing as many people as he could from veterans to Egyptian priests. But readers must be wary: Herodotus wasn’t writing history as we understand it. Instead, he blended fact, anecdote, and moralizing to demonstrate why in his view the Greek way of life (especially Athenian democracy) was superior to Persian totalitarianism, and why Persian hubris merited divine punishment. While the Landmark edition’s translation of Herodotus’ seductive prose may not be the best (Tom Holland’s, for example, is better), the number and clarity of its maps make it invaluable.
In the 5th century BC an adventurous Ionian Greek, Herodotus of Halicarnassus, journeyed extensively through the lands of the eastern Mediterranean, from Egypt to Asia Minor, collecting tales of the upheavals that had afflicted the region in the earlier part of the century. The fruits of his wanderings were The Histories, in which he used his narrative gifts not only to chronicle the rise of the Achaemenid Persian Empire and its war with the Greek city-states, but also to recount his experiences with the varied peoples and cultures he had encountered during his journey. Herodotus earned the nickname 'the father…
I'm an author who believes that history contains an endless number of stories of how our past peers dealt with and contributed to the tension, fusion, and reinvention that is human existence. When writing The Greek Prince of Afghanistan, which focuses on the Greco-Bactrian Kingdom of ancient Afghanistan, I included a Scythian character, because I felt the novel’s story, like humanity’s story, is best told through multiple perspectives. The above books helped me greatly in that effort.
If one wanted to understand the study of the galaxy, they might start with Galileo. Something similar could be said about starting with the historian Herodotus to understand ancient peoples (and the study of them). Was he serious about his craft? Yes. Was he a product of his time? Yes. Should you take everything he writes as fact? Absolutely not. So why read Herodotus? Because he was the first person (as far as I know) to study the Scythians for the purpose of scholarship. Moreover, his work contains many of the stories that scholars since his time have tried to prove, disprove, or reinterpret. In short, if you want to join a conversation, it can be helpful to know how it began.
Herodotus is not only known as the `father of history', as Cicero called him, but also the father of ethnography; as well as charting the historical background to the Persian Wars, his curiosity also prompts frequent digression on the cultures of the peoples he introduces. While much of the information he gives has proved to be astonishingly accurate, he also entertains us with delightful tales of one-eyed men and gold-digging ants. This readable new translation is supplemented with expansive notes that provide readers the background that they need to appreciate the book in depth.
