I was introduced to the fascinating world of the Ancient Greeks by an inspirational teacher at my Primary School when I was about 10 years old—he read us tales of gods and monsters and heroes and heroism, and I was entranced. My grandpa bought me a copy of The Iliad. I read it with my torch under the bedclothes and embarked on a magical journey that has seen me spend the greater part of my life travelling in the world of the Ancient Greeks, both physically and intellectually. Those characters, both real and mythical, have become my friends, enemies, warnings, and role-models ever since.
Herodotus is a joy to read. In his Enquiries into the heroic struggle of Greece against the mighty Persian Empire, he wanted to preserve the memory of wondrous deeds. And he does it brilliantly. Along the way we discover how to catch a crocodile in Egypt, visit the walls of Babylon, and travel with the fearsome, gender-fluid, Scythian warriors. As the massed Persian armies with their arrogant and manipulative commanders bear down on the divided state of Greece, we are taken to battlefield of Marathon, witness the tenacious heroism of the 300 Spartans, and fight on the sea at the great Greek victory at Salamis. This epic conflict between the forces and ideals of East and West is rendered beautifully in Tom Holland’s fluent translation, which nimbly walks the line between accuracy and accessibility.
One of Western history's greatest books springs to life in Tom Holland's vibrant new translation
Herodotus of Halicarnassus-who was hailed by Cicero as "the father of history"-wrote his histories around 440 BC. It is the earliest surviving work of nonfiction and a thrilling narrative account of (among other things) the war between the Persian Empire and the Greek city-states in the fifth century BC.
With a wealth of information about ancient geography, ethnography, zoology, comparative anthropology, and much else, The Histories is also filled with bizarre and fanciful stories, which award-winning historian Tom Holland vividly captures in this major new…
I’m a historian and professor of ancient Mesopotamia. I was born in the UK but have lived in the US for decades, and from childhood I loved ancient history and archaeology (even through a five-year stint as a bass player before and during college). No matter how long the human race exists in future, we have only one shared ancient global past, the remains of which represent a completely non-renewable resource and source of inspiration. There is plenty left to discover, with much evidence already excavated and awaiting interpretation. It’s a joy to analyze and share the words and life-stories of Mesopotamians in my books—in a conversation that stretches across millennia.
When this book first came out, I was just beginning work on my Ph.D. dissertation and it had a big influence on me. Stephanie Dalley writes in a wonderfully accessible style for general readers about the people of the 18th century BCE cities of Mari and Tell al Rimah, and throughout the book she quotes from the personal letters found there. She overcomes a common perception that the ancient world can seem removed and remote, by letting the ancient people speak directly to the reader. All the while, she also makes fascinating observations about what the documents reveal, and also includes discussions of archaeological evidence (such as culinary molds that were used to make fish-shaped bread, in the section on food preparation!).
A study on the social aspects of Mari and Karana, this book provides an account of life in the nineteenth century BCE. Illustrations with photographs and drawings of objects uncovered during excavations provide a lively counterpart to the texts themselves, many of which are quoted in translation.
I’m a research physicist working in fusion energy and astrophysics. To explain our work, I’ve had to overcome the misconceptions about science that are widespread in the media and among the general population. These books are the best ones I know to correct the mystification of science, especially of topics like quantum mechanics, time, consciousness, and cosmology.
While this book is not about science, it gives the social context for how ancient scientific and anti-scientific ideas developed in slave-owning societies and before. It is the best description of the development of human society to the end of the ancient period that I’ve ever read.
Unfortunately, some of the anti-science ideas of ancient slave-owners, discredited in the scientific revolution, are still with us today, and Child explains how they came to be.
I’m the author of five extremely different novels: Boy A(which was made into an award-winning film),Cham, Genus, The Tongues of Men or Angels, and Under Country. They share almost nothing in subject or setting. Ranging from first-century Judaea to a future London. From ski resort workers in France to young offender prisons in Britain. My latest work - Under Country - is about the 1984 Miners’ Strike and its still lingering scars in the North East pit villages. Yet, I suppose, if there were a unifying theme between them, it would be that each, in its own way, is influenced by and fascinated with Christianity.
Written long before quarantines became so fashionable, Jesus in Jim Crace’s novel is an almost peripheral player, because– set during Christ’s forty days in the wilderness – six other people share in the inhospitable desert caves, miracles, and hallucinations. Each character has their own troubles and trials; their own battles with demons to resolve; which they hope isolation and fasting will accomplish. And for each, in ingenious ways, it does… I am a big fan of Crace’s style, rhythm, and invention, and this is one of his finest works.
So this is happiness, she thought. Or this, at least, is what adds up to happiness. The prospect of never running after men and camels any more, of being Miri without shame or hesitation, of letting drop her headscarf for a change so that nothing intervened between her and the sky.
Five travellers venture into the Judean wilderness in search of redemption. Instead, amidst the barren rocks, they are met by a dangerous man, Musa, and fall under his dark influence. As the unforgiving days and bitter nights erode their resolve, it becomes clear…
Ever since my father introduced me to the Greeks, I’ve been passionate about the ancient world and bringing it alive. I read Classics at university and taught for eleven years, during which time I founded the award-winning theatre company, Actors of Dionysus, dedicated to performing Greek drama in translation. A highlight was staging my adaptation of Trojan Women not justin Ephesus Theatre but besides the walls of Troy. From 2010, I’ve divided my time between writing books and articles on wide-ranging classical subjects, editing Bloomsbury Academic Press’ ‘Looking at…’ series on Greek drama (which include my translations), book-reviewing, lecturing, and directing theatrical performances (most recently with Dame Sian Phillips).
For anyone wanting to find out not just what happened in the Graeco-Persian Wars (490–479 BC) but how their participants viewed the world, Herodotus’ Histories are a treasure trove. Writing a generation after the event, Herodotus travelled widely, interviewing as many people as he could from veterans to Egyptian priests. But readers must be wary: Herodotus wasn’t writing history as we understand it. Instead, he blended fact, anecdote, and moralizing to demonstrate why in his view the Greek way of life (especially Athenian democracy) was superior to Persian totalitarianism, and why Persian hubris merited divine punishment. While the Landmark edition’s translation of Herodotus’ seductive prose may not be the best (Tom Holland’s, for example, is better), the number and clarity of its maps make it invaluable.
In the 5th century BC an adventurous Ionian Greek, Herodotus of Halicarnassus, journeyed extensively through the lands of the eastern Mediterranean, from Egypt to Asia Minor, collecting tales of the upheavals that had afflicted the region in the earlier part of the century. The fruits of his wanderings were The Histories, in which he used his narrative gifts not only to chronicle the rise of the Achaemenid Persian Empire and its war with the Greek city-states, but also to recount his experiences with the varied peoples and cultures he had encountered during his journey. Herodotus earned the nickname 'the father…
Born on the Navajo reservation and then raised among the Qom, Mocoi, and Pilagá in Argentina, I have been with Native peoples throughout my life. After studying Indigenous and Native American histories at Indiana University, I taught at Kalamazoo and Bates College, where I took students to track and canoe on Penobscot reserves. I write about Guaraní histories and have enjoyed teaching Indigenous, Native, and Latin American histories at Appalachian State University; some of my graduate students are now excellent university professors here in the Southeast. It was for these Indigenous peoples and for my amazing students that I wrote and dedicated my textbook.
I have taught with this book so effectively in my classes because it made me realize that Native people all around the world faced similar experiences of colonization, discrimination, and marginalization to those in Latin America.
Indigenous cultures and histories have empowered these people to defend themselves, resist creatively, and shape the states that encapsulated them in important ways.
This book helped me better understand that the Indigenous people I grew up among in Argentina and studied in Paraguay share so much in common with Indigenous peoples throughout the world. Students in my class, A World History of Indigenous Peoples, liked this book because it summarized the subject so well.
A Global History of Indigenous Peoples examines the history of the indigenous/tribal peoples of the world. The work spans the period from the pivotal migrations which saw the peopling of the world, examines the processes by which tribal peoples established themselves as separate from surplus-based and more material societies, and considers the impact of the policies of domination and colonization which brought dramatic change to indigenous cultures. The book covers both tribal societies affected by the expansion of European empires and those indigenous cultures influenced by the economic and military expansion of non-European powers. The work concludes with a discussion…
I'm an author who believes that history contains an endless number of stories of how our past peers dealt with and contributed to the tension, fusion, and reinvention that is human existence. When writing The Greek Prince of Afghanistan, which focuses on the Greco-Bactrian Kingdom of ancient Afghanistan, I included a Scythian character, because I felt the novel’s story, like humanity’s story, is best told through multiple perspectives. The above books helped me greatly in that effort.
If one wanted to understand the study of the galaxy, they might start with Galileo. Something similar could be said about starting with the historian Herodotus to understand ancient peoples (and the study of them). Was he serious about his craft? Yes. Was he a product of his time? Yes. Should you take everything he writes as fact? Absolutely not. So why read Herodotus? Because he was the first person (as far as I know) to study the Scythians for the purpose of scholarship. Moreover, his work contains many of the stories that scholars since his time have tried to prove, disprove, or reinterpret. In short, if you want to join a conversation, it can be helpful to know how it began.
Herodotus is not only known as the `father of history', as Cicero called him, but also the father of ethnography; as well as charting the historical background to the Persian Wars, his curiosity also prompts frequent digression on the cultures of the peoples he introduces. While much of the information he gives has proved to be astonishingly accurate, he also entertains us with delightful tales of one-eyed men and gold-digging ants. This readable new translation is supplemented with expansive notes that provide readers the background that they need to appreciate the book in depth.
I’m an Egyptologist by training and a storyteller by nature. Fascinated by the origins of patriarchy since I was a small girl raised by strong women in a patriarchal context, I turned to Greek and Roman history for answers. I earned an MA and a richer understanding of the civilizations that influenced the classical period, which led to the study of Egypt and Mesopotamia and finally to a Ph.D. in Egyptology. At heart, I’m more creative than scholar. Telling stories that bring ancient Egypt to life and leave readers better informed of the challenges women have faced, and sometimes overcome, is my passion.
I love how Lynn shows you the story first through Demeter’s eyes, then Persephone’s. The vastly different perspectives of mother and daughter resonated.
But my favorite thing about this book was the unique and empathetic picture it drew of Hades. Lynn managed not only to challenge my idea of the goddesses but of the god at the heart of the story as well. Unexpected but appreciated.
A daughter pulled between two worlds and a mother willing destroy both to protect her... Demeter: a goddess of life, living half of one. Demeter did not always live in fear. Once, she loved the world and the humans who inhabited it. After an act of devastating violence, though, she hides herself away among the grasses and wildflowers. Her only solace is her daughter... Before she was Persephone, she was Core. Core is as bright as summer and devoted to her mother, even during their millennia in exile from Olympus. But she craves freedom. Naive and determined, she secretly builds…
When I was a child, I was forever drawing pictures of princesses in elaborate medieval and early modern dress. I devoured history books—especially those containing artworks that helped me visualize the people whose names rang out from their pages. Inexplicably, I was passionate about France and French language and culture from my primary school years. Then, in my early twenties, I stumbled onto Umberto Eco’s, The Name of the Rose, which appeared in English translation around 1983. History has been, and remains, my passion (as do whodunits). I have been passionately obsessed with in my research for over two decades—uncovering the truth that lies beneath the spin and the ashes.
This book appeared just as I was on the point of completing my doctoral thesis. It helped me to understand the importance of examining a queen and/or elite premodern woman’s networks—familial, political, diplomatic, friendship and how these networks underpinned her use of both soft and indeed hard power. When the document trail goes cold in the archives, looking more closely at female networks and how they played out is a great way of overcoming gaps and erasures—both deliberate and accidental. It remains a durable and very influential study and a bonus for non-Ibericists as it is in English.
Based on an exhaustive and varied study of predominantly unpublished archival material as well as a variety of literary and non-literary sources, this book investigates the relation between patronage, piety and politics in the life and career of one Late Medieval Spain's most intriguing female personalities, Maria De Luna.
I wrote Women in the Ancient Mediterranean World: From the Palaeolithic to the Byzantines when my partner and I found out that we were having a daughter. I finished it just as daughter number two appeared! I wanted to write something they could connect with easily as young women to share my lifelong passion for Mediterranean history. I grew up inspired by my local landscape of castles and ruins, trips to Greece, Michael Wood documentaries, and lots of books. I studied ancient history and archaeology at Newcastle University and later got my PhD from Durham University. I’ve written on various aspects of the ancient world in journals, magazines, websites, and my previous books.
I came across this book in the early days of writing my own – and it was inspirational.
It’s massive, with 74 chapters, but taken individually these are not in themselves long or difficult reads. We find women of all stations from prostitutes to queens, wet nurses to dancers, and female gladiators introduced, and range in time from the Bronze Age to the Romans.
The authors draw inclusively on multiple approaches and types of evidence, bodies, material culture, iconography, texts, and more. Apart from the vast coverage, the philosophy of the volume as set out by the editors was compelling: to look at ‘real women’ themselves, not mythical women or goddesses, and to emphasize their bodies and names.
It’s a treasure trove for anyone interested in women in the ancient world.
This volume gathers brand new essays from some of the most respected scholars of ancient history, archaeology, and physical anthropology to create an engaging overview of the lives of women in antiquity. The book is divided into ten sections, nine focusing on a particular area, and also includes almost 200 images, maps, and charts. The sections cover Mesopotamia, Egypt, Anatolia, Cyprus, the Levant, the Aegean, Italy, and Western Europe, and include many lesser-known cultures such as the Celts, Iberia, Carthage, the Black Sea region, and Scandinavia. Women's experiences are explored, from ordinary daily life to religious ritual and practice, to…
