Henry Davis is an independent historical researcher who has been studying ancient history for over 20 years. Even though he wanted to embark on a formal education studying the Classics, he suffered from extreme anxiety and felt he could not do so. He resorted to self-study, with help from family and friends, who had degrees in Classical studies, and began reading the work of respected historians/scholars/classicists, Dame Mary Beard, Tom Holland, Sir Ronald Syme, Gavin Townend, and Anthony Birley, to name only a few.
The official title of the book is ‘Encyclopedia Biblica: A Critical Dictionary of the Literary, Political and Religious History, the Archaeology, Geography, and Natural History of the Bible.' This work was produced by various professors of Oxford University and was a continual work from 1899-1903. It seems to be rarely mentioned by historians and Biblical scholars today, and I am recommending this work because there is a considerable wealth of information in it, and any student of history would find it incredibly useful. The Oxford professors critically examined ancient folklore and legends, without being swayed by traditional opinions of the time. For example, the origins of the people of Israel, and Egyptian and Hittite history are thoroughly examined, as is the Biblical literature. Interestingly, in this work, the professors doubted the existence of Nazareth, stating: ‘Was Nazareth originally the name of a town (or village) at all? There…
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and…
Ever since my father introduced me to the Greeks, I’ve been passionate about the ancient world and bringing it alive. I read Classics at university and taught for eleven years, during which time I founded the award-winning theatre company, Actors of Dionysus, dedicated to performing Greek drama in translation. A highlight was staging my adaptation of Trojan Women not justin Ephesus Theatre but besides the walls of Troy. From 2010, I’ve divided my time between writing books and articles on wide-ranging classical subjects, editing Bloomsbury Academic Press’ ‘Looking at…’ series on Greek drama (which include my translations), book-reviewing, lecturing, and directing theatrical performances (most recently with Dame Sian Phillips).
For anyone wanting to find out not just what happened in the Graeco-Persian Wars (490–479 BC) but how their participants viewed the world, Herodotus’ Histories are a treasure trove. Writing a generation after the event, Herodotus travelled widely, interviewing as many people as he could from veterans to Egyptian priests. But readers must be wary: Herodotus wasn’t writing history as we understand it. Instead, he blended fact, anecdote, and moralizing to demonstrate why in his view the Greek way of life (especially Athenian democracy) was superior to Persian totalitarianism, and why Persian hubris merited divine punishment. While the Landmark edition’s translation of Herodotus’ seductive prose may not be the best (Tom Holland’s, for example, is better), the number and clarity of its maps make it invaluable.
In the 5th century BC an adventurous Ionian Greek, Herodotus of Halicarnassus, journeyed extensively through the lands of the eastern Mediterranean, from Egypt to Asia Minor, collecting tales of the upheavals that had afflicted the region in the earlier part of the century. The fruits of his wanderings were The Histories, in which he used his narrative gifts not only to chronicle the rise of the Achaemenid Persian Empire and its war with the Greek city-states, but also to recount his experiences with the varied peoples and cultures he had encountered during his journey. Herodotus earned the nickname 'the father…
I love exploring new places, buildings, and artworks. Luckily, my job, as a professor of ancient Roman art history at Case Western Reserve University in Cleveland, Ohio, allows me to do so! I am fascinated by the material culture of the Roman Empire and the ways in which buildings and objects—whether grand monuments like the Pantheon in Rome or humbler items like a terracotta figurine of a gladiator—shape how we experience the world and relate to other people. Whether I am living in Paris or Rome, excavating in Greece or Italy, or traveling elsewhere in the former lands of the Roman Empire, these topics are never far from my mind.
Anybody who studies travel in ancient Rome knows the name of Lionel Casson, and after reading his magnum opus, you will understand why. Reading his book makes me feel that I am taking a tour of the Roman world in all its glory: its diversity, its impressive infrastructure, its cultural highlights, and its religious pilgrimage sites. Travel could be exciting or dangerous, luxurious or barebones, for business or for pleasure. In Casson’s engaging and accessible prose, however, it is always a revelatory window into Roman culture and history. Casson’s book helped me understand the personal, emotional aspects of travel in ancient Rome and, consequently, made me feel closer to ancient Romans themselves.
The only book of its kind in any language, Travel in the Ancient World offers a lively, comprehensive history of ancient travel, from the first Egyptian voyages recorded in Old Kingdom inscriptions through Greek and Roman times to the Christian pilgrimages of the fourth and sixth centuries. Rich in anecdote and colorful detail, it now returns to print in paperback with a new preface by the author.
Born on the Navajo reservation and then raised among the Qom, Mocoi, and Pilagá in Argentina, I have been with Native peoples throughout my life. After studying Indigenous and Native American histories at Indiana University, I taught at Kalamazoo and Bates College, where I took students to track and canoe on Penobscot reserves. I write about Guaraní histories and have enjoyed teaching Indigenous, Native, and Latin American histories at Appalachian State University; some of my graduate students are now excellent university professors here in the Southeast. It was for these Indigenous peoples and for my amazing students that I wrote and dedicated my textbook.
I have taught with this book so effectively in my classes because it made me realize that Native people all around the world faced similar experiences of colonization, discrimination, and marginalization to those in Latin America.
Indigenous cultures and histories have empowered these people to defend themselves, resist creatively, and shape the states that encapsulated them in important ways.
This book helped me better understand that the Indigenous people I grew up among in Argentina and studied in Paraguay share so much in common with Indigenous peoples throughout the world. Students in my class, A World History of Indigenous Peoples, liked this book because it summarized the subject so well.
A Global History of Indigenous Peoples examines the history of the indigenous/tribal peoples of the world. The work spans the period from the pivotal migrations which saw the peopling of the world, examines the processes by which tribal peoples established themselves as separate from surplus-based and more material societies, and considers the impact of the policies of domination and colonization which brought dramatic change to indigenous cultures. The book covers both tribal societies affected by the expansion of European empires and those indigenous cultures influenced by the economic and military expansion of non-European powers. The work concludes with a discussion…
I’m the author of five extremely different novels: Boy A(which was made into an award-winning film),Cham, Genus, The Tongues of Men or Angels, and Under Country. They share almost nothing in subject or setting. Ranging from first-century Judaea to a future London. From ski resort workers in France to young offender prisons in Britain. My latest work - Under Country - is about the 1984 Miners’ Strike and its still lingering scars in the North East pit villages. Yet, I suppose, if there were a unifying theme between them, it would be that each, in its own way, is influenced by and fascinated with Christianity.
Written long before quarantines became so fashionable, Jesus in Jim Crace’s novel is an almost peripheral player, because– set during Christ’s forty days in the wilderness – six other people share in the inhospitable desert caves, miracles, and hallucinations. Each character has their own troubles and trials; their own battles with demons to resolve; which they hope isolation and fasting will accomplish. And for each, in ingenious ways, it does… I am a big fan of Crace’s style, rhythm, and invention, and this is one of his finest works.
So this is happiness, she thought. Or this, at least, is what adds up to happiness. The prospect of never running after men and camels any more, of being Miri without shame or hesitation, of letting drop her headscarf for a change so that nothing intervened between her and the sky.
Five travellers venture into the Judean wilderness in search of redemption. Instead, amidst the barren rocks, they are met by a dangerous man, Musa, and fall under his dark influence. As the unforgiving days and bitter nights erode their resolve, it becomes clear…
I am a historian of ancient Rome. My interest was sparked in my high school Latin classes. On my first trip to Rome, several years later, I truly fell in love. I could see the famed orator delivering his fierce attacks against Catiline amid the grand temples of the Forum and its surrounding hills. I could imagine myself standing in a crowd, listening. In Washington DC, where I now live and teach at Georgetown University, there are classical buildings all around to keep me inspired. I have written a number of books about Roman political history and have also translated the biographer Suetonius and the historian Sallust.
This biography of the second century CE celebrity doctor Galen is one of the most surprising and revealing books I’ve ever read about Rome. A native of Asia Minor who got his start treating gladiators, Galen came to Rome and vied for prominence with the city’s intellectuals. By his own account, he wowed Romans with his skill in diagnosis and public vivisections of animals as gruesome as anything you’d see in the arena. Something like one-eighth of all surviving classical Greek literature is made up of Galen’s writings. Susan Mattern excavates this vast body of material to recover Galen’s own astonishing career, his interactions with his patients (including the emperor Marcus Aurelius), and his observations of terrible scenes of Roman life such as a dangerous copper mine, famine in the countryside, and a major fire in 192 that burned down much of the imperial capital.
Galen of Pergamum (A.D. 129 - ca. 216) began his remarkable career tending to wounded gladiators in provincial Asia Minor. Later in life he achieved great distinction as one of a small circle of court physicians to the family of Emperor Marcus Aurelius, at the very heart of Roman society. Susan Mattern's The Prince of Medicine offers the first authoritative biography in English of this brilliant, audacious, and profoundly influential figure.
Like many Greek intellectuals living in the high Roman Empire, Galen was a prodigious polymath, writing on subjects as varied as ethics and eczema, grammar and gout. Indeed, he…
I wrote Women in the Ancient Mediterranean World: From the Palaeolithic to the Byzantines when my partner and I found out that we were having a daughter. I finished it just as daughter number two appeared! I wanted to write something they could connect with easily as young women to share my lifelong passion for Mediterranean history. I grew up inspired by my local landscape of castles and ruins, trips to Greece, Michael Wood documentaries, and lots of books. I studied ancient history and archaeology at Newcastle University and later got my PhD from Durham University. I’ve written on various aspects of the ancient world in journals, magazines, websites, and my previous books.
I came across this book in the early days of writing my own – and it was inspirational.
It’s massive, with 74 chapters, but taken individually these are not in themselves long or difficult reads. We find women of all stations from prostitutes to queens, wet nurses to dancers, and female gladiators introduced, and range in time from the Bronze Age to the Romans.
The authors draw inclusively on multiple approaches and types of evidence, bodies, material culture, iconography, texts, and more. Apart from the vast coverage, the philosophy of the volume as set out by the editors was compelling: to look at ‘real women’ themselves, not mythical women or goddesses, and to emphasize their bodies and names.
It’s a treasure trove for anyone interested in women in the ancient world.
This volume gathers brand new essays from some of the most respected scholars of ancient history, archaeology, and physical anthropology to create an engaging overview of the lives of women in antiquity. The book is divided into ten sections, nine focusing on a particular area, and also includes almost 200 images, maps, and charts. The sections cover Mesopotamia, Egypt, Anatolia, Cyprus, the Levant, the Aegean, Italy, and Western Europe, and include many lesser-known cultures such as the Celts, Iberia, Carthage, the Black Sea region, and Scandinavia. Women's experiences are explored, from ordinary daily life to religious ritual and practice, to…
I'm an author who believes that history contains an endless number of stories of how our past peers dealt with and contributed to the tension, fusion, and reinvention that is human existence. When writing The Greek Prince of Afghanistan, which focuses on the Greco-Bactrian Kingdom of ancient Afghanistan, I included a Scythian character, because I felt the novel’s story, like humanity’s story, is best told through multiple perspectives. The above books helped me greatly in that effort.
If one wanted to understand the study of the galaxy, they might start with Galileo. Something similar could be said about starting with the historian Herodotus to understand ancient peoples (and the study of them). Was he serious about his craft? Yes. Was he a product of his time? Yes. Should you take everything he writes as fact? Absolutely not. So why read Herodotus? Because he was the first person (as far as I know) to study the Scythians for the purpose of scholarship. Moreover, his work contains many of the stories that scholars since his time have tried to prove, disprove, or reinterpret. In short, if you want to join a conversation, it can be helpful to know how it began.
Herodotus is not only known as the `father of history', as Cicero called him, but also the father of ethnography; as well as charting the historical background to the Persian Wars, his curiosity also prompts frequent digression on the cultures of the peoples he introduces. While much of the information he gives has proved to be astonishingly accurate, he also entertains us with delightful tales of one-eyed men and gold-digging ants. This readable new translation is supplemented with expansive notes that provide readers the background that they need to appreciate the book in depth.
History has always fascinated me because it offered ways through which I could begin to make sense of the present. History is about how and why things change over time, above all about the causal dynamics underlying how societies, economies, and cultures work and transform. The history of Byzantium is a perfect example, offering many challenges of understanding and interpretation of its own, yet at the same time opening up a whole world of medieval societies and cultures around it, helping to illuminate not just the history of the immediate regions concerned – the eastern Mediterranean and Balkans – but of the world beyond.
“Collapse” is a term frequently bandied about in the press and popular as well as academic historical writing. Middleton’s book, well-informed by the palaeoenvironmental, archaeological, and documentary evidence shines a powerful light on some of the pervasive myths about supposed historical collapses, many of which were not at all what the term might suggest. He challenges us to think carefully and critically about what we really know about a past civilisation before we rush into easy judgements. His book made me rethink many of my own assumptions on the subject and undoubtedly influenced my own work.
Understanding Collapse explores the collapse of ancient civilisations, such as the Roman Empire, the Maya, and Easter Island. In this lively survey, Guy D. Middleton critically examines our ideas about collapse - how we explain it and how we have constructed potentially misleading myths around collapses - showing how and why collapse of societies was a much more complex phenomenon than is often admitted. Rather than positing a single explanatory model of collapse - economic, social, or environmental - Middleton gives full consideration to the overlooked resilience in communities of ancient peoples and the choices that they made. He offers…
I am Jeff Clarke, author and graphic designer. I have always been interested in origins and beginnings, whether it be the universe, life on Earth, military aviation and ancient societies. I possess a valuable private library of my own and generally prefer to use this rather than on-line sources as the authors’ qualifications are more easily ascertainable. I design the covers for all my novels.
This large and sumptuous volume, published in 1962, is the oldest of my references for ancient history.
Although over sixty years old its text, compiled by numerous specialists in their day, is still largely authoritative.
Where it excels, however, is in a cover to cover wealth of detailed pictures showing people, activities, situations, and places from ancient times in numerous parts of the world.
I have found this book an invaluable source, particularly regarding fashion and dress, for the book featured here as well as for Mycenaean period novels I’ve also published.
Oversized coffee-table book based on a series of articles entitled The Epic of Man which appeared in LIFE magazine from 1955 to 1957. They were prepared under the direction of Senior Editor Kenneth MacLeish and Art Director Charles Tudor and were written by Lincoln Barnett. Much new material has been added, and many of the illustrations and photographs are published here for the first time.
