The Egyptology permits me to make an approach to the human past. Although there were many different cultures from which the current society is heir, the survival of innumerable written documents from ancient Egypt together with the good conservation of the archaeological material, give us the possibility to feel closer to the humans who lived in the Nile Valley thousands of years ago.
I have chosen this work for the Egyptology list because Ancient Egypt must be ideally analyzed into a regional context, which overpasses its borders. In this sense, the present work is a magnificent example of how all the cultures of the Near East were integrated within a network of more or less fluid contacts.
Professor Liverani's work shows the mastery of the great scholar who knows all the sources and analyzes them from a new diplomatic, economic, anthropological, and political perspective.
The ancient civilizations of the Near East - Egypt, Assyria, Babylonia, the Hittites and Canaanites - constituted the first formalized international relations system in world history. Holy wars, peace treaties, border regulations, trade relations and the extradition of refugees were problems for contemporary ambassadors and diplomats as they are today. Mario Liverani reconstructs the procedures of international relations in the period c.1600-1100BC using historical semiotics, communication theory and economic and political anthropology.
When I was a child, I was forever drawing pictures of princesses in elaborate medieval and early modern dress. I devoured history books—especially those containing artworks that helped me visualize the people whose names rang out from their pages. Inexplicably, I was passionate about France and French language and culture from my primary school years. Then, in my early twenties, I stumbled onto Umberto Eco’s, The Name of the Rose, which appeared in English translation around 1983. History has been, and remains, my passion (as do whodunits). I have been passionately obsessed with in my research for over two decades—uncovering the truth that lies beneath the spin and the ashes.
This book appeared just as I was on the point of completing my doctoral thesis. It helped me to understand the importance of examining a queen and/or elite premodern woman’s networks—familial, political, diplomatic, friendship and how these networks underpinned her use of both soft and indeed hard power. When the document trail goes cold in the archives, looking more closely at female networks and how they played out is a great way of overcoming gaps and erasures—both deliberate and accidental. It remains a durable and very influential study and a bonus for non-Ibericists as it is in English.
Based on an exhaustive and varied study of predominantly unpublished archival material as well as a variety of literary and non-literary sources, this book investigates the relation between patronage, piety and politics in the life and career of one Late Medieval Spain's most intriguing female personalities, Maria De Luna.
Ever since my father introduced me to the Greeks, I’ve been passionate about the ancient world and bringing it alive. I read Classics at university and taught for eleven years, during which time I founded the award-winning theatre company, Actors of Dionysus, dedicated to performing Greek drama in translation. A highlight was staging my adaptation of Trojan Women not justin Ephesus Theatre but besides the walls of Troy. From 2010, I’ve divided my time between writing books and articles on wide-ranging classical subjects, editing Bloomsbury Academic Press’ ‘Looking at…’ series on Greek drama (which include my translations), book-reviewing, lecturing, and directing theatrical performances (most recently with Dame Sian Phillips).
For anyone wanting to find out not just what happened in the Graeco-Persian Wars (490–479 BC) but how their participants viewed the world, Herodotus’ Histories are a treasure trove. Writing a generation after the event, Herodotus travelled widely, interviewing as many people as he could from veterans to Egyptian priests. But readers must be wary: Herodotus wasn’t writing history as we understand it. Instead, he blended fact, anecdote, and moralizing to demonstrate why in his view the Greek way of life (especially Athenian democracy) was superior to Persian totalitarianism, and why Persian hubris merited divine punishment. While the Landmark edition’s translation of Herodotus’ seductive prose may not be the best (Tom Holland’s, for example, is better), the number and clarity of its maps make it invaluable.
In the 5th century BC an adventurous Ionian Greek, Herodotus of Halicarnassus, journeyed extensively through the lands of the eastern Mediterranean, from Egypt to Asia Minor, collecting tales of the upheavals that had afflicted the region in the earlier part of the century. The fruits of his wanderings were The Histories, in which he used his narrative gifts not only to chronicle the rise of the Achaemenid Persian Empire and its war with the Greek city-states, but also to recount his experiences with the varied peoples and cultures he had encountered during his journey. Herodotus earned the nickname 'the father…
History has always fascinated me because it offered ways through which I could begin to make sense of the present. History is about how and why things change over time, above all about the causal dynamics underlying how societies, economies, and cultures work and transform. The history of Byzantium is a perfect example, offering many challenges of understanding and interpretation of its own, yet at the same time opening up a whole world of medieval societies and cultures around it, helping to illuminate not just the history of the immediate regions concerned – the eastern Mediterranean and Balkans – but of the world beyond.
“Collapse” is a term frequently bandied about in the press and popular as well as academic historical writing. Middleton’s book, well-informed by the palaeoenvironmental, archaeological, and documentary evidence shines a powerful light on some of the pervasive myths about supposed historical collapses, many of which were not at all what the term might suggest. He challenges us to think carefully and critically about what we really know about a past civilisation before we rush into easy judgements. His book made me rethink many of my own assumptions on the subject and undoubtedly influenced my own work.
Understanding Collapse explores the collapse of ancient civilisations, such as the Roman Empire, the Maya, and Easter Island. In this lively survey, Guy D. Middleton critically examines our ideas about collapse - how we explain it and how we have constructed potentially misleading myths around collapses - showing how and why collapse of societies was a much more complex phenomenon than is often admitted. Rather than positing a single explanatory model of collapse - economic, social, or environmental - Middleton gives full consideration to the overlooked resilience in communities of ancient peoples and the choices that they made. He offers…
I am Jeff Clarke, author and graphic designer. I have always been interested in origins and beginnings, whether it be the universe, life on Earth, military aviation and ancient societies. I possess a valuable private library of my own and generally prefer to use this rather than on-line sources as the authors’ qualifications are more easily ascertainable. I design the covers for all my novels.
This large and sumptuous volume, published in 1962, is the oldest of my references for ancient history.
Although over sixty years old its text, compiled by numerous specialists in their day, is still largely authoritative.
Where it excels, however, is in a cover to cover wealth of detailed pictures showing people, activities, situations, and places from ancient times in numerous parts of the world.
I have found this book an invaluable source, particularly regarding fashion and dress, for the book featured here as well as for Mycenaean period novels I’ve also published.
Oversized coffee-table book based on a series of articles entitled The Epic of Man which appeared in LIFE magazine from 1955 to 1957. They were prepared under the direction of Senior Editor Kenneth MacLeish and Art Director Charles Tudor and were written by Lincoln Barnett. Much new material has been added, and many of the illustrations and photographs are published here for the first time.
I have been fascinated by ancient Greece and Rome since I first saw Italy and Greece as a teenager, revisiting them whenever I can. I studied ancient history at Cambridge University and have written eight books about it, most recently The Colosseum. After living in Paris, Rome, and London, I am now based in Wiltshire in southwest England, almost within sight of Stonehenge. There is a small megalith outside my own house.
Dictionaries are not usually meant to be fun but this fact-packed book is so well-written that it is a joy to read. Wonder who on earth was Cicero? What the Punic wars were all about? How the Greeks defeated the Persians at the Battle of Salamis? What was so special about Greek theatre? And why Rome conquered Britain? You will find all the answers here. Besides military and political events, it covers literature, philosophy, art, religion, sport, and society, all the way from 776BC and the first Olympic Games to the end of the Roman Empire in the west in AD476.
Ranging from the year of the first Olympic Games in 776 BC to the fall of the Roman Empire in AD 476, this dictionary contains over 2000 entries providing a reference guide to the ancient Greco-Roman world. It includes entries on personalities, events, politics, literature, art and society.
I love exploring new places, buildings, and artworks. Luckily, my job, as a professor of ancient Roman art history at Case Western Reserve University in Cleveland, Ohio, allows me to do so! I am fascinated by the material culture of the Roman Empire and the ways in which buildings and objects—whether grand monuments like the Pantheon in Rome or humbler items like a terracotta figurine of a gladiator—shape how we experience the world and relate to other people. Whether I am living in Paris or Rome, excavating in Greece or Italy, or traveling elsewhere in the former lands of the Roman Empire, these topics are never far from my mind.
Anybody who studies travel in ancient Rome knows the name of Lionel Casson, and after reading his magnum opus, you will understand why. Reading his book makes me feel that I am taking a tour of the Roman world in all its glory: its diversity, its impressive infrastructure, its cultural highlights, and its religious pilgrimage sites. Travel could be exciting or dangerous, luxurious or barebones, for business or for pleasure. In Casson’s engaging and accessible prose, however, it is always a revelatory window into Roman culture and history. Casson’s book helped me understand the personal, emotional aspects of travel in ancient Rome and, consequently, made me feel closer to ancient Romans themselves.
The only book of its kind in any language, Travel in the Ancient World offers a lively, comprehensive history of ancient travel, from the first Egyptian voyages recorded in Old Kingdom inscriptions through Greek and Roman times to the Christian pilgrimages of the fourth and sixth centuries. Rich in anecdote and colorful detail, it now returns to print in paperback with a new preface by the author.
I'm an author who believes that history contains an endless number of stories of how our past peers dealt with and contributed to the tension, fusion, and reinvention that is human existence. When writing The Greek Prince of Afghanistan, which focuses on the Greco-Bactrian Kingdom of ancient Afghanistan, I included a Scythian character, because I felt the novel’s story, like humanity’s story, is best told through multiple perspectives. The above books helped me greatly in that effort.
If one wanted to understand the study of the galaxy, they might start with Galileo. Something similar could be said about starting with the historian Herodotus to understand ancient peoples (and the study of them). Was he serious about his craft? Yes. Was he a product of his time? Yes. Should you take everything he writes as fact? Absolutely not. So why read Herodotus? Because he was the first person (as far as I know) to study the Scythians for the purpose of scholarship. Moreover, his work contains many of the stories that scholars since his time have tried to prove, disprove, or reinterpret. In short, if you want to join a conversation, it can be helpful to know how it began.
Herodotus is not only known as the `father of history', as Cicero called him, but also the father of ethnography; as well as charting the historical background to the Persian Wars, his curiosity also prompts frequent digression on the cultures of the peoples he introduces. While much of the information he gives has proved to be astonishingly accurate, he also entertains us with delightful tales of one-eyed men and gold-digging ants. This readable new translation is supplemented with expansive notes that provide readers the background that they need to appreciate the book in depth.
I'm a crime writer and my latest novel is set in Delphi, Greece at the Temple of Apollo: it interweaves a modern murder mystery with perennial themes like justice, retribution and law so the cradle of law and democracy was an ideal setting, especially Delphi, which the Greeks believed to be the centre of the world. I visited there at the turn of the millennium and it has always stayed with me. Since childhood, I have been fascinated, like many, with the stories of ancient Greece, its gods, myths, and legends, and the genesis of so many of the ideas which underpin western society and thought. I've taught Classics in the past, but these books will give the reader joy as well as improving their knowledge.
Scott is an associate professor of classics and ancient history at the University of Warwick and his erudition shines through this comprehensive study of Delphi and, at its heart, the Oracle and Temple of Apollo. Yet this is never a dull, academic book, Scott's obvious love for the place and its history prevents that, as he chronicles the wars and disputes, the judgements and prophesies, as well as how the Oracle, the female Pythia, was set at the very centre of the ancient world. He evokes the place brilliantly, with its spectacular setting, and brings the history up to date with the rediscovery of the ancient site and its re-emergence from the mountainside. It was inestimably useful to me when I wrote Oracle, but it also reinforced my desire to return to what is a very special place.
The oracle and sanctuary of the Greek god Apollo at Delphi were known as the "omphalos"--the "center" or "navel"--of the ancient world for more than 1000 years. Individuals, city leaders, and kings came from all over the Mediterranean and beyond to consult Delphi's oracular priestess; to set up monuments to the gods; and to take part in competitions. In this richly illustrated account, Michael Scott covers the history and nature of Delphi, from the literary and archaeological evidence surrounding the site, to its rise as a center of worship, to the constant appeal of the oracle despite her cryptic prophecies.…
Born on the Navajo reservation and then raised among the Qom, Mocoi, and Pilagá in Argentina, I have been with Native peoples throughout my life. After studying Indigenous and Native American histories at Indiana University, I taught at Kalamazoo and Bates College, where I took students to track and canoe on Penobscot reserves. I write about Guaraní histories and have enjoyed teaching Indigenous, Native, and Latin American histories at Appalachian State University; some of my graduate students are now excellent university professors here in the Southeast. It was for these Indigenous peoples and for my amazing students that I wrote and dedicated my textbook.
I have taught with this book so effectively in my classes because it made me realize that Native people all around the world faced similar experiences of colonization, discrimination, and marginalization to those in Latin America.
Indigenous cultures and histories have empowered these people to defend themselves, resist creatively, and shape the states that encapsulated them in important ways.
This book helped me better understand that the Indigenous people I grew up among in Argentina and studied in Paraguay share so much in common with Indigenous peoples throughout the world. Students in my class, A World History of Indigenous Peoples, liked this book because it summarized the subject so well.
A Global History of Indigenous Peoples examines the history of the indigenous/tribal peoples of the world. The work spans the period from the pivotal migrations which saw the peopling of the world, examines the processes by which tribal peoples established themselves as separate from surplus-based and more material societies, and considers the impact of the policies of domination and colonization which brought dramatic change to indigenous cultures. The book covers both tribal societies affected by the expansion of European empires and those indigenous cultures influenced by the economic and military expansion of non-European powers. The work concludes with a discussion…
