Between the two of us, we have written over a dozen books and won numerous prizes. Wilson, when not writing critically-acclaimed music or explaining how to catch a haggis, has received the Ontario Historical Association’s Joseph Brant Award for King Alpha’s Song in a Strange Land.Reid, who wisely passed up the chance of a law career in order to play an extra year of soccer, received the C. P. Stacey Award for African Canadians in Union Blue. Both writers believe that sports offer a valuable lens by which to examine a society’s core values.
Most Canadians are likely unaware that Canada has an official national summer game and that it is lacrosse. Even fewer realize that the sport reflects a tangled story of appropriation and reappropriation that exposes complex relationships between European and Indigenous peoples.
In a provocative and creative book, Downey, an Indigenous historian, uses First Nations storytelling and his own rigorous research to follow the transformation of lacrosse by Anglophone Montrealers and their exclusion of Indigenous players.
By the end of the nineteenth century, lacrosse was the most popular sport in Canada, before giving way to hockey. Then, almost a century later, the sport was reclaimed by a new generation of Indigenous athletes and activists who used the game as part of a broader cultural and spiritual renewal.
For these athletes, the current goal is to have the Haudenosaunee Nationals recognized as an independent participant at the Olympic Games in 2028.
Lacrosse has been a central element of Indigenous cultures for centuries, but once non-Indigenous players entered the sport, it became a site of appropriation - then reclamation - of Indigenous identities. The Creator's Game focuses on the history of lacrosse in Indigenous communities from the 1860s to the 1990s, exploring Indigenous-non-Indigenous relations and Indigenous identity formation. While the game was being appropriated in the process of constructing a new identity for the nation-state of Canada, it was also being used by Indigenous peoples to resist residential school experiences, initiate pan-Indigenous political mobilization, and articulate Indigenous sovereignty. This engaging and innovative…
I've always been fascinated with history. The study of economic history allows me to combine my passion for understanding the past with a rigorous and systematic set of analytical tools. In my own work I'm interested in understanding the economic, political, and institutional transformations that have created the modern world. The books I've selected here help us better understand quite how different the past and they have proven to be invaluable to me as inspirations.
Patricia Crone was an expert on the history of early Islam and attracted a lot of controversy for her views on Mecca and Mohamad.Pre-Industrial Societies is a brief, readable portrait of how preindustrial societies functioned. It isn't based on primary sources or archival evidence; there are no footnotes or endnotes, and the referencing is light; really it is a textbook.
What makes it valuable is that unlike many historians, Crone isn't afraid to generalize and to draw on the ideas of social scientists. She packs in an amazing amount of analyze into a very short book and roams across entirety of world history.
If I could only recommend one book to students interested in how societies functioned in the past, it might be this book!
Eminent historian Patricia Crone defines the common features of a wide range of pre-industrial societies, from locations as seemingly disparate as the Mongol Empire and pre-Columbian America, to cultures as diverse as the Ming Dynasty and seventeenth-century France. In a lucid exploration of the characteristics shared by these societies, the author examines such key elements as economic organization, politics, culture, and the role of religion. An essential introductory text for all students of history, Pre-Industrial Societies provides readers with all the necessary tools for gaining a substantial understanding of life in pre-modern times. In addition, as a perceptive insight into…
I grew up hearing jazz thanks to my dad, a big swing fan who allegedly played Duke Ellington for me in the crib. My father couldn’t believe it when I developed a taste for “modern jazz,” bebop, even Coltrane, but he never threw me out. Fifty years later I still love to play jazz on drums and listen to as much as I can. But along the way, I realized the world might be better served by me writing about the music than trying to make a living performing it. I had the great privilege of studying jazz in graduate school and wrote about big-band jazz for my first book, which helped launch my career.
I came across this book when I decided to focus my graduate study on the history of jazz and was reading everything I could find. It’s a short book, full of incredible vintage photographs, and it taught me so much about what swing is, how music and dance are joined at the hip. How it’s all rooted in the blues. And about the link between the “Saturday Night Function” of celebrating life with music and dance, followed a few hours later by the “Sunday Morning Function,” singing and celebrating God and community in church. The two are not all that far apart. Along with Ralph Ellison, Albert Murray was probably the first author to write about jazz with a real sense of lyricism and poetry. In this book, the writing itself carries the energy and exuberance of jazz.
In this classic work of American music writing, renowned critic Albert Murray argues beautifully and authoritatively that "the blues as such are synonymous with low spirits. Not only is its express purpose to make people feel good, which is to say in high spirits, but in the process of doing so it is actually expected to generate a disposition that is both elegantly playful and heroic in its nonchalance."
In Stomping the Blues Murray explores its history, influences, development, and meaning as only he can. More than two hundred vintage photographs capture the ambiance Murray evokes in lyrical prose. Only…
I teach medieval and early modern European history at Dublin City University, with a particular interest in 16th-18th century Italian history. My own research focuses on the religious, legal, and popular culture of northern Italy, particularly Venice and the Veneto region. I became fascinated with Renaissance Italian history as an undergraduate at the College of William and Mary, and then went on to do a masters and a PhD at Northwestern University. I have taught at Northwestern, the College of William and Mary, the University of Warwick/Warwick in Venice, and the State University of New York at Cortland.
This is an excellent and fascinating book on the scientific culture of Renaissance Italy, where intellectuals and the wealthy elite began collecting and cataloging curiosities long before their northern European counterparts. Findlen demonstrates a key way in which Renaissance intellectuals could look back to an idealized ancient past while also creating new knowledge and institutions – namely the museum. This book is beautifully written, full of engaging stories, and shows a side of early modern science often ignored.
In 1500 few Europeans regarded nature as a subject worthy of inquiry. Yet fifty years later the first museums of natural history had appeared in Italy, dedicated to the marvels of nature. Italian patricians, their curiosity fueled by new voyages of exploration and the humanist rediscovery of nature, created vast collections as a means of knowing the world and used this knowledge to their greater glory. Drawing on extensive archives of visitors' books, letters, travel journals, memoirs, and pleas for patronage, Paula Findlen reconstructs the lost social world of Renaissance and Baroque museums. She follows the new study of natural…
I’d already published a scholarly book about the household of a medieval widow, who was just a decade older than Margery Kempe and lived sixty miles away, so the time, place, and mindset seemed very familiar. As a Jungian Psychoanalyst I’m interested in how individuals find the central meaning in their lives. Clearly for Margery it was the search for God, although she doesn’t appear to have been a kindly soul. When I read that she twice quarreled with her maidservant, I realised the maidservant could tell her own tale. And so she did, and sometimes it seemed she was dictating it to me! Characters really do speak for themselves...
Eileen Power was a pioneer in Women’s History and this was the first book I read when I went back to university. It’s an inspiring collection of essays on medieval ideas of women, working women in town and country, education, and nunneries. If you’re planning to write a book about women in the Middle Ages, start your research here.
Power refers to many diverse contemporary texts such as The Goodman of Paris and works by Chaucer and Christine de Pisan, which enabled me (or, which will enable you) to portray authentic detail in my own book. The essay on nunneries, which I drew on for my novel, is a summary of her seminal work on medieval English nunneries. There are also forty-two well-chosen illustrations that complement the text.
Throughout her career as a medieval historian, Eileen Power was engaged on a book about women in the Middle Ages. She did not live to write the book but some of the material she collected found its way into her popular lectures on medieval women. These lectures were brought together and edited by M. M. Postan. They reveal the world in which women lived, were educated, worked and worshipped. Power gives a vivid account of the worlds of the lady, the peasant, the townswoman and the nun. The result is a historical yet intimate picture of a period gone by…
I am a classicist (Greek and Latin) and a serious student of history. Modernity has obsessed me for the last 10 years, how it unfolds, what its implications are, whether it generates more gains than losses, whether it’s changing us profoundly and whether we can dodge it or not. Because of this interest (which I lecture on often) I am fascinated to see modernity’s gleanings in earlier times and always curious to see what other critics make of it. Because its effects will only grow down the road, the task of understanding its mechanisms and outcomes is one of extreme urgency, as these books illustrate in different ways.
This book is great because Norberg is calm, methodical, rational, and optimistic: we have come a long way, we live in the best of times, and let’s get on with it. I love the modern as I’ve said, and appreciate historians who understand that, from a material perspective at least (health, wealth, freedom, and security), most people today are in the top 99.999999 percentile of all the humans who have ever lived.
I so admire (and share) Norberg’s belief in our brilliance and problem-solving skills and admire, too, his arguments which are complex but easy to follow. Modernity gives us plenty to celebrate, and Norberg, I feel, makes this eminently clear.
It is a book that serves as the perfect balance to Barrat’s and to Kurzweil’s. Although the three together will lead to cognitive dissonance, which, in my view, is as healthy as having one’s mind blown periodically.
A Book of the Year for The Economist and the Observer
Our world seems to be collapsing. The daily news cycle reports the deterioration: divisive politics across the Western world, racism, poverty, war, inequality, hunger. While politicians, journalists and activists from all sides talk about the damage done, Johan Norberg offers an illuminating and heartening analysis of just how far we have come in tackling the greatest problems facing humanity. In the face of fear-mongering, darkness and division, the facts are unequivocal: the golden age is now.
I am an author fortunate to be alive because of emergency medical treatments I received as an infant, treatments not available to one of my older sisters who died as a result. That I grew up in Rochester Minnesota—home to the world-famous Mayo Clinic where my father worked as a pediatric endocrinologist—also may have increased my awareness of how illness and its medical treatments can affect a young person’s life.
This nonfiction book on tuberculosis, published the same year as my book, begins with the discovery of a skull marked by the scars of tuberculosis. Turns out it belonged to a young man who died over 500,000 years ago from the disease. The authors trace the devastating effects of tuberculosis to modern day when our drugs can no longer fully guarantee treatment. This book tells a fascinating, yet worrisome, story about a most dreaded disease.
"Who knew the biography of a germ could be so fascinating?”—Kirkus (starred review)
This is the story of a killer that has been striking people down for thousands of years: tuberculosis. After centuries of ineffective treatments, the microorganism that causes TB was identified and the cure was thought to be within reach—but drug-resistant varieties continue to plague and panic the human race.
The "biography" of this deadly germ and the social history of an illness that could strike anywhere are woven together in an engrossing, carefully researched narrative. Includes a bibliography, source notes, and index.
Partly
as a result of one of my numerous misguided educational choices and partly out of
genuine interest, I did a lot of work in late eighteenth and early nineteenth-century English literature. I wish I’d
had Ashton’s book, as it’s a social history of England back then and a basic
anthology of what was being reported at the time, with dozens of reproductions
of drawings.
Jane Austen is a favorite
novelist of mine, and when you look at the section on women’s fashions, it
definitely changes how you see her women—and how the men saw them.
At the same time, the picture of an England
beset by riots, mutinies, and social chaos is not only a useful corrective but
a potent reminder of how little our society has changed.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and…
I am a historian of modern (post-1898) American military history who has been fortunate enough to be at a university that supports my research. I have always been fascinated by the “black holes” in military history, the topics that are not glamorous like the big wars, charismatic generals, or Washington-level civil-military relations. This has led me to study such obscure topics as the conquest and pacification of the Philippines, the forty-year plans for Pacific defense prior to World War II, and how military officers have envisioned future war. The peacetime US Army is a terrific “black hole” because so many people, civilians, and military, assume that they already know that history.
Coffman’s twin volumes are a, if not the, foundational texts on the social history of the peacetime US Army. Drawing on a host of sources, the books brought to light, in many cases for the first time, the experiences of officers, enlisted men, and their families from the Regular Army’s founding to the outbreak of World War II. Without apparent effort, the late Mac Coffman combined the history of a military organization with the stories of hundreds of individuals who were its components, and he did it with empathy, warmth, humor, and masterly tale-telling.
One of the most important works of military history published in the last decade, The Old Army is the only comprehensive study of the people who made up the "garrison world" in the peacetime intervals between the War for Independence and the Spanish-American War. Drawing on diaries, letters, and other primary documents, Edward M. Coffman vividly recreates the harsh, often lonely life of men, collected mostly from the streets of Northern cities, for whom enlistment was "a leap in the dark...a choice of evils." He pays special attention to the roles of women and children, as well as black Americans,…
I am fascinated by the big picture—never mind what street corner I’m on, where am I on the map of the world? In fact, where am I in the plane of the solar system? (Gazing at the setting moon, I’ve worked this out!) As an engineering manager, I helped engineers debug systems with diverse technology, and found (and wrote about) principles that apply as much today as they did in 1975, using examples drawn from 30 years of my life and career. I developed a love for other timeless, classic books that helped me see the forest beyond the trees.
I like to look at the big picture. This book’s picture is huge: it explains three waves of human civilization, from agriculture and land ownership, to centralization and mass manufacturing, to distributed and custom everything—the wave we are in now. It was originally published in 1980 and predicted our current culture and technology with astonishing accuracy. I, and many entrepreneurs of the time, tried to use those predictions to guide our businesses, and many, like Amazon, succeeded as a result. Are there still more third wave things to invent? Yes—think of how streaming video channels are just now taking over from cable and broadcast, not to mention movie theatres. Will this help you invent the next big thing? Maybe. And what will the fourth wave be?
From the author of Future Shock, a striking way out of today’s despair . . . a bracing, optimistic look at our new potentials.
The Third Wave makes startling sense of the violent changes now battering our world. Its sweeping synthesis casts fresh light on our new forms of marriage and family, on today's dramatic changes in business and economics. It explains the role of cults, the new definitions of work, play, love, and success. It points toward new forms of twenty-first-century democracy.
Praise for The Third Wave
“Magnificent . . . an astonishing array of information.”—The Washington Post
