I started my career as a historian of gender and sexuality, but in what I sometimes describe as a mid-career crisis I became a historian of the US Army. I love doing research in archives, piecing together the scraps of stories and conversations into a broader whole, figuring out how people made sense of the world they lived in. The books I write make arguments that I hope will be useful to other historians and to military leaders, but I also want people to enjoy reading them.
This is one of those topics that seems obvious once someone writes a book about it—but Susan Carruthers is the one who recognized a topic crying out for attention, and she’s the very best person I can imagine writing this book.
She’s good at poignancy and irony and heartbreak. That may sound like a strange thing to say about a historian—she’s good at heartbreak—but she understands that history is made up of people. There’s an argument here, in addition to some absorbing stories, but she’s also asking us to stop and think: what role have Dear John letters played in America’s wars?
Are 'Dear John' letters lethal weapons in the hands of men at war? Many US officers, servicemen, veterans, and civilians would say yes. Drawing on personal letters, oral histories, and psychiatric reports, as well as popular music and movies, Susan L. Carruthers shows how the armed forces and civilian society have attempted to weaponize romantic love in pursuit of martial ends, from World War II to today. Yet efforts to discipline feeling have frequently failed. And women have often borne the blame. This sweeping history of emotional life in wartime explores the interplay between letter-writing and storytelling, breakups and breakdowns,…
My engagement in the topic has two distinct vectors, academic, and personal, or, if you wish, existential. My academic engagement began when Buber's son Raphael (1900-91), who served as the Executor of the Martin Buber Literary Estate, invited me to assemble and edit his father's writings on the "Arab Question." He explained that of all of his father's publications, his ramified writings promoting the political and human dignity of the Palestinian Arabs spoke most dearly and, as a citizen of the State of Israel, most immediately to him. I accepted Rafael's invitation with alacrity, for like Raphael I'm an Israeli by choice, having emigrated to the country in 1970.
Examines
how the architects of the conflict worked to influence and indoctrinate their
respective ideologies in the ordinary soldiers by analyzing the battle orders,
pamphlets, army journals, and recordings of radio broadcasts in Hebrew, Arabic,
and English. Through two overarching narratives – the official and unofficial,
the propaganda and personal letters, Dear Palestine reveals the fissures
between ‘sanctioned nationalism’ and individual experience and identity. This
book reminds one that everyday individual’s fears, bravery, hubris, base
cruelty, lies, and fantasies are as important in history as the preoccupations
of the elites.
In 1948, a war broke out that would result in Israeli independence and the erasure of Arab Palestine. Over twenty months, thousands of Jews and Arabs came from all over the world to join those already on the ground to fight in the ranks of the Israel Defense Forces and the Arab Liberation Army. With this book, the young men and women who made up these armies come to life through their letters home, writing about everything from daily life to nationalism, colonialism, race, and the character of their enemies. Shay Hazkani offers a new history of the 1948 War…
Heidi Chiavaroli first knew the magic of history and story while standing in Louisa May Alcott’s bedroom as a twelve-year-old. Her favorite pastime is exploring places that whisper of historical secrets in her home state of Massachusetts, where she lives with her husband, two sons, and poodle puppy. Her latest dual timeline novel, The Orchard House, is inspired by the lesser-known events in Louisa May Alcott's life.
Ranging from sweet letters to her family to everyday business correspondence, these letters open up Louisa’s world to me. The reader obtains a snapshot of Louisa’s life and career through her various correspondences as well as glimpses into her writing process and her struggles to write prolificly when her health deteriorates. It was fun to read about her books in the letters and gain insight into the story behind them.
A broad cross-section of letters from the correspondence of the creator of ""Little Women"". This collection provides an autobiography spanning 45 years and provides an account of Alcott's life and development as a writer.
Ever since I started reading the Little House series at the age of ten, I’ve been in love with women’s history. In college I had the opportunity to write a paper on the topic of my choice and I chose women of the American colonial period. I found that while our daily life is now very different, our feelings as women are much the same. The more primary sources I discovered, the more I could feel the fears, sorrows, and joys of the determined women who came before us, unwittingly creating records of their experiences in their correspondence and journals as they built homes and businesses from the raw, wild land.
I kept a diary as a teen, but it won’t be preserved as any kind of example of what the world was like during my life. The Letterbook of Eliza Lucas Pinckney, however, provides a detailed record of daily life in South Carolina in the decades before the American Revolution. Eliza’s letters to her father, friends, and business acquaintances depict life on a plantation from the direct experience of a girl curious, innovative, and determined in her role as manager of several businesses and creator of more.
Intriguing letters by one of colonial America's most accomplished women
One of the most distinguished women of colonial America, Eliza Lucas Pinckney pioneered large-scale cultivation of indigo in South Carolina, managed her father's extensive plantation holdings, and raised two sons―Charles Cotesworth Pinckney and Thomas Pinckney―who would become celebrated patriots of the new nation. Pinckney's lively letters reveal insightful details about an eventful life, including her myriad interests, changing politics, innovative ideas about slave education, voracious reading habits, and unusually happy marriage. Substantial footnotes and a newly revised introduction complement Pinckney's delightful correspondence.
I’ve been devoted to reading memoirs since childhood. My favorite memoirs are based on letters written by people who served in World War II. Their letters encapsulate their experiences with an intimacy meant only for their loved ones. I am fascinated with the immediacy of their personal experience, the longing for home, and the courage to carry on that is expressed in these letters. I continue to be astonished and inspired by the lives of “ordinary” people who tell their own extraordinary stories better than anyone else could. I am the author of two non-fiction books based on letters and my current project is a World War II-era historical novel.
The authors spent ten years researching and acquiring the 30,000 letters that resulted in this collection portraying the wide range of experiences of women in uniform during World War II. I’ve returned to this book often during my research and would recommend it to anyone who wants to learn more about the role women played during the war. These eyewitness accounts of the day-to-day lives of ordinary women stepping up to do extraordinary things are compelling and inspirational.
Veterans' Day, 1993. The Vietnam memorial, Washington, D.C. Tearful thousands gather for the unveiling of a new monument, a long-overdue tribute to the women who served in Southeast Asia. The event was a powerful reminder of the importance of women in the war--and of its emotional role in their own lives. Yet Vietnam was not the first war in which American women enlisted alongside men. Fifty years ago, an even greater conflict engulfed the lives of tens of thousands of women as they joined the Second World War. Now Judy Barrett Litoff and David C. Smith recapture their experiences in…
Julia P. Gelardi has obtained a Master’s degree in History and spent many years immersed in the world of European royal history. The author of numerous articles and seven books on European royalty, three of which have been published by St. Martin’s Press, Julia has done extensive research in various archives, including the Royal Archives at Windsor Castle. She continues to search the world for elusive books on royalty to add to her library and is always on the lookout for new topics to write about and share with her readers.
An indispensable work to anyone interested in the Romanovs, and especially in the life and reign of Tsar Nicholas II. Here, in their own words from diaries and letters are the thoughts and inner-most feelings of Tsar Nicholas II and his wife, Tsarina Alexandra, as well as numerous royal relatives – though the main focus is on Nicholas and Alexandra. Through these written words, the imperial couple and their families are revealed; they’re given a voice and come alive across more than six hundred pages of text. Interspersed as well are a variety of primary sources such as memoirs, documents, diplomatic letters, and the like. But it is the letters and diaries which take center stage and deliver an emotional read.
Russian historians Maylunas and Mironenko (he was Director of the State Archive of the Russian Federation) have done an admirable job of culling through an enormous amount of material…
In the darkest days of the Stalinist era of the Soviet Union, when all talk of the Romanovs was punishable at the very least by banishment to Serbia, a group of archivists were exempt. They sorted and filed the thousands of letters and photographs of the last Tsar of Russia, Nicholas II, his wife, Alexandra (a granddaughter of Queen Victoria), and their five children. In all, some 13,000 letters have survived. Those between 1889 and 1914 have never before been published. They run the gamut from matters of state to intimate expressions of love and longing. In addition there are…
I spent my childhood reading for pleasure, for escapism, for humor, for reassurance, for different views of the world, and even out of sheer boredom sometimes when there was nothing else to do. I have no doubt it’s what made me into a writer. In retrospect, it makes total sense that my first book was about the history and power of a children’s series. When I found myself immersed in not just my old Nancy Drews but the fascinating stories of the people and times that produced her, it was like being back in my childhood bedroom again, only this time with the experience to understand how what I read fit into the larger story of America, feminism, and literature. I hope the books I’ve recommended will inspire you to revisit your old favorites with a new eye.
I love letter collections and this one is among my very favorites. From 1940 to 1973, Ursula Nordstrom was the director of the Department of Books for Boys and Girls at Harpers, one of New York’s biggest publishing houses. Her letters to the authors she worked with are so funny, sharp, and wise that I always wish I’d had a chance to work with her. Even if I had, though, the competition was stiff as her authors included pretty much every single person who wrote and/or illustrated what we now think of as a children’s classic. To name just a few: Charlotte’s Web and Stuart Little; Where the Wild Things Are; Goodnight Moon; The Little House on the Prairie Books, and many, many more. You’ll learn how they all came to be and also close the book feeling like you had a great, gossipy publishing lunch in…
She trusted her immense intuition and generous heart--and published the most. Ursula Nordstrom, director of Harper's Department of Books for Boys and Girls from 1940 to 1973, was arguably the single most creative force for innovation in children's book publishing in the United States during the twentieth century. Considered an editor of maverick temperament and taste, her unorthodox vision helped create such classics as Goodnight Moon, Charlotte's Web, Where the Wild Things Are, Harold and the Purple Crayon, and The Giving Tree.
Leonard S. Marcus has culled an exceptional collection of letters from the HarperCollins archives. The letters included here…
“Eventually, if we are lucky, we
will release this work from the past, through the present and into the future,
as a record of how we thought and interacted at one point in time.”I
love dialogical work formed through a conversation by two or more authors.
Comprised of letters between Maynard and Simpson during the COVID lockdown, Rehearsals For Living thinks the
violence of settler/racial capitalism and the struggles of Black and Indigenous
subjects in the immediacy of the pandemic.
One reason I enjoyed it was that it
echoed a dialogical project I was part of at the time and echoed a lot of the themes, but the framing
was different, particularly the intimate friendship that is evoked by the text.
A revolutionary collaboration about the world we're living in now, between two of our most important contemporary thinkers, writers and activists.
When much of the world entered pandemic lockdown in spring 2020, Robyn Maynard, influential author of Policing Black Lives, and Leanne Betasamosake Simpson, award-winning author of several books, including the recent novel Noopiming, began writing each other letters-a gesture sparked by friendship and solidarity, and by a desire for kinship and connection in a world shattering under the intersecting crises of pandemic, police killings, and climate catastrophe. Their letters soon grew into a powerful exchange on the subject of…
I’ve been the dorky bookworm, the party girl who laughs too loud, the gamer-tomboy, and the doting mother of two kids who is now in a happy, loving marriage. Through all my shifts and changes, the one constant thread in my life was love. But not the rough, I-have-to-hurt-someone-to-get-it kind of love you might find in dark romance novels (although I enjoy those too sometimes). My kind of experience with love is that it’s at its best when it’s fun and when it’s easy. If you can find your most authentic you in the pages of a rom-com, you’re guaranteed an escape from reality that’ll pull you deeper into yourself.
This book broke my heart and stitched it back together. Abby Jimenez's writing style is magnetic, and her characters make me laugh and cry in equal amounts. Every time I need a pick-me-up, I pull out this book.
There are few perfect romantic comedies out there. Some have third-act breakups that don’t make sense. Some are riddled with miscommunication or surprise baby tropes that have a person feeling all the ick. This is not that book. Does it have miscommunication? Yes, in a reasonable, wonderful kind of way. Does it have a surprise baby? Yes! In a way that deepens the two main character’s connection.
The fact that this writer can take my two most disliked tropes and make them entertaining shows just how incredible this author is at her craft. Most importantly, it made me giggle my ass off, and if that is a requirement for you, then this…
A novel of terrible first impressions, hilarious second chances, and the joy in finding your perfect match from "a true talent" (Emily Henry, #1 New York Times bestselling author).
Dr. Briana Ortiz’s life is seriously flatlining. Her divorce is just about finalized, her brother’s running out of time to find a kidney donor, and that promotion she wants? Oh, that’s probably going to the new man-doctor who’s already registering eighty-friggin’-seven on Briana’s “pain in my ass” scale. But just when all systems are set to hate, Dr. Jacob Maddox completely flips the game . . . by sending Briana a…
As an emeritus professor of philosophy now working as a licensed therapist, I feel uniquely qualified to span the two worlds of philosophy and psychotherapy. In addition to dozens of academic articles which no one has ever read, I’ve published books on modern China, ancient Greek Stoicism, Bob Dylan, and the TV show The Sopranos, which at least a few people seem to have picked up.
Narrative Therapy (of which this book is the founding text) traces its roots back to the French philosopher Michel Foucault and postmodern philosophy. Not that anyone can agree on a definition of postmodernism. Invoking Foucault’s critique of power, narrative therapy sees the DSM-5 (the standard list of mental illness that is akin to the Bible in psychiatry) as grounded not in objective truth but as a mostly fabricated list of pseudo-diseases a profession has conjured up in order to assure it is well-paid. Narrative therapy works not on attempting to change any objective condition the client may inhabit but to motivate the patient to change his subjective view of his condition.
White and Epston base their therapy on the assumption that people experience problems when the stories of their lives, as they or others have invented them, do not sufficiently represent their lived experience. Therapy then becomes a process of storying or restorying the lives and experiences of these people. In this way narrative comes to play a central role in therapy. Both authors share delightful examples of a storied therapy that privileges a person's lived experience, inviting a reflexive posture and encouraging a sense of authorship and reauthorship of one's experiences and relationships in the telling and retelling of one's…
