Here are 100 books that We're in this War, Too fans have personally recommended if you like
We're in this War, Too.
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After teaching high school English for thirty-one years, I retired and began my second career in writing. I have published five novels and one collection of poetry. When I met Jane Tucker in 1974, she became a good friend, fellow church member, and my dental hygienist. I had no idea she had worked as a welder on Liberty Ships during World War II when she was only sixteen years old. After I learned this in 2012, I began my journey into learning all about the Rosies during World War II and writing my fourth novel Becoming Jestina. Jane’s story is an amazing one, and I still talk to her regularly.
I recommend this book because it gives a broader picture of the women who changed the way women participate in society forever. It wasn’t just building bombs, liberty ships, and planes that women had a part in. It was everything! When I’ve talked to women who lived during that time, and when I read this book, I realized how many ways women changed during that period of history.
Our Mothers' War is a stunning and unprecedented portrait of women during World War II, a war that forever transformed the way women participate in American society.
Never before has the vast range of women's experiences during this pivotal era been brought together in one book. Now, Our Mothers' War re-creates what American women from all walks of life were doing and thinking, on the home front and abroad. These heartwarming and sometimes heartbreaking accounts of the women we have known as mothers, aunts, and grandmothers reveal facets of their lives that have usually remained unmentioned and unappreciated.
From the moment my grandmother told me that books were not created by magic, but that real people write books (I was five years old) I knew that I wanted to become a writer—as surely as did Anne in Anne of Green Gables. Themes of the joy, the complexity, and responsibility of friendship and family, of working together despite great challenges to overcome obstacles for purposes beyond ourselves, and of doing that while sometimes working through stages of grief all resonate with me, are all part of my life. The books I’ve recommended, as well as the books I’ve written, contain those themes.
Good friends stick together through thick and thin. That’s the premise I took away from The Beantown Girls.
When one of three forever best friends from Boston learns that her fiancé is missing in WWII action, she determines to go to Europe and against all odds, find him. She convinces her two best friends—women with very different personalities, very different gifts, and skills—to join her as Red Cross Clubmobile girls in what could be a grand adventure or a terrible risk to their lives.
They never expected to care so deeply for the soldiers they go to help, to encounter the horrors and deprivation of war they do, or that their friendship and camaraderie will be tested and yet become the thing that carries them through.
A novel of love, courage, and danger unfolds as World War II's brightest heroines-the best of friends-take on the front lines.
1944: Fiona Denning has her entire future planned out. She'll work in city hall, marry her fiance when he returns from the war, and settle down in the Boston suburbs. But when her fiance is reported missing after being shot down in Germany, Fiona's long-held plans are shattered.
Determined to learn her fiance's fate, Fiona leaves Boston to volunteer overseas as a Red Cross Clubmobile girl, recruiting her two best friends to…
I’ve been devoted to reading memoirs since childhood. My favorite memoirs are based on letters written by people who served in World War II. Their letters encapsulate their experiences with an intimacy meant only for their loved ones. I am fascinated with the immediacy of their personal experience, the longing for home, and the courage to carry on that is expressed in these letters. I continue to be astonished and inspired by the lives of “ordinary” people who tell their own extraordinary stories better than anyone else could. I am the author of two non-fiction books based on letters and my current project is a World War II-era historical novel.
I absolutely love the layout of this book–the title, the photos, and the fonts. This irresistible chapter heading made me want to know more: “Training: Thrilled to Death with Everything.” At the start of the book, I knew nothing about World War II Red Cross volunteers and next to nothing about the war in Africa. LeOna’s letters are so exuberant with descriptions so vivid you feel like you are walking in her footsteps. I love the photos with her smiling face. I finished this book with a deep respect for the dedicated women who worked so hard to provide soldiers with comfort and a connection to home.
From Kathleen Cox: Her name was LeOna Kriesel, and she was 27-years-old; a recent graduate from University of Minnesota and teaching at Allegheny College. When a fellow Allegheny teacher revealed he was also a recruiter for the American Red Cross he said, “LeOna, I’ve been observing you. I believe you’d make a good Red Cross Girl. Are you interested in applying for the job?” It took LeOna just seconds to exclaim, “Would I, you bet I would!” LeOna was my mother. Growing up I heard her stories about running enlisted men’s social clubs in Constantine, Algeria, and Rome, Italy, from…
I’ve been devoted to reading memoirs since childhood. My favorite memoirs are based on letters written by people who served in World War II. Their letters encapsulate their experiences with an intimacy meant only for their loved ones. I am fascinated with the immediacy of their personal experience, the longing for home, and the courage to carry on that is expressed in these letters. I continue to be astonished and inspired by the lives of “ordinary” people who tell their own extraordinary stories better than anyone else could. I am the author of two non-fiction books based on letters and my current project is a World War II-era historical novel.
My favorite thing about this book is that it contains copies of the actual letters sent home by Dorothy, about half handwritten and the other half typed. The accompanying photos and newspaper clippings enhance the narrative of her work and travel in England. This is one of the most complete sets of letters I’ve ever seen. Dorothy was the Red Cross secretary at a U.S. Army hospital located at a country estate (think Downton Abbey). I love her conversational tone, charming descriptions, and positive attitude. I almost felt like I was her mother reading the letters as they arrived so many years ago.
Like many American women during World War II, Dorothy F. Trebilcox (Eiland) wanted to be a part of the war effort. She found her opportunity by serving in the Red Cross in England. This book contains her numerous letters home, exactly as she wrote them, describing her life and adventures from 1944 to 1946. Leaving Sacramento by train, she describes the journey eastward, crossing the Atlantic under threat of U-boats, and daily life in the Red Cross in England during these tumultuous times.
I'm a Frenchman with a great interest in the history of the Second World War, specializing in the correspondence of Allied soldiers. Almost 20 years of collecting WWII letters led to the publication of my first book Till Victory which was an award-winning bestseller in France, before it was released in English worldwide in 2021. I also host a podcast (Till Victory: a podcast about WWII and Peace), where I interview British and American veterans, and have made documentaries such as Red Beret & Dark Chocolate or The Missing Highlander. It's all about trying to understand what the young men who fought and died to liberate my country went through when they were my age.
This book is more about the impact of war on the families of those who never returned from it. There isn’t a lot of combat content, but some of the letters are extremely moving. On the other hand, the title of the book is misleading, since some letters are indeed "last letters home," but they are in fact the last ones written before the soldier went home... In any case, although this book focuses exclusively on the British troops, it allows us to enter the intimacy of families torn apart by the war with great emotion.
For many of those who lived through it, the Second World War was the most exciting, dynamic and frightening time of their lives. This wonderful collection of contemporary letters tells their stories - from the battlefields of Europe to the bombed out back streets of London, from the conflict in the skies to the hardships of the home front.
Last Letters Home doesn't show just one side of the war. By concentrating on different themes - lovers, siblings, separation and reunification - Tamasin Day-Lewis paints an unparalleled picture of the daily lives of men and women at war. Through letters…
I am a professional historian who has been writing books for more than forty years. Most of the books have been about war and dictatorship in the first half of the twentieth century. My last book, The Bombing War: Europe 1939-1945, developed my long interest in air war history, which goes back to my first major book written in 1980 on air warfare in World War II.
The big question for World War II is what kept men fighting in appalling conditions, with high losses against an implacable enemy. McManus focuses on the American army to answer this question, but his answers could apply to many of the fighting men in other armies as well. The book explores the nature of combat and the psychological mechanisms used to cope with the conditions of modern war. This is a dimension of the history that too often gets overlooked as divisions and units are moved around on the historians’ map of the war, yet it is a central issue to understand what motivates soldiers and keeps them fighting effectively. Sadly, a great many did, indeed, end up as psychological casualties.
In his book Men Against Fire, [historian S. L. A.] Marshall asserted that only 15 to 25 percent of American soldiers ever fired their weapons in combat in World War II. . . . Shooting at the enemy made a man part of the “team,” or “brotherhood.” There were, of course, many times when soldiers did not want to shoot, such as at night when they did not want to give away a position or on reconnaissance patrols. But, in the main, no combat soldier in his right mind would have deliberately sought to go through the entire ear without…
I started my career as a historian of gender and sexuality, but in what I sometimes describe as a mid-career crisis I became a historian of the US Army. I love doing research in archives, piecing together the scraps of stories and conversations into a broader whole, figuring out how people made sense of the world they lived in. The books I write make arguments that I hope will be useful to other historians and to military leaders, but I also want people to enjoy reading them.
This is one of those topics that seems obvious once someone writes a book about it—but Susan Carruthers is the one who recognized a topic crying out for attention, and she’s the very best person I can imagine writing this book.
She’s good at poignancy and irony and heartbreak. That may sound like a strange thing to say about a historian—she’s good at heartbreak—but she understands that history is made up of people. There’s an argument here, in addition to some absorbing stories, but she’s also asking us to stop and think: what role have Dear John letters played in America’s wars?
Are 'Dear John' letters lethal weapons in the hands of men at war? Many US officers, servicemen, veterans, and civilians would say yes. Drawing on personal letters, oral histories, and psychiatric reports, as well as popular music and movies, Susan L. Carruthers shows how the armed forces and civilian society have attempted to weaponize romantic love in pursuit of martial ends, from World War II to today. Yet efforts to discipline feeling have frequently failed. And women have often borne the blame. This sweeping history of emotional life in wartime explores the interplay between letter-writing and storytelling, breakups and breakdowns,…
As a lover of history, when I lived in Hawaii, Japan, and Guam, I visited World War II sites. I had a fascinating career as a political reporter. I reported on a “Christmas Drop,” a tradition since WWII. On Johnston Atoll, I did photojournalism on the incineration of chemical weapons from East Germany. I interviewed a Kuwaiti sheik and human shields during Desert Storm. I covered negotiations when the Philippines didn’t renew US military base leases. While at the San Antonio Express News, I researched the WWII Japanese soldier, Shoichi Yokoi, who hid on Guam for nearly 28 years. That was the seed for my novel No Surrender Soldier.
Author Dandi Daley Mackall wrote With Love, Wherever You Are after reading a trunk-load of letters exchanged by her parents during their years as a nurse and doctor on the battlefields of Europe during World War II. Mackall's novel is based on genealogical research and is a story about people and the matters of their hearts, instead of military strategies and battles. Mackall was closer in time, though, since With Love, Wherever You Are is about her parents and set during the 1940s. She had access to primary sources in her research. As “The Greatest Generation” is passing away, it’s important that authors like Mackall are preserving these biographical stories.
Everyone knows that war romances never last . . . After a whirlwind romance and wedding, Helen Eberhart Daley, an army nurse, and Lieutenant Frank Daley, M.D. are sent to the front lines of Europe with only letters to connect them for months at a time.
Surrounded by danger and desperately wounded patients, they soon find that only the war seems real―and their marriage more and more like a distant dream. If they make it through the war, will their marriage survive?
Based on the incredible true love story, With Love, Wherever You Are is an adult novel from beloved…
As an emeritus professor of philosophy now working as a licensed therapist, I feel uniquely qualified to span the two worlds of philosophy and psychotherapy. In addition to dozens of academic articles which no one has ever read, I’ve published books on modern China, ancient Greek Stoicism, Bob Dylan, and the TV show The Sopranos, which at least a few people seem to have picked up.
Narrative Therapy (of which this book is the founding text) traces its roots back to the French philosopher Michel Foucault and postmodern philosophy. Not that anyone can agree on a definition of postmodernism. Invoking Foucault’s critique of power, narrative therapy sees the DSM-5 (the standard list of mental illness that is akin to the Bible in psychiatry) as grounded not in objective truth but as a mostly fabricated list of pseudo-diseases a profession has conjured up in order to assure it is well-paid. Narrative therapy works not on attempting to change any objective condition the client may inhabit but to motivate the patient to change his subjective view of his condition.
White and Epston base their therapy on the assumption that people experience problems when the stories of their lives, as they or others have invented them, do not sufficiently represent their lived experience. Therapy then becomes a process of storying or restorying the lives and experiences of these people. In this way narrative comes to play a central role in therapy. Both authors share delightful examples of a storied therapy that privileges a person's lived experience, inviting a reflexive posture and encouraging a sense of authorship and reauthorship of one's experiences and relationships in the telling and retelling of one's…
As well as being a novelist (ten published books to date), I’m a Senior Lecturer in Prose at Liverpool John Moores University. My current academic fields of interest are the role Johanna van Gogh-Bonger played in Vincent’s rise to fame, the silencing of women involved in creative pursuits, and the consideration of a novelist’s ethical and moral responsibilities when fictionalising a real life. My true passion lies in the creative uncovering of those erased stories, and in adding to the emerging conversation. That’s why I’ve shifted from writing contemporary to historical novels. I’m also known as the international, bestselling author Caroline Smailes (The Drowning of Arthur Braxton).
I maintain that the only way to gain a true understanding of Vincent van Gogh is to identify his role in seemingly peripheral narratives.
This book considers the Van Gogh sisters, and gives stunning voices to their previously untold narratives. An intimate and necessary insight into the siblings’ relationship, their struggles with mental health, and their intelligent observations of the changing social climate are given.
Without doubt, to recognise Vincent fully, there’s a need to both navigate and to appreciate the female relationships that influenced him.
The lively and revealing correspondence that Vincent van Gogh maintained with his art-dealer brother Theo is famous as a source of insight into the mind of one of the most celebrated artists of all time. But what of Anna, Lies and Willemien van Gogh, with whom Vincent had intimate and sometimes turbulent relationships? It was an argument with his oldest sister, Anna, in the aftermath of their father's death that provoked Vincent to leave the Netherlands and never return.
The Van Gogh siblings grew up at a time when long-distance travel by train first became possible. As each went their…
