Here are 100 books that The Disappearance fans have personally recommended if you like
The Disappearance.
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I am a psychiatrist-novelist. As a psychiatrist, I’ve seen many patients struggling with infertility and miscarriage. As a novelist, I became intrigued with the idea of having false pregnancy (pseudocyesis) be a key element in a character’s life. My primary goal was to create an engrossing good read. I also wanted to show the psychological trauma of infertility/miscarriage. Another goal was to portray psychiatric patients, the psychiatrists who treat them, and psychiatry in a realistic way. I’m so gratified by the reader reviews: “gripping”...“spell-binding”...“rich, satisfying read”...“a page-turner”...“Illuminating”.
This extraordinary book combines a lived experience with the powerful writing of an accomplished author. Unexpectedly, in her mid-thirties, she finds a man to love and a baby is on the way. But then, the agony: the baby dies in utero in the ninth month. She tackles head-on the deepest feelings and questions this brings. I like the way she unsparingly describes her experience and her grief, and then how she processes this and finds a way to move on.
"This is the happiest story in the world with the saddest ending," writes Elizabeth McCracken in her powerful, inspiring memoir. A prize-winning, successful novelist in her 30s, McCracken was happy to be an itinerant writer and self-proclaimed spinster. But suddenly she fell in love, got married, and two years ago was living in a remote part of France, working on her novel, and waiting for the birth of her first child.
This book is about what happened next. In her ninth month of pregnancy, she learned that her baby boy had died. How do you deal with and recover from…
When my father died in 1998, bladder cancer, I was 41 years old and privileged to be his primary caregiver for five weeks. My first major loss and it was as though a mack truck had been driven through my chest. Ten years later, my mother died, after nine years of dementia, which is like losing someone twice. That was a more ravaging grief. Twelve years later, my nephew died, a month away from his 36th birthday. And in 2022, one close friend of mine took his own life and another died of cancer at age 57. Grief is the subject I gravitate toward in the books I read and the essays I write.
This book is about the most horrifying loss imaginable: the author loses her parents, her husband, and her two young sons all at once, in the tsunami in the Indian Ocean, the day after Christmas, 2004. She and her family were spending the holiday in Sri Lanka when the wave hit and overtook the jeep in which they were attempting to flee. I can’t come up with a better justification for suicide than this—she’s lost everyone; she wonders why she was spared, just to suffer these losses every minute of every hour of every day. The book is both a horror story and a testament to human strength. I assure you, you won’t be able to put it down.
The book opens and we are inside the wave: thirty feet high, moving at twenty-five mph, racing two miles inland. And from there into the depths of the author's despair: how to live now that her life has been undone?
Sonali Deraniyagala tells her story - the loss of her two boys, her husband, and her parents - without artifice or sentimentality. In the stark language of unfathomable sorrow, anger, and guilt: she struggles through the first months following the tragedy -- someone always at her side to prevent her from harming herself, her…
When called a badass, I say thank you. Though I was raised to say and do the right thing, I’ve spent a lifetime speaking my truth, on radio and now on podcasts, being both reverent and irreverent. It took losing three immediate family members and getting hit by a car as a pedestrian for me to learn that I don’t have to be in perpetual motion. I went from being the baby of my family to being the matriarch in a heartbeat and am honored to share what I’ve learned about resilience and authenticity in my first book, By Accident: A Memoir of Letting Go.
I cannot imagine sitting at the bedside of one of my children in a coma.
Isabel Allende not only did that, but used her grief, fear, pain, hope, optimism, memory, and humor to write an extraordinarily compelling book. We come to know not only Paula, Isabel’s gravely ill daughter, but a colorful cast of characters from the family’s past.
We learn about Chilean history and somehow find ourselves laughing and crying in the same chapter. At least I did. Allende is a master with words – and English is not her first language. Do yourself a favor and read this gem.
"Beautiful and heartrending. . . . Memoir, autobiography, epicedium, perhaps even some fiction: they are all here, and they are all quite wonderful."-Los Angeles Times
In this literary classic, New York Times bestselling author Isabel Allende recalls the story of her beloved daughter and her remarkable family's past.
When her daughter, Paula, became gravely ill and fell into a coma, Isabel Allende began to write the story of her family for her unconscious child. Bizarre ancestors are introduced; delightful and bitter childhood memories are shared; amazing anecdotes of youthful years are relived, and the most intimate secrets are quietly passed…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I am a member of an unfortunate tribe, the tribe of grieving mothers who write. Upon learning that my newborn son was profoundly brain-damaged, I kept a diary. Writing those pages helped me make sense of his prognosis and figure out how to care for him before he died. Later, my diary helped me write my memoir Holding Silvan: A Brief Life which went on to be named a “Best Book” of the year by both Library Journal and the Boston Globe. Today, I write and work with other writers trying to craft their own stories of loss. Each experience of grief is unique. The five memoirs I’m recommending give voice to a variety of maternal losses — from stillbirth to murder. While each of these memoirs is powerful in its own way, the love in them is universal.
Before their son died, Sybrina Fulton and Tracy Martin never imagined speaking publicly or starting a movement. It was only after Trayvon, a seventeen-year-old Black boy walking home from the store, was shot and killed by a white man who claimed he felt threatened, that they realized they would have to fight for justice. No parent should know the loss of a child like this, but as the subtitle puts it, this is a “parents’ story of love, injustice, and the birth of a movement” and we have Fulton and Martin to thank for turning their grief into a call to action for us all.
On February 26th 2012 seventeen-year-old Trayvon Martin was walking home with a bag of Skittles and a can of juice when a fatal encounter with a gun-wielding neighbourhood watchman ended his young life. In a matter of weeks, Trayvon Martin's name would be spoken by President Obama, honored by professional athletes, and passionately discussed all over traditional and social media. Trayvon's parents, Sybrina Fulton and Tracy Martin, driven by their intense love for their lost son, launched a nationwide campaign for justice that would change the USA and the world.
Five years after his tragic death, Travyon Martin has become…
I was raised in a Jewish but completely secular family, with no religious traditions or affiliations. Perhaps because religion was so exotic, I have always found it fascinating. In college, I gravitated toward topics in medieval religion, which crystallized the strangeness of an era both earthy and intensely devout. I wanted to understand why an Anglo-Saxon monk sitting in a cold monastery in northern England cared so much about biblical history. Or how Saint Bernard could so relentlessly hound a fellow monk over a scholarly treatise, yet also work energetically to protect Jews from violence. I can't say I'll ever fully comprehend the force of religion, but I love trying.
The letters collected in this slim paperback collectively tell one of the most dramatic and moving stories of the entire Middle Ages. Letter 1, directed toward a (perhaps fictional) friend, is a spiritual autobiography, consciously modelled on Augustine'sConfessions, in which the great philosopher and theologian Peter Abelard recounts his doomed love affair with his brilliant seventeen-year-old pupil Heloise. This affair resulted in Abelard's violent castration at the instigation of her outraged uncle. In Letter 1, written years later, Abelard explains how his suffering gradually led him towards God. Eight more letters, exchanged between Abelard and Heloise years after their parting, are less dramatic but almost more poignant, as Heloise, now a nun, seeks solace and connection from her former lover, who offers spiritual advice but cannot give her the intimacy she craves.
The story of Abelard and Heloise remains one of the world's most celebrated and tragic love affairs. Through their letters, we follow the path of their romance from its reckless and ecstatic beginnings when Heloise became Abelard's pupil, through the suffering of public scandal and enforced secret marriage, to their eventual separation.
Julia P. Gelardi has obtained a Master’s degree in History and spent many years immersed in the world of European royal history. The author of numerous articles and seven books on European royalty, three of which have been published by St. Martin’s Press, Julia has done extensive research in various archives, including the Royal Archives at Windsor Castle. She continues to search the world for elusive books on royalty to add to her library and is always on the lookout for new topics to write about and share with her readers.
An indispensable work to anyone interested in the Romanovs, and especially in the life and reign of Tsar Nicholas II. Here, in their own words from diaries and letters are the thoughts and inner-most feelings of Tsar Nicholas II and his wife, Tsarina Alexandra, as well as numerous royal relatives – though the main focus is on Nicholas and Alexandra. Through these written words, the imperial couple and their families are revealed; they’re given a voice and come alive across more than six hundred pages of text. Interspersed as well are a variety of primary sources such as memoirs, documents, diplomatic letters, and the like. But it is the letters and diaries which take center stage and deliver an emotional read.
Russian historians Maylunas and Mironenko (he was Director of the State Archive of the Russian Federation) have done an admirable job of culling through an enormous amount of material…
In the darkest days of the Stalinist era of the Soviet Union, when all talk of the Romanovs was punishable at the very least by banishment to Serbia, a group of archivists were exempt. They sorted and filed the thousands of letters and photographs of the last Tsar of Russia, Nicholas II, his wife, Alexandra (a granddaughter of Queen Victoria), and their five children. In all, some 13,000 letters have survived. Those between 1889 and 1914 have never before been published. They run the gamut from matters of state to intimate expressions of love and longing. In addition there are…
When Lara was four years old, her father moved from Rochester, New York, to Anchorage, Alaska, a distance of over 4,000 miles. She spent her childhood chasing after him, flying a quarter of the way around the world to tug at the hem of his jacket.
My engagement in the topic has two distinct vectors, academic, and personal, or, if you wish, existential. My academic engagement began when Buber's son Raphael (1900-91), who served as the Executor of the Martin Buber Literary Estate, invited me to assemble and edit his father's writings on the "Arab Question." He explained that of all of his father's publications, his ramified writings promoting the political and human dignity of the Palestinian Arabs spoke most dearly and, as a citizen of the State of Israel, most immediately to him. I accepted Rafael's invitation with alacrity, for like Raphael I'm an Israeli by choice, having emigrated to the country in 1970.
Examines
how the architects of the conflict worked to influence and indoctrinate their
respective ideologies in the ordinary soldiers by analyzing the battle orders,
pamphlets, army journals, and recordings of radio broadcasts in Hebrew, Arabic,
and English. Through two overarching narratives – the official and unofficial,
the propaganda and personal letters, Dear Palestine reveals the fissures
between ‘sanctioned nationalism’ and individual experience and identity. This
book reminds one that everyday individual’s fears, bravery, hubris, base
cruelty, lies, and fantasies are as important in history as the preoccupations
of the elites.
In 1948, a war broke out that would result in Israeli independence and the erasure of Arab Palestine. Over twenty months, thousands of Jews and Arabs came from all over the world to join those already on the ground to fight in the ranks of the Israel Defense Forces and the Arab Liberation Army. With this book, the young men and women who made up these armies come to life through their letters home, writing about everything from daily life to nationalism, colonialism, race, and the character of their enemies. Shay Hazkani offers a new history of the 1948 War…
As well as being a novelist (ten published books to date), I’m a Senior Lecturer in Prose at Liverpool John Moores University. My current academic fields of interest are the role Johanna van Gogh-Bonger played in Vincent’s rise to fame, the silencing of women involved in creative pursuits, and the consideration of a novelist’s ethical and moral responsibilities when fictionalising a real life. My true passion lies in the creative uncovering of those erased stories, and in adding to the emerging conversation. That’s why I’ve shifted from writing contemporary to historical novels. I’m also known as the international, bestselling author Caroline Smailes (The Drowning of Arthur Braxton).
I maintain that the only way to gain a true understanding of Vincent van Gogh is to identify his role in seemingly peripheral narratives.
This book considers the Van Gogh sisters, and gives stunning voices to their previously untold narratives. An intimate and necessary insight into the siblings’ relationship, their struggles with mental health, and their intelligent observations of the changing social climate are given.
Without doubt, to recognise Vincent fully, there’s a need to both navigate and to appreciate the female relationships that influenced him.
The lively and revealing correspondence that Vincent van Gogh maintained with his art-dealer brother Theo is famous as a source of insight into the mind of one of the most celebrated artists of all time. But what of Anna, Lies and Willemien van Gogh, with whom Vincent had intimate and sometimes turbulent relationships? It was an argument with his oldest sister, Anna, in the aftermath of their father's death that provoked Vincent to leave the Netherlands and never return.
The Van Gogh siblings grew up at a time when long-distance travel by train first became possible. As each went their…
It’s often said that it takes a village to raise a child. I grew up in an intergenerational family in India. Grandparents, aunts, and uncles provided that extended community. Grandparents can pass down traditions, ensuring the preservation of culture. Stories that speak to the reality of multi-generational households can normalize and celebrate the presence of elders. The number of Americans living in multigenerational households is about four times larger than it was in the 1970s, yet the educational potential and the joy of these relationships are often ignored in literature.
I love plants and gardening, and in this clever story, an aunt sends her niece a letter and a houseplant every month. I also love that the letters are written in poetic rhyme. Young kids love rhyme, which adds to the playfulness when reading aloud.
A delightful celebration of family, plants, and the boundlessness of love told in lively, poetic letters from aunt to niece with bright, irresistible illustrations!
Every month, an aunt mails a letter and a houseplant to her niece and . . . LOVE GROWS!
I'm sending this pothos, so while we're apart, you'll look at its leaves and know you're in my heart.
In the vein of We Are the Gardeners and Dear Girl, this beautiful story is the perfect gift for Valentine's Day, birthdays, graduation, and more! Young readers and gardeners will also love the sidebars on each spread with…
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places…
I am a nonfiction writer who aims to bring heart to my writing. If I can move the reader and enable them to connect to their inner world, then I consider that I have been successful. As I consider my purpose is rehabilitating women whom history has mistreated, my way into these misunderstood women is to examine their inner lives. What moves them and how they manage to survive and surmount their own heartbreak is the question that I am most interested in.
This book became a lifeline for me when I was going through an unhappily difficult and extremely stressful time. I felt as if it was written for me as a form of salve for my lack of trust in myself and my life at this point.
Rilke is wise, knowing, and reassuring about the vicissitudes of our emotional journeys. He encouraged me to hold onto myself in an emotional sense. To seek my own inner counsel and to not panic when my life seemed to unravel. I love his discourse on faith, solitude, trust, and his dissection of what it is to be an artist.
I found this a profoundly important and moving book when I was wavering about the bigger picture of life.
Born in 1875, the great German lyric poet Rainer Maria Rilke published his first collection of poems in 1898 and went on to become renowned for his delicate depiction of the workings of the human heart. Drawn by some sympathetic note in his poems, young people often wrote to Rilke with their problems and hopes. From 1903 to 1908 Rilke wrote a series of remarkable responses to a young, would-be poet on poetry and on surviving as a sensitive observer in a harsh world. Those letters, still a fresh source of inspiration and insight, are accompanied here by a chronicle…
