100 books like The Letters of Abelard and Heloise

I was raised in a Jewish but completely secular family, with no religious traditions or affiliations. Perhaps because religion was so exotic, I have always found it fascinating. In college, I gravitated toward topics in medieval religion, which crystallized the strangeness of an era both earthy and intensely devout. I wanted to understand why an Anglo-Saxon monk sitting in a cold monastery in northern England cared so much about biblical history. Or how Saint Bernard could so relentlessly hound a fellow monk over a scholarly treatise, yet also work energetically to protect Jews from violence. I can't say I'll ever fully comprehend the force of religion, but I love trying.

I was raised in a Jewish but completely secular family, with no religious traditions or affiliations. Perhaps because religion was so exotic, I have always found it fascinating. In college, I gravitated toward topics in medieval religion, which crystallized the strangeness of an era both earthy and intensely devout. I wanted to understand why an Anglo-Saxon monk sitting in a cold monastery in northern England cared so much about biblical history. Or how Saint Bernard could so relentlessly hound a fellow monk over a scholarly treatise, yet also work energetically to protect Jews from violence. I can't say I'll ever fully comprehend the force of religion, but I love trying.

I'm a professor of philosophy in Munich who has been working on various aspects of medieval philosophy for nearly three decades. My own research is on philosophy in the Islamic world but I've always been fascinated by philosophy in medieval Christian Europe. What I find most interesting is the way medieval philosophy constantly overturns our expectations: we imagine that this was a deeply conservative and highly controlled society where it was almost impossible to explore new ideas. Yet, it was an incredibly diverse and innovative time in the history of human thought. Thanks to my History of Philosophy podcast project I had the chance to delve deeply into medieval philosophy in Latin Christendom.

I was raised in a Jewish but completely secular family, with no religious traditions or affiliations. Perhaps because religion was so exotic, I have always found it fascinating. In college, I gravitated toward topics in medieval religion, which crystallized the strangeness of an era both earthy and intensely devout. I wanted to understand why an Anglo-Saxon monk sitting in a cold monastery in northern England cared so much about biblical history. Or how Saint Bernard could so relentlessly hound a fellow monk over a scholarly treatise, yet also work energetically to protect Jews from violence. I can't say I'll ever fully comprehend the force of religion, but I love trying.

I’m an economist, now in my fiftieth year as a professor at Harvard. While much of my work has focused on economic policy – questions like the effects of government budget deficits, guidelines for the conduct of U.S. monetary policy, and what actions to take in response to a banking or more general financial crisis – in recent years I’ve also addressed broader issues surrounding the connections between economics and society. Several years ago, in The Moral Consequences of Economic Growth, I examined the implications of our economy’s growth, or stagnation, for the social, political, and ultimately moral character of our society. My most recent book explores the connections between economic thinking and religious thinking.

Peter Marshall is Professor of History at the University of Warwick, co-editor of the English Historical Review, and the author of nine books and over sixty articles on the religious and cultural history of early modern Europe. His authoritative account of the Reformation in England, Heretics and Believers, was awarded the Wolfson History Prize in 2018. Peter is a native of the Orkney Islands, and currently writing a book on the islanders’ experiences in the Reformation era.

I'm best known for the Amelia's Notebook series which are based on the notebooks I kept as a kid. I started using the notebook format because that's how I thought—sometimes in words, sometimes in pictures. But this was a long time ago, in the 90s when graphic novels weren't a common format. When I submitted Amelia to publishers, they rejected it, saying it wasn't a picture book, it wasn't a novel, so how would librarians know where to shelve it? A small press that didn't know any better took a chance and published Amelia's Notebook. It became a big bestseller, with more than 20 books to follow and started a new trend in kid's books.

I was born in rural Bannockburn in Scotland, two fields from the site of the famous Battle (a rare victory over England) of 1314. From the start, the Past has always been very present to me. I have written 22 books: novels, non-fiction memoir, and poetry. In differing ways they all explore aspects of Scotland and being Scottish – our landscape, geology, history, culture, and psyche. I was brought up in East Fife, near St Andrews, and live in Edinburgh and Orkney; my mother was English, as is my wife, novelist Lesley Glaister. Which is by way of saying I am interested in writing the joys, aches, and complexities of being human, in the universal and the local, in our present and the Past that shapes it.

I am a member of an unfortunate tribe, the tribe of grieving mothers who write. Upon learning that my newborn son was profoundly brain-damaged, I kept a diary. Writing those pages helped me make sense of his prognosis and figure out how to care for him before he died. Later, my diary helped me write my memoir Holding Silvan: A Brief Life which went on to be named a “Best Book” of the year by both Library Journal and the Boston Globe. Today, I write and work with other writers trying to craft their own stories of loss. Each experience of grief is unique. The five memoirs I’m recommending give voice to a variety of maternal losses — from stillbirth to murder. While each of these memoirs is powerful in its own way, the love in them is universal.

I’m fascinated by these themes – love, France, mystery, women’s lives, war, and peace. My parents took me to France when I was 12 and I’ve spent years there in between and go back whenever I can. I started reading in French when sent to be an au pair in Switzerland when I was 17. My own novel, The Lost Love Letters Of Henri Fournier was absorbing to write as it contains all of the above. I found an unpublished novel of Fournier’s in a village in rural France a few years ago and decided I had to write about him and his lover, Pauline, who was a famous French actress.