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I chose to study creative nonfiction during my MFA program so I could learn what makes great memoirs work, but I first fell in love with the genre as a teenager, when I picked up Angela’s Ashes off my mom’s bedside table. I’m grateful for the way memoir gives me a window into the lives of people of other races, religions, abilities, experiences, and even other centuries.While my book The Place We Make isn’t only a memoir—it’s a blend of memoir and historical biography—it was my desire to both understand the view through my research subject’s eyes, and analyze how I was seeing the world myself, that drove me to write it.
Not only does Ward provide an incredibly personal and achingly beautiful glimpse of a culture I was unfamiliar with—a rural, impoverished Black community in the Deep South—but she does so with an innovative structure that simply dazzled me.
One strand of the book opens at the beginning of Ward’s life, while the other strand picks up at the end of her tale, with the most recent of five harrowing deaths due to gun violence that she and her community have endured. Each part of the story then alternately proceeds toward the same point, forwards along her childhood and backwards through each death, until both strands wind up in the middle of the story. It’s brilliantly executed.
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'A brutal, moving memoir ... Anyone who emerges from America's black working-class youth with words as fine as Ward's deserves a hearing' - Guardian
'Raw, beautiful and dangerous' - New York Times Book Review
'Lavishly endowed with literary craft and hard-earned wisdom' - Time
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The beautiful, haunting memoir from Jesmyn Ward, the first woman to win the National Book Award twice
'And then we heard the rain falling and that was the blood falling; and when we came to get in the crops, it was dead men that we reaped' - Harriet Tubman
Jesmyn Ward's acclaimed memoir shines…
I am a psychiatrist-novelist. As a psychiatrist, I’ve seen many patients struggling with infertility and miscarriage. As a novelist, I became intrigued with the idea of having false pregnancy (pseudocyesis) be a key element in a character’s life. My primary goal was to create an engrossing good read. I also wanted to show the psychological trauma of infertility/miscarriage. Another goal was to portray psychiatric patients, the psychiatrists who treat them, and psychiatry in a realistic way. I’m so gratified by the reader reviews: “gripping”...“spell-binding”...“rich, satisfying read”...“a page-turner”...“Illuminating”.
This extraordinary book combines a lived experience with the powerful writing of an accomplished author. Unexpectedly, in her mid-thirties, she finds a man to love and a baby is on the way. But then, the agony: the baby dies in utero in the ninth month. She tackles head-on the deepest feelings and questions this brings. I like the way she unsparingly describes her experience and her grief, and then how she processes this and finds a way to move on.
"This is the happiest story in the world with the saddest ending," writes Elizabeth McCracken in her powerful, inspiring memoir. A prize-winning, successful novelist in her 30s, McCracken was happy to be an itinerant writer and self-proclaimed spinster. But suddenly she fell in love, got married, and two years ago was living in a remote part of France, working on her novel, and waiting for the birth of her first child.
This book is about what happened next. In her ninth month of pregnancy, she learned that her baby boy had died. How do you deal with and recover from…
I am a member of an unfortunate tribe, the tribe of grieving mothers who write. Upon learning that my newborn son was profoundly brain-damaged, I kept a diary. Writing those pages helped me make sense of his prognosis and figure out how to care for him before he died. Later, my diary helped me write my memoir Holding Silvan: A Brief Life which went on to be named a “Best Book” of the year by both Library Journal and the Boston Globe. Today, I write and work with other writers trying to craft their own stories of loss. Each experience of grief is unique. The five memoirs I’m recommending give voice to a variety of maternal losses — from stillbirth to murder. While each of these memoirs is powerful in its own way, the love in them is universal.
Upon receiving the news that her two young daughters had been killed by a drunk driver, Genevieve Jurgensen didn’t think she could go on, let alone ever write about her loss. Fortunately for us, she eventually found a way to tell this story. Through letters to a friend, she draws us in, circling the pain of that terrible day, musing about the mysterious ways in which loss can coexist with a happy, ongoing life. With its raw and intimate feel, the book is a profoundly moving testimony to the complicated process of healing.
What do you do, how do you live, when both of your daughters are killed on the same afternoon?
On April 30, 1980, Genevieve Jurgensen found herself facing that question when she lost her four- and seven-year-old daughters to a drunk driver. Here she presents her search for an answer.
When called a badass, I say thank you. Though I was raised to say and do the right thing, I’ve spent a lifetime speaking my truth, on radio and now on podcasts, being both reverent and irreverent. It took losing three immediate family members and getting hit by a car as a pedestrian for me to learn that I don’t have to be in perpetual motion. I went from being the baby of my family to being the matriarch in a heartbeat and am honored to share what I’ve learned about resilience and authenticity in my first book, By Accident: A Memoir of Letting Go.
I cannot imagine sitting at the bedside of one of my children in a coma.
Isabel Allende not only did that, but used her grief, fear, pain, hope, optimism, memory, and humor to write an extraordinarily compelling book. We come to know not only Paula, Isabel’s gravely ill daughter, but a colorful cast of characters from the family’s past.
We learn about Chilean history and somehow find ourselves laughing and crying in the same chapter. At least I did. Allende is a master with words – and English is not her first language. Do yourself a favor and read this gem.
"Beautiful and heartrending. . . . Memoir, autobiography, epicedium, perhaps even some fiction: they are all here, and they are all quite wonderful."-Los Angeles Times
In this literary classic, New York Times bestselling author Isabel Allende recalls the story of her beloved daughter and her remarkable family's past.
When her daughter, Paula, became gravely ill and fell into a coma, Isabel Allende began to write the story of her family for her unconscious child. Bizarre ancestors are introduced; delightful and bitter childhood memories are shared; amazing anecdotes of youthful years are relived, and the most intimate secrets are quietly passed…
I am a member of an unfortunate tribe, the tribe of grieving mothers who write. Upon learning that my newborn son was profoundly brain-damaged, I kept a diary. Writing those pages helped me make sense of his prognosis and figure out how to care for him before he died. Later, my diary helped me write my memoir Holding Silvan: A Brief Life which went on to be named a “Best Book” of the year by both Library Journal and the Boston Globe. Today, I write and work with other writers trying to craft their own stories of loss. Each experience of grief is unique. The five memoirs I’m recommending give voice to a variety of maternal losses — from stillbirth to murder. While each of these memoirs is powerful in its own way, the love in them is universal.
Before their son died, Sybrina Fulton and Tracy Martin never imagined speaking publicly or starting a movement. It was only after Trayvon, a seventeen-year-old Black boy walking home from the store, was shot and killed by a white man who claimed he felt threatened, that they realized they would have to fight for justice. No parent should know the loss of a child like this, but as the subtitle puts it, this is a “parents’ story of love, injustice, and the birth of a movement” and we have Fulton and Martin to thank for turning their grief into a call to action for us all.
On February 26th 2012 seventeen-year-old Trayvon Martin was walking home with a bag of Skittles and a can of juice when a fatal encounter with a gun-wielding neighbourhood watchman ended his young life. In a matter of weeks, Trayvon Martin's name would be spoken by President Obama, honored by professional athletes, and passionately discussed all over traditional and social media. Trayvon's parents, Sybrina Fulton and Tracy Martin, driven by their intense love for their lost son, launched a nationwide campaign for justice that would change the USA and the world.
Five years after his tragic death, Travyon Martin has become…
I'm a survivor of repeated physical, psychological, and sexual abuse in childhood and have significant lived experience of the long-lasting and devastating impact of abuse. I was a social worker for 27 years and am a co-founder of The National Association for People Abused in Childhood (NAPAC). In my 27 years in social work and 20 years involvement in NAPAC I heard of many accounts from adult survivors of various types of abuse. One of the recommendations of the Independent Inquiry into Child Sexual Abuse (IICSA) is to introduce Mandatory Reporting. I believe this is a must to help prevent and or reduce the risk of abuse for our children at the earliest possible stage.
In my view this book is an excellent example of how to understand the trauma caused by abuse at any age and in any circumstance and how it can devastate a person, can destroy them.
A particularly long-lasting and devastating impact is clear to see when it happens in childhood and in the family where most abuse occurs. I am aware of the significance of the model described by Judith with its stages of recovery. It is the basis of how The Woman’s Service I talk about in my book was developed by Maggie Schaedel.
It is the model Hilary worked to and because of that I was enabled to find an emotional connection with Hilary and begin to live rather than merely exist. I love this book because it provides academic research to back up its claims, and I am living proof the model works. How cool is that.
When Trauma and Recovery was first published in 1992, it was hailed as a ground-breaking work. In the intervening years, Herman's volume has changed the way we think about and treat traumatic events and trauma victims. In a new afterword, Herman chronicles the incredible response the book has elicited and explains how the issues surrounding the topic have shifted within the clinical community and the culture at large. Trauma and Recovery brings a new level of understanding to a set of problems usually considered individually. Herman draws on her own cutting-edge research in domestic violence as well as on the…
I am a longtime American journalist and former New York University Professor of Journalism who has written 10 books of non-fiction, several addressing issues of trauma. I was born in Prague, Czechoslovakia to two survivors of the Holocaust and was a baby immigrant to the U.S. after the Communist take-over of 1948. Although I have written a lot about the arts (music, books, and theater), I have also had a long-term interest in the psychological effects of psychic trauma in survivors of racism, antisemitism, sexism, genocide, war, illness, and natural disaster. My upcoming book is The Year of Getting Through It about being diagnosed with and undergoing treatment for endometrial cancer during COVID.
Filmmaker Rithy Panh does not like the word trauma. He prefers to describe the after-effects of what happened to his Cambodian family as “an unending desolation.” Ever since the Khmer Rouge were driven from power in 1979 and he survived as a teenager, he has not stopped thinking about his family and trying to understand Comrade Duch, a man Rithy regards as “The Commandant of the Killing Fields." Mao and Stalin, Nazism and the Nurenberg Trials, and The Hague all hover at the edges of Rithy’s consciousness. He describes dispossession; dehumanization beginning with the annulment of names; demonization of education and traditional notions of culture; deportation; slow starvation; corruption; terror; torture and language itself. Rithy Panh is a documentary filmmaker and reading The Elimination is an act of witness by both writer and reader.
From the internationally acclaimed director of S-21: The Khmer Rouge Killing Machine, a survivor’s autobiography that confronts the evils of the Khmer Rouge dictatorship
Rithy Panh was only thirteen years old when the Khmer Rouge expelled his family from Phnom Penh in 1975. In the months and years that followed, his entire family was executed, starved, or worked to death. Thirty years later, after having become a respected filmmaker, Rithy Panh decides to question one of the men principally responsible for the genocide, Comrade Duch, who’s neither an ordinary person nor a demon—he’s an educated organizer, a slaughterer who talks,…
I am a longtime American journalist and former New York University Professor of Journalism who has written 10 books of non-fiction, several addressing issues of trauma. I was born in Prague, Czechoslovakia to two survivors of the Holocaust and was a baby immigrant to the U.S. after the Communist take-over of 1948. Although I have written a lot about the arts (music, books, and theater), I have also had a long-term interest in the psychological effects of psychic trauma in survivors of racism, antisemitism, sexism, genocide, war, illness, and natural disaster. My upcoming book is The Year of Getting Through It about being diagnosed with and undergoing treatment for endometrial cancer during COVID.
Baldwin first opened my eyes to the possibilities of memoir. When English teachers held up fiction as the literary ideal, I was drawn to Baldwin’s essays instead. I was a New Yorker, living not far from the author’s Harlem, and growing up at the time of the civil rights movement. Baldwin was writing autobiographical non-fiction that, knitted together individual temperament and social history. “I left America because I doubted my ability to survive the fury of the color problem here,” he wrote in Nobody Knows My Name. I read that paragraph as the daughter of Czech Jewish immigrants, white people who had survived both Nazism and Stalinism. Baldwin’s voice was like the voices I heard at home telling stories of the Second World War. It was both compelling and trustworthy. Fifty years later, I still think so.
'These essays ... live and grow in the mind' James Campbell, Independent
Being a writer, says James Baldwin in this searing collection of essays, requires 'every ounce of stamina he can summon to attempt to look on himself and the world as they are'. His seminal 1961 follow-up to Notes on a Native Son shows him responding to his times and exploring his role as an artist with biting precision and emotional power: from polemical pieces on racial segregation and a journey to 'the Old Country' of the Southern states, to reflections on figures such as Ingmar Bergman and Andre…
I am a longtime American journalist and former New York University Professor of Journalism who has written 10 books of non-fiction, several addressing issues of trauma. I was born in Prague, Czechoslovakia to two survivors of the Holocaust and was a baby immigrant to the U.S. after the Communist take-over of 1948. Although I have written a lot about the arts (music, books, and theater), I have also had a long-term interest in the psychological effects of psychic trauma in survivors of racism, antisemitism, sexism, genocide, war, illness, and natural disaster. My upcoming book is The Year of Getting Through It about being diagnosed with and undergoing treatment for endometrial cancer during COVID.
A Wolf in the Attic by Sophia Richman is a book written by a psychotherapist who was hidden in an attic in Poland as a Jewish child during the second world war. She describes this experience (she was told to never utter a sound) as well as its impact on her relationship with her parents and her life after the war in Paris and then in New York City. She maintained her reluctance to speak in public until very late in life and this book is a kind of coming out for what is now known as a “hidden child” or “child survivor.” I found it fascinating to read how a psychologist analyzes her own childhood and the life choices she makes as an adult.
A Wolf in the Attic: Even though she was only two, the little girl knew she must never go into the attic. Strange noises came from there. Mama said there was a wolf upstairs, a hungry, dangerous wolf . . . but the truth was far more dangerous than that. Much too dangerous to tell a Jewish child marked for death. One cannot mourn what one doesn't acknowledge, and one cannot heal if one does not mourn . . . A Wolf in the Attic is a powerful memoir written by a psychoanalyst who was a hidden child in Poland…
There are very few novels written by psychiatrists, and even fewer that accurately show psychiatrists at work. That is one of the major reasons that I wrote The End of Miracles. I’ve been a professor of psychiatry at the University of Michigan, seen many patients, and taught many psychiatry residents, so I know a good deal about people with mental illness and its treatment. As a novelist, I also wanted to write a book that is exciting and gives pleasure to readers. I think I succeeded. Here are some comments from reader reviews online: “gripping”… ”thought-provoking”… ”spell-binding”… ”illuminating”… “a page-turner”… ”a rich and satisfying read”.
In Ordinary People, the boating-accident death of the older teenage son shatters the family.
Conrad, the younger son who was also on the boat, is tormented by self-blame for his brother’s death. After a suicide attempt and a psychiatric hospitalization, Conrad is released. He is still beset with guilt and depression and begins outpatient treatment with Dr. Berger, a blunt yet also an empathetic psychiatrist.
I like the way he helps Conrad reconsider his unrealistic guilt and helps him look at the limitations of his mother, a parent unable to provide him the warmth and support he needs. I like the way Dr. Berger is portrayed as caring and skilled, an example of how psychiatrists effectively treat their patients.
One of the great bestseller of our time: the novel that inspired Robert Redford's Oscar-winning film starring Donald Sutherland and Mary Tyler Moore
In Ordinary People, Judith Guest's remarkable first novel, the Jarrets are a typical American family. Calvin is a determined, successful provider and Beth an organized, efficient wife. They had two sons, Conrad and Buck, but now they have one. In this memorable, moving novel, Judith Guest takes the reader into their lives to share their misunderstandings, pain, and ultimate healing. Ordinary People is an extraordinary novel about an "ordinary" family divided by pain, yet bound by their…
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