Writers often get labeled as either nonfiction or fiction writers. In grad school, it was very difficult to study across genres, which I found very frustrating: To me, the most important thing about a book has always been the voice. A novel? A memoir? Essays? Stories? Don’t pin me down, just give me something with a voice that propels me forward, that is unique and sparkling and unputdownable. When I find books with voices so singular and propulsive, I return to them over and over.
A dizzying, intoxicating, completely engrossing memoir by another poet, who’s most famous as the author of The English Patient. I always feel a little tipsy, in the best way, reading this one.
Ondaatje was born in Sri Lanka and sets out as an adult from Canada to discover the mysteries left behind by eccentric, long-lost family members in a land he loves. Newspaper articles, pictures, ghost stories, and poetry comprise this one-of-a-kind narration. When his brother pleads with him to get this family history right, you feel the weight of the request as heavy as a summer rain.
In the late 1970s Ondaatje returned to his native island of Sri Lanka. As he records his journey through the drug-like heat and intoxicating fragrances of that "pendant off the ear of India, " Ondaatje simultaneously retraces the baroque mythology of his Dutch-Ceylonese family. An inspired travel narrative and family memoir by an exceptional writer.
My partner found this book covered in a
layer of dust and cobwebs in an abandoned cottage on an island in Sri Lanka. I
eyed him skeptically as he picked it up. Later, I started reading it only to
champion his cause of saving a book…but what a find it turned out to be!
The year is 2025. A
disillusioned, old “eco-terrorist” is managing a private zoo, and the ecological
apocalypse is on his (flooded) doorstep. Boyle’s cutting satire, dark humor, surreal plot, and marvelous writing make it one of the most poignant works
of fiction on climate change and the destruction of the wild.
What were we doing on that island? Well,
that’s another story.
_______________________
'A comedy with teeth ... razor sharp and darkly funny' (TIMES)
'Boyle's prose is so good and his imagination so fertile that after a while you just sit back and are swept along' (TELEGRAPH)
'Surreal, daring and compassionate. Easily one of the best books of the year' (MAIL)
'Superb ... if Boyle was from this side of the pond, this is the book they'd all have to beat for the Booker Prize' (SUNDAY TIMES)
It's 2025, and 75-year-old environmentalist and retired eco-terrorist Ty Tierwater is eking out a bleak living managing a pop star's private zoo.
It is the…
I’ve been a street musician, set up kindergartens, worked in special needs education, and run wood-fired showers in a field for meditation retreats. I’m also associate professor of sociology at the National University of Ireland Maynooth. I became a Buddhist partly out of interest in a very different culture and started wondering how Buddhism got from Asia to the West. I think about this through my own experience of teaching meditation, being an activist for 35 years, living in five countries, and learning ten languages: what do you have to do to make an idea come alive in a different culture?
I love this warm-hearted and rich account of the first Americans to become Buddhist: the romantics who fell in love with Asian cultures, the rationalists who thought of Buddhism as a science or philosophy of human existence, and the esotericists who sought magical powers and powerful initiations. From Lafcadio Hearn’s celebration of “old Japan” to Countess Canavarro who set up a nun’s order in Sri Lanka, via Theosophists, vegetarians, and atheists, this book is a fantastic collection of people’s lives which were both transformed by meeting Buddhism and yet remained distinctively American even in their new form.
This work examines 19th-century America's encounter with one of the world's major religions. Exploring the debates about Buddhism that followed upon its introduction to the USA, the author shows what happened when the transplanted religious movement came into contact with America's established culture and fundamentally different Protestant tradition. The text, first published in 1992, traces the efforts of various American interpreters to make sense of Buddhism in Western terms. Tweed demonstrates that while many of those interested in Buddhism considered themselves dissenters from American culture, they did not abandon some of the basic values they shared with their fellow Victorians.…
When my father died in 1998, bladder cancer, I was 41 years old and privileged to be his primary caregiver for five weeks. My first major loss and it was as though a mack truck had been driven through my chest. Ten years later, my mother died, after nine years of dementia, which is like losing someone twice. That was a more ravaging grief. Twelve years later, my nephew died, a month away from his 36th birthday. And in 2022, one close friend of mine took his own life and another died of cancer at age 57. Grief is the subject I gravitate toward in the books I read and the essays I write.
This book is about the most horrifying loss imaginable: the author loses her parents, her husband, and her two young sons all at once, in the tsunami in the Indian Ocean, the day after Christmas, 2004. She and her family were spending the holiday in Sri Lanka when the wave hit and overtook the jeep in which they were attempting to flee. I can’t come up with a better justification for suicide than this—she’s lost everyone; she wonders why she was spared, just to suffer these losses every minute of every hour of every day. The book is both a horror story and a testament to human strength. I assure you, you won’t be able to put it down.
The book opens and we are inside the wave: thirty feet high, moving at twenty-five mph, racing two miles inland. And from there into the depths of the author's despair: how to live now that her life has been undone?
Sonali Deraniyagala tells her story - the loss of her two boys, her husband, and her parents - without artifice or sentimentality. In the stark language of unfathomable sorrow, anger, and guilt: she struggles through the first months following the tragedy -- someone always at her side to prevent her from harming herself, her…
I write novels that enthrall, enrich, and enliven you. I've been student of Buddhism for more than thirty years and spend long periods of time with the most generous Tibetan Buddhist nuns in their monasteries in the remote Himalayas, relishing the solitude and contemplative life. Their tales of resilience are an enormous inspiration to me. The biographies of Western Buddhist women I’ve selected are everything I look for in ‘great writing’. The stories are engaging and entertaining, but also make us pause and reflect to appreciate the astonishing opportunities of the privileged times we live in, and challenge us once again to be and do better—every moment of this precious life.
This is the life story of Ayya Khema (1923-1997), who was the first Western woman to be ordained a Theravadin Buddhist nun. In this book, she recounts her rich and adventurous life. Born in Germany to Jewish parents before WWII, she joined a children's transport group going to England after the Kristal Nacht. After a year she met up with her parents in Shanghai, where the Japanese invasion forced them to give up their lives and live in a ghetto. From there on, her life takes many turns. She marries, has children, travels all over, and eventually steps onto the spiritual path in later life. She ordains as a Buddhist nun, initiates Nun's Island, a Buddhist monastery in Sri Lanka, and eventually comes back to Germany to create Buddha Haus. Ven. Ayya Khema writes more ‘from a distance,' and although we do not always get a glimpse into her inner…
Ayya Khema (1923-1997) was the first Western woman to become a Theravadan Buddhist nun. As such, she has served as a model and inspiration for women from all the Buddhist traditions who have sought to revive the practice of women's monasticism in modern times. Though her renown as a teacher is widespread, few know the truly amazing details of her life before her monastic ordination at the age of fifty-eight. And what a life it was. Born Ilse Kussel in Berlin, Germany, she grew up in a prosperous Jewish family that was broken up by Nazi terror in 1938. The…
Plus, Tracey's
2, and 7-year-old's favorite books.
Why did Tracey's
7-year-old love this book?
He enjoys this brilliant story about a girl
who develops a friendship with a wild leopard.
He really likes the leopard and
the jungle. The jungle is next door to the girl’s school. One day, the leopard
gets stolen and the girl wants to rescue him. The author of this book came to
talk at his school. Now he is looking for her other books to read too.
From the author of The Girl Who Stole an Elephant comes another brilliant escapade. The third thrilling adventure set in a fictional Sri Lanka is jam-packed with peril, poachers and an endangered leopard!
Selvi is a wild child who loves climbing in the beautiful mountains behind her home. She is often joined by Lokka, a leopard with a beautiful coat and huge golden eyes. When hunters come for Lokka, Selvi is determined to fight.
But what can she do against such powerful enemies? Turn to her friends, of course! Now they just need the perfect plan...
I have worked as an illustrator and visual storyteller throughout my adult life, illustrating children’s fiction books and comics for educational publications. My educational work focused on publications for kids with special needs, this gave me training in how to communicate visually, very clearly and concisely. I now collaborate with my partner Sakina Karimjee making beautiful graphic novels full-time. Toussaint Louverture is our first; we are now working on our second.
Another book that I highly recommend is Vanni. It has a brilliant mix of deft cartoon imagery and meticulously researched verbatim materials.
Dix and Pollock recount the story of one Tamil family’s journey from war-torn Sri Lanka to a place of troubled refuge in the UK.
Vanni’s depiction of Tamil communities, caught in the crossfire of the brutal conflict between the Sri Lankan state and the Tamil Tigers, the devastating tsunami that hits the region, and then the refugee crisis that follows is an important and necessary reportage on one of the world’s most under-reported conflicts.
In the tradition of Maus, Persepolis, Palestine, and The Breadwinner, Vanni is a graphic novel documenting the human side of the conflict between the Sri Lankan government and the "Tamil Tigers." Told from the perspective of a single family, it takes readers through the otherwise unimaginable struggles, horrors, and life-changing decisions families and individuals are forced to make when caught up in someone else's war.
Set in Vanni, the northern region of Sri Lanka that was devastated by the civil war, this graphic novel follows the Ramachandran family as they flee their home after the 2004 tsunami and move from…
I have always been fascinated by beauty and art. As a child growing up in India, I sketched frequently. Later, I became obsessed with photography. In 1999, I moved from my first academic job to join the newly forming Center of Cognitive Neuroscience at the University of Pennsylvania.The move was an opportunity to rethink my research program. In addition to studying spatial cognition, attention, and language, I decided to investigate the biological basis of aesthetic experiences. At the time there was virtually no scholarship in the neuroscience of aesthetics. It has been an exciting journey to watch this field grow. And, it has been exhilarating to start the Penn Center for Neuroaesthetics, the first research center of its kind in the US.
Ellen Dissanayake was a primary force in the modern era to bring evolution into the conversation of why we have and often revere art. For her, art promotes social cohesion in small groups and making objects special through ritual lies at the root of making art. If you want to learn about how evolution might have promoted the creation of art, this book is the place to start.
"Dissanayake argues that art was central to human evolutionary adaptation and that the aesthetic faculty is a basic psychological component of every human being. In her view, art is intimately linked to the origins of religious practices and to ceremonies of birth, death, transition, and transcendence. Drawing on her years in Sri Lanka, Nigeria, and Papua New Guinea, she gives examples of painting, song, dance, and drama as behaviors that enable participants to grasp and reinforce what is important to their cognitive world."-Publishers Weekly"Homo Aestheticus offers a wealth of original and critical thinking. It will inform and irritate specialist, student,…
I fell into the world of tea by chance in the 1980s when I gave up a career in higher education to open a 1930s style tearoom in southwest London. I grew up in the 1950s in a typical British family that drank tea throughout the day but little did I know, as I baked endless supplies of scones and cakes for the tearoom at 4 am every day, that I would end up writing books and magazine articles, editing a tea magazine for the UK Tea Council, speaking at world tea conferences, training staff in hotels, travelling to almost every major tea producing country, and eventually working today as Director of Studies at the UK Tea Academy.
I dip into this must-have book all the time – for pleasure but also to learn and check facts. The four authors own the wonderful tea store, Camellia Sinensis in Montreal, Canada. They are extremely experienced in tasting and selecting teas from around the world for their business and just love sharing their infectious passion for tea and their extensive knowledge of the growing regions, growers, and manufacturers. As well as discussing the most important tea origins, they highlight some of the personalities and industry specialists they have met on their tea journey and whose insights help us understand the day-to-day work of tea gardens and factories. The book also includes invaluable advice on brewing and tasting tea, and the section on tea and gastronomy offers some absolutely stunning recipes for cooking with tea.
An updated edition of the "World's Best Tea Book" acclaimed by the 2014 World Tea Awards.
This widely praised bestseller has been updated to incorporate the changing tastes of tea drinkers, developments in production, the impact of climate change and an expanded and more highly developed tea market. This third edition improves Tea with this revised and extended content plus new photographs.
TeaTime Magazine called Tea "the reference work we've been waiting for", noting its value to students. Library Journal praised it as a "definitive guide to tea (that) will appeal to die-hard tea enthusiasts." Tea House Times found it…
Thanks to access to a good community library, I developed an interest in history from the age of seven. My interest in India grew when I married Indian-born Atam Vetta. After teaching, I set up a business and was director of Oxford Antiques Centre. In 1998, while chair of the Thames Valley Art and Antique Dealers Association, I was invited to become the art and antiques writer for The Oxford Times. That was how my freelance writing career began but since 2016 I have concentrated on writing fiction and poetry but make occasional contributions to The Madras Courier.
If you already know a lot about India and are interested in an unusual insight into the role of temples in the history, culture, architecture, and myths of the subcontinent, then this is for you. It will also introduce you to thirteen writers who include journalists, academics, and authors. Each one was asked to write about one temple, recounting its origins and the mythology and history surrounding it. It’s beautifully illustrated by Mistunee Choudhury. You can enhance the experience by googling the locations. It has introduced me to some must-see places to go on my want to visit list. I visited the unforgettable temples of Khajuraho and they appear in my own book.
The great temples of the Indian subcontinent are uniquely fascinating spaces. Steeped in mythology and history, they are windows into a complex, often contrary culture. Where the Gods Dwell delves into the ‘(hi)stories’—history and mythology—of thirteen architectural marvels that have inspired awe, and not only in the hearts of the faithful.
Every essay in this book is an intriguing mix of historical detail, mythological narrative and architectural commentary, supplementing and complementing each other to tell a story that is more than the sum of its parts. From Pashupatinath in Nepal to the Nallur Kandaswamy in Sri Lanka, the Kamakhya in…
